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Books > Social sciences > Sociology, social studies > Social issues > General
This issue theorizes what questions of value might contribute to
our understanding of sound and music. Divesting sound and music
from notions of intrinsic value, the contributors follow various
avenues through which sound and music produce value in and as
history, politics, ethics, epistemology, and ontology. As a result,
the very question of what sound and music are-what constitutes
them, as well as what they constitute-is at stake. Contributors
examine the politics of music and crowds, the metaphysics of
sensation, the ecological turn in music studies, and the political
resistance inherent to sound; connect Karl Marx to black music and
slave labor; look at Marx, the Marx Brothers, and fetishism; and
explore the tension between the voice of the Worker who confronts
Capital head-on and the voices of actual workers. Contributors: Amy
Cimini, Bill Dietz, Jairo Moreno, Rosalind Morris, Ana Maria Ochoa
Gautier, Ronald Radano, Gavin Steingo, Peter Szendy, Gary
Tomlinson, Naomi Waltham-Smith
"The Richardson boys ganged up with two other big families in their
buildings and, at various ages, had tried out most of the local
youth organisations. Bert Richardson with a suitable set of
brothers and mates, was in the Scouts, but they got ejected. Later,
at thirteen, he joined a boys' club for its boxing and football,
and belonged on and off till he was sixteen. Then he suddenly
dropped out." Why did Bert drop out? Originally published in 1954,
the answer forms the substance of Some Young People, the report of
an inquiry into adolescents' reactions to their local youth groups.
Besides answering the question "Who joins what?" (and two thirds of
these thousand youngsters of 14 to 17 were not members of any youth
organisation) the book describes some of the hopes, pleasures and
difficulties of such people as Frances, the chocolate packer, who
has ambition to marry before long; and John, the carpenter's
apprentice, whose passions are autocycling, pigeons and pigs. It
also throws light on problems such as those presented by gangs; and
suggests the importance of "my friends," the closely-knit set who
mean so much to the adolescent.
Jeanne Pitre Soileau, winner of the 2018 Chicago Folklore Prize and
the 2018 Opie Prize for Yo' Mama, Mary Mack, and Boudreaux and
Thibodeaux: Louisiana Children's Folklore and Play, vividly
presents children's voices in What the Children Said: Child Lore of
South Louisiana. Including over six hundred handclaps, chants,
jokes, jump-rope rhymes, cheers, taunts, and teases, this book
takes the reader through a fifty-year history of child speech as it
has influenced children's lives. What the Children Said affirms
that children's play in south Louisiana is acquired along a network
of summer camps, schoolyards, church gatherings, and sleepovers
with friends. When children travel, they obtain new games and
rhymes, and bring them home. The volume also reveals, in the words
of the children themselves, how young people deal with racism and
sexism. The children argue and outshout one another, policing their
own conversations, stating their own prejudices, and vying with one
another for dominion. The first transcript in the book tracks a
conversation among three related boys and shows that racism is part
of the family interchange. Among second grade boys and girls at a
Catholic school another transcript presents numerous examples in
which boys use insults to dominate a conversation with girls, and
girls use giggles and sly comebacks to counter this aggression.
Though collected in the areas of New Orleans, Baton Rouge, and
Lafayette, Louisiana, this volume shows how south Louisiana child
lore is connected to other English-speaking places: England,
Scotland, Ireland, Australia, and New Zealand, as well as the rest
of the United States.
Mathematics for Social Justice offers a collection of resources for
mathematics faculty interested in incorporating questions of social
justice into their classrooms. The book begins with a series of
essays from instructors experienced in integrating social justice
themes into their pedagogy; these essays contain political and
pedagogical motivations as well as nuts-and-bolts teaching advice.
The heart of the book is a collection of fourteen classroom-tested
modules featuring ready-to-use activities and investigations for
the college mathematics classroom. The mathematical tools and
techniques used are relevant to a wide variety of courses including
college algebra, math for the liberal arts, calculus, differential
equations, discrete mathematics, geometry, financial mathematics,
and combinatorics. The social justice themes include human
trafficking, income inequality, environmental justice,
gerrymandering, voting methods, and access to education. The volume
editors are leaders of the national movement to include social
justice material into mathematics teaching. Gizem Karaali is
Associate Professor of Mathematics at Pomona College. She is one of
the founding editors of The Journal of Humanistic Mathematics, and
an associate editor for The Mathematical Intelligencer and
Numeracy; she also serves on the editorial board of the MAA's Carus
Mathematical Monographs. Lily Khadjavi is Associate Professor of
Mathematics at Loyola Marymount University and is a past co-chair
of the Infinite Possibilities Conference. She has served on the
boards of Building Diversity in Science, the Barbara Jordan-Bayard
Rustin Coalition, and the Harvard Gender and Sexuality Caucus.
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