Privacy is often considered a modern phenomenon. Early Modern Privacy: Sources and Approaches challenges this view. This collection examines instances, experiences, and spaces of early modern privacy, and opens new avenues to understanding the structures and dynamics that shape early modern societies. Scholars of architectural history, art history, church history, economic history, gender history, history of law, history of literature, history of medicine, history of science, and social history detail how privacy and the private manifest within a wide array of sources, discourses, practices, and spatial programmes. In doing so, they tackle the methodological challenges of early modern privacy, in all its rich, historical specificity. Contributors: Ivana Bicak, Mette Birkedal Bruun, Maarten Delbeke, Willem Frijhoff, Michael Green, Mia Korpiola, Mathieu Laflamme, Natacha Klein Kafer, Hang Lin, Walter S. Melion, Helene Merlin-Kajman, Lars Cyril Norgaard, Anne Regent-Susini, Marian Rothstein, Thomas Max Safley, Valeria Viola, Lee Palmer Wandel, and Heide Wunder.

Donna Haraway analyses accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs (cybernetic components); showing how deeply cultural assumptions penetrate into allegedly value-neutral medical research.

Inspired by Raymond Williams' cultural materialism, H.F. Pimlott explores the connections between political practice and cultural form through Marxism Today's transformation from a Communist Party theoretical journal into a 'glossy' left magazine. Marxism Today's successes and failures during the 1980s are analysed through its political and cultural critiques of Thatcherism and the left, especially by Stuart Hall and Eric Hobsbawm, innovative publicity and marketplace distribution, relationships with the national UK press, cultural coverage, design and format, and writing style. Wars of Position offers insights for contemporary media activists and challenges the neglect of the left press by media scholars.

Essays explore an ontological theory of television and cultural authorship, employing Heideggerian concepts to understand "the Being" of television.

This volume resents key contributions to scholarship in biblical studies that engages or is influenced by cultural studies. Robert Seesengood selects on foundational pieces that are ordinarily hard to locate and presents them in line with more recent studies, situating and tracing the revolution in biblical studies that led to the wealth of work in reception history and the study of cultural engagements with the bible. As a result, this selection provides a grounding in key theoretical perspectives, and history of scholarship as well as an orientation to the discipline as it is now. Beginning with a general introduction, as well as introductions each section of the book, this collection explores theoretical underpinnings, characters and passages in popular culture, motifs and methods, film and television. These introductions situate and frame the readings for readers and researchers, and at the end of each section is an annotated bibliography of further readings, which will prompt further research and discussion.

The Spatial Practices series is premised on the observation that places are inscribed with cultural meaning, not least of all in terms of collective constructions of identity. Such space-based constructions can manifest in material and immaterial, explicit and implicit forms of heritage, and they are crucial factors in the promotion of a group's wellbeing. It is this intersection of spaces, heritage and wellbeing that the present volume takes at its object. It considers ways in which institutional spaces in their materiality as well as in their cultural inscriptions impact on the wellbeing of the subjects inhabiting them and explores how heritage comes to bear on these interrelations within specific institutions, such as prisons, hospitals or graveyards.

In the nineteenth century, most American farms had a small orchard or at least a few fruit-bearing trees. People grew their own apple trees or purchased apples grown within a few hundred miles of their homes. Nowadays, in contrast, Americans buy mass-produced fruit in supermarkets, and roughly 70 percent of apples come from Washington State. So how did Washington become the leading producer of America's most popular fruit? In this enlightening book, Amanda L. Van Lanen offers a comprehensive response to this question by tracing the origins, evolution, and environmental consequences of the state's apple industry. Washington's success in producing apples was not a happy accident of nature, according to Van Lanen. Apples are not native to Washington, any more than potatoes are to Idaho or peaches to Georgia. In fact, Washington apple farmers were late to the game, lagging their eastern competitors. The author outlines the numerous challenges early Washington entrepreneurs faced in such areas as irrigation, transportation, and labor. Eventually, with crucial help from railroads, Washington farmers transformed themselves into "growers" by embracing new technologies and marketing strategies. By the 1920s, the state's growers managed not only to innovate the industry but to dominate it. Industrial agriculture has its fair share of problems involving the environment, consumers, and growers themselves. In the quest to create the perfect apple, early growers did not question the long-term environmental effects of chemical sprays. Since the late twentieth century, consumers have increasingly questioned the environmental safety of industrial apple production. Today, as this book reveals, the apple industry continues to evolve in response to shifting consumer demands and accelerating climate change. Yet, through it all, the Washington apple maintains its iconic status as Washington's most valuable agricultural crop.

On 14 April 1912, less than a week into a transatlantic trip from Southampton to New York, the largest luxury cruise liner in the world struck an iceberg off the coast of Labrador, causing the hull to buckle. The massive 50,000 ton ship hailed as 'unsinkable' was soon slipping into the cold Atlantic Ocean, the crew and passengers scrambling to launch lifeboats before being sucked into the deep. Of the 2,224 passengers and crew aboard, more than 1,500 died, making the sinking one of the deadliest for a single ship up to that time. The sinking has captured the public imagination ever since, in part because of the scale of the tragedy, but also because the ship represented in microcosm Edwardian society, with the super-rich sharing the vessel with poor migrants seeking a new life in North America. Other factors, such as why there were only enough lifeboats to hold half the passengers, also caused controversy and led to changes in maritime safety. In later years many survivors told their stories to the press, and Titanic celebrates these accounts. A final chapter examines the shipwreck today, which has been visited underwater by explorers, scientists and film-makers, and many artifacts recovered as the old liner steadily disintegrates. Titanic offers a compact, insightful photographic history of the sinking and its aftermath in 180 authentic photographs.

So much of what we know of clean water, clean air, and now a stable climate rests on how fossil fuels first disrupted them. Negative Ecologies is a bold reappraisal of the outsized role fossil fuels have played in making the environment visible, factual, and politically operable in North America. Following stories of hydrocarbon harm that lay the groundwork for environmental science and policy, this book brings into clear focus the dialectic between the negative ecologies of fossil fuels and the ongoing discovery of the environment. Exploring iconic sites of the oil economy, ranging from leaky Caribbean refineries to deepwater oil spills, from the petrochemical fallout of plastics manufacturing to the extractive frontiers of Canada, Negative Ecologies documents the upheavals, injuries, and disasters that have long accompanied fossil fuels and the manner in which our solutions have often been less about confronting the cause than managing the effects. This history of our present promises to re-situate scholarly understandings of fossil fuels and renovate environmental critique today. David Bond challenges us to consider what forms of critical engagement may now be needed to both confront the deleterious properties of fossil fuels and envision ways of living beyond them.

The English translation of this bestselling graphic novel tells the story of Nok, an old blind man who sells lottery tickets in Bangkok, as he decides to leave the city and return to his native village. Through reflections on contemporary Bangkok and flashbacks to his past, Nok reconstructs a journey through the slums of migrant workers, the rice fields of Isaan, the tourist villages of Ko Pha Ngan, and the Red Shirt protests of 2010. Based on a decade of anthropological research, The King of Bangkok is a story of migration to the city, distant families in the countryside, economic development eroding the land, and violent political protest. Ultimately, it is a story about contemporary Thailand and how the waves of history lift, engulf, and crash against ordinary people.

What has been the significance of sport for the European avant-garde in the first half of the 20th century? From an international and interdisciplinary perspective we show the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports. Our focus lies on avant-garde artists, groups, movements and institutions across Europe (including Cubism, Futurism, Vorticism, Purism, Expressionism, Dada, the Bauhaus, Constructivism in Central and Eastern Europe), thereby unfolding the diversity of avant-garde responses to modern sports. The book in front of you includes fascinating readings in the fields of aesthetics, visual cultures, cultural history and politics and highlights why specific kinds of sport such as cycling, boxing and football became important for avant-garde movements and artists.

The Cultural Political Economy of the Construction Industry in Turkey analyses the growth of the popularity of the 'Justice and Development Party' (official acronym: AK Parti or AKP) of Turkey's president Erdogan, through the lens of the construction sector. It provides a comprehensive analysis of the question of hegemony and the electoral success of the AKP - despite frequent economic downturns and ferocious political conflicts including a coup d'etat attempt and rekindled armed struggles. In this book, Ismail Doga Karatepe critically examines the AKP's ability to satisfy the needs and wishes of different social classes and groups. By taking the construction sector as an example, the book analyses these in the context of the changes in the urban landscape of modern Turkey.

This reference work covers the cuisine and foodways of India in all their diversity and complexity, including regions, personalities, street foods, communities and topics that have been often neglected. The book starts with an overview essay situating the Great Indian Table in relation to its geography, history and agriculture, followed by alphabetically organized entries. The entries, which are between 150 and 1,500 words long, combine facts with history, anecdotes, and legends. They are supplemented by longer entries on key topics such as regional cuisines, spice mixtures, food and medicine, rites of passages, cooking methods, rice, sweets, tea, drinks (alcoholic and soft) and the Indian diaspora. This comprehensive volume illuminates contemporary Indian cooking and cuisine in tradition and practice.

The political responsibility of artists in a globalized society is debated in this collection of articles by authors from Africa, Australia, South America, Europe, and Scandinavia. Bemoaning the competition for tourist dollars among the world's great cities and the commodification of cultural artifacts, these artists propose real and imagined places where art might resist capitalism, such as failed urban developments, among refugees, and in rural outposts.

The Angel and the Cholent: Food Representation from the Israel Folktale Archives by Idit Pintel-Ginsberg, translated into English for the first time from Hebrew, analyzes how food and foodways are the major agents generating the plots of several significant folktales. The tales were chosen from the Israel Folktales Archives' (IFA) extensive collection of twenty-five thousand tales. In looking at the subject of food through the lens of the folktale, we are invited to consider these tales both as a reflection of society and as an art form that discloses hidden hopes and often subversive meanings. The Angel and the Cholent presents thirty folktales from seventeen different ethnicities and is divided into five chapters. Chapter 1 considers food and taste-tales included here focus on the pleasure derived by food consumption and its reasonable limits. The tales in Chapter 2 are concerned with food and gender, highlighting the various and intricate ways food is used to emphasize gender functions in society, the struggle between the sexes, and the love and lust demonstrated through food preparations and its consumption. Chapter 3 examines food and class with tales that reflect on how sharing food to support those in need is a universal social act considered a ""mitzvah"" (a Jewish religious obligation), but it can also become an unspoken burden for the providers. Chapter 4 deals with food and kashrut-the tales included in this chapter expose the various challenges of ""keeping kosher,"" mainly the heavy financial burden it causes and the social price paid by the inability of sharing meals with non-Jews. Finally, Chapter 5 explores food and sacred time, with tales that convey the tension and stress caused by finding and cooking specific foods required for holiday feasts, the Shabbat and other sacred times. The tales themselves can be appreciated for their literary quality, humor, and profound wisdom. Readers, scholars, and students interested in folkloristic and anthropological foodway studies or Jewish cultural studies will delight in these tales and find the editorial commentary illuminating.

Between 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women's Food Memoirs explores women's food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food. Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunee, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.

In African Somaesthetics: Cultures, Feminisms, Politics, Catherine F. Botha brings together original research on the body in African cultures, specifically interrogating the possibilities of the contribution of a somaesthetic approach in the context of colonization, decolonization, and globalization in Africa. The innovative contributions that consider the somaesthetic dimensions of experience in the context of Africa (centred broadly around the themes of politics, feminisms, and cultures) reflect a diversity of perspectives and positions. The book is a first of its kind in gathering together novel and focused analyses of the body as conceived of from an African perspective.

Communication plays a critical role in enhancing social, cultural, and business relations. Research on media, language, and cultural studies is fundamental in a globalized world because it illuminates the experiences of various populations. There is a need to develop effective communication strategies that will be able to address both health and cultural issues globally. Dialectical Perspectives on Media, Health, and Culture in Modern Africa is a collection of innovative research on the impact of media and especially new media on health and culture. While highlighting topics including civic engagement, gender stereotypes, and interpersonal communication, this book is ideally designed for university students, multinational organizations, diplomats, expatriates, and academicians seeking current research on how media, health, and culture can be appropriated to overcome the challenges that plague the world today.