This study is concerned with the different interpretations of Greek tragedy proposed by G.W.F. Hegel. While Hegel's philosophical interest in tragedy as an art form is well known, the motivation for his preoccupation with this art form needs to be further explored. Indeed, why would Hegel, a pivotal figure of German idealism, be inclined to concern himself with a form of poetry that reached its peak in the 5th century B.C.? Precisely this question forms the core of this book. It articulates what the primary stakes are and thereby develop and defend the thesis that Hegel's examination of Greece and tragedy is one that has a direct bearing on the "fate" of politics in the modern world.

Sextus Empiricus is one of the most important ancient philosophical writers after Plato and Aristotle. His writings are our main source for the doctrines and methods of Scepticism. He probably lived in the second century AD. Eleven books of his writings have survived, covering logic, physics, ethics, and many other fields. Against the Grammarians is the first book of Sextus' Adversus Mathematicos, his broad-ranging polemic against the various liberal studies of classical learning. It is prefaced by a short general attack on the arts (included in this volume); then Sextus focuses on the grammatical writers of the classical era, categorizing, analysing, and criticizing their doctrines. The result is not only an invaluable source for ancient ideas about grammar, language, and literary technique, but an excellent example of sustained Sceptical reasoning. David Blank presents a new translation into clear modern English of this important treatise, together with the first ever commentary on the work. In an extended introduction he discusses Against the Grammarians in the broad context of Sextus' work as a whole, Scepticism in general, and the history of ancient writings in this field.

In this radical reinterpretation of Aristotle's Metaphysics, Walter E. Wehrle demonstrates that developmental theories of Aristotle are based on a faulty assumption: that the fifth chapter of Categories ('substance') is an early theory of metaphysics that Aristotle later abandoned. The ancient commentators unanimously held that the Categories was semantical and not metaphysical, and so there was no conflict between it and the Metaphysics proper. They were right, Wehrle argues: the modern assumption, to the contrary, is based on a medieval mistake and is perpetuated by the anti-metaphysical postures of contemporary philosophy. Furthermore, by using the logico-semantical distinction in Aristotle's works, Wehrle shows just how the principal 'contradictions' in Metaphysics Books VII and VIII can be resolved. The result in an interpretation of Aristotle that challenges mainstream viewpoints, revealing a supreme philosopher in sharp contrast to the developmentalists' version.

The Philebus is hard to reconcile with standard interpretations of Plato's philosophy and in this pioneering work Donald Davidson, seeks to take the Philebus at face value and to reassess Plato's late philosophy in the light of the results. The author maintains that the approach to ethics in the Philebus represents a considerable return to the methodology of the earlier dialogues. He emphasizes Plato's reversion to the Socratic elenchus and connects it with the startling reappearance of Socrates as the leading voice in the Philebus.

Plato's Euthyphro is important because it gives an excellent example of Socratic dialogue in operation and of the connection of that dialectic with Plato's earlier theory of Forms. Professor Allen's edition of the dialogue provides a translation with interspersed commentary, aimed both at helping the reader who does not have Greek and also elucidating the discussion of the earlier Theory of Forms which follows. The author argues that there is a theory of Forms in the Euthyphro and in other early Platonic dialogues and that this theory is the foundation of Socratic dialogue. However, he maintains that the theory in the early dialogues is a realist theory of universals and this theory is not to be identified with the theory of Forms found in the Phaedo, Republic, and other middle dialogues, since it differs on the issues of ontological status.

Saving the City provides a detailed analysis of the attempts of ancient writers and thinkers, from Homer to Cicero, to construct and recommend political ideals of statesmanship and ruling, of the political community and of how it should be founded in justice. Malcolm Schofield debates to what extent the Greeks and Romans deal with the same issues as modern political thinkers.

Richard Bett presents a ground-breaking study of Pyrrho of Elis, the supposed originator of Greek scepticism, active around 300 BC. Against the standard scholarly view, Bett argues that Pyrrho's philosophy was significantly different from the long later tradition which called itself 'Pyrrhonism', and that this was not a monolithic tradition but had two distinct phases. Bett also investigates the origins and antecedents of Pyrrho's ideas. The result is the first comprehensive picture of this key figure in the development of ancient philosophy.

In this international and interdisciplinary collection of critical essays, distinguished contributors examine a crucial premise of traditional readings of Plato's dialogues: that Plato's own doctrines and arguments can be read off the statements made in the dialogues by Socrates and other leading characters. The authors argue in general and with reference to specific dialogues, that no character should be taken to be Plato's mouthpiece. This is essential reading for students and scholars of Plato. Visit our website for sample chapters

Of all the topics in the history of philosophy, the history of different forms of thinking and contemplation is one of the most important, and yet is also relatively overlooked. What is it to think philosophically? How did different forms of thinking-reflection, contemplation, critique and analysis-emerge in different epochs? This collection offers a rich and diverse philosophical exploration of the history of contemplation, from the classical period to the twenty-first century. It covers canonical figures including Plato, Aristotle, Descartes and Kant, as well as debates in less well-known areas such as classical Indian and Islamic thought and the role of speculation in twentieth-century Russian philosophy. Comprising twenty-two chapters by an international team of contributors, the volume is divided into five parts: * Flourishing and Thinking from Homer to Hume * The Thinking of Thinking from Augustine to Goedel * Images and Thinking from Plotinus to Unger * Bodies of Thought and Habits of Thinking from Plato to Irigaray * The Efficacy of Thinking from Sextus to Bataille Thought: A Philosophical History is the first comprehensive investigation of the history of philosophical thought and contemplation. As such, it is a landmark publication for anyone researching and teaching the history of philosophy, and a valuable resource for those studying the subject in related fields such as literature, religion, sociology and the history of ideas.

This study argues that a revolution in the approach to philosophy took place during the first centuries of our era. Covering topics in Stoicism, Hellenistic antisemitism and Jewish apologetic, Platonism, and early Christian philosophy, it examines a trend to seek for the truth in antiquity which shaped the future course of Western thought.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Le Clezio's Spiritual Quest is the first English language book to address the development of this Nobel Prize winner's spiritual ideas and the first book in any language to focus on his abiding interest in the philosophy of Parmenides, Sufism, and Meso-American religion. Le Clezio's Spiritual Quest explains many puzzling features of his work from this philosophical perspective, including the relative absence of dialogue in his novels and short stories, his portrayals of mystical experiences, his intensely poetic prose, his treatment of time as the repetition of history, and his struggles to develop a persuasive ethical system. Le Clezio is not merely postcolonial, he creates a new kind of spiritual understanding of the cosmos by drawing on sources that have little connection to the main religious and spiritual traditions of the Western and Eastern worlds. Le Clezio's Spiritual Quest offers an important supplement to French studies of his work, which have explored his works in the context of his French sources. It concludes with a consideration of artistic dilemmas posed by this Nobel Prize-winning author, whose experimental fiction merges poetry, essay, fiction, and philosophy in ways that are enlightening, fresh, and yet often challenging to read. This book guides undergraduate and graduate students of French literature as well as scholars of literature and contemporary ideas to reflect on Le Clezio as a representation of a new direction in philosophical and spiritual voyaging because of his remarkable independence from many contemporary debates and his choice to seek new foundations for human thought in dead religions and what many have considered marginal philosophical and religious traditions.

This book studies Wallace Stevens and pre-Socratic philosophy, showing how concepts that animate Stevens' poetry parallel concepts and techniques found in the poetic works of Parmenides, Empedocles, and Xenophanes, and in the fragments of Heraclitus. Tompsett traces the transition of pre-Socratic ideas into poetry and philosophy of the post-Kantian period, assessing the impact that the mythologies associated with pre-Socratism have had on structures of metaphysical thought that are still found in poetry and philosophy today. This transition is treated as becoming increasingly important as poetic and philosophic forms have progressively taken on the existential burden of our post-theological age. Tompsett argues that Stevens' poetry attempts to 'play' its audience into an ontological ground in an effort to show that his 'reduction of metaphysics' is not dry philosophical imposition, but is enacted by our encounter with the poems themselves. Through an analysis of the language and form of Stevens' poems, Tompsett uncovers the mythology his poetry shares with certain pre-Socratics and with Greek tragedy. This shows how such mythic rhythms are apparent within the work of Friedrich Nietzsche, Martin Heidegger and Hans-Georg Gadamer, and how these rhythms release a poetic understanding of the violence of a 'reduction of metaphysics.'

BEAR IN MIND THAT THE
MEASURE OF A MAN IS THE WORTH OF THE THINGS HE CARES ABOUT.

IF IT IS GOOD TO SAY OR DO
SOMETHING, THEN IT IS
EVEN BETTER TO BE CRITICIZED FOR
HAVING SAID OR DONE IT.

ARE MY GUIDING PRINCIPLES
HEALTHY AND ROBUST? ON THIS HANGS EVERYTHING.

Essayist Matthew Arnold described the man who wrote these words as "the most beautiful figure in history." Possibly so, but he was certainly more than that. Marcus Aurelius ruled the Roman Empire at its height, yet he remained untainted by the incalculable wealth and absolute power that had corrupted many of his predecessors. Marcus knew the secret of how to live the good life amid trying and often catastrophic circumstances, of how to find happiness and peace when surrounded by misery and turmoil, and of how to choose the harder right over the easier wrong without apparent regard for self-interest.

The historian Michael Grant praises Marcus's book as "the best ever written by a major ruler," and Josiah Bunting, superintendent of the Virginia Military Institute, calls it "the essential book on character, leadership, duty." Never intended for publication, the Meditations contains the practical and inspiring wisdom by which this remarkable emperor lived the life not of a saintly recluse, but of a general, administrator, legislator, spouse, parent, and judge besieged on all sides.

The Emperor's Handbook offers a vivid and fresh translation of this important piece of ancient literature. It brings Marcus's words to life and shows his wisdom to be as relevant today as it was in the second century. This book belongs on the desk and in the briefcase of every business executive, political leader, and military officer. It speaks to the soul of anyone who has ever exercised authority or faced adversity or believed in a better day.

Madness Triumphant: A Reading of Lucan's Pharsalia offers the most detailed and comprehensive analysis of Lucan's epic poem of the civil war between Caesar and Pompey to have appeared in English. In the manner of his previous books on Virgil and Ovid, Professor Fratantuono considers the Pharsalia as an epic investigation of the nature of fury and madness in Rome, this time during the increasing insanity of Nero's reign. The volume proceeds chapter by chapter, book by book through Lucan's poem, as it unfolds the thesis that the poet Lucan crafted an epic response to both Virgil and Ovid, the closing movement in a three act tragedy of madness. In response to the Aeneid, Lucan raises the idea that the final ethnographic settlement of Trojans and Italians may not have been for the best, while in response to the Metamorphoses, he explores the idea that the immortality achieved by the poet may not, after all, prove to be a blessing. An introduction and bibliography provide additional direction for the study of this greatest surviving work of literature from the so-called Silver Age of Neronian literature, while the individual chapters offer in-depth bibliographical citations and extensive annotation as a guide to further study of the poem. Lucan's poem is revealed to be the consummate hymn to fury, as the poet offers a return to the opening of Homer's Iliad and the wrath of Achilles, which is now viewed as part of an unending cycle of madness that will end only in the flames of a global conflagration that will consume all things. The pervasive intertext of Lucan's epic poem with his predecessor Manilius' Astronomica is also investigated, as the nature of Lucan's response to both Stoic and Epicurean antecedents is explored. Manilius' stars are virtually sprinkled through the Pharsalia, as the heavens offer a celestial canvas for the poet of fury to illustrate the beautiful lies that may ultimately be shown to conceal even more seductive truths.

The question of what it means for Christ to be the "image of God," or imago dei, lies at the heart of the Christological debates of the fourth century. Is an image a derivation from its source? Are they two separate substances? Does an image serve to reveal its source? Is an image ontologically inferior to its source? In this book, Gerald P. Boersma examines three Western pro-Nicene theologies of the imago dei, which tackle the question of whether human beings and Christ can both be considered to be the "image of God." Boersma goes on to examine Augustine's early theology of the imago dei, prior to his ordination (386-391). According to Boersma, Augustine's early thought posits that Christ is an image of equal likeness to God, while a human being is an image of unequal likeness. He argues that although Augustine's early theology of image builds on that of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan, Augustine was able to affirm, in ways that his predecessors were not, how both Christ and the human person can be considered the imago dei.

An analysis of the thought and work of Augustine, the ancient thinker. This study presents Augustine's arguments against the pridefulness of philosophy, thereby linking him to later currents in modern thought, including Wittgenstein and Freud.

Aristoxenus of Tarentum was reported to have been bitterly disappointed when Theophrastus was chosen instead of him to succeed Aristotle as the head of the Peripatetic School. He had a truly phenomenal output of some 453 volumes, most of which survive only in fragments. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." In addition, he was a founder of Greek biography and wrote the life histories of Pythagoras, Archytas, Socrates, and Plato among others.

This volume includes eleven selections, which are almost evenly divided between his work in music theory and biography. There is a chapter on his general biographical method as well as chapters on his specific treatments of the Pythagoreans, Socrates, and Plato. There are chapters evaluating the extent to which Aristoxenus was a historian of music, his account of music therapy, his views on musical "character," the use of instruments and empiricism in his harmonic theory, and his relation to the "Neoclassical" Greek composers of the fourth century.

This volume includes: "Did Aristoxenus Write Musical History?," Andrew Barker; "Instruments and Empiricism in Aristoxenus' Elementa harmonica," David Creese; "Aristoxenus and Musical Ethos," Eleonora Rocconi; "Aristoxenus and Music Therapy: Fr. 26 Wehrli Within the Tradition on Music and Catharsis," Antonella Provenza; "Aristoxenus and the "Neoclassicists," Timothy Power; "Apollonius on Theophrastus on Aristoxenus," William W. Fortenbaugh; "Aristoxenus' Biographical Method," Stefan Schorn; "Aristoxenus and the Pythagoreans," Leonid Zhmud; "Aristoxenus' Life of Socrates," Carl A. Huffman; "Aristoxenus' Life of Plato," John Dillon; and "Aristoxenus and the Early Academy," Andrew Barker. Spanning close to three full decades, Transaction's Rutgers University Studies in Classical Humanities Series continues to pioneer in the field of classical studies.

The classical conception of reason (or logos) has been repeatedly attacked in the modern era. Its enemies range from Descartes, who complains that logos is not sufficiently useful or precise, to Derrida who hopes to liberate Western thought from its bondage to "logocentrism." At least since the time of Nietzsche, Plato has been damned as the chief architect of the classical conception of logos. He is accused of overvaluing reason and thereby devaluing the other, more human aspects of life. As it was originally formulated in Nietzsche's The Birth of Tragedy, Plato has been taken to be the arch-enemy of tragedy, which for Nietzsche was the most life-affirming of all the art forms of Greek culture. Originally published in 1990, The Tragedy of Reason defends Plato against his accusers. Employing a mode of exposition which exhibits Plato's position, Roochnik presents the Platonic conception of logos in confrontation with texts by Homer, Hesiod, Heraclitus, Aristotle, Descartes, Porty, and Derrida. In clear language, unencumbered by technical terminology, Roochnik shows that Platonic conception of logos is keenly aware of the strength of its opponents. The result is a presentation of Plato as a "tragic philosopher" whose conception of logos is characterized by an affirmation of its own limits as well as its goodness.

Originally published in 1935, the aim of this title is first to give a clear outline of Florentine Neoplatonism, and then to consider its influence on art and literature during a period that extends roughly from the age of Lorenzo de' Medici to the middle of the sixteenth century and the beginnings of the Counter-Reformation. No rigid divisions of time have been fixed, but with few exceptions the works discussed may be placed between these bounds. Even within these limits it would require a work of greater dimensions that the present to exhaust so large a subject in all its bearings. The leaven of Neoplatonism had penetrated the thought of the age in many directions; this study is confined to such of its manifestations as were, in a somewhat narrow sense, artistic and literary and to the use and abuse of philosophical ideas for aesthetic purposes.

The latest installment of this annual publication includes original articles, often of substantial length, and review articles on major books. Contributors include Panagiotis Dimas, Thomas Wheeton Bestor, Iakovos Vasiliou, Susanne Bobzien, William O. Stephens, Job Van Eck, Christopher Rowe, Michael V. Wedin, Gail Fine, and Anne Sheppard.

This book brings together sixteen studies by internationally renowned scholars on the origins and early development of the Latin and Syriac biblical and philosophical commentary traditions. It casts light on the work of the founder of philosophical biblical commentary, Origen of Alexandria, and traces the developments of fourth- and fifth-century Latin commentary techniques in writers such as Marius Victorinus, Jerome and Boethius. The focus then moves east, to the beginnings of Syriac philosophical commentary and its relationship to theology in the works of Sergius of Reshaina, Probus and Paul the Persian, and the influence of this continuing tradition in the East up to the Arabic writings of al-Farabi. There are also chapters on the practice of teaching Aristotelian and Platonic philosophy in fifth-century Alexandria, on contemporaneous developments among Byzantine thinkers, and on the connections in Latin and Syriac traditions between translation (from Greek) and commentary. With its enormous breadth and the groundbreaking originality of its contributions, this volume is an indispensable resource not only for specialists, but also for all students and scholars interested in late-antique intellectual history, especially the practice of teaching and studying philosophy, the philosophical exegesis of the Bible, and the role of commentary in the post-Hellenistic world as far as the classical renaissance in Islam.

A distinguished group of scholars of ancient philosophy here presents a systematic study of the twelfth book of Aristotle's Metaphysics. Lambda, which can be regarded as a self-standing treatise on substance, has been attracting particular attention in recent years, and was chosen as the focus of the fourteenth Symposium Aristotelicum, from which this volume derives.

A splendid new translation of one of the greatest books on friendship ever written In a world where social media, online relationships, and relentless self-absorption threaten the very idea of deep and lasting friendships, the search for true friends is more important than ever. In this short book, which is one of the greatest ever written on the subject, the famous Roman politician and philosopher Cicero offers a compelling guide to finding, keeping, and appreciating friends. With wit and wisdom, Cicero shows us not only how to build friendships but also why they must be a key part of our lives. For, as Cicero says, life without friends is not worth living. Filled with timeless advice and insights, Cicero's heartfelt and moving classic-written in 44 BC and originally titled De Amicitia-has inspired readers for more than two thousand years, from St. Augustine and Dante to Thomas Jefferson and John Adams. Presented here in a lively new translation with the original Latin on facing pages and an inviting introduction, How to Be a Friend explores how to choose the right friends, how to avoid the pitfalls of friendship, and how to live with friends in good times and bad. Cicero also praises what he sees as the deepest kind of friendship-one in which two people find in each other "another self" or a kindred soul. An honest and eloquent guide to finding and treasuring true friends, How to Be a Friend speaks as powerfully today as when it was first written.

This collected volume is inspired by the work of Edward Halper and is historically focused with contributions from leading scholars in Ancient and Medieval philosophy. Though its chapters cover a diverse range of topics in epistemology, ethics, and political philosophy, the collection is unified by the contributors' consideration of these topics in terms of the fundamental questions of metaphysics. The first section of the volume, "Knowing and Being," is dedicated to the connection between metaphysics and epistemology and includes chapters on Heraclitus, Plato, Aristotle, and the Ancient Daoists. The second section, "Goodness as Knowing How to Be," addresses ethics as an outgrowth of human metaphysical concerns and includes chapters on Plato, Aristotle, and Maimonides. Contributors include William H. F. Altman, Luc Brisson, Ronna Burger, Miriam Byrd, Owen Goldin, Lenn Goodman, Mitchell Miller, Richard Parry, Richard Patterson, Nastassja Pugliese, John Rist, May Sim, Roslyn Weiss, and Chad Wiener.