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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > General
This reference work covers the cuisine and foodways of India in all
their diversity and complexity, including regions, personalities,
street foods, communities and topics that have been often
neglected. The book starts with an overview essay situating the
Great Indian Table in relation to its geography, history and
agriculture, followed by alphabetically organized entries. The
entries, which are between 150 and 1,500 words long, combine facts
with history, anecdotes, and legends. They are supplemented by
longer entries on key topics such as regional cuisines, spice
mixtures, food and medicine, rites of passages, cooking methods,
rice, sweets, tea, drinks (alcoholic and soft) and the Indian
diaspora. This comprehensive volume illuminates contemporary Indian
cooking and cuisine in tradition and practice.
Dissecting the biggest medical myths and pseudoscience, Viral BS
explores how misinformation can spread faster than microbes. Can
your zip code predict when you will die? Should you space out
childhood vaccines? Does talcum powder cause cancer? Why do some
doctors recommend e-cigarettes while other doctors recommend you
stay away from them? Health information-and misinformation-is all
around us, and it can be hard to separate the two. A long history
of unethical medical experiments and medical mistakes, along with a
host of celebrities spewing anti-science beliefs, has left many
wary of science and the scientists who say they should be trusted.
How do we stay sane while unraveling the knots of fact and fiction
to find out what we should really be concerned about, and what we
can laugh off? In Viral BS, journalist, doctor, professor, and
CDC-trained disease detective Seema Yasmin, driven by a need to set
the record straight, dissects some of the most widely circulating
medical myths and pseudoscience. Exploring how epidemics of
misinformation can spread faster than microbes, Dr. Yasmin asks why
bad science is sometimes more believable and contagious than the
facts. Each easy-to-read chapter covers a specific myth, whether it
has endured for many years or hit the headlines more recently. Dr.
Yasmin explores such pressing questions as * Do cell phones,
Nutella, or bacon cause cancer? * Are we running out of
antibiotics? * Does playing football cause brain disease? * Is the
CDC banned from studying guns? * Do patients cared for by female
doctors live longer? * Is trauma inherited? * Is suicide
contagious? and much more. Taking a deep dive into the health and
science questions you have always wanted answered, this
authoritative and entertaining book empowers readers to reach their
own conclusions. Viral BS even comes with Dr. Yasmin's handy
Bulls*%t Detection Kit.
Elgar Research Agendas outline the future of research in a given
area. Leading scholars are given the space to explore their subject
in provocative ways, and map out the potential directions of
travel. They are relevant but also visionary. Providing a critical
overview of cultural economics, this Research Agenda explores the
current state of affairs in the field, suggesting methods of
improvement for the coherency and progressiveness of future
research. Situating work in this area in its historical context,
Samuel Cameron draws together a range of international contributors
to explore the development of cultural economics. Undertaking a
thorough examination of matters of data quality, statistical
methodology and the challenge of new developments in technology,
chapters examine the different approaches to cultural economics.
The book explores the myriad ways in which the topic has been
neglected by mainstream economics, and examines reasons why it
needs to be considered, evaluated and explored in more detail in
our modern world. Current researchers in cultural economics, as
well as cultural policies and leisure studies will find this book
an invaluable read in exploring different ways to integrate
cultural economics into mainstream studies. This Research Agenda
will also be an invaluable aid for advanced students to create
discussions suitable for essay topics and dissertations.
Contributors include: S. Cameron, C. Peukert, J. Snowball, H.
Sonnabend, M. Zieba
The Mobilities Paradox: A Critical Analysis asks how the mobilities
paradigm, arguably one of the most influential theoretical
innovations of the 21st century, holds up against the empirical
realities of a deeply unequal world. Korstanje's provocative
analysis pairs a sweeping overview of the theoretical landscape
with specific instances of tourism, terrorism, hospitality,
automobility, digital technologies, and non-places to put
mobilities theory to the test.' - Jennie Germann Molz, College of
the Holy Cross, US The theory of mobilities has gained great
recognition and traction over recent decades, illustrating not only
the influence of mobilities in daily life but also the rise and
expansion of globalization worldwide. But what if this sense of
mobilities is in fact an ideological bubble that provides the
illusion of freedom whilst limiting our mobility or even keeping us
immobile? This book reviews the strengths and weaknesses of the
mobilities paradigm and reminds us that today only a small
percentage of the world?s population travel internationally. In
doing so the author?s insightful analysis constructs a bridge
between Marxism and Cultural theory. Offering a critical discussion
of the theory of mobilities, the book explores the concept in the
context of colonialism, nation states, consumption, globalization,
fear and terrorism. This unique book presents an alternative
viewpoint that is vital reading for cultural theorists,
sociologists, anthropologists and Marxist scholars seeking a
different understanding of the theory of mobilities.
This book offers an outside-in look at American cultural
peculiarities that helps Americans, see ourselves as others see us
-and vice versa. "American Cultural Baggage" lets both Americans
and the rest of the world in on things most Americans don't know,
about themselves and their values and how those things are
perceived by others. Americans will learn of the impression they
make, while others will gain insight into the curious tribal values
of Americans.
Our food system is broken, and it's endangering what's most
precious to us: our environment, our health, our soil and water,
and our future. In recent years, a host of books and films have
compellingly documented the dangers. But advice on what to do about
them largely begins and ends with the admonition to eat local" or
eat organic." Longtime good food pioneer Oran Hesterman knows that
we can't fix the broken system simply by changing what's on our own
plates: the answer lies beyond the kitchen. In Fair Food he shares
an inspiring and practical vision for changing not only what we
eat, but how food is grown, packaged, delivered, marketed, and
sold. He introduces people and organizations across the country who
are already doing this work in a number of creative ways, and
provides a wealth of practical information for readers who want to
get more involved.
The Angel and the Cholent: Food Representation from the Israel
Folktale Archives by Idit Pintel-Ginsberg, translated into English
for the first time from Hebrew, analyzes how food and foodways are
the major agents generating the plots of several significant
folktales. The tales were chosen from the Israel Folktales
Archives' (IFA) extensive collection of twenty-five thousand tales.
In looking at the subject of food through the lens of the folktale,
we are invited to consider these tales both as a reflection of
society and as an art form that discloses hidden hopes and often
subversive meanings. The Angel and the Cholent presents thirty
folktales from seventeen different ethnicities and is divided into
five chapters. Chapter 1 considers food and taste-tales included
here focus on the pleasure derived by food consumption and its
reasonable limits. The tales in Chapter 2 are concerned with food
and gender, highlighting the various and intricate ways food is
used to emphasize gender functions in society, the struggle between
the sexes, and the love and lust demonstrated through food
preparations and its consumption. Chapter 3 examines food and class
with tales that reflect on how sharing food to support those in
need is a universal social act considered a ""mitzvah"" (a Jewish
religious obligation), but it can also become an unspoken burden
for the providers. Chapter 4 deals with food and kashrut-the tales
included in this chapter expose the various challenges of ""keeping
kosher,"" mainly the heavy financial burden it causes and the
social price paid by the inability of sharing meals with non-Jews.
Finally, Chapter 5 explores food and sacred time, with tales that
convey the tension and stress caused by finding and cooking
specific foods required for holiday feasts, the Shabbat and other
sacred times. The tales themselves can be appreciated for their
literary quality, humor, and profound wisdom. Readers, scholars,
and students interested in folkloristic and anthropological foodway
studies or Jewish cultural studies will delight in these tales and
find the editorial commentary illuminating.
A perennially popular collection of colour cartoon illustrations,
with accompanying texts, on the endearing oddities of our British
life and character. Drawing on their many years' experience of
teaching English as a Foreign Language the authors also offer the
wider world a tongue-in-cheek guide on how to get around in English
and at the same time make sense of our 'funny ways'. It's a gentle
brand of satire, and although there's the occasional barbed arrow
for bland food, fashion disasters or dubious standards of hygiene,
the tone of The "How To Be British Collection" is more nostalgic
than scornful, and the pet-loving, royal-watching, tea drinking
characters that populate its pages are viewed with wry affection.
Cartoons like "How to be Polite" and "How to Complain" have been
reproduced in publications all over the world, perhaps because they
put a finger on that peculiar tentativeness that foreigners find so
puzzling (and so funny) about us. In order to be British, or at any
rate to pass unnoticed in British society, the visitor must learn
not to 'make a fuss'. A fuss is something that the true Brit cannot
stand. It is nearly as bad as a 'scene', and in the same category
as 'drawing attention to yourself'. In the first frame of How To Be
Polite, a man -- presumably an uninitiated foreign visitor -- has
fallen into a river. He's clearly in trouble and is shouting HELP!
-- at the top of his voice, judging by the speech bubble. An
English gentleman is walking his dog along the river bank. There's
a lifebelt prominently displayed beside them, but the gent and his
dog are walking away from the emergency with disapproving
expressions. In the next frame, the man in the river has changed
his strategy and is calling out: "Excuse me, Sir. I'm terribly
sorry to bother you, but I wonder if you would mind helping me a
moment, as long as it's no trouble, of course...". And this time,
naturally, the English gent is rushing to his aid, throwing the
lifebelt into the water. Even the dog is smiling. Much of the
material in The "How to be British Collection" is about how
cultural differences can prove a minefield for the unwary. To that
extent its appeal - in an age where so many of us travel and even
set up home overseas - is universal. Every visitor to Britain comes
knowing that our favourite conversational gambit is the weather.
But how many can successfully do it at 1) Elementary 2)
Intermediate and 3) Advanced levels? The book's enduring popularity
comes from the recognition factor -- how exposed we can be once we
stray away from the comfort zone of our own native language. A
hapless visitor, phrase book in hand, stops to ask an old lady in
the street for directions. He looks pleased with himself for
phrasing the question so nicely, but then is utterly at a loss to
understand her long, rambling, minutely detailed reply. We've all
been there. To help the poor innocent abroad around these cultural
and linguistic booby-traps, the book includes on most pages
collectible Expressions to learn and (of course) Expressions to
avoid. Thus, under the entry for Real English, which negotiates the
difficult area of colloquial speech including "idioms, slang and
even the occasional taboo word, as used by flesh and blood native
speakers" we find -- Expressions to learn:"'E nicked it off of a
lorry and now the coppers 'ave done 'im for it." Expressions to
avoid: "That's not correct English, Mrs. Jones -- it says so here
in my grammar book".
Rather than a media history of the region or a history of southern
media, Remediating Region: New Media and the U.S. South formulates
a critical methodology for studying the continuous reinventions of
regional space across media platforms. This innovative collection
demonstrates that structures of media undergird American
regionalism through the representation of a given geography's
peoples, places, and ideologies. It also outlines how the region
answers back to the national media by circulating ever-shifting
ideas of place via new platforms that allow for self-representation
outside previously sanctioned media forms. Remediating Region
recognizes that all media was once new media. In examining how
changes in information and media modify concepts of region, it both
articulates the virtual realities of the twenty-first-century U.S.
South and historicizes the impact of "new" media on a region that
has long been mediated. Eleven essays examine media moments ranging
from the nineteenth century to the present day, among them
Frederick Douglass's utilization of early photography, video game
representations of a late capitalist landscape, rural queer
communities' engagement with social media platforms, and
contemporary technologies focused on revitalizing Indigenous
cultural practices. Interdisciplinary in scope and execution,
Remediating Region argues that on an increasingly networked planet,
concerns over the mediated region continue to inform how audiences
and participants understand their entree into a global world
through local space.
Novelist and nature writer Richard Horan embarked on an
adventure across America to reveal that farming is still the
vibrant beating heart of our nation. Horan went from coast to
coast, visiting organic family farms and working the harvests of
more than a dozen essential or unusual food crops--from Kansas
wheat and Michigan wild rice to Maine potatoes, California walnuts,
and Cape Cod cranberries--in search of connections with the
farmers, the soil, the seasons, and the lifeblood of America.
Sparkling with lively prose and a winning blend of profound
seriousness and delightful humor, Harvest carries the reader on an
eyeopening and transformational journey across the length and
breadth of this remarkable land, offering a powerful national
portrait of challenge and diligence, and an inspiring message of
hope.
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