This is the first book to present a carefully chosen and annotated selection of the unpublished writings and correspondence of the English logician John Venn (1834-1923). Today remembered mainly as the inventor of the famous diagram that bears his name, Venn was an important figure of nineteenth-century Cambridge, where he worked alongside leading thinkers, such as Henry Sidgwick and Alfred Marshall, on the development of the Moral Sciences Tripos. Venn published three influential textbooks on logic, contributed some dozen articles to the then newly-established journal Mind, of which he became co-editor in 1892, and counted F.W. Maitland, William Cunningham and Arthur Balfour among his pupils. After his active career as a logician, which ended around the turn of the 20th century, Venn reinvented himself as a biographer of his University, College and family. Together with his son, he worked on the massive Alumni Cantabrigienses, which is still used today as a standard reference source. The material presented here, including the 100-page Annals: Autobiographical Sketch, provides much new information on Venn's philosophical development and Cambridge in the 1850s-60s. It also brings to light Venn's relation with famous colleagues and friends, such as Leslie Stephen, Francis Galton, and William Stanley Jevons, thereby placing him at the heart of Victorian intellectual life.

At the time of his death in 2004, Jacques Derrida was arguably the most influential and the most controversial thinker in contemporary philosophy. Deconstruction, the movement that he founded, has received as much criticism as admiration and provoked one of the most contentious philosophical debates of the twentieth century. Derrida's contribution to European and American literary and philosophical culture was enormous and a comprehensive overview of his extraordinary life and work is long overdue. "Jacques Derrida: A Biography" offers, for the first time, a complete biographical overview of this important philosopher, drawing on Derrida's own accounts of his life, as well as the narratives of friends and colleagues. Powell explores Derrida's early life in Algeria, his higher education in Paris and his development as a thinker, before examining the extraordinary influence of his published works and the celebrity status that he achieved in both Europe and the USA. Powell goes on to explore the crisis Derrida faced toward the end of the 1970s, when structuralism was waning, and his renewed efforts to create a public forum for deconstruction, often in the face of fierce criticism from the popular press. He concludes with an account of his last years and publications, which are both reflective and more assertive in their commentary on the times in which we live, bringing to light his thoughts on fame, life, and death. "Jacques Derrida: A Biography" provides an essential and engaging account of this major philosopher's remarkable life and work.

This volume comprises seventeen essays by Henry E. Allison, one of the world's leading Kant scholars. They cover virtually the full spectrum of Allison's work on Kant, ranging from his epistemology, metaphysics, and moral theory to his views on teleology, political philosophy, the philosophy of history, and the philosophy of religion. But most of the essays revolve around three basic themes: the nature of transcendental idealism and its relation to other aspects of Kant's thought; freedom of the will; and the concept of the purposiveness of nature. The first two themes have been prominent in Allison's work on Kant since its inception. The essays on the third theme constitute a major new contribution to the understanding of Kant's 'critical' philosophy; their primary concern is to demonstrate the central place of the third Critique in Kant's thought. Among the notable features of Allison's essays is the presence of a significant comparative dimension, which places Kant's views in their historical context and explores their contemporary relevance. To this end, these views are contrasted with those of his major predecessors and immediate successors, as well as philosophers of the present day.

'what can be said at all can be said clearly; and of what one cannot talk, about that one must be silent' Wittgenstein's Tractatus Logico-Philosophicus, first published in German in 1921 and in English translation in 1922, is one of the most influential philosophical texts of the twentieth century. It played a fundamental role in the development of analytic philosophy, and its philosophical ideas and implications have been fiercely debated ever since. This new translation improves on the two main earlier translations, taking advantage of the scholarship over the last century that has deepened our understanding of both the Tractatus and Wittgenstein's philosophy more generally, scholarship that has also involved discussion of the difficulties in translating the original German text and the issues of interpretation that arise. Michael Beaney's translation is accompanied by two introductory essays, the first explaining the background to Wittgenstein's work, its main ideas and their subsequent development and influence, and some of the central debates, and the second providing an account of the history of the text and the two earlier translations. It is accompanied by detailed notes, explaining key points of translation and interpretation, a glossary, chronology, and other editorial material designed to help the reader understand the Tractatus and its place in the history of philosophy.

This volume reconstructs the body of sensibility and the discourse which constructed it. The discourse of sensibility was deployed very widely throughout the mid- to late-eighteenth century, particularly in France and Britain. To inquire into the body of sensibility is then necessarily to enter into an interdisciplinary space and so to invite the plurality of methodological approaches which this collection exemplifies. The chapters collected here draw together the histories of literature and aesthetics, metaphysics and epistemology, moral theory, medicine, and cultural history. Together, they contribute to four major themes: First, the collection reconstructs various modes by which the sympathetic subject was construed or scripted, including through the theatre, poetry, literature, and medical and philosophical treaties. It secondly draws out those techniques of affective pedagogy which were implied by the medicalisation of the knowing body, and thirdly highlights the manner in which the body of sensibility was constructed as simultaneously particular and universal. Finally, it illustrates the 'centrifugal forces' at play within the discourse, and the anxiety which often accompanied them.

At the centre of eighteenth-century thought was a very particular object: the body of sensibility, the Enlightenment's knowing body. The persona of the knowledge-seeker was constructed by drawing together mind and matter, thought and feeling. And so where the Enlightenment thinker is generally associated with reason, truth-telling, and social and political reform, the Enlightenment is also known for its valorisation of emotion. During the period, intellectual pursuits were envisioned as having a distinctly embodied and emotional aspect. The body of 'sensibility' encompassed these apparently disparate strands and was associated with terms including 'sentimental', 'sentiment', 'sense', 'sensation', and 'sympathy'.

St. Thomas Aquinas never commented on the Song of Songs. The purpose of this book is to demonstrate, however, that he meditated on it and absorbed it, so that the words of the Song are for him a familiar repertoire and a theological source. His work contains numerous citations of the Song, not counting his borrowings of vocabulary and images from it. In total, there are 312 citations of the Song in Aquinas's corpus, along with citations of the Song that are found in citations that Aquinas makes of other authors (as for example in the Catena aurea). Understanding the purpose and placement of these citations significantly enriches our understanding of Aquinas as a theologian, biblical exegete, and spiritual master. The book contains an Appendix listing and contextualizing each citation. The study of the citations of the Song especially illuminates Aquinas's spiritual doctrine. By citing the Song, Aquinas emphasizes the spiritual life's path of dynamic ascent, through an ever increasing participation in the mystery of the nuptial union of Christ and the Church through love. The Song also highlights the eschatological tension or yearning present in the spiritual life, which is ordered to the fullness of beatific vision. Although Aquinas's theology is highly "intellectual," by citing the Song he brings out the affective character of the spiritual life and conveys the centrality of love in the soul's journey toward Christ. He also draws together contemplation and preaching through his use of the Song.

The present book contextualizes Du Chatelet's contribution to the philosophy of her time. The editor offers this tribute to an Epoque Emiliennee as a collection of innovative papers on Emilie Du Chatelet's powerful philosophy and legacy. Du Chatelet was an outstanding figure in the era she lived in. Her work and achievements were unique, though not an exception in the 18th century, which did not lack outstanding women. Her personal intellectual education, her scholarly network and her mental acumen were celebrated in her time, perceiving her to have "multiplied nine figures by nine figures in her head". She was able to gain access to institutions which were normally denied to women. To call an epoch an Epoque Emilienne may be seen as daring and audacious, but it will not be the last time if we continue to bring women philosophers back into the memory of the history of philosophy. The contributors paid attention to the philosophical state of the art, which forms the background to Du Chatelet's philosophy. They follow the transformation of philosophical concepts under her pen and retrace the impact of her ideas. The book is of interest to scholars working in the history of philosophy as well as in gender studies. It is of special interest for scholars working on the 18th century, Kant, Leibniz, Wolff, Newton and the European Enlightenment.

This book draws on recent developments in research on Ferdinand de Saussure's general linguistics to challenge the structuralist doctrine associated with the posthumous Course in General Linguistics (1916) and to develop a new philosophical interpretation of Saussure's conception of language based solely on authentic source materials. This project follows two new editorial paradigms: 1. a critical re-examination of the 1916 Course in light of the relevant sources and 2. a reclamation of the historically authentic materials from Saussure's Nachlass, some of them recently discovered. In Stawarska's book, this editorial paradigm shift serves to expose the difficulties surrounding the official Saussurean doctrine with its sets of oppositional pairings: the signifier and the signified; la langue and la parole; synchrony and diachrony. The book therefore puts pressure not only on the validity of the posthumous editorial redaction of Saussure's course in general linguistics in the Course, but also on its structuralist and post-structuralist legacy within the works of Levi-Strauss, Lacan, and Derrida. Its constructive contribution consists in reclaiming the writings from Saussure's Nachlass in the service of a linguistic phenomenology, which intersects individual expression in the present with historically sedimented social conventions. Stawarska develops such a conception of language by engaging Saussure's own reflections with relevant writings by Hegel, Husserl, Roman Jakobson, and Merleau-Ponty. Finally, she enriches her philosophical critique with a detailed historical account of the material and institutional processes that led to the ghostwriting and legitimizing the Course as official Saussurean doctrine.

Clandestine philosophical manuscripts, made up of forbidden works including erotic texts, political pamphlets, satires of court life, forbidden religious texts, and books about the occult, had an avid readership in the seventeenth and eighteenth centuries, becoming objects of historical research by the twentieth century. The purveyors of the clandestine could be found in the Dutch Republic, Switzerland, Denmark, Spain, and not least in Paris or London. Despite the heavy risks, including prison, the circulation of these manuscripts was a prosperous venture. After Ira Wade's pioneering contribution (1938), Clandestine Philosophy is the first work in English entirely focused on the philosophical clandestine manuscripts that preceded and accompanied the birth of the Enlightenment. Topics from philosophy, political and religious thought, and moral and sexual behaviour are addressed by contemporary authors working in both America and Europe. These manuscripts shed light on the birth of pornography and provide an important avenue for investigating philosophical, religious, political, and social critique.

Focusing on the works of Thomas Reid, Dugald Stewart, Sir William Hamilton, Thomas Brown and James Frederick Ferrier, this book offers a definitive account of an important philosophical movement, and represents a ground-breaking contribution to scholarship in the area. Essential reading for philosophers or anyone with an interest in the history of philosophical thought.

This book mediates between postcolonial positions that criticize Marxist approaches (and Marx's writings) for their Eurocentrism and defenders of Marx, who claim that this accusation is a myth. In different contributions to this volume, Kolja Lindner pleads for a differentiated assessment of the whole of Marx's work, including less known manuscripts, and a theoretical reconstruction of various elements that have come into the focus of postcolonial critique: ethnocentrism, Orientalism, false universalism and the oblivion of modernity's global entanglement. Against this background, two opportunities simultaneously arise: Marx's Eurocentrism can be deconstructed and his growing awareness of global developments and cosmopolitan struggles established.

This book examines the global circulation of Marxism seen from one of its most highly charged sites: Calcutta in India. Building on but also revising existing approaches to global intellectual history, the book presents the circulation of Marxism through Calcutta as a historically-sited problem of mass mediation. Using tools from media studies, the book explores the way that Marxism was presented to the public, the technologies used, and the meanings of Marxism in twentieth-century Calcutta. Demonstrating how the Popular Front was split between the so-called 'people's group' and those whom were called 'intellectuals', the book argues that the people's group generally identified themselves as Marxists and preferred audio-visual media such as theatre, while the so-called intellectuals privileged academic rigour and print media, usually referring to themselves as Marxians. Thus, the author reveals a polyphony of Marxisms in the Popular Front. Tracing Marxism back to the Bengal Renaissance and the Swadeshi and Naxal movements, this book shows how debate around the meaning of 'Marxism' continued throughout the 1970s in Calcutta, and eventually engendered the historiographical movement that has come to be known as Subaltern Studies.

Grant ackowledges that Christian theology owes much to the philosophy of the classical world, but he believes the remarkable tenacity of Christian inspiration resulted from the revelation of the Trinity. From the philosophical background of Christian doctrine, especially Middle Platonism and the writings of Numenius of Apamea, Grant traces the development of God the Father, Creator, and Preserver of the universe.

In this, the first full-length study of Vico's highly original autobiography, Verene discusses its place in the history of autobiography generally, and shows it to be the first work of modern intellectual autobiography which uses a genetic method. The author views the autobiography as a work in which Vico applies the principles of human history discussed in New Science, making the telling of his own life an application and verification of his own philosophy. He places Vico's autobiography within the general development of the genre, considering it in relation to Augustine's Confessions, Descartes's Discourse, and Rousseau's Confessions. The author shows Vico to be not only the founder of the philosophy of history, but also the originator of a philosophical art of self-narrative which is the response by a modern thinker to the ancient problem of self-knowledge.

"Continental Philosophy: A Contemporary Introduction "surveys the main trends of European philosophy from Kant to the present. It is clearly written and accessible to students. In a novel approach, Andrew Cutrofello looks at continental philosophy through the lens of four questions that derive from Kant:
-How is truth disclosed aesthetically?
-To what does the feeling of respect attest?
-Must we despair, or may we still hope?
-What is the meaning of philosophical humanism?
Cutrofello shows how these questions have been taken up by (1) phenomenologists, (2) continental ethicists, (3) hermeneuticians and critical theorists, and (4) existentialists and their critics. In the introduction and conclusion, he explains how the questions raised by continental philosophers differ from their analogues in the analytic tradition. With its frequent references to Shakespeare, Cutrofello's style is lively and engaging. His remarkably comprehensive book will be of interest not only to students but to anyone seeking a reliable overview of the continental tradition.

Christos Yannaras pioneering critique of the concept of the right of the individual is presented in English for the first time. This central aspect of political theory (since Hegels Philosophy of Right) summarizes the philosophical and cultural identity of the paradigm of modernity, but the philosophical assumptions underlying the concept of right have not hitherto been subject to scrutiny. Yannaras shows that the starting-point of the concept of right is a phenomenalistic naturalism, which presupposes an abstract concept of the human subject as a fundamentally undifferentiated natural individual. The question is also explored of how the priority accorded to this concept of right is related to the contemporary crisis of the modern politico-social paradigm, while a new preface from the translator underlines the continued significance of Yannaras proposal for Anglophone readers. Against the modern concept of right with its illusion of objectivity, The Inhumanity of Right sketches out the basic lines of a political theory that prioritizes new social needs that reflect the relational character of the human person.

Drury regards the political problems of the modern world to be thoroughly Biblical. In the politics of the 21st century, we find two equally arrogant and self-righteous civilizations confronting one another. Each is convinced that it is on the side of God, truth and justice, while its enemy is allied with Satan, wickedness, and barbarism. The language of diplomacy and compromise has been replaced by the language of jihad or the struggle against the cosmic forces of evil. Life is radicalized; and all choices are polarized. Politics properly understood is eclipsed. Drury urges us to transcend the Biblical view of the world. Instead, she argues in favor of a genuinely liberal, secular, and pluralistic understanding of politics.

The original, Dutch version of this book served in 1979 as a doctoral disserta tion in philosophy at the Free University in Amsterdam. In this preface to the - slightly revised - English translation, I wish once again to express my gratitude to my supervisors, Prof. J. van der Hoeven of the Free University and Prof. G. Nuchelmans of the University of Leiden, for their excellent and stimulating support. Professor van der Hoeven was associated with this project from the outset. It was a privilege to benefit from his incisive commentaries, especially in those instances where the objective was to break through to more fundamental insights. I shall not lightly forget his friendly and heartening encouragement. I am equally grateful for my discussions with Professor Nuchelmans. I almost always tried to follow his advice, since it was based upon awesome expertness and erudition. I am happy to have found in the person of Herbert Donald Morton, Th.M., M.A., an able and enthusiastic translator. Drs. Gerben Groenewoud made the translations of a number of the Latin citations. I acknowledge permission from Routledge and Kegan Paul and the University of Toronto Press to quote from The Collected Works of John Stuart Mill. And I thank the Netherlands Organization for the Advancement of Pure Research (Z.W.O.) for fmancing this translation."

This book examines the seventeenth-century project for a "real" or "universal" character: a scientific and objective code. Focusing on the Essay towards a real character, and a philosophical language (1668) of the polymath John Wilkins, Fleming provides a detailed explanation of how a real character actually was supposed to work. He argues that the period movement should not be understood as a curious episode in the history of language, but as an illuminating avatar of information technology. A non-oral code, supposedly amounting to a script of things, the character was to support scientific discourse through a universal database, in alignment with cosmic truths. In all these ways, J.D. Fleming argues, the world of the character bears phenomenological comparison to the world of modern digital information-what has been called the infosphere.

To freedom loving men and women who are willing to assume individual responsibility in return for individual sovereignty and economic freedom, High Ideals is truly a philosophy for a better life. Part A helps us discover in great detail the wonderful potential that awaits us. Part B helps us recognize the obstacles that stand in our way. And part C shows us how to achieve our dream. This is a practical game plan for active, honest, hard working Americans to take control of their lives and direct the future destiny of our country. Every individual that reads high High Ideals and joins the Vigilance Society of America will have a profound influence on the future of America.

H.P. Grice is a distinguished philosopher predominantly known for his influential contributions to the philosophy of language, but that is only one strand in a rich tapestry of ideas bearing on the philosophy of mind, ethics, and metaphysics as well. Some of the essays in this collection of original papers by leading philosophers edited by Grandy and Warner develop Grice's earlier work in the philosophy of language, but most of them discuss or present his newer and less-known work. Together they demonstrate the unified and powerful character of his thoughts on being, mind, meaning, and morals. An introductory essay provides some of the first overview of Grice's thought, and makes explicit some of the relations among the essays. Grice's substantial response is followed by nineteen contributed papers whose authors include Donald Davidson, Stephen Schiffer, John Searle, and P.F. Strawson. The Times Literary Supplement writes of Grice: 'the only leader of whom it is true that the level of the discipline would be raised if most philosophers took him as a model of how to think and write.' This paperback edition replaces the hardback, published March 1986

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

"The meaning of life is the most urgent of questions," said the existentiallist thinker Albert Camus. And no less a philosopher than Woody Allen has wondered:"How is it possible to find meaning in a finite world, given my waist and shirt size?" "Movies and the Meaning of Life" looks at popular and cult movies, examining their assumptions and insights on meaning-of-life questions: What is reality and how can I know it? (The Truman Show, Contact, Waking Life); How do I find myself and my true identity? (Fight Club, Being John Malkovich, Boys Don't Cry, Memento); How do I find meaning from my interactions with others? (Pulp Fiction, Shadowlands, Chasing Amy); What is the chief purpose in life? (American Beauty, Life is Beautiful, The Shawshank Redemption); and How ought I live my life? (Pleasantville, Spiderman, Minority Report, Groundhog Day).