John Ludwig Burckhardt (1784-1817), Swiss by birth, travelled to London in 1806 with an introduction to Sir Joseph Banks, leading member of the African Association. Burckhardt thereafter devoted himself to the exploration of the interior of Africa, acquainting himself with the language and customs of Arabic peoples in order to pass through Islamic countries then hostile to Christians. Indeed, so proficient he became in the vulgar Arabic, and in his knowledge of the Qu'ran, that he was not only accepted as a true believer, but praised as a great Muslim scholar. In 1814 he became one of the first Christians to perform the pilgrimage to Mecca. In 1817, while at Cairo, Burckhardt contracted dysentry from which he died. He was buried as a holy pilgrim in the Muslim cemetery there. 'Travels in Nubia' was the first of several works based on Burckhardt's journals to be published by the African Society. First published in 1819, this facsimile edition of a rare work will be greatly welcomed by Arabic scholars.

Through the research and experiences of scholars whose native homes span ten countries, this collection shifts the discussion of belonging and affinity within Africa and its diaspora toward local perceptions and the ways in which these notions are asserted or altered. The interactions and relationships of the researchers with their subjects, sites, and data in context permits a deeper exploration of the role that race and, more specifically, "blackness" may or may not play. The book accomplishes this through a rare comparative and multidisciplinary exploration of African and Africa diasporic communities and their relationships with the scholars of diverse backgrounds who conduct research among them.

This book paints an image of sociality in duress, describing how new Information and Communication Technologies (ICT) bring possible changes in political engagement and civic-ness. The political branch of the field of ICT-for-Development (ICT4D) is firmly convinced that this translates in civic engagement and democratisation. This book questions this conception, by showing that mistrust greatly increases through new ICT in a society where mistrust has been internalised. These processes are examined in the society encountered in Sokode, the capital of the Central Region of Togo, in the period between 2015 and 2020, when the mobile phone became widespread among young people. This ethnographic research provides a snapshot of the changes brought about by new ICT in the social fabrics and the lives of these young people. The place and period are highly relevant for getting a better understanding of the forms that civic engagement can take, and the roles that new ICT can play in settings of political repression. Togo has been ruled by the same family for over half a century, and Sokode is one of the rare places of fierce political opposition. However, young people do not persevere in massive street protests like in other countries, even though they appear to have every reason to do so. How can the circumstances and social processes be understood that are leading to this 'political silence', and how do frustration and anger find their way? The link between new ICT and civic engagement has more often been made, but mostly quantitative and volatile, lacking empirical grounding. This book demonstrates that there is indeed a connection between new ICT and social change. Through their phones, young people inform themselves in different ways, and they react differently to social and political changes. Their reflection on politics has also altered, minimal as it may seem. By closely regarding the context and mechanisms by which the trustworthiness of information is valued, this book contributes to the nascent research field of communication and political anthropology.

"Fanonian Practices in South Africa" examines Frantz Fanon's relevance to contemporary South African politics, and by extension, research on postcolonial Africa and the tragic development of postcolonies. Here leading Fanon scholar Nigel C. Gibson offers theoretically informed historical analysis, providing crucial scholarly insights into the circumstances that led to the current hegemony of neoliberalism in South Africa.

Founded in1912, the African National Congress worked tirelessly to promote democracy and protect the rights of South Africa's black population. Using a combination of armed struggle and conciliation, the ANC formed broad political alliances that ensured its victory in the 1994 general election and established Nelson Mandela as the first democratically elected president of South Africa. When he cast his own vote in this historic election, Mandela is said to have paid his respects at the memorial to John Dube (the first president of the ANC), proclaiming, "Mission accomplished, Mr. President." Eighty years after the ANC's founding, its dreams had finally been realized. In The Founders: The Origins of the ANC and the Struggle for Democracy in South Africa, author Andre Odendaal examines the creators of South Africa's early civil rights movement. This unique book chronicles the astonishing achievements of the pioneering intellectuals and activists who, from the 1860s onwards, led the struggle for black political rights in southern Africa's new colonial societies. Using a variety of sources, Odendaal demonstrates how the founders combined African humanism-or Ubuntu-with Western democratic constitutionalism and Christian beliefs to shape a new political vision that countered colonial and apartheid ideas. The Founders brings to life the remarkable generation of Africans who first developed the framework, form, and content of the freedom struggle in South Africa and is essential reading for those who wish to understand the context that produced Nelson Mandela and his famous African National Congress.

Answers long misunderstood. Locked Gates unearths an impressive amount of evidence of previously unrecognized technological advancements of the ancient past. Evidence based on myths and legends of the Middle East and confirmed through modern technology sources, such astrophysical evidence provided by NASA, geological substantiation provided by the science journals such as NATURE, and countless main steam science documents. Think of Howard West's book as your ball of thread similar to the thread that lead Theseus out of the darkness of Minotaur's Labyrinth.

"Art in the Service of Colonialism" throws new light on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period. Hamid Irbouh argues that during the Moroccan Protectorate (1912-1956), the French imposed their domination through a systematic modernisation and regulation of local arts and crafts. They also stewarded Moroccans into industrial life by establishing vocational and fine arts schools. The French archives, Arabic sources, and oral testimonies, which Irbouh used, demonstrate complex relationships between colonial administrators of both genders and their interactions with Moroccan officials, notables, and the poor. The French co-opted some locals into joining these educational institutions, which respected and reinforced familiar pre-Protectorate social structures. The artisans become The Best Workers in the French Empire, and artists exhibited abroad and cultivated a European and American clientele. The contradictions between reformist goals and the old order, nevertheless, added to social dislocations and led to rebellion against French hegemony. Irbouh focuses on how French women infiltrated the feminine Moroccan milieu to buttress colonial ideology, and how, at critical moments, Moroccan women and their daughters rejected traditional passive roles and sabotaged colonial plans. France's legacy in Moroccan arts and crafts provoked a backlash in the postcolonial period. After independence local artists, searching for their own identities, sought to reclaim their authenticity. The struggle to define a pristine visual heritage still rages, and the author, by underlining French contributions to Moroccan artistic and craft production, challenges the conclusions of the artists and critics who have argued for the establishment of an unadulterated art devoid of most or even all foreign influences. As in so many areas of Moroccan society, this book reveals that the weight of colonial history remains heavily present. In this well-conceived book based on original archival sources Hamid Irbouh investigates how French colonial administrators employed French women to inculcate colonial ideology by establishing new craft schools for notable and poor families in Moroccan cities. The French intended not only to teach modernized versions of old Moroccan crafts, but also wanted to instill new work habits and modern concepts of time into the girls and young women who attended their schools. Dr. Irbouh demonstrates how French women administrators took the lead in this effort and also shows how Moroccan women absorbed their lessons, but also resisted the colonial enterprise. His is a novel approach to colonial art history, situating Moroccan art production in large social, political and ideological contexts.

This book is a comprehensive investigation, discussion, and analysis of the origins and development of the first civil war in the Sudan, which occurred between 1955 and1972. It was the culmination of ethnic, racial, cultural, religious, political, and economic problems that had faced the Sudan since the Turco-Egyptian conquest of the country in 1821. The hostilities between the Northern and Southern regions of the Sudan also involved foreign powers that had their own geopolitical interests in the country. The first Sudanese civil war is a classic example of intra-regional and inter-regional conflicts in Africa in the 20th century.

Over the past decade, Africa's center of gravity in world politics has shifted from mere humanitarianism to a strategic view that posits the centrality of the continent as energy and natural resources supplier, in the fight against terrorism and other security threats, and in the globalization of culture. Besides these considerations, this shift is reflective of two defining dynamics. On one hand, political and economic reforms have contributed to the growth of democracy, an improvement in the economic outlook, and the strengthening of regional governance. On the other hand, the ongoing diffusion of global power is setting the stage for a new international order in which Africa will increasingly matter. This book probes the importance and significance of these developments and their implications for Africa's international relations.

This book provides an engaging account of the moral lives of young black South Africans once the struggle against apartheid ended and took away their object of political resistance. It shows how partial-parenting, partial-schooling, and pervasive poverty contributes to how a group of young people construct right and wrong and what rules govern their behavior.

This volume presents a new reading of an extraordinary Proto-Coptic magical text. Papyrus British Museum EA 10808 features a unique spell for a victim of divine wrath composed in the liturgical language of ancient Egypt but in Greek script with a few Demotic signs. Sederholm reveals a coherent and distinctive text that contributes to the illumination of Egyptian thought in the Graeco-Roman Period just before the great shutdown of the ancient temple learning. In nine chapters of transcription, translation, and commentary, Sederholm considers such features as taboo, secrecy, and the efficacy of magical words and names. He also discusses the destructive nature of the stars and the role of Fate in the bloody slaughter of divine enemies within the text.

This book provides a significant history of Italy's brutal occupation of Libya. Using the lens of the life of the iconic resistance fighter Mohamed Fekini, it tells the story of Libya under Ottoman and Italian rule from the point of view of the colonized. The story begins with the onset of Italian occupation in 1911-12, includes the crucial period of the anti-Italian jihad, from 1921 to 1930, and continues through the postwar creation of a united Libya under King Idris in 1947.

This tribute collection reflects the wide range and diversity of James Gibbs's academic interests. The focus is on Africa, but comparative studies of other literatures also receive attention. Fiction, drama, and poetry by writers from Nigeria, Ghana, Sierra Leone, Eritrea, Malawi, Zimbabwe, South Africa, Ireland, England, Germany, India, and the Caribbean are surveyed alongside significant missionaries, scientists, performers, and scholars. The writers discussed include Wole Soyinka, Chinua Achebe, Kobina Sekyi, Raphael Armattoe, J.E. Casely Hayford, Michael Dei-Anang, Kofi Awoonor, Ayi Kwei Armah, John Kolosa Kargbo, Dele Charley, Ngugi wa Thiong'o, Okot p'Bitek, Jonathan Sajiwandani, Samuel E. Krune Mqhayi, A.S. Mopeli-Paulus, Kelwyn Sole, Anna Seghers, Raja Rao, and Arundhati Roy. Other essays treat the black presence in Ireland, anonymous rap artists in Chicago, the Jamaican missionary Joseph Jackson Fuller in the Cameroons, the African-American actor Ira Aldridge in Sweden, the Swedish naturalist Anders Sparrman in South Africa, and the literary scholar and editor Eldred Durosimi Jones in Sierra Leone. Interviews with the Afro-German Africanist Theodor Wonja Michael and the Irish-Nigerian dramatist Gabriel Gbadamosi are also included. Also offered are poems by Jack Mapanje and Kofi Anyidoho, short stories by Charles R. Larson and Robert Fraser, plays by Femi Osofisan and Martin Banham, and an account of a dramatic reading of a script written and co-performed by James Gibbs. Contributors: Anne Adams, Sola Adeyemi, Kofi Anyidoho, Awo Mana Asiedu, Martin Banham, Eckhard Breitinger, Gordon Collier, James Currey, Geoffrey V. Davis, Chris Dunton, Robert Fraser, Raoul J. Granqvist, Gareth Griffiths, C.L. Innes, Charles R. Larson, Bernth Lindfors, Leif Lorentzon, Jack Mapanje, Christine Matzke, Mpalive-Hangson Msiska, Femi Osofisan, Eustace Palmer, Jane Plastow, Lynn Taylor, and Pia Thielmann.

This book brings together the newest and the most innovative scholarship on Nigerian children-one of the least researched groups in African colonial history. It engages the changing conceptions of childhood, relating it to the broader themes about modernity, power, agency, and social transformation under imperial rule.

As soon as Europeans set foot on African soil, they looked for the equivalents of their kings - and found them. The resulting misunderstandings have lasted until this day. Based on ethnography-driven regional comparison and a critical re-examination of classic monographs on some forty cultural groups, this volume makes the arresting claim that across equatorial Africa the model of rule has been medicine - and not the colonizer's despotic administrator, the missionary's divine king, or Vansina's big man. In a wide area populated by speakers of Bantu and other languages of the Niger-Congo cluster, both cult and dynastic clan draw on the fertility shrine, rainmaking charm and drum they inherit.

The violent colonization of Africa by European nations toward the end of the 19th century--a colonization justified by theories about the African Mind promulgated in the Age of Reason--had a profound impact upon the mind of Black Africa. After World War II, the mind of Black Africa rebelled; this rebellion led to a struggle for the self. After Africans achieved political independence, the new African leaders betrayed their own people. Africans now have the responsibility of restoring and reaffirming their true inheritance--the mind of Black Africa.

When the Anglo-Boer War began at the end of 1899, Germans protested profusely. Everybody, from the Conservatives to the Social Democrats took a united stand against the "arch enemy", Britain, and her war in the South of Africa. Only when the South African Union was founded in 1910 did the German public interest in South Africa decrease. This interest left a great number of German publications, which is a reminder of the fact that the general public of the German Reich supported, with great interest, an important world historic event overseas, which remains unprecedented in its intensity and extent.

South Africa's current political upheavals are the most significant since the transition from apartheid. Its powerful trade unions are playing a central role, and the political direction they take will have huge significance for how we understand the role of labour movements in struggles for social justice in the twenty-first century.

Post-colonial South Asia and Africa invite comparison: along with their political boundaries, they inherited from colonial regimes administrative languages, a cluster of sovereign state institutions and modern economic nuclei. When they became independent, South Asian and African states were - for all their diversity - thrust into a common position in the international system, and embarked on a common history as 'emergent', 'non-aligned', 'developing nations'. This is the first book to offer a single-volume comparative history of postcolonial South Asia and sub-Saharan Africa in the first generation since independence. South Asia and Africa After Independence draws together the political and economic history of these two regions, assessing the colonial impact, establishing breaks and continuities, and highlighting their diversity and interplay. Waites sets out a framework for analysing the first generation of post-colonial history, offering an interpretation of 'post-colonialism' as a historical phenomenon, and provocatively challenging us to re-think this term in relation to South Asian and African history. This book is an important reference for the study of global, world, African and South Asian history.