This unorthodox scholarly work dissects the ghosts of history in order to analyze how the past - both recent and distant - haunts posterity, and in what ways the present disfigures the image of times gone by. The book presents a novel history of Communism from the perspective of its collapse, and inspects the world beyond the Fall in the distorting mirror of its imagined prehistory. Using a series of strange and darkly ironic stories, the subsequent chapters provide a close exploration of some of the essential objects of historical study: the name, the date, the dead, the relic, the pantheon, the court, the underworld, and the underground. The tension between vast distances, both in space and time, that Retroactive Justice covers, and the extremely focused analyses, provide an unexpected experience of writing and rewriting, visioning and revisioning history. Cultural Memory in the Present

Creative Historical Thinking offers innovative approaches to thinking and writing about history. Author Michael J. Douma makes the case that history should be recognized as a subject intimately related to individual experience and positions its practice as an inherently creative endeavor. Douma describes the nature of creativity in historical thought, illustrates his points with case studies and examples. He asserts history's position as a collective and community-building exercise and argues for the importance of metaphor and other creative tools in communicating about history with people who may view the past in fundamentally different ways. A practical guide and an inspiring affirmation of the personal and communal value of history, Creative Historical Thinking has much to offer to both current and aspiring historians.

History is everywhere in the media. Television viewers can spend every evening watching a different historian expound upon Empire, Witchcraft, the Civil War or Royal Mistresses; or go to the cinema and watch reconstructions of the Second World War, American Civil War or Imperial China. Even current affairs reporting on television, radio or in newspapers implicitly or explicitly includes historical explanations. This book examines the boom in history, in television and film, newspapers and radio and the constraints and opportunities it offers. Leading historians and high profile broadcasters, such as Melvyn Bragg, Simon Schama, Tristram Hunt, Ian Kershaw and David Puttnam, draw on their personal experiences to explore the problems and highlights of representing history in the media.

These essays now reprinted and prefaced by Jonathan Haslam, E.H. Carr's biographer, give the reader a representative sample of Carr's interests over several decades. They include fascinating picture portraits of figures, both major and minor, from the 19th and 20th centuries, some of whom he knew firsthand. The reader will also find studied reflection on the major events and their impact including the Paris peace settlement of 1919 and the legacy of Stalin in Russian history. Carr is always lucid, with a taste for controversy. Novices, fans and critics alike will not be disappointed.

This outstanding collection brings together essays that reflect on the nature of narrative, literary criticism, and history from a variety of theoretical and disciplinary perspectives, ranging from deconstruction, psychoanalysis, and trauma theory, to narratology, technology, economics, and aesthetics. Acts of Narrative includes responses from renowned scholars across a wide range of disciplines: philosopher Jacques Derrida; the literary critic J. Hillis Miller; W. J. T. Mitchell, well-known for his reflections on the visual world; and Cathy Caruth, one of the founders of the field of trauma theory. These essays are brilliant in their readings of other texts, but are also striking in the manner in which each becomes itself a narrative performance. Moreover, what starts out as an exercise in theorizing and reading moves, more often than not, into a meditation on social and political issues crucial for our own sense of ourselves.

This outstanding collection brings together essays that reflect on the nature of narrative, literary criticism, and history from a variety of theoretical and disciplinary perspectives, ranging from deconstruction, psychoanalysis, and trauma theory, to narratology, technology, economics, and aesthetics. Acts of Narrative includes responses from renowned scholars across a wide range of disciplines: philosopher Jacques Derrida; the literary critic J. Hillis Miller; W. J. T. Mitchell, well-known for his reflections on the visual world; and Cathy Caruth, one of the founders of the field of trauma theory. These essays are brilliant in their readings of other texts, but are also striking in the manner in which each becomes itself a narrative performance. Moreover, what starts out as an exercise in theorizing and reading moves, more often than not, into a meditation on social and political issues crucial for our own sense of ourselves.

The process of converting the 'past' into 'history' involves engagement with a multitude of different sources and methods, and sports historians inevitably participate in the same debates over approaches and methodologies as their counterparts in other historical disciplines. At its heart, history remains a genre of empirical knowledge that is based upon the remains of the past, and without suitable evidence, there can be no sports history. A burgeoning range of sources has stimulated new ways of thinking and a significant expansion in the sports historian's evidentiary base, as textual sources have been supplemented by photos, films and cartoons, uniforms, architecture, maps and landscapes, and material culture more generally. This book deals with some of these innovations. It is divided into two sections, the first offering chapter-length studies of particular methodologies, and the second, brief responses from experts in their fields to the question 'what can sports historians learn from other disciplines?'

Possibilities haunt history. The force of our explanations of events turns on the alternative possibilities those explanations suggest. It is these possible worlds that give us our understanding; and in human affairs, we decide them by practical rather than theoretical judgment. In this widely acclaimed account of the role of counterfactuals in explanation, Geoffrey Hawthorn deploys extended examples to defend his argument. His conclusions cast doubt on existing assumptions about the nature and place of theory, and indeed of the possibility of knowledge itself, in the human sciences.

This classic introduction to the study of history invites the reader to stand back and consider some of its most fundamental questions – what is the point of studying history? How do we know about the past? Does an objective historical truth exist and can we ever access it?

In answering these central questions, John Tosh argues that, despite the impression of fragmentation created by Postmodernism in recent years, history is a coherent discipline which still bears the imprint of its nineteenth-century origins. Consistently clear-sighted, he provides a lively and compelling guide to a complex and sometimes controversial subject, while making his readers vividly aware of just how far our historical knowledge is conditioned by the character of the sources and the methods of the historians who work on them.

History does not stand still, and this updated seventh edition deals with complex and wide-ranging material in a clear and accessible way that is up-to-date with current historiographical trends. A fuller treatment is given to the importance of digitization both in the section on source criticism and in relation to public history, reflecting its growing importance within historical study. Both the text and references have been expanded to include a fuller range of both American and global scholarship, and the book concludes with a forthright reminder that historical perspective illuminates major problems in the present.

Lucid and engaging, this edition retains the user-friendly features that make it a favourite with both students and lecturers, including marginal glosses, illustrations and suggestions for further reading. Along with its companion website, this is an essential guide to the theory and practice of history.

Table of Contents

1. Historical Awareness

2. The Uses of History

3. Mapping the Field

4. The Raw Materials

5. Using the Sources

6. Writing and Interpretation

7. The Limits of Historical Knowledge

8. History and Social Theory

9. Cultural Evidence and the Cultural Turn

10. Gender History and Postcolonial History

11. Memory and the Spoken Word

12. History Beyond Academia

13. Conclusion: The Topicality of History

Is history more than (in Boswell's words) a chronological series of remarkable events'? Does it have a pattern? Is it fraught with meaning'? Can we discern its trends? What determines its course? In short, can a substantial and coherent philosophy of history be devised that offers answers to these questions? These issues, which have intrigued -and bedeviled - historians for centuries, are explored in this thoughtful book.

More than a simple expository history, A Thousand Years of Nonlinear History sketches the outlines of a renewed materialist philosophy of history in the tradition of Fernand Braudel, Gilles Deleuze, and Felix Guattari, while also engaging the critical new understanding of material processes derived from the sciences of dynamics. Following in the wake of his groundbreaking War in the Age of Intelligent Machines, Manuel De Landa presents a radical synthesis of historical development over the last one thousand years. More than a simple expository history, A Thousand Years of Nonlinear History sketches the outlines of a renewed materialist philosophy of history in the tradition of Fernand Braudel, Gilles Deleuze, and Felix Guattari, while also engaging the critical new understanding of material processes derived from the sciences of dynamics. Working against prevailing attitudes that see history as an arena of texts, discourses, ideologies, and metaphors, De Landa traces the concrete movements and interplays of matter and energy through human populations in the last millennium. De Landa attacks three domains that have given shape to human societies: economics, biology, and linguistics. In every case, what one sees is the self-directed processes of matter and energy interacting with the whim and will of human history itself to form a panoramic vision of the West free of rigid teleology and naive notions of progress, and even more important, free of any deterministic source of its urban, institutional, and technological forms. Rather, the source of all concrete forms in the West's history are shown to derive from internal morphogenetic capabilities that lie within the flow of matter-energy itself.

This field guide to oral history in Latin America addresses methodological, ethical, and interpretive issues arising from the region's unique milieu. With careful consideration of the challenges of working in Latin America - including those of language, culture, performance, translation, and political instability - David Carey Jr. provides guidance for those conducting oral history research in the postcolonial world. In regions such as Latin America, where nations that have been subjected to violent colonial and neocolonial forces continue to strive for just and peaceful societies, decolonizing research and analysis is imperative. Carey deploys case studies and examples in ways that will resonate with anyone who is interested in oral history.

First published in 1978, this book rapidly established itself as a classic of modern Marxism. Cohen's masterful application of advanced philosophical techniques in an uncompromising defense of historical materialism commanded widespread admiration. In the ensuing twenty years, the book has served as a flagship of a powerful intellectual movement--analytical Marxism. In this expanded edition, Cohen offers his own account of the history, and the further promise, of analytical Marxism. He also expresses reservations about traditional historical materialism, in the light of which he reconstructs the theory, and he studies the implications for historical materialism of the demise of the Soviet Union.

A new chapter analyzing Vico's conception of the development of law has been added to this edition of a unique work devoted almost exclusively to an interpretation of the New Science.

Medieval society created many kinds of records and written material which differ considerably, giving us such sources as last wills, sermons, manorial accounts, or royal biographies. Primary sources are an exciting way for students to engage with the past and draw their own ideas about life in the medieval period.

Understanding Medieval Primary Sources is a collection of essays that will introduce students to the key primary sources that are essential to studying medieval Europe. The sources are divided into two categories: the first part treats some of the many generic sources that have been preserved, such as wills, letters, royal and secular narratives and sermons. Chapter by chapter each expert author illustrates how they can be used to reveal details about medieval history. The second part focuses on areas of historical research that can only be fully discovered by using a combination of primary sources, covering fields such as maritime history, urban history, women s history and medical history.

Understanding Medieval Primary Sources will be an invaluable resource for any student embarking on medieval historical research.

A central motif of R. G. Collingwood's philosophy of history is the idea that historical understanding requires a re-enactment of past experience. However, there have been sharp disagreements about the acceptability of this idea, and even its meaning. This book aims to advance the critical discussion in three ways: by analysing the idea itself further, concentrating especially on the contrast which Collingwood drew between it and scientific understanding; by exploring the limits of its applicability to what historians ordinarily consider their proper subject-matter; and by clarifying the relationship between it and some other key Collingwoodian ideas, such as the place of imagination in historical inquiry, the sense in which history deals with the individual, the essential perspectivity of historical judgement, and the importance of narrative and periodization in historical thinking. Professor Dray defends Collingwood against a good deal of recent criticism, while pointing to ways in which his position requires revision or development. History as Re-enactment draws upon a wide range of Collingwood's published writings, and makes considerable use of his unpublished manuscripts. It is the most systematic study yet of this central doctrine of Collingwood's philosophy of history, and will stand as a landmark in Collingwood studies. 'For many years William Dray has been working at the task of retrieving Collingwood for contemporary philosophy. . . . It is something of an event then to have this new work, the culmination of a lifetime of thought, appear in his retirement. As one would expect, it is a deeply considered book, lucidly written, and scrupulously fair to all parties . . . a sound and serious philosophical commentary . . . anyone interested in either Collingwood or the philosophy of history should consider joining the dialogue and will learn much in the process.' Canadian Journal of History

Memory and Nation Building addresses the complex topic of collective memory, first described by sociologist Maurice Halbwachs in the first half of the 20th century. Author Michael Galaty argues that the first states appropriated traditional collective memory systems in order to form. With this in mind, he compares three Mediterranean societies - Egypt, Greece, and Albania - each of which experienced very different trajectories of state formation. Galaty attributes these differences to varying responses to collective memory in all three places through time, with climaxes in the Ottoman period, during which all three were under Ottoman control. Egypt was characterized by deeply meaningful memory tropes concerning national unity, which spanned all of Egyptian history, while Greece experienced memory fragmentation, a condition exacerbated by periods of imperial conquest. Albania adapted and assimilated when faced with foreign domination, such that an indigenous Albanian state did not form until 1912. Galaty builds a diachronic model of state formation and its relationship to memory and political control. Memory and Nation Building culminates in an analysis of modern collective memory systems and resistance to those systems, which are often framed as conflicts over "heritage". The formation and eventual fall of the short-lived Islamic State serves as an example of extreme memory work, with lessons for other modern nations.

How does the past matter in the present? How is a feeling of 'ownership' of the past expressed in people's everyday lives? Should continuity with the distant past be seen as simply a nationalist fiction or is it transformed by local historical imagination?While recent anthropological studies have focused on reconstructing disputed histories, this book examines the multiple ways in which the past is used by people as a critical resource for interpreting the meanings of a changing present. It poses the issue of the felt relevance of the past in constructing present day identities. The Greek island of Kalymnos is a barren and seemingly bucolic setting of tourist imagination. But its history has been one of almost continuous occupation by foreign powers and of often fierce resistance. This has made Kalymnians particularly sensitive to seeing their island in a much wider context and to understanding the 'games played by the powerful'.In examining changing gender relations, European integration, and local perceptions of the war in the former Yugoslavia, this book brings together local, national and international perspectives in a unified field. Controversial contemporary practices of dynamite throwing and dowry giving serve as tropes through which Kalymnians explore alternative ways of living in a changing world. Further, the author argues persuasively for the crucial importance of situated fieldwork in 'peripheral'places in understanding the issues and conflicts of a transnational world. This book serves as an highly readable case study of the complex connections between local and global discourses and practices, and how they are shaped by their relationship to the past.

This is a collection of Professor Preston King's essays on the history of ideas. The title invokes the embeddedness of the past in, and the sly complexity of, what we call altogether too summarily the present. These essays are united by a persistent concern with the philosophy of history, especially the history of ideas. They all emerge from an early view by King of the interpretation of past and present. This was a view in turn complemented and contradicted by those from whom King learnt most, located in or around the London School of Economics: Michael Oakeshott, Karl Popper and Isaiah Berlin. The author's concern, above all else, is to demonstrate the incoherence, even absurdity of the notion that the past can have nothing to teach us - whether mounted by those who argue that history is unique or that it is merely contextual.

This book was originally published in 1988. Although they pursue divergent lines of analysis, these essays by historians and art historians reveal their mutual appreciation of art as historic evidence shaped by imagination as well as tradition and purpose.

The Routledge Companion to Jewish History and Historiography provides an overview of Jewish history from the biblical to the contemporary period, while simultaneously placing Jewish history into conversation with the most central historiographical methods and issues and some of the core source materials used by scholars within the field. The field of Jewish history is profitably interdisciplinary. Drawing from the historical methods and themes employed in the study of various periods and geographical regions as well as from academic fields outside of history, it utilizes a broad range of source materials produced by Jews and non-Jews. It grapples with many issues that were core to Jewish life, culture, community, and identity in the past, while reflecting and addressing contemporary concerns and perspectives. Divided into four parts, this volume examines how Jewish history has engaged with and developed more general historiographical methods and considerations. Part I provides a general overview of Jewish history, while Parts II and III respectively address the rich sources and methodologies used to study Jewish history. Concluding in Part IV with a timeline, glossary, and index to help frame and connect the history, sources, and methodologies presented throughout, The Routledge Companion to Jewish History and Historiography is the perfect volume for anyone interested in Jewish history.

Roman Tales: A Reader's Guide to the Art of Microhistory explores both the social and cultural life of Renaissance Rome and the mind-set and methods of microhistory. This book draws the reader deep into eight stories: a Christian-Jewish picnic plus an ill-aimed stone fight, an embassy-driven attack on Rome's police, a magic prophetic mirror, an immured mad hermit, a stolen dwarf, and the bizarre misadventures of a stolen roll of velvet, a truly odd elopement, and a thieving child who treats his cronies to dinner at the inn. It meditates on the resources and lacunae that shape the telling of these stories and, through them, it models an historical method that contrives to turn the limits of our knowledge into an advantage by writing honestly and movingly, to bring a dead past back to life, exemplifying and stretching the genre of microhistory. It also discusses strategies for teaching through intensive use of old documents, with a particular focus on criminal tribunal papers. Engagingly written, Roman Tales outlines the main principles of microhistorical research and draws the reader outwards towards a wider exploration and discovery of sixteenth-century Rome. It is ideal for researchers of microhistory, and of medieval and early modern Italy.

This is the first book in English on the seventeenth-century Chinese masterpiece Liaozhai's Records of the Strange (Liaozhai zhiyi) by Pu Songling, a collection of nearly five hundred fantastic tales and anecdotes written in Classical Chinese.

How does the past matter in the present? How is a feeling of 'ownership' of the past expressed in people's everyday lives? Should continuity with the distant past be seen as simply a nationalist fiction or is it transformed by local historical imagination?
While recent anthropological studies have focused on reconstructing disputed histories, this book examines the multiple ways in which the past is used by people as a critical resource for interpreting the meanings of a changing present. It poses the issue of the felt relevance of the past in constructing present day identities. The Greek island of Kalymnos is a barren and seemingly bucolic setting of tourist imagination. But its history has been one of almost continuous occupation by foreign powers and of often fierce resistance. This has made Kalymnians particularly sensitive to seeing their island in a much wider context and to understanding the 'games played by the powerful'.
In examining changing gender relations, European integration, and local perceptions of the war in the former Yugoslavia, this book brings together local, national and international perspectives in a unified field. Controversial contemporary practices of dynamite throwing and dowry giving serve as tropes through which Kalymnians explore alternative ways of living in a changing world. Further, the author argues persuasively for the crucial importance of situated fieldwork in 'peripheral'places in understanding the issues and conflicts of a transnational world. This book serves as an highly readable case study of the complex connections between local and global discourses and practices, and how they are shaped by their relationship to the past.

This Element denaturalises political science, stressing the contestability and contingency of ideas, traditions, subfields, and even the discipline itself. The history of political science is less one of scholars testing and improving theories by reference to data than of their appropriating and transforming ideas, often obscuring or obliterating former meanings, to serve new purposes in shifting political contexts. Political science arose in the late nineteenth century as part of a wider modernism that replaced earlier developmental narratives with more formal explanations. It changed as some scholars yoked together behavioural topics, quantitative techniques, and positivist theory, and as other scholars rejected their doing so. Subfields such as International Relations remained semi-detached and focused on policy as much as theory. Furthermore, the shifting fashions within political science - modernism, behaviouralism, realism, neoliberalism, the new institutionalism - have informed the policies by which governments have tried to tame contingency and govern people.