`I can think of no other edifice constructed by man as altruistic as a lighthouse. They were built only to serve.' George Bernard Shaw Since ancient times, long before GPS, radio transmission or radar, lighthouses have served as beacons helping ships to navigate Ireland's sometimes treacherous waters. The earliest lights were simply bonfires built on hillsides; in the fifth century, St Dubhan established a brazier of burning wood or turf on the headland of Hy Kinsellagh (now known as Hook Head). Today, despite technological advances, these coastal icons continue to serve as crucial navigational aids for the maritime traffic of our island nation, from the smallest leisure crafts to cargo ships and trawlers. By day, they mark the way with their instantly recognisable appearances; at night, by the character of their signals. One flash every two seconds tells a sailor that they are near Valentia Island off the coast of Kerry. Four flashes every twenty seconds means that they are further north, approaching Loop Head in County Clare. As well as representing a unique part of our maritime history and built heritage, lighthouses are a powerful symbol of strength and resilience in times of darkness. This evokes an irresistible fascination with them in many people. Artist Roger O'Reilly grew up near the Boyne Estuary lighthouse in County Meath and ever since has associated a sense of peace and reassurance with the warm glow of lighthouse beacons. He has spent two years criss-crossing the country to draw dramatic portraits of these sentinels of our shores. Gathered in this extraordinary collection, each beloved landmark is accompanied by a wealth of practical and insightful information: history, location, elevation, signal and range. This spectacularly illustrated celebration of these architectural gems will be treasured by anyone who finds comfort, intrigue or excitement in the glimmer of a lighthouse through the darkness.

How was the Norse Navigator able to shape his course across the North Atlantic long before the invention of the magnetic compass? This book tells the story of the Viking Sun Compass and how it allowed the Vikings to sail across the Atlantic. In 1948, the Danish archaeologist C.L. Vebaek found the remains of a small wooden disc at the Viking Age site of Uunartoq in Greenland. Since then the Master mariners Carl V. Sver and Sen Thirslund have interpreted this find as a navigational instrument. This book is the essence of more than forty years of archaeological studies, discussions and practical sea-going experiments. The author gives a full account of the history of the find and demonstrates convincingly how Viking Age Navigators could make use of this and other simple devices in order to find their way across the vastness of the Northern Atlantic.

Winner of the 2000 National Book Award for Non-Fiction!

The ordeal of the whaleship Essex was an event as mythic in the nineteenth century as the sinking of the Titanic was in the twentieth. In 1819, the Essex left Nantucket for the South Pacific with twenty crew members aboard. In the middle of the South Pacific the ship was rammed and sunk by an angry sperm whale. The crew drifted for more than ninety days in three tiny whaleboats, succumbing to weather, hunger, disease, and ultimately turning to drastic measures in the fight for survival. Nathaniel Philbrick uses little-known documents-including a long-lost account written by the ship's cabin boy-and penetrating details about whaling and the Nantucket community to reveal the chilling events surrounding this epic maritime disaster. An intense and mesmerizing read, In the Heart of the Sea is a monumental work of history forever placing the Essex tragedy in the American historical canon.

In 1969, the first two men landed on the moon. There were five other landings, leading to a total of twelve astronauts standing on the moon. A further six circled above while the world watched. Also in 1969, Sir Robin Knox-Johnston was the first man to sail solo non-stop around the world south of Cape Horn. He was the eighth of only eleven men who rounded the Horn alone before the final moon landing. These eleven men had no-one watching them. This dramatic and exciting book, written so vividly you can feel the sea's spray on your face and taste the salt on your lips, tells the story of these eleven men and their sailing exploits, and compares and contrasts their voyages with what the twelve space astronauts achieved. 'One famous astronaut spoke of a "small step for man, one great leap for mankind". For those who go to sea, rather than into space, there's no greater step than rounding Cape Horn.' From the preface, written by Paul Heiney

This colourful history tells the story of Cunard's RMS Queen Mary, who along with her running mate Queen Elizabeth covered the transatlantic route from Southampton to New York via Cherbourg, the British answer to the German and French superliners. She was launched in May 1936 and immediately won the coveted Blue Riband, winning it again in 1938, before she served as a troopship in the war. She then carried on plying the Atlantic route with Queen Elizabeth until the jet age changed the world again and she was retired, now preserved as a floating museum and restaurant in Long Beach, California. Andrew Britton presents a wealth of unpublished photographic material and ephemera from his unparalleled collection to tell the story of this historic liner, including rare wartime views, shots of her 'grey ghost' paintwork, unique behind the scenes photographs, from the air shots, interior views and a wide selection of menus, log books, timetables, tickets and much more besides. Even including captain's invitations, this superlative book offers a captivating trip through the history of this great liner.

J. Samuel White & Company was the oldest firm on the Admiralty List and built 252 ships for the Royal Navy alone. The yard's closure in 1966 ended 300 years of shipbuilding during which time the company had gained acclaim from mercantile and naval customers alike. Famed early on for fast Revenue cutters and naval brigs, in its final years Royal Navy destroyers earned it great distinction. Highly innovative, it developed and patented many pioneering products while other innovations included semi-diesel engines, heat exchangers, air conditioners and compressors, besides a range of marine thruster units. Not only did the company build ships and boats but it also constructed a range of marine aircraft. During the First World War, White's production accounted for 100 ships, including twenty-seven destroyers, and 201 seaplanes. Production during the Second World War added up to 317 ships, among them twenty-six destroyers and a large minelayer. Illustrated with photographs of these and many of the company's other products, this book tells the story of J. Samuel White and its subsidiary concerns, a business built on a reputation of quality which earned it the slogan: "White's-built - well-built!".

This is a companion volume to Friedman s highly successful _British Battleship 1906 1946_ and completes his study of the Royal Navy s capital ships. Beginning with the earliest installation of steam machinery in ships of the line, the book traces the technological revolution that saw the introduction of iron hulls, armour plate, shell-firing guns and the eventual abandonment of sail as auxiliary propulsion. This hectic development finally settled down to a widely approved form of pre-dreadnought battleship, built in large numbers and culminating in the _King Edward VII_ class. As with all of his work, Friedman is concerned to explain why as well as how and when these advances were made, and locates British ship design firmly within the larger context of international rivalries, domestic politics and economic constraints. The result is a sophisticated and enlightening overview of the Royal Navy s battle fleet in the latter half of the nineteenth century. It is also well illustrated a comprehensive gallery of photographs with in-depth captions is accompanied by specially commissioned plans of the important classes by A D Baker III, and a colour section featuring the original Admiralty draughts, including a spectacular double gatefold. Norman Friedman is one of the most highly regarded of all naval writers, with an avid following, so for anyone with an interest in warships, the publication of this work will be a major event.

Sovereign of the Seas was the most spectacular, extravagant and controversial warship of the early seventeenth century. The ultimate royal prestige project, whose armament was increased by the King's decree to the unheard-of figure of 100 guns, the ship finally cost the equivalent of ten more conventional warships. A significant proportion of this total was spent on her gilded decoration, which gave the ship a unique combination of firepower and visual impact in battle that led her Dutch opponents to dub her the Golden Devil'. The vessel was the poster-child of the notorious Ship Money' tax, raised without parliamentary approval and so unpopular it was a major factor leading to the Civil War in which Charles I lost his sovereignty and his head. In that sense, she was a ship that cost a kingdom. It is unsurprising that such a high-profile ship should be well-documented, but there are no contemporary plans and much of the visual evidence is contradictory. In this book, John McKay sets out to analyse the data and reconstruct the design and appearance of the ship in a degree of detail never previously attempted. The results are presented as a folio of superbly draughted plans, isometric drawings and coloured renderings, covering every aspect of the design from the hull form to the minutiae of sails and rigging. Each section is accompanied by an explanatory text, setting out the rationale for his conclusions, so the book will be of value to historians of the period as well as providing superb reference for any modeller tackling of one of the most popular of all sailing ship subjects.

'Transatlantic Liners 1950-1970' is a glorious reference of a grand but bygone age to those passenger ships, large and small, that crossed the Atlantic. There were the likes of the 'Queen Mary' and 'Queen Elizabeth', 'SS United States', 'Caronia', 'Andrea Doria' but also smaller, less memorable ships such as the 'Noordam', 'Paryhia' and 'Laurentia'. The ships, over 150 of them, are grouped by owner--from the short-lived American Banner Line to Israel's Zim Lines. Each ship is given a full, detailed reference: details (routing, length, tonnage, builder, speed, passengers carried, etc.) as well as a full chronology of the vessel's career including it's ultimate disposition and fate. Overall, it will be an extensive reference work. And altogether, it will be a revival of an all-star maritime cast!

"They kept it up to the very end. Only the engulfing ocean had power to drown them into silence. The band was playing 'Nearer, My God, to Thee.' I could hear it distinctly. The end was very close." --CHARLOTTE COLLYER, TITANIC SURVIVOR

The movies, the documentaries, the museum exhibits. They often tell the same story about the "unsinkable" "Titanic," her wealthy passengers, the families torn apart, and the unthinkable end. But never before has "that glorious band"--the group of eight musicians who played on as the "Titanic" slipped deeper and deeper into the Atlantic Ocean--been explored in such depth. Steve Turner's extensive research reveals a fascinating story including dishonest agents, a clairvoyant, social climbers, and a fraudulent violin maker. Read what brought the band members together and how their music served as the haunting soundtrack for one of modern history's most tragic maritime disasters.

BOOK REVIEWS

"The Band that Played On" by Steve Turner is, surprisingly, the first book since the great ship went down to examine the lives of the eight musicians who were employed by the Titanic. What these men did―standing calmly on deck playing throughout the disaster―a chieved global recognition. But their individual stories, until now, have been largely unknown. What Turner has uncovered is a narrow but unique slice of history―one more chapter of compelling Titanic lore.

Turner, a music journalist, pursued living relatives of the band members and squeezed all that he could out of "inherited photographs, documents, and anecdotes" enabling him to sketch brief but poignant portraits of eight young (or at least youngish) men, all born in an optimistic era and all members of the rising middle class. To their parents, their girlfriends, and surely to themselves as well, the future must have seemed bright right up until the early morning hours of April 15, 1912...

There is much that we do not know about the final hours of these men. Why did they make the decision to play on the deck that night? What was in their hearts and minds? ...

Even the Titanic survivors who witnessed their final performance quibbled over some details. Did the band march or did they kneel? Was their last number "Autumn" or was it "Nearer, My God, to Thee"? Did they stop playing during the final moments and pack their instruments away or were they still playing as the ship went down? All agreed, however, that all eight band members behaved with remarkable calm and courage. Within hours of the ship's sinking, their story was circulating and they had already become heroes...

For Turner, however, the undisputed hero of the book is Wallace Hartley, a fine musician with religious conviction and a powerful sense of duty who seems most likely to have been the force behind those final hours of heroism. In the last pages of the book, Turner reveals a surprising Hartley discovery―a turn of events which makes a fine ending for his worthy book, even as it leaves us hopeful that the Titanic may yet have a few mysteries she is willing to give up.

"--Marjorie Kehe, Book Editor, Christian Science Monitor"

. . . For those the least bit interested in the Titanic tale, this is another intriguing chapter in the legend.

"--Craig Wilson, USA Today"

This detailed and sympathetic portrait of the bandsmen will be appreciated by Titanic enthusiasts and casual readers alike. Steve Turner's new book admirably fills a gap in Titanic literature. There are few good books on the subject of Titanic and, until now, none on the band itself. Steve's impressive depth of research has allowed him to vividly flesh out the stories of each of the band members and he has set these narratives in a fascinating social, political, cultural and religious context. I only wish Steve's book had been around when I was researching Wallace Hartley for my role in James Cameron's movie

"--Jonathan Evans-Jones, who played band leader Wallace Hartley in the film Titanic."

Filling at last a historical gap, this is the definitive account of those neglected and abused heroic bandsmen. Steve Turner has done a fine and exhaustive job of research on those splendid souls who did exactly what musicians, as service providers, do best: soothe and give succor. I wish I'd had this book at hand when I put together my recording of the White Star Orchestra's music: I could have made the thing a lot more accurate A worthy, thrilling and moving book."--Ian Whitcomb, music advisor for the film Titanic, and producer of the Grammy Award winning CD, "Titanic--Music As Played On The Fateful Voyage" (Rhino Records, 1998.)"

In April 1951, the disappearance of HM submarine Affray knocked news of the Korean War and Festival of Britain from the front pages of national newspapers. Affray had gone to sea on a routine peacetime simulated war patrol in the English Channel. She radioed her last position at 21.15 hours on April 16th, 30 miles south of the Isle of Wight--and preparing to dive. This was the last signal ever received from the submarine. When divers eventually discovered Affray, they found her resting upright on the sea bottom with no obvious signs of damage to her hull. Hatches were closed tight and emergency buoys were still in their casings. It was obvious that whatever had caused Affray to sink and end the lives of all on board had occurred quickly. Fifty-six years later, in this compelling maritime investigation, Alan Gallop uses previously top secret documents, interviews with experts, and contemporary news sources to explore how and why Affray became the last British submarine lost at sea--and possibly the greatest maritime mystery since the Marie Celeste. This is a fascinating recreation of the last mission of this doomed submarine, the effect it had on the families of those who perished, and on British public opinion at the time.

The intensifying competition on the North Atlantic in the early years of the twentieth century led the White Star Line to order three huge liners. While their British rival, the Cunard Line, focused on speed, White Star concentrated on size and luxury. Orders were placed for Olympic and Titanic to be built at Harland & Wolff 's yard in Belfast, while the third sister ship, Britannic, would follow at a later date. Each ship was subtly different. Lessons learned from the service of Olympic were put into practice for Titanic, as other shipping lines immediately began to plan their response. Following Titanic's loss on her maiden voyage, radical improvements were made to the third sister ship, improving the watertight subdivision. These changes, however, did not prevent Britannic sinking in less than an hour in the Aegean in 1916, while serving as a hospital ship for the war effort. Illustrated with many rare images of all three ships, including a brand new colour section, this revised and expanded edition brings the story up to date, providing a comprehensive history in one volume.

The Big Book of Boat Canvas is a thorough revision and updating of Karen Lipes two popular earlier books, Boat Canvas Cover to Cover and More Boat Canvas, combined with a whole new section on below-decks sewing projects. In this latest volume Lipe ranges well beyond the boundaries of traditional canvas work to create a comprehensive guide to fabric work on board. Youll find dozens of traditional canvas projects--sail covers, awnings, duffel bags, dodgers, and Biminis, wind chutes, winter covers--all with clear, step-by-step instructions, generously illustrated. Youll also find dozens of not-so-traditional fabric projects to add comfort and a touch of elegance to your below-decks spaces: custom interior cushions, fitted sheets and daycovers, privacy curtains, lee cloths, even a tablecloth to fit your varnished table. Lipe offers a veritable minicourse in interior yacht decoration, dozens of useful sewing tips, a careful detailing of materials nad tools needed for each project, and an extensive discussion of modern fabrics appropriate for exterior and interior use. In short, this handy book covers everything you need to know to sew comfort, utility, and style into your boat.

A treasure of functional and fanciful projects you can sew yourself.--Multihulls

Youll find this book of the utmost practical help.--The Ensign

It passed what is for me the acid test of a how-to book: The Big Book of Boat Canvas made me want to get at some long-neglected projects and even to try some that I never thought I could manage.--SAIL

The quick andcost-effective way to build the boat of your dreams In this much-anticipated Second Edition of the cutting-edge book on boat building, pioneer Sam Devlin gives you the plans and expert advice you need to apply his highly developed, easy-to-use stitch-and-glue technique to a wide variety of boats ranging in size from 7 to 55 feet. This new and expanded edition of Devlin’s Boat Building Manual features 200 photographs, including an entirely new section that follows the complete boat building process from start to finish. Boat building enthusiasts will enjoy seeing the stitch-and-glue method applied to such larger vessels as powerboats and sailboats, and DIY hobbyists interested in building their first boat will find more instruction than in the previous edition. This updated edition also features, a revised painting section, coverage on the latest epoxies and resins and how to work with them, and an expanded design section showing the broad range of sizes and types of boats now buildable with this technique.

The history of Chatham Dockyard has been an eventful one. It owes its inception to King Henry VIII who, in 1547, selected the River Medway at Gillingham to be his main fleet anchorage. As more ships were added to the royal fleet the work of the dockyard was increased, until it was deemed necessary to build a small castle to protect the yard and anchorage from attack. In the wars and conflicts of the eighteenth and nineteenth centuries, Chatham Dockyard would be called upon again to play its part in maintaining an effective battle fleet. David T. Hughes has compiled a thoughtful and insightful volume of photographs and ephemera on the Chatham Naval Dockyard and Barracks, looking at it from its early days of existence until its role in more recent years, from the First and Second World Wars to the Falklands.

The origins of a permanent French sailing navy can be traced to the work of Cardinal Richelieu in the 1620s, but this naval force declined rapidly in the 1650s and a virtually new _Marine Royale_ had to be re-created by Colbert from 1661\. Thereafter, Louis XIV"s navy grew rapidly to become the largest and most powerful in the world, at the same time establishing a reputation for the quality of its ship design that lasted until the end of sail. The eighteenth century was to see defeat and decline, revival and victory, but by 1786 the French Navy had emerged from its most successful naval war having frequently outfought or outmanoeuvred the British Navy in battle, and in the process making a major contribution to American independence. This book is the first comprehensive listing of these ships in English, and follows the pattern set by its companion volume on the 1786 - 1861 period in providing an impressive depth of information. It is organised by Rate, classification and class, with significant technical and building data, followed by highlights of the careers of each ship in every class. Thus for the first time it is possible to form a clear picture of the overall development of French warships throughout the whole of the sailing era. Certain to become the standard English-language reference work, its publication is of the utmost importance to every naval historian and general reader interested in the navies of the sailing era.

Although the answer appears obvious, there is far more to the sinking of the Titanic than is popularly understood. On 10 April 1912 Titanic - the largest and most luxurious ocean liner in the world - left Southampton on her maiden voyage. The only headlines she expected to make were on her triumphant arrival in New York. But just five days later, she was a wreck at the bottom of the North Atlantic, taking over 1500 lives with her. Why? The answer to this question is a set of circumstances and a chain of events that came together to seal her fate and that of so many of her passengers and crew. Nature of course played her part in the form of that gigantic iceberg as well as in other less obvious ways. Most of all though there was human error, complacency and an inability to think the unthinkable when designing or sailing the ship. Just one different action at any stage in the chain could have saved the life of Titanic or at least most, if not all, of those aboard her. The world still has much to learn from the loss of the Titanic. This book explains why the largest ship in the world was lost and just how the voyage of a lifetime turned into a nightmare.

For thousand of years the River Forth has been utilised by man. from the stone age shell middens at Kinneil to the Roman port at Cramond, there is evidence of man's early use of the river and its estuary. From medieval times onwards, fishing villages have grown up on both banks of the river, while ferries have plied their trade for the same period. Once navigable all the way to Stirling, little commercial traffic now uses most of the river. It was not always so, with ports at Dysart, Methil, Leven Stirling, Alloa, Airth and Bo'ness, all serving the buoyant coal trade. Now few ports survive. Grangemouth and Leith are shadows of their former selves and the huge naval base at Rosyth has been sold and is now also operating on a much smaller scale than even twenty years ago. Shipbreakers, like the ships themselves, were once a common sight, with yards at Bo'ness, Alloa and Rosyth demolishing old ships - including such famous liners as the Cunard Mauretania, White Star's Britannic and Red Star's Belgenland. Within the pages of Shipping of the Forth are views of long gone ships, the fishing industry, coasters and ocean liners as well as paddle steamers, shipwrecks and the people involved in maritime industries along both banks of the river.