Chinese Family Culture: Change, Continuity, and Counseling Implications enhances social sciences and counseling students' cultural understanding, sensitivity, and communication skills so they can provide competent and appropriate care for Chinese families around the world. The text focuses on cultural and historical characteristics of Chinese families and features illustrative stories and examples to facilitate greater cultural understanding. Readers examine Chinese families from indigenous perspectives of lived experiences of Chinese individuals and their families. Chinese meanings of family life, such as marriage, sexuality, love, gender, reproduction, intergenerational relations, disability, and death, are covered. Dedicated chapters explore cultural links between family collectivism, ancestor worship, and families' intimate relationship with the land; marriage's social role in expanding social networks and ensuring family continuity; the impact of China's one-child policy on reproductive behavior; the rule of rituals in handling family and clan disputes and conflict; illness and death in Chinese families; and more. Each chapter includes counseling implications to connect student learning with practice. Chinese Family Culture is a timely and essential textbook for programs and courses in the social sciences and counseling.

What is the ocean's role in human and planetary history? How have writers, sailors, painters, scientists, historians, and philosophers from across time and space poetically envisioned the oceans and depicted human entanglements with the sea? In order to answer these questions, Soren Frank covers an impressive range of material in A Poetic History of the Oceans: Greek, Roman and Biblical texts, an Icelandic Saga, Shakespearean drama, Jens Munk's logbook, 19th century-writers such as James Fenimore Cooper, Herman Melville, Jules Michelet, Victor Hugo, Jules Verne, Jonas Lie, and Joseph Conrad as well as their 20th and 21st century-heirs like J. G. Ballard, Jens Bjorneboe, and Siri Ranva Hjelm Jacobsen. A Poetic History of the Oceans promotes what Frank labels an amphibian comparative literature and mobilises recent theoretical concepts and methodological developments in Blue Humanities, Blue Ecology, and New Materialism to shed new light on well-known texts and introduce readers to important, but lesser-known Scandinavian literary engagements with the sea.

Intersectionality and Context across the Lifespan: Readings for Human Development helps students increase their understanding of the diverse factors that affect development at various life stages. Readers learn how culture, gender, ability, religion, sexual identity, nationality and immigration status, socioeconomic status, and other factors work together to continually influence our individual identities and worldviews throughout our lives. The anthology progresses in step with the lifespan, presenting global and contextual perspectives from conception to end of life. Each chapter presents critical readings about a variety of individual and family development issues that affect the lifespan. Throughout, readers are encouraged and challenged to appreciate the diversity across and within cultures. The text examines the ways in which systems of privilege, power, and oppression shape developmental trajectories while also introducing students to critical social theories. Intersectionality and Context across the Lifespan is part of the Cognella Series on Families and Social Justice, a collection of textbooks that support core curriculum within family-related disciplines with emphasis on issues related to social justice, diversity, and equity.

Green tea, imported from China, occupies an important place in the daily lives of Malians. They spend so much time preparing and consuming the sugared beverage that it became the country's national drink. To find out how Malians came to practice the tea ritual, this study follows the beverage from China to Mali on its historical trade routes halfway around the globe. It examines the circumstances of its introduction, the course of the tea ritual, the equipment to prepare and consume it, and the meanings that it assumed in the various places on its travel across geographical regions, political economies, cultural contexts, and religious affiliations.

This book provides a novel approach to the understanding and realization of the values of art. It argues that art has often been instrumentalized for state-building, to promote social inclusion of diversity, or for economic purposes such as growth or innovation. To counteract that, the authors study the values that artists and audiences seek to realize in the social practices around the arts. They develop the concept of cultural civil society to analyze how art is practiced and values are realized in creative circles and co-creative communities of spectators, illustrated with case-studies about hip-hop, Venetian art collectives, dance festivals, science-fiction fandom, and a queer museum. The authors provide a four-stage scheme that illustrates how values are realized in a process of value orientation, imagination, realization, and evaluation. The book relies on an interdisciplinary approach rooted in economics and sociology of the arts, with an appreciation for broader social theories. It integrates these disciplines in a pragmatic approach based on the work of John Dewey and more recent neo-pragmatist work to recover the critical and constructive role that cultural civil society plays in a plural and democratic society. The authors conclude with a new perspective on cultural policy, centered around state neutrality towards the arts and aimed at creating a legal and social framework in which social practices around the arts can flourish and co-exist peacefully.

White Privilege: The Persistence of Racial Hierarchy in a Culture of Denial approaches the discussion of racism by focusing on majority group advantage, or white privilege. The book explores the construct of race and the definition of white privilege and then examines the ways in which white privilege manifests in economy, education, criminal justice, and especially within media and pop culture. The book balances scholarly research on racial discrimination and disparity with narratives that provide the reader with highly personal accounts of injustice. Dedicated chapters demonstrate how microaggressions emerge in unexpected places and situations, as well as how they contribute to the development and maintenance of institutional racism. Intersectionality sections throughout the book explore how class, gender, and sexual orientation shape how white privilege is experienced by individuals. Finally, the text offers a myriad of strategies and approaches to end injustice and cultivate anti-racist practices. The revised first edition features a new final chapter, which brings the text's content up to date and addresses healthcare and white privilege; #BlackLivesMatter, George Floyd, Breonna Taylor, and justice; implicit bias and systemic racism; white terrorism; COVID-19 and economic sexism; and anti-Asian violence. White Privilege is an ideal supplementary resource for courses on race, diversity, and social inequality.

In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana's remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state's folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana's major ethnic groups-slavery, the grand d? (R)rangement, linguistic discrimination-resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero's ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana's folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state's cultural landscape, apparent in humor, popular culture, regional branding, and children's books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.

Up in Arms provides an illustrative and timely window onto the ways in which guns shape people's lives and social relations in Texas. With a long history of myth, lore, and imaginaries attached to gun carrying, the Lone Star State exemplifies how various groups of people at different historical moments make sense of gun culture in light of legislation, political agendas, and community building. Beyond gun rights, restrictions, or the actual functions of firearms, the book demonstrates how the gun question itself becomes loaded with symbolic firepower, making or breaking assumptions about identities, behavior, and belief systems. Contributors include: Benita Heiskanen, Albion M. Butters, Pekka M. Kolehmainen, Laura Hernandez-Ehrisman, Lotta Kahkoenen, Mila Seppala, and Juha A. Vuori.

Culture is one of the most important elements for explaining individuals' behaviors within the social structure. It meets the various social needs of members of a society by directing how individuals must react to various events and how to act in specific circumstances. A planned and systematic process is required for disseminating this cultural accumulation as a policy, which is produced collectively by all members within their everyday life practices. The Handbook of Research on Examining Cultural Policies Through Digital Communication provides emerging research on this aspect of cultural policy, which is formed within the framework of this systematic process in a strategic manner and can be defined as various activities of the state intended for art, human sciences, and cultural inheritance. Creating such cultural policies involves the establishment of measures and organizations required for the development of each individual, providing economic and social facilities, all of which are actions intended for directing society. Featuring coverage on a broad range of topics such as long-distance education, digital citizenship, and public diplomacy, this book is ideally designed for academicians, researchers, advanced-level students, sociologists, international and national organizations, and government officials.

Using Amish Mafia as a window into the interplay between the real and the imagined, this book dissects the peculiar appeals and potential dangers of deception in reality TV and popular entertainment. When Amish Mafia was released in 2012, viewers were fascinated by the stories of this secret group of Amish and Mennonite enforcers who used threats, extortion, and violence to keep members of the Amish community in line-and to line their own pockets. While some of the stories were based loosely on actual events, the group itself was a complete fabrication. Its members were played by ex-Amish and ex-Mennonite young adults acting out scenarios concocted by the show's producers. What is most extraordinary about Amish Mafia is that, even though it was fictional, it was cleverly constructed to appear real. Discovery Channel, which aired it, assiduously maintained that it was real; whole episodes were devoted to proving that it was real; and many viewers (including smart reality TV fans) were fooled into believing it was real. In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip. This helps to explain the workings not just of this and other reality TV shows but also of other forms of media fakery, including fake news. The book winds through numerous fascinating case studies of media fakery, from P. T. Barnum's famous "humbugs" of the nineteenth century to recent TV news scandals. It examines the social and emotional appeals of other forms of entertaining fakery, including professional wrestling and supermarket tabloids. It explains how and why conventions of contrivance evolved in reality TV as well as the ethics of media fakery. And, for readers interested in the Amish, it tells how the ex-Amish "stars" of Amish Mafia got involved in the show and the impact that involvement had on their lives.

Although beauty, in the pre-modern Arab world, was enjoyed and promoted almost everywhere, Islam does not possess a general theory on aesthetics or a systematic theory of the arts. This is a study of the Arabic discourse on beauty. The author had to search for her evidence in written statements from a wide variety of sources, such as the Qur'an, legal, religious and Sufi texts, chronicles, biographies, belle-lettres, literary criticism, and scientific, geographic and philosophical literature. The result is a compendium of references to beauty in chapters on the Religious Approach, Secular Beauty and Love, Music and Belle-Lettres, and the Visual Arts. This approach is informative and provocative. For the generalist, it provides comparative material for an understanding of the early Arab cultural context. For the specialist, it raises questions of sponsorship and purpose.

In Private Salons and the Art World of Enlightenment Paris, Rochelle Ziskin explores in depth two remarkable private gatherings generating significant art criticism during the middle of the eighteenth century. She demonstrates how the sites harboring them came to embody and disseminate their judgments. One politically active group assembled at the house Mme Doublet shared with amateur Petit de Bachaumont; at her "Mondays" for artists, Mme Geoffrin collaborated with the powerful lover of antiquity Caylus and amateurs including Mariette and Watelet. In focusing on official Salons of the Royal Academy of Painting and Sculpture, historians too often overlook the crucial role of these frequent, regular assemblies, where works of art were quite often first assessed and taste shaped. This book will appeal to readers interested in eighteenth-century French artistic culture, journalism, and women's patronage. The painters discussed include Boucher, Van Loo, Charles Coypel, Cochin, Vien, Pierre, Lagrenee, and Hubert Robert.

In pre-Revolutionary War America, libraries were member-driven collections for the elite; it was not until 1790 that Benjamin Franklin helped to establish the first public lending library. Throughout the subsequent centuries the library has evolved, but always remained central to the cultural life of the nation. Thomas R. Schiff 's photographs trace the history of the library through aesthetic and style while featuring legendary architects such as Charles F. McKim; Shepley, Rutan and Coolidge; and I. M. Pei. The Library Book beautifully captures the shifting architectural styles and missions of the library in sweeping 360-degree panoramas-from the very earliest American libraries to the modernist masterpieces of Louis I. Kahn and others. In his introductory essay, acclaimed author and library lover Alberto Manguel considers the story of the library in America, its evolving architecture and cultural role, and how the American model reflects the archetypal idea of the universal library. Including brief descriptions of each unique library, this book brings bibliophiles into one hundred libraries across the nation.

This book offers an outside-in look at American cultural peculiarities that helps Americans, see ourselves as others see us -and vice versa. "American Cultural Baggage" lets both Americans and the rest of the world in on things most Americans don't know, about themselves and their values and how those things are perceived by others. Americans will learn of the impression they make, while others will gain insight into the curious tribal values of Americans.

Controversial poetry played a crucial role in dealing with religious, political, and scholarly conflicts from 1400 until 1625. This volume analyses roles and functions of Latin, Italian, Dutch, German, Scots, and Hungarian poetry in specific historical controversies. A media theory of poetical impact is proposed by Franz-Josef Holznagel and Dieuwke van der Poel. Levente Selaf, Philipp Steinkamp, and Guillaume van Gemert examine the genres sung in wars, and in rulers' controversies. Judith Kessler, Dirk Coigneau, Juliette Groenland, and Regina Toepfer analyse how female and male rhetoricians and humanists use verse in religious, municipal, and educational conflicts. Signe Rotter-Broman, Samuel Pakucs Willcocks, and Alasdair A. MacDonald explain how reception strategies can shape cultural and political identities. Controversial Poetry 1400-1625 diskutiert den entscheidenden Einfluss von Controversial Poetry, Kontrovers-Dichtung, in Konflikten zwischen 1400 und 1625. Dafur werden die Rollen und Funktionen lateinischer, italienischer, niederlandischer, deutscher, schottischer und ungarischer Dichtung in konkreten historischen Kontroversen analysiert. Eine Medientheorie der Beeinflussung durch Dichtung entwerfen Franz-Josef Holznagel and Dieuwke van der Poel. Levente Selaf, Philipp Steinkamp, and Guillaume van Gemert untersuchen verschiedene Gattungen gesungener Politik in Kriegen und Auseinandersetzungen von Herrschern. Judith Kessler, Dirk Coigneau, Juliette Groenland und Regina Toepfer analysieren, wie weibliche und mannliche rederijkers und Humanisten Verse in konfessionellen, stadtischen und Bildungs-Konflikten verwenden. Signe Rotter-Broman, Samuel Pakucs Willcocks und Alasdair MacDonald erklaren, wie Rezeptions-Strategien kulturelle und politische Identitaten gestalten koennen.

Multicultural Implications of Neuroethics: Issues in the Application of Neuroscience underscores the need for theory, research, and cultural perspective within neuroethics to thoughtfully address the ethical issues that arise from the application of neuroscience on an international scale. The text introduces readers to essential concepts in neuroethics, including cultural neuroethics, the foundation of neuroscience, and methodological issues. Dedicated chapters explore the key principles of neuroethics and various theoretical perspectives, including Western, Eastern, and Middle Eastern views. Readers will examine neuroethics and cultural issues, including discussions of brain enhancement and personnel selection using neuroscience, application of neuroscience in education, brain and neurofeedback methods, treatment of psychiatric and mental health conditions using neuroscience, and the application of neuroscience in law. Closing chapters address topical issues including the future of neuroethics with discussions on the use of nanotechnology, cultural considerations of neuroethical applications, informed consent, and how best to advance neuroscience. Featuring cutting-edge, essential research, Multicultural Implications of Neuroethics is an exemplary text for students and professionals in psychiatry, psychology, neuroscience, neurology, counselor education, educational neuroscience, as well as any social science that integrates research and practices inspired by neuroscience.

Self-reflection is fundamental for human thinking on many levels. Philosophy has described the mind's capacity to observe itself as a core element of human existence. Political and social sciences have shown how modern democracies depend on society's ability to critically reflect on their own values and practices. And literature of all ages has proven self-reflexivity to be a crucial trait of cultural production. This volume provides the first diachronic panorama of genres, forms, and functions of literary self-reflection and their connections with social, political and philosophical discourses from the 17th century to the present. Far beyond the usual focus on postmodernist opacity, these contributions present a rich tradition of critical transparency: Literary texts that show us what is behind and beyond them.