This book initiates a new interdisciplinary approach in the literary and philosophical treatment of Carlyle, challenging the long-held notion that his work was solely influenced by German idealism. Tracing Carlyle's intellectual inheritance through Hume, Reid, and Hamilton, Jessop argues that Carlyle was crucially influenced by Scottish philosophy and that this philosophical discourse can in turn be used to inform critical readings of his texts. The book will be of interest to readers of Carlyle, philosophers, and specialists in the literature and intellectual history of the eighteenth and nineteenth centuries.

Paris of the year 1900 left two landmarks: the Tour Eiffel, and David Hilbert's celebrated list of twenty-four mathematical problems presented at a conference opening the new century. Kurt Goedel, a logical icon of that time, showed Hilbert's ideal of complete axiomatization of mathematics to be unattainable. The result, of 1931, is called Goedel's incompleteness theorem. Goedel then went on to attack Hilbert's first and second Paris problems, namely Cantor's continuum problem about the type of infinity of the real numbers, and the freedom from contradiction of the theory of real numbers. By 1963, it became clear that Hilbert's first question could not be answered by any known means, half of the credit of this seeming faux pas going to Goedel. The second is a problem still wide open. Goedel worked on it for years, with no definitive results; The best he could offer was a start with the arithmetic of the entire numbers. This book, Goedel's lectures at the famous Princeton Institute for Advanced Study in 1941, shows how far he had come with Hilbert's second problem, namely to a theory of computable functionals of finite type and a proof of the consistency of ordinary arithmetic. It offers indispensable reading for logicians, mathematicians, and computer scientists interested in foundational questions. It will form a basis for further investigations into Goedel's vast Nachlass of unpublished notes on how to extend the results of his lectures to the theory of real numbers. The book also gives insights into the conceptual and formal work that is needed for the solution of profound scientific questions, by one of the central figures of 20th century science and philosophy.

This volume presents a series of lectures on Spencer: his earlier work, preparation for the Synthetic Philosophy, the Spencerian sociology; Spencer's ethical system; and the religious aspects of Spencerian philosophy. Also included is a biographical sketch and a chronological list of Spencer's principal writings.

Neben einigen Nachtragen zum Ersten Band dieser Reihe enthalt dieser Band die mathematisch-naturwissenschaftlichen Briefe der ersten drei hannoverschen Jahre. Zu den bedeutungsvollsten Korrespondenzen gehoren die Briefwechsel mit Christiaan Huygens, Jean Paul de La Roque (Herausgeber des Journal des Scavans ), Edem Mariotte, Heinrich Oldenburg und Ehrenfried Walther von Tschirnhaus. In ihnen spiegeln sich wichtige Themen des Leibnizschen Schaffens dieser Jahre wider: der Ausbau seiner Infinitesimalrechnung, das Projekt einer allgemeinen Charakteristik (speziell einer Analysis situs) und der Einsatz von verbesserten Messgeraten (Mikroskop, Barometer) in den angewandten Naturwissenschaften. Daneben dokumentiert eine Vielzahl weiterer Korrespondenzen die Vielseitigkeit der Leibnizschen Interessengebiete, z. B. die okonomische Auswertung von Erfindungen, die Heilkraft verschiedener Medikamente (aqua Rabelii), die Erhohung der Elastizitat des Eisens (Doceur) und die Moglichkeit der Metallveredelung (Goldgewinnung)."

In this book, Justin Pack proposes a genealogy of the traditional suspicion of money and merchants. This genealogy is framed both by how money itself has changed and how different traditions responded to money. Money and merchants became heavily debated concerns in the Axial Age, which coincided with the spread of coinage. A deep suspicion of money and merchants was particularly notable in the Greek, Confucian and Christian traditions, and continued into the Middle Ages. These traditions wrestled with a new dialectic of purity that also appears with the widespread use of money. How were these concerns dealt with politically, socially and philosophically? How did they change over time? How did medieval Europe deal with money and how did this inform modern governmentality? To answer these questions, Pack turns to Hanna Arendt's work. Arendt argues that one of the outstanding characteristics of our time is thoughtlessness. This thoughtlessness is related to how modern life, especially under neoliberalism, is increasingly structured by abstract systems, abstract calculative rationality, abstract relations, and the profit motive. Money both drives and embodies this machinery. The hyper-complex abstract systems of modernity discourage, to use Arendtian terms, "thinking" (wonder, questioning everything) in favor of "cognition" (problem solving). Too often the result is thoughtless cognition-the ability to make things more productive and efficient paired with the incapacity to question and challenge the implications and morality of these systems.

The Norton Anthology of Western Philosophy: After Kant provides a comprehensive introduction to the predominantly European ("Continental") interpretive tradition of philosophy after Kant in one volume, and to the now predominantly Anglo-American analytic tradition in the other. It features the extensive editorial apparatus for which Norton Anthologies have been known and trusted by professors and students alike for more than 50 years. Ideal for courses at all levels in the history of philosophy after Kant, these volumes belong on every philosopher's (and philosophy student's) bookshelf.

No short book on the explanation of existence can afford the hubris of claiming to accomplish this task. And certainly no such claim can be or is being made here. What is at issue is not-and cannot be-an actual explanation. Rather, what is attempted here is at the very most a rough sketch of the conceptual architecture that an adequate explanation can be expected to exhibit. No more is achieved than a rough and general indication of the direction in which a satisfactory explanation can unfold. A vast amount of detail will have to be filled in to provide a tenable explanation. Only the rough shape that the explanation will have to take is something that one can map out in the basis of considerations of general principles, giving reasons why alternative directions are less promising and how objection to the indicated direction can be removed or mitigated. But the move from a general direction to a specific and detailed pathway calls for more than is-or can be-attempted here.

This book focuses on how Indigenous knowledge and methodologies can contribute towards the decolonisation of peace and conflict studies (PACS). It shows how Indigenous knowledge is essential to ensure that PACS research is relevant, respectful, accurate, and non-exploitative of Indigenous Peoples, in an effort to reposition Indigenous perspectives and contexts through Indigenous experiences, voices, and research processes, to provide balance to the power structures within this discipline. It includes critiques of ethnocentrism within PACS scholarship, and how both research areas can be brought together to challenge the violence of colonialism, and the colonialism of the institutions and structures within which decolonising researchers are working. Contributions in the book cover Indigenous research in Aotearoa, Australia, The Caribbean, Hawai'i, Israel, Mexico, Nigeria, Palestine, Philippines, Samoa, USA, and West Papua.

In this book, Touko Vaahtera explores how "bodies of latent potential," a cultural attachment to the idea of body as potentiality, carries with it hierarchizing hopes about better bodies. Vaahtera combines disability studies, cultural studies, feminist science studies, transgender studies, post-colonial studies, and Foucauldian genealogy to offer a provocative approach that interrogates capacities and capabilities as obvious frameworks for thinking about the body. Vaahtera explores how swimming skills emerged as a specific biopolitical question in Finland, a country that has been described as the "Land of a Thousand Lakes." Through a profound cultural analysis focusing both on Finnish cultural texts on swimming as well as manifold more globalized texts, Vaahtera considers how the legacy of eugenics and colonialism, the hopes of civilization, and homogenizing assumptions about bodies frame how we think about human capacity.

How do historians, comparative linguists, biblical and textual critics and evolutionary biologists establish beliefs about the past? How do they know the past? This book presents a philosophical analysis of the disciplines that offer scientific knowledge of the past. Using the analytic tools of contemporary epistemology and philosophy of science the book covers such topics as evidence, theory, methodology, explanation, determination and underdetermination, coincidence, contingency and counterfactuals in historiography. Aviezer Tucker's central claim is that historiography as a scientific discipline should be thought of as an effort to explain the evidence of past events. He also emphasizes the similarity between historiographic methodology to Darwinian evolutionary biology. This is an important, fresh approach to historiography and will be read by philosophers, historians and social scientists interested in the methodological foundations of their disciplines.

Contains all the major political, philosophical and educational writings of William Godwin, one of the foremost philosophers of his age. His work on government and individual freedom, Political Justice, made him the chief exponent of English radicalism, and a major influence on Thomas Holcroft, William Wordsworth, Samuel Taylor Coleridge and others in the radical movement of the 1790s and later. Godwin was an influential historian and educationalist. His works include historical pamphlets, polemical journalism, philosophical and educational treatises, novels and literary works. Political Justice is printed in its original edition, with variants to the manuscript and first three editions. It also includes manuscript material never before published.

In this wide-ranging investigation of many prominent issues in contemporary legal, political, and moral philosophy, Matthew Kramer combines penetrating critiques with original theorising as he examines the writings of numerous major theorists (including Ronald Dworkin, H.L.A. Hart, Alan Gewirth, Ronald Coase and Richard Posner). Among the many topics covered by Kramer's essays are the relative merits of legal positivism and natural-law theory, the appropriate understanding of justice, the role of consequences in moral decision-making, and the ultimate foundations of moral judgements.

This book gives new insight into acting and theatre-making through phenomenology (the study of how the world shows itself to conscious experience). It examines Being-in-the-world in everyday life with exercises for workshops and rehearsal. Each chapter explores themes to guide the creative process through objects, bodies, spaces, being with others, time, history, freedom and authenticity. Key examples in the work are drawn from Chekhov’s The Cherry Orchard, Sophocles’ Antigone and Shakespeare’s Hamlet. Practical tasks in each section explore how the theatrical event can offer unique insight into Being and existence. In this way, the book makes a bold leap to understand acting as an embodied form of philosophy and to explain how phenomenology can be a rich source of inspiration for actors, directors, designers and the creative process of theatre-making. This original new book will provide new insight into the practice and theory of acting, stimulate new approaches to rehearsal and advance the notion of theatre making a genuine contribution to philosophical discourse. The fundamental task of the actor is to be on stage with purposeful action in the given circumstances. But this simple act of ‘Being’ is not easy. Phenomenology can provide valuable insight into the challenge. For some time, scholars have looked to phenomenology to describe and analyse the theatrical event. But more than simply drawing attention to embodiment and the subjective experience of the world, a philosophical perspective can also shed light on broader existential issues of being. No specialist knowledge of philosophy is required for the reader to find this text engaging and it will be relevant for second-year students and above at tertiary level. For postgraduates and researchers, the book will provide a valuable touchstone for phenomenology and performance as research. The book will appeal to theatre and performance studies, and some applied philosophy courses. The material is also relevant to studies in literary and critical theory, cultural studies and comparative literature. The work is relevant to The International Federation of Theatre Research (IFTR/FIRT) (Performance and Consciousness), Performance Studies International (psi) and the Performance Philosophy Research Network — an influential and growing research field. Primary markets for this book will be students (both at university and conservatoires) and academics in theatre studies, as well as practitioners and actors in training. The text will be useful to students in units or modules relating to acting theory and theatre-making processes, and which combine critical theory with practical performance. It will also be useful for practitioners of theatre looking to expand or inflect their own methods of approaching performance.

This book addresses the manifold crisis of current societies and understands it as a failure of normative social structuration. As an exemplar for this development, it analyses the decline of welfare state models and the corresponding societal compromise. Yet, it evaluates them as a symptom of a wider malaise of normative orders in complex societies. The question thus arises as to how social science can study the ongoing societal transformation. The book frames the phenomenon as 'normative intermittency' to capture its fluid alternation of social structuration and destructuration and develops its analysis in three steps: first, it draws a theoretically reflected symptomatic of its occurrences; it then establishes the sociological diagnosis necessary to understand its unfolding and finally evaluates its political outcomes. Methodologically, the book advocates a complete overhaul of the analytical frames of sociology to gauge the intermittent rhythm of the ongoing societal transformation. Thus, it develops an innovative reading of classical sociological theory beyond a number of unreflected axiomatic assumptions of the current sociological mainstream. Thanks to the assessment of the political outcomes of failing social structuration the book turns to a discussion of the development of possible emancipation paths in the form of 'transformative social action'; reflexively, this accounts for the results of the sociological diagnosis of the crisis of normative social orders. The main analyses within the book scrutinise a number of empirical phenomena that establish normative intermittency in current societies and refer to the major debates that are taking place on the related topics in the state of art of sociological and political theory.

This book makes a compelling case for utilising experiences of resonance in various academic and societal fields. The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa's theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a 'spectrum of resonance' which encompasses both critical resonance and affirmationist resonance. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz's film Heimat and the music of Nick Cave and Kayhan Kalhor. The spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory.

This book presents a critical and systematic study of the possibility to consider and practice Freud's psychoanalysis as a form of depth hermeneutics. It contributes to a screening of the possibility of a hermeneutical interpretation of psychoanalysis, particularly with respect to the therapeutic practice. The book is an investigation into the philosophical implications of the hermeneutical re-reading of psychoanalysis and clarifies the real speculative and theoretical potential behind the dialectic of hermeneutics and psychoanalysis. It examines two themes which, so far, have remained unclarified and unexplored in their potentiality: firstly, at the level of a construction of a procedural model for the human and social sciences, as well as for philosophy, and, secondly, at the level of a philosophy of the human being able to subsume and express the biological and natural dimension of human identity as well as its historical narrative and social identity.

No part of philosophy is as disconnected from its history as is epistemology. After Certainty offers a reconstruction of that history, understood as a series of changing expectations about the cognitive ideal that beings such as us might hope to achieve in a world such as this. The story begins with Aristotle and then looks at how his epistemic program was developed through later antiquity and into the Middle Ages, before being dramatically reformulated in the seventeenth century. In watching these debates unfold over the centuries, one sees why epistemology has traditionally been embedded within a much larger sphere of concerns about human nature and the reality of the world we live in. It ultimately becomes clear why epistemology today has become a much narrower and specialized field, concerned with the conditions under which it is true to say, that someone knows something. Based on a series of lectures given at Oxford University, Robert Pasnau's book ranges widely over the history of philosophy, and examines in some detail the rise of science as an autonomous discipline. Ultimately Pasnau argues that we may have no good reasons to suppose ourselves capable of achieving even the most minimal standards for knowledge, and the final chapter concludes with a discussion of faith and hope.

This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective. In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience - and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination. Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works - plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace's fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.

This book explores Wittgenstein's long engagement with the work of the pragmatist William James. In contrast to previous discussions, Russell Goodman argues that James exerted a distinctive and pervasive positive influence on Wittgenstein's thought. He shows that both share commitments to anti-foundationalism, to the description of the concrete details of human experience, and to the priority of practice over intellect. Considering in detail what Wittgenstein learnt from his reading of William James, Goodman provides considerable evidence for Wittgenstein's claim that he is saying "something that sounds like pragmatism."

This book argues that philosophical pessimism can offer vital impulses for contemporary cultural studies. Pessimist thought offers ways to interrogate notions of temporality, progress and futurity. When the horizon of future expectation is increasingly shaped by the prospect of apocalypse and extinction, an exploration of pessimist thought can help to make sense of an increasingly complex and uncertain world by affirming rather than suppressing the worst. This book argues that a cultural logic of the worst is at work in a substantial section of contemporary philosophical thought and cultural representations. Spectres of pessimism can be found in contemporary ecocritical thought, antinatalist philosophies, political thought, and cultural theory, as well as in literature, film, and popular music. In its unsettling of temporality, this new pessimism shares sensibilities with the field of hauntology. Both deconstruct linear narratives of time that adhere to a stable sequence of past, present and future. Mark Schmitt therefore couples pessimism and hauntology to explore the spectres of pessimism in a range of theories and narratives-from ecocriticism, antinatalism and queer theory to utopianism, from afropessimism to the fiction of Hari Kunzru and Thomas Ligotti to the films of Camille Griffin, Gaspar Noe, Denis Villeneuve and Lars von Trier.

The essays offer a unified and comprehensive view of 17th century mathematical and metaphysical disputes over status of infinitesimals, particularly the question whether they were real or mere fictions. Leibniz's development of the calculus and his understanding of its metaphysical foundation are taken as both a point of departure and a frame of reference for the 17th century discussions of infinitesimals, that involved Hobbes, Wallis, Newton, Bernoulli, Hermann, and Nieuwentijt. Although the calculus was undoubtedly successful in mathematical practice, it remained controversial because its procedures seemed to lack an adequate metaphysical or methodological justification. The topic is also of philosophical interest, because Leibniz freely employed the language of infinitesimal quantities in the foundations of his dynamics and theory of forces. Thus, philosophical disputes over the Leibnizian science of bodies naturally involve questions about the nature of infinitesimals. The volume also includes newly discovered Leibnizian marginalia in the mathematical writings of Hobbes.

This book makes connections between selfhood, reading practice and moral judgment which propose fresh insights into Austen's narrative style and offer new ways of reading her work. It grounds her writing in the Enlightenment philosophy of selfhood, exploring how Austen takes five major components of selfhood theory-memory, imagination, probability, sympathy and reflection-and investigates their relation to self-formation and moral judgement. At the same time, Austen's narrative style breaks new ground in the representation of consciousness and engages directly with contemporary concerns about reading practice. Drawing analogies between reading text and reading character, the book argues that Austen's rendering of reading and rereading as both reflective and constitutive acts demonstrates their capacity to enable self-recognition and self-formation. It shows how Austen raises questions about the potential for different readings and, in so doing, challenges her readers to reflect on and reread their own interactions with her texts.

With few exceptions, the field of Eastern Christian studies has primarily been concerned with historical-critical analysis, hermeneutics, and sociology. For the most part it has not attempted to bring Eastern Christian philosophy into serious engagement with contemporary thought. This volume seeks to redress the matter by bringing the Eastern Christian tradition into a meaningful dialogue with contemporary philosophy. It boasts a diverse group of scholars-specialists in ancient philosophy, analytic philosophy, and continental philosophy-who engage with a wide range of pressing issues. Among other things, it addresses such topics as contemporary atheism, the metaphysics of action, religious epistemology, the philosophy of language, bioethics, the philosophy of race, and human rights. In so doing, it aims to introduce contemporary readers to unique perspectives and novel arguments often overlooked by mainstream anglophone philosophy.

Kierkegaard's Either/Or can be read in multiple ways. One important possible reading at the present time is to read it as a critique of the sexual stereotyping of women (and, implicitly, the stereotyping of men as well) and gender relations that characterize modern Western thought. The stereotyping is not simple and unvarigated. To mention two extremes, Kierkegaard's presentation of gender relations range from the outrageous subjugation and domination of woman shown in the "Diary of the Seducer," with which Kierkegaard closes the first volume of Either/Or, to the affectionate and gentle love that characterizes the relation of Judge William and his wife in the second volume, where the best face is put upon bourgeois marriage. In Either/Or, Part One, Kierkegaard presents what he calls the aesthetic form of life. There he focuses on a large variety of the stereotypical views of women, from a sentimental and whining appraisal of her position in the world, through the view that sexual exploitation is an uncontrollable natural instinct and/or drive for which men are not morally responsible, to the view that women is a jest, not to be taken seriously as a moral and responsible being, and then that she is just there as a sexual object or plaything to be reflectively seduced on the male's terms and for his pleasure or rejection, whatever suits him at the moment. Needless to say, this great variety of views of the "uses" of woman has provoked a large critique, and just as predictable, that critique is as varied as the intellectual tools available for the analysis of a work that is as literary as it is philosophic. The present collection of essays treats these and many other of the most important issues raised in Either/Or in fresh and perceptive ways. Even where familiar themes are argued, the authors introduce innovative interpretive models, new approaches and new materials are appealed to, or new rebuttal arguments against previously held positions are offered. Several of the articles, for instance, appropriate or criticize methods or insights derived from postmodernism and/or feminist philosophy; an approach that would have been unlikely two decades ago.