How are cultural identities, values and traditions challenged, appropriated and negotiated? What does 'being secure' mean? Is 'soft power' merely a continuation of imperialism? The Handbook of Cultural Security heightens our awareness of the interplay between 'culture' and 'society' in the age of globalization, and explores the emerging concept of cultural security. With chapters from leading experts providing case studies from across the world this timely and unique Handbook examines the relationship between society, culture, and security in a globalizing world. Providing a diverse examination of the topic, the contributors emphasise the role of 'non traditional' security and seek to define what 'being secure' means across a broad number of contexts. Chapters cover topics ranging from the politics of radical Islam, the global spread of gated communities, and cultures of security and surveillance to discussions of the concept soft power; the forms it takes, and the impacts of 'exporting' culture. This Handbook provides a platform for future debate in both academic and policy fields, and as such will be of interest for both students of public and social policy, international relations, and politics, as well as those engaged in shaping policy in these areas. Contributors include: A. Akerlund, A. Anderson, A. Anisman, A. Azra, B.K. Blitz, E. Brogi, C. Ceniza Choy, A. Clarke, E. Eken, P. Gielen, J.L. Graves Jr., J. Guetzkow, F. Hartig, C.B. Huat, F. Izadi, J. Lai, G. Lee, A. Manguvo, O. McIvor, T. Monahan, M. Nyanungo, J. Pamment, A. Pande, S. Pandey, P.L. Parcu, A. Richter, J. Ruan, H. Saghaye-Biria, E. Sevin, S.J. Son, G. Sun, C. Webster, M. Wieviorka, A. Wojciuk, Y. Watanabe

China is at the crux of reforming, professionalising, and internationalising its cultural and creative industries. These industries are at the forefront of China's move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China's cultural and creative industries as well as the challenges ahead. The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals. Students of Chinese culture and society will find this Handbook to be an invaluable resource. Scholars working on topics related to China's emergence and its cultural aspirations will also find the themes discussed in this book to be of interest. Contributors: R. Bai, M. Cheung, Y. Chu, P. Chung, J. Dai, J. De Kloet, A.Y.H. Fung, L. Gorfinkel, M. Guo, E.C. Hendriks, C.M. Herr, V. Ho, Y. Huang, M. Keane, W. Lei, H. Li, W. Li, Y. Li, W. Lei, B. Liboriussen, T. Lindgren, R. Ma, L. Montgomery, E. Priest, Z. Qiu, X. Ren, F. Schneider, W. Sun, M.A. Ulfstjerne, J. Wang, Q. Wang, C. Hing-Yuk Wong, H. Wu, B. Yecies, L. Yi, N. Yi, X. Zhang, E.J. Zhao, J. Zheng

On 15 April 1912, passengers stood on a dimly lit Boat Deck, looking down at the lifeboats they were told to enter. In the freezing air, away from the warmth of the interior, they had to decide whether to enter a boat that would be lowered into darkness or remain on an 'unsinkable' ship. RMS Titanic in 50 Objects is a look at the world-famous liner through the objects that tell her story. Sheet music recovered from the body of a musician, a full-sized replica of her First Class Entrance Hall clock, a lifeboat from a fellow White Star Line ship - all of these objects and more come together to tell not only the tragedy of the ship herself, but also that of her passengers and crew. Lavishly illustrated and extensively researched by two of the world's most foremost Titanic experts, this is her history brought to life like never before.

Take the Cannoli is a moving and wickedly funny collection of personal stories stretching across the immense landscape of the American scene. Vowell tackles subjects such as identity, politics, religion, art, and history with a biting humor. She searches the streets of Hoboken for traces of the town's favorite son, Frank Sinatra. She goes under cover of heavy makeup in an investigation of goth culture, blasts cannonballs into a hillside on a father-daughter outing, and maps her family's haunted history on a road trip down the Trail of Tears. Vowell has an irresistible voice -- caustic and sympathetic, insightful and double-edged -- that has attracted a loyal following for her magazine writing and radio monologues on This American Life.

In this fascinating follow-up to the bestselling Information is Beautiful and Knowledge is Beautiful, the king of infographics David McCandless uses spectacular visuals to give us all a bit of good news. We are living in the Information Age, in which we are constantly bombarded with data - on television, in print and online. How can we relate to this mind-numbing overload? Enter David McCandless and his amazing infographics: simple, elegant ways to understand information too complex or abstract to grasp any way but visually. In his unique signature style, he creates dazzling displays that blend facts with their connections, contexts and relationships, making information meaningful, entertaining - and beautiful. In his highly anticipated third book, McCandless illustrates positive news from around the world, for an informative, engaging and uplifting collection of new infographic art.

Unique volume articulating the "gender critical" feminist position 15 chapters by an interdisciplinary team of highly-regarded contributors Engages with an important - but highly polarised - political and social debate.

SUNDAY TIMES NUMBER ONE BESTSELLER 'The most important book of the year' Daily Mail The brilliant and provocative new book from one of the world's foremost political writers 'The anti-Western revisionists have been out in force in recent years. It is high time that we revise them in turn...' In The War on the West, international bestselling author Douglas Murray asks: if the history of humankind is one of slavery, conquest, prejudice, genocide and exploitation, why are only Western nations taking the blame for it? It's become perfectly acceptable to celebrate the contributions of non-Western cultures, but discussing their flaws and crimes is called hate speech. What's more it has become acceptable to discuss the flaws and crimes of Western culture, but celebrating their contributions is also called hate speech. Some of this is a much-needed reckoning; however, some is part of a larger international attack on reason, democracy, science, progress and the citizens of the West by dishonest scholars, hatemongers, hostile nations and human-rights abusers hoping to distract from their ongoing villainy. In The War on the West, Douglas Murray shows the ways in which many well-meaning people have been lured into polarisation by lies, and shows how far the world's most crucial political debates have been hijacked across Europe and America. Propelled by an incisive deconstruction of inconsistent arguments and hypocritical activism, The War on the West is an essential and urgent polemic that cements Murray's status as one of the world's foremost political writers.

As thrilling as it is touching and revealing - this book is an indispensable map to London today. - Ben Judah, Journalist and author of This is London: Life and Death in the World City What makes a Londoner? What is it to be Black, African and British? And how can we understand the many tangled roots of our modern nation without knowing the story of how it came to be? This is a story that begins not with the 'Windrush Generation' of Caribbean immigrants to Britain, but with post-1960s arrivals from African countries like Nigeria, Ghana, Zimbabwe and Somalia. Some came from former British colonies in the wake of newfound independence; others arrived seeking prosperity and an English education for their children. Now, in the 2020s, their descendants have unleashed a tidal wave of creativity and cultural production stretching from Lambeth to Lagos, Islington to the Ivory Coast. Daniel Kaluuya and Skepta; John Boyega and Little Simz; Edward Enninful and Bukayo Saka - everywhere you look, across the fields of sport, business, fashion, the arts and beyond, there are the descendants of Black African families that were governed by many of the same immutable, shared traditions. In this book Jimi Famurewa, a British-Nigerian journalist, journeys into the hidden yet vibrant world of African London. Seeking to understand the ties that bind Black African Londoners together and link them with their home countries, he visits their places of worship, roams around markets and restaurants, attends a traditional Nigerian engagement ceremony, shadows them on their morning journeys to far-flung grammar schools and listens to stories from shopkeepers and activists, artists and politicians. But this isn't just the story of energetic, ambitious Londoners. Jimi also uncovers a darker side, of racial discrimination between White and Black communities and, between Black Africans and Afro-Caribbeans. He investigates the troublesome practice of 'farming' in which young Black Nigerians were sent to live with White British foster parents, examines historic interaction with the police, and reveals the friction between traditional Black African customs and the stresses of modern life in diaspora. This is a vivid new portrait of London, and of modern Britain.

Explore the incredible history of Afro hair. The Story of Afro Hair celebrates the fashion and styles of Afro hair over the last 5,000 years. From plaits to the Gibson Girl, cornrows to locks, the hi-top fade to funki dreds, The Story of Afro Hair is the ultimate book of Afro hairstories. Kicking off with an explanation of how Afro hair type grows and why, The Story of Afro Hair then takes us right back to the politics and fashion of Ancient Egypt. Speeding forwards to modern times we experience the Kingdom of Benin, Henry VIII's court, the enslavement of African peoples, the Harlem Renaissance, the beginnings of Rastafarianism, Britain in the 1980s - and much more. With vibrant full colour illustrations by Joelle Avelino. A sparkling gold foil hardback cover - the perfect gift for anyone interested in culture, fashion and history. With profiles of inspirational key figures in the Afro hair beauty industry, such as Sara Spencer Washington, Madam CJ Walker, Viola Desmond, Lincoln Dyke, Dudley Dryden and Anthony Wade. "A brilliant read for Black History Month, [a] thought-provoking, lively & accessible guide for seven plus" - The Guardian

More of the best, craziest, biggest and funniest! Absolutely Awesome South Africa is an entertaining compilation on South Africa which is packed full of fun, facts and trivia. This completely new coffee table book is packed with completely new content and design on every page and is full of South African humour, history and interesting facts. The vibrant and colourful pages of Absolutely Awesome South Africa captures the heart and the soul of this magnificent country. This book is available in Hard Cover and Soft Cover. 220 page of Facts – Fun – Trivia – Humour – Quotations – Culture & so much more!

This book looks at the first generation of Arab British and Arab-American writers to produce English writings in the earlier twentieth-century: Ameen Rihani, Khalil Jibran, George Antonius and Edward Atiyah. It theorises their work within the context of Arab nationalism, postcolonialism and the criticism of Edward Said.

The phenomenon of women's entrepreneurship has gained significant momentum across the globe. Written by leading scholars from a wide range of countries, this book advances the understanding of women's entrepreneurship by drawing attention to the contexts they operate in. It is the fifth in the series of books produced in partnership with the Diana International Research Network. In this book, expert contributors explore female potential and how entrepreneurs make decisions within a multi-layered gendered context. As a rare and current overview of women's entrepreneurship, it presents evidence of the positive impact that achieving equality in gendered institutions would have, how to facilitate meso-institutions' impact and how to foster entrepreneurship education and entrepreneurial initiative at the individual level. A crucial discussion of how women's entrepreneurship could benefit from a more comprehensive concept of innovation or implementing entrepreneurial policies focused on women is also included. With its focus on advancing knowledge about gender issues within the business realm, Women's Entrepreneurship in Global and Local Contexts will be of interest to researchers, faculty and students as well as policy-makers and practitioners. Contributors include: R. Aidis, L. Alexandre, G. Armannsdottir, T. Bijedic, A.M. Bojica, C. Brindley, S. Brink, C.G. Brush, S. Coleman, S. Cooper, L. De Vita, M. del Mar Fuentes, C. Diaz-Garcia, K. Ettl, A. Ford, C. Foster, E.J. Gatewood, G. Gunay, B.R. Hernandez-Sanchez, E.B. Kahraman, S. Kriwoluzky, J.V. Leon, M. Mari, D. Nziku, C. Pich, S. Poggesi, A. Robb, M. Ruiz-Arroyo, J.C. Sanchez-Garcia, M. Tillmar, D. Uygur, F. Welter, D. Wheatley

Routledge Library Editions: Revolution in England examines the turbulent times that led to the English revolution and civil war as new political and religious ideas led to the overthrow of the king and establishment of a republic. Modern ideas of democracy were established then, and are analysed here in a series of books that look at the various radical sects such as the Nonjurors and Levellers that espoused new political thought and ways of living.

Cultural heritage is a complex and elusive concept, constantly evolving through time, and combining cultural, aesthetic, symbolic, spiritual, historical and economic values. The Handbook on the Economics of Cultural Heritage outlines the contribution of economics to the design and analysis of cultural heritage policies and to addressing issues related to the conservation, management and enhancement of heritage.The Handbook takes a multidisciplinary approach, using cultural economics as a theoretical framework to illustrate how crucial and stimulating cross-disciplinary dialogue actually is. Contributors scrutinize the co-existence of cultural and economic values as well as the new challenges that arise from changes brought about by technology, and relationships between the different actors engaged in the production, distribution and consumption of heritage services. The roles of public, private and non-profit organizations are also explored. Case studies underpin the discussion, demonstrating the clear and vital link between theory and practice. This highly unique Handbook will prove a fascinating and informative read for academics, researchers, students and policymakers with an interest in cultural economics. Contributors: M. Abdel-Kader, N. Agnew, G.J. Ashworth, V. Ateca Amestoy, H. Attala, F. Benhamou, L. Bonet, R.T. Carson, X. Castaner, F. Colbert, F. Cominelli, M.B. Conaway, L. Deloumeaux, M. Demas, V. Fernandez-Blanco, M. Forte, B.S. Frey, V. Ginsburgh, K. Goto, X. Greffe, C. Guccio, L.C. Herrero, M.J. Holler, A. Klamer, F. Mairesse, I. Mazza, A. Mignosa, D. Mitroff Silvers, T. Navarrete, S. Navrud, D.S. Noonan, P. Paolini, A. Peacock, L. Petrova, J. Prieto-Rodriguez, N. Proctor, F. Revelli, I. Rizzo, E. Rojas, J.-M. Salaun, H. Samir, B.A. Seaman, J.D. Snowball, L. Steiner, J.H. Stubbs, D. Throsby

The availability, range, cost and quality of food in Western societies have never been more favourable, yet food is also the focus of a great deal of anxiety. There are concerns that our current diets will mean we will get steadily fatter and more unhealthy while consuming 'junk food', with consequences for our quality of life, our children's behaviour and even the environment.
This book challenges these ideas and places the food debate in a wider context. As the political imagination and the scope of social policy have narrowed, the focus on the personal and corporeal has filled this gap, creating an inward, individualised perspective that breeds a personal sense of vulnerability and distracts from issues of broader social importance.
The book also examines the current use of 'food as metaphor' - the way that 'bad food' and obesity, for example, have become code words for an elite disdain for the masses, implicitly promoting the idea that the consequences of poverty are the fault of the poor, and that a solution to the problems of social inequality lies in the consumption of five fruit and veg a day.
The author also discusses how health fears around food are used as a lever for greater official control of our everyday lives, from lunchbox inspections and school food crusades, to endless media health advice and scientifically-dubious 'healthy labelling' initiatives. The upshot of these connected trends is misplaced anxiety and wasted effort fixing what, for the most part, does not need to be fixed. Our modern food system allows us to be healthier than ever before, while transforming food from fuel into a source of entertainment, pleasure and choice.

This book offers an introduction to medieval English book-history through a sequence of exemplary analyses of commonplace book-historical problems. Rather than focus on bibliographical particulars, the volume considers a variety of ways in which scholars use manuscripts to discuss book culture, and it provides a wide-ranging introductory bibliography to aid in the study. All the essays try to suggest how the study of surviving medieval books might be useful in considering medieval literary culture more generally. Subjects covered include authorship, genre, discontinuous production, scribal individuality and community, the history of libraries and the history of book provenance.

Shepherd Mead, bestselling author of How to Succeed in Business without Really Trying, came to live in England with his family in 1958. Six years later he published a satirical handbook for fellow Americans to guide them through the nuances of British culture and save them from blunders: 'Write down now that pants always mean underpants', he advises. 'What you wear out in the open are trousers. Mistakes in this area can lead to nasty misunderstandings.' Structured around the fictional experience of an American couple Peggy and Buckley Brash and their two children, the book covers such topics as 'How to Dress in England', 'The Dream House and How to Rebuild it', and 'How to Live with the Upper Classes Without Having Any Money'. Through the Brash family's encounters with the British and their bewildered conversations with each other as they attempt to interpret an alien way of life, Mead answers pertinent questions such as 'Do English schools create sex madness?' and 'Is England really a pest hole?' with quirky and affectionate humour. Written with the light touch and incisive wit which brought Mead such success with his earlier book, and deftly illustrated with dynamic cartoons, How to Live Like A Lord without Really Trying is packed with gems on Anglo-American differences and pithy advice which tells us as much about the British of the 1960s as it does about their visitors from across the Pond.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The Francophone Caribbean and the American South are sites born of the plantation, the common matrix for the diverse nations and territories of the circum-Caribbean. This book takes as its premise that the basic configuration of the plantation, in terms of its physical layout and the social relations it created, was largely the same in the Caribbean and the American South. Essays written by leading authorities in the field examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South, including Louisiana, which among the Southern states has had a quite particular attachment to France and the Francophone world. The essays focus on issues of history, language, politics and culture in various forms, notably literature, music and theatre. Considering figures as diverse as Barack Obama, Frantz Fanon, Miles Davis, James Brown, Edouard Glissant, William Faulkner, Maryse Conde and Lafcadio Hearn, the essays explore in innovative ways the notions of creole culture and creolization, terms rooted in and indicative of contact between European and African people and cultures in the Americas, and which are promoted here as some of the most productive ways for conceiving of the circum-Caribbean as a cultural and historical entity.

This timely book demonstrates how full account can be taken of the structure and method of private international law in its expanding relationship with cultural heritage law, identifying opportunities for keeping pace with the underpinning value judgments. Through a global lens, Roodt explores how value-rationality and mutuality can defeat the dogmatic underpinnings of conflicts and jurisdiction rules that frustrate the achievement of global solidarity in public policy decisions and the treatment of foreign public law. The satisfactory settlement of claims based on ownership and the restitution of art and cultural objects requires improvements in the approaches and methods of dispute resolution that prevail today. The author reveals hidden dimensions of private international law, which can help re-script these approaches and methods to better tailor them to the illicit trade in cultural objects, title laundering, the suppression of policy considerations and ethical concerns that support the restitution of Nazi spoliated art. International officials and policymakers will find this a unique and ethically comprehensive resource, addressing matters that impact the artistic, cultural and historical record and the safeguarding of cultural and heritage objects within the contemporary art market. Adjudicators, law enforcement officials and legal scholars will appreciate its fresh and inclusive treatment of issues including restitution, material heritage and provenance.

Spatial Ecologies takes a new look at the "spatial turn" in French cultural and critical theory since 1968. Verena Andermatt Conley examines how Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Auge, Paul Virilio, Bruno Latour and Etienne Balibar reconsider the experience of space in the midst of considerable political and economic turmoil. The book considers why French critical theorists turned away from questions of time and looked instead toward questions of space. It asks what writing about space can tell us about life in late capitalism. Conley links this question to the problematic of habitality, taking us back to Heidegger and showing how it informs much of French theory. Building on the author's acclaimed earlier study Ecopolitics, Spatial Ecologies argues, through the voices of the authors taken up the eight chapters, for recognition of the virtue of spatial theory and its pragmatic applications in the global milieu. It will be required reading for scholars of literary and cultural theory, and twentieth- and twenty-first century French culture.

1. Analyzing the conflicting meanings of the term ‘cultural heritage’, this book outlines a framework that will allow the reader to better grasp the theoretical and practical complexities of this fascinating notion. 2. Gathering together a range of existing views on cultural heritage and summarizing the strong and weak points of the current discourse in a clear, direct way, the book will be accessible to academics and students, as well as heritage professionals. 3. There are a large number of books out there about heritage, but many are quite dated and very few provide a coherent and structured view of the theoretical tenets behind the notion of cultural heritage and its practices, as the proposed book will.

This book explores the relation between poststructuralist thought and postcoloniality, and identifies in that interaction the expression of a particular anxiety concerning the form of theoretical writing. Many so-called poststructuralist thinkers, such as Derrida, Cixous, Lyotard, Barthes, Kristeva and Spivak, have turned their attention at some point in their career towards questions either of postcolonialism, or of cultural domination and difference. For all these thinkers, however, a reflection on such questions has generated a sense of unease concerning the assumed neutrality of theoretical discourse, and the inevitable subjective or autobiographical investments of the writing self. The book argues that this anxiety betrays an unprecedented lucidity concerning the particular challenges of writing about ourselves and others at a time of postcolonial upheaval.

Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the 2021 National Book Award for Nonfiction The Cold War was not just a contest of power. It was also about ideas, in the broadest sense - economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer Prize-winning scholar and critic Louis Menand tells the story of American culture in the pivotal years from the end of World War II to Vietnam and stresses the rich flow of ideas across the Atlantic. How did elitism and an anti-totalitarian scepticism of passion and ideology give way to a new sensibility defined by experimentation and loving the Beatles? How was the ideal of 'freedom' applied to causes that ranged from anti-communism and civil rights to radical acts of self-creation via art and even crime? With the wit and insight familiar to readers of The Metaphysical Club, Menand takes us inside Hannah Arendt's Manhattan, the Paris of Jean-Paul Sartre and Simone de Beauvoir and the post-war vogue for French existentialism, structuralism and post-structuralism. He also shows how Europeans played a vital role in promoting and influencing American art and thought, revealing how America's once neglected culture became respected and adored. With unprecedented verve and range, this book offers a masterly account of the main characters and minor figures who played part in shaping the post-war world of art and thought.

Religion and Comparative Development is the first analytical endeavor on religion and government that incorporates microeconomic modeling of democracy and dictatorship as well as empirical linkages between religious norms and the bureaucratic provision of public goods within the framework of survey data analysis and public goods experiments. Moreover, it explores the rising significance of religion in Middle East and post-Soviet politics, as well as in current migration, security and party developments in the United States and Europe alike through these lenses. This book underscores the significance of religion as a crucial factor for political development and economic transformation, suggesting that all world religions can offer pathways to peace and development through different institutional channels. With a multiplicity of methods (statistical modeling, game theory, lab-in-the-field experiments, comparative historical analysis), the author observes how religion impacts political economy and international politics, and not always negatively. This demystification of religion goes beyond the classical discussion on the role of religion in the public sphere and sets the grounds for explaining why some economies are more likely to be democracies and others dictatorships. Researchers, graduate and undergraduate students of economics and social sciences, and faculty members who are interested in cutting-edge research on economics and culture will want this book in their collection. It insights will also be useful for policy-makers, administrators, historians, and civic organizations.

This set gathers together a collection of previously out-of-print titles that examine China's great heritage in literature, poetry, theatre and performance, painting and crafts. This reference resource spans Chinese traditions and artforms to provide in-depth analysis of some of China's great cultural treasures from many different periods in the country's long history.