Although Apollonius of Rhodes' extraordinary epic poem on the Argonauts' quest for the Golden Fleece has begun to get the attention it deserves, it still is not well known to many readers and scholars. This book explores the poem's relation to the conditions of its writing in third century BCE Alexandria, where a multicultural environment transformed the Greeks' understanding of themselves and the world. Apollonius uses the resources of the imagination - the myth of the Argonauts' voyage and their encounters with other peoples - to probe the expanded possibilities and the anxieties opened up when definitions of Hellenism and boundaries between Greeks and others were exposed to question. Central to this concern with definitions is the poem's representation of space. Thalmann uses spatial theories from cultural geography and anthropology to argue that the Argo's itinerary defines space from a Greek perspective that is at the same time qualified. Its limits are exposed, and the signs with which the Argonauts mark space by their passage preserve the stories of their complex interactions with non-Greeks. The book closely considers many episodes in the narrative with regard to the Argonauts' redefinition of space and the implications of their actions for the Greeks' situation in Egypt, and it ends by considering Alexandria itself as a space that accommodated both Greek and Egyptian cultures.

A methodical analysis of relations of domination and subordination through media narratives of nationhood in an African context. Nation as Grand Narrative offers a methodical analysis of how relations of domination and subordination are conveyed through media narratives of nationhood. Using the typical postcolonial state of Nigeria as a template andengaging with disciplines ranging from media studies, political science, and social theory to historical sociology and hermeneutics, Wale Adebanwi examines how the nation as grand narrative provides a critical interpretive lens through which competition among ethnic, ethnoregional, and ethnoreligious groups can be analyzed. Adebanwi illustrates how meaning is connected to power through ideology in the struggles enacted on the pages of the print media overdiverse issues including federalism, democracy and democratization, religion, majority-minority ethnic relations, space and territoriality, self-determination, and threat of secession. Nation as Grand Narrative will triggerfurther critical reflections on the articulation of relations of domination in the context of postcolonial grand narratives. Wale Adebanwi is associate professor of African American and African studies, University of California-Davis, and a visiting professor at the Institute of Social and Economic Research (ISER), Rhodes University, Grahamstown, South Africa.

The primary objective of this book is to understand the nature of the Boko Haram insurgency in northeast Nigeria. Boko Haram's goal of an Islamic Caliphate, starting in the Borno State in the North East that will eventually cover the areas of the former Kanem-Borno Empire, is a rejection of the modern state system forced on it by the West. The central theme of this volume examines the relationship between the failure of the state-building project in Nigeria and the outbreak and nature of insurgency. At the heart of the Boko Haram phenomenon is a country racked with cleavages, making it hard for Nigeria to cohere as a modern state. Part I introduces this theme and places the Boko Haram insurgency in a historical context. There are, however, multiple cleavages in Nigeria ethnic, regional, cultural, and religious and Part II examines the different state-society dynamics fuelling the conflict. Political grievances are common to every society; however, what gives Boko Haram the space to express such grievances through violence? Importantly, this volume demonstrates that the insurgency is, in fact, a reflection of the hollowness within Nigeria's overall security. Part III looks at the responses to Boko Haram by Nigeria, neighbouring states, and external actors. For Western actors, Boko Haram is seen as part of the "global war on terror" and the fact that it has pledged allegiance to ISIS encourages this framing. However, as the chapters here discuss, this is an over-simplification of Boko Haram and the West needs to address the multiple dimension of Boko Haram. This book will be of much interest to students of terrorism and political violence, insurgencies, African politics, war and conflict studies, and IR in general.

"This is the first book-length study of the French Caribbean presence in Africa, and serves as a unique contribution to the field of African Diaspora and Colonial studies. By using administrative records, newspapers, and interviews, it explores the French Caribbean presence in the colonial administration in Africa before World War II"--Provided by publisher.

Telling a new story of modern Egypt, Mohammad Salama uses textual and cinematic sources to construct a clear and accessible narrative of the dynamics of Islam and culture in the first half of the twentieth century. The conflict between tradition and secular values in modern Egypt is shown in a stimulating and challenging new light as Salama bridges analysis of nationalism and its connection to Islamism, and outlines the effects of secular education versus traditional Islamic teaching on varied elements of Egyptian society. These include cultural production, politics, economic, identity, and gender relations. All of this helps to discern the harbingers that led to Egypt's social transition from the monarchy to the republic and opens the possibility of Islam as an inspiring and inspirational force. This illuminating, provocative and informative study will be of use to anyone interested in the period, whether general readers, students, or researchers.

African research played a major role in transforming the discipline of anthropology in the twentieth century. Ethnographic studies, in turn, had significant effects on the way imperial powers in Africa approached subject peoples. Ordering Africa provides the first comparative history of these processes. With essays exploring metropolitan research institutes, Africans as ethnographers, the transnational features of knowledge production, and the relationship between anthropology and colonial administration, this volume both consolidates and extends a range of new research questions focusing on the politics of imperial knowledge. Specific chapters examine French West Africa, the Belgian and French Congo, the Anglo-Egyptian Sudan, Italian Northeast Africa, Kenya, and Equatorial Africa (Gabon) as well as developments in Britain, France, Germany, Italy, and Switzerland. A major collection of essays that will be welcomed by scholars interested in imperial history and the history of Africa. -- .

Rick Turner was one of South Africa's most original and powerful thinkers and is remembered today as a remarkable teacher and activist. For almost ten years, from 1968, when he returned to South Africa from his studies at the Sorbonne, to 1978, when he was shot by an unknown assassin, Rick Turner played an important role in the opposition to apartheid, especially by provoking whites to expand their vision of what South Africa could be. Believing in the 'necessity of utopian thinking', he wrote a short book, The eye of the needle (1972), that sought to envision a very different kind of society. It has become a classic of its kind. For the authorities Rick Turner was a constant source of annoyance, a threat and anomaly that had to be dealt with. What was most dangerous about him was that his life and thought failed to fit within the dominant narrative of his time. Never a member of the ANC or the Communist Party or any political party for that matter, he propounded a vision for the transformation of South Africa that was both independent and radical. Although he lived a short life, he nevertheless had a great influence on those around him, including people like Steve Biko, and had a profound effect on people's imagining of what was possible. In the end, he became too much for the apartheid system and was killed. Even today, in the severely compromised political climate after the end of apartheid, the need for the kind of idealist vision that Rick Turner lived and died for is perhaps just as urgent.

The Ibadi Muslims, a little-known minority community, have lived in North Africa for over a thousand years. Combining an analysis of Arabic manuscripts with digital tools used in network analysis, Paul M. Love, Jr takes readers on a journey across the Maghrib and beyond as he traces the paths of a group of manuscripts and the Ibadi scholars who used them. Ibadi scholars of the Middle Period (eleventh-sixteenth century) wrote a series of collective biographies (prosopographies), which together constructed a cumulative tradition that connected Ibadi Muslims from across time and space, bringing them together into a 'written network'. From the Mzab valley in Algeria to the island of Jerba in Tunisia, from the Jebel Nafusa in Libya to the bustling metropolis of early-modern Cairo, this book shows how people and books worked in tandem to construct and maintain an Ibadi Muslim tradition in the Maghrib.

A Prospect Best Book of 2021 'A fascinating and timely book.' William Boyd 'Gripping...a must read.' FT 'Compelling...humane, reasonable, and ultimately optimistic.' Evening Standard '[A] valuable guide to a complex narrative.' The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa's greatest works of art. The 'Benin Bronzes' are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like 'visiting relatives behind bars'. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?

How did Tunisia succeed in eliminating the threat of militant Islamic fundamentalism? Borowiec examines the actions, which begin with the removal of the senile President Habib Bourguiba in 1987, known in Tunisia as the change. Today, while its next door neighbor, Algeria, is in the midst of an upheaval threatening modernization and a secular government, Tunisia is the only Muslim country to ban polygamy and to introduce state-funded contraception. Borowiec begins by sketching Tunisia's history from the Phoenician era onward. He provides a detailed analysis of the country's Islamic movement, and then examines the efforts of Bourguiba's successor, Zine El Abidine Ben Ali, to liberalize the economy, foster a Western orientation, and make education accessible to all. Interviews with leading government officials as well as educators, writers, and average Tunisians puts a human face on a process that may allow Tunisia to make the transition to become a young developed nation at the beginning of the next millennium. This book is important to scholars, researchers, and the general public concerned with events in North Africa and the Arab world.

This book takes as its theme the ways in which governments legitimate their rule, both to themselves and to their subjects. Its introduction explores legitimacy and pre-colonial states, but the three sections of the book deal with colonial legitimacy, the question of legitimation in the transition from colonialism to majority rule, and the contemporary debate about accountability.

More than 125 years ago, a remarkable group of people came together in Cape Town to write down the language and beliefs of the |xam people, a Bushman group that once lived over much of South Africa. The immensely valuable work of Wilhelm Bleek, Lucy Lloyd and their |xam teachers not only preserved a language now no longer spoken, but also provided fascinating insights into |xam cosmology.

First published in 2004, Customs and Beliefs of the |xam reproduces Dorothea Bleek's selection of |xam narratives from the well-known Bleek and Lloyd Collection that was originally published in the journal Bantu Studies during the 1930s. Collated and edited by Jeremy Hollman, the extracts include detailed notes on each of the narratives, as well as Bleek's 'sketch' of |xam grammar.

This substantially revised second edition integrates new scholarship on the Bleek and Lloyd archive, and restores previously omitted material. The introduction to each narrative has been expanded to contextualise it within the archive as a whole and, where relevant, reference it to the Notebook of which it is a part. This includes meticulous cross-referencing with the Bleek and Lloyd Collection catalogue code and the Notebook number and line reference. Each of the texts has also been critically reassessed, with additional editorial notes and commentaries, in particular with respect to the |xam words themselves and the ways in which they have been translated. A synopsis of each narrative is provided in an appendix, with cross references to the Bleek and Lloyd notebooks.

Customs and Beliefs of the |xam, second edition, is an in-depth, detailed and authoritative resource that will be invaluable to scholars, heritage workers and activists alike.

Five hundred years before Homer immortalized the Trojan Horse, the ancient Egyptians had already composed a tale of soldiers hiding Ali Baba-like in baskets to capture a besieged city. Shortly after the rise to power of the warrior pharaoh Ramesses II ("the Great"), Egyptian authors began to write stories about battles and conquest. However, these stories were not set in the present, but in the past-they were the world's first works of historical fiction. These literary recreations of past events, which preserve fascinating mixtures of fact and fiction, provide unparalleled information about topics as diverse as ancient Egyptian historiography, religion, and notions of humor and wit. Imagining the Past is the first volume to provide complete translations and commentary for the historical fiction composed during Egypt's New Kingdom. The four tales included here represent a multifaceted approach to history and its actors. The Quarrel of Apepi and Seqenenere, set at the end of the Second Intermediate Period, preserves details of political history and taxation that are attested in contemporaneous sources. In The Capture of Joppa, a historically-attested general Djehuty from the reign of Thutmose III successfully defeats the ruler of Joppa through one of the first attested stratagems in world military history. Royalty takes center stage with Thutmose III in Asia, whose fragmentary narrative may be a fictional presentation of the Battle of Megiddo. The Libyan Battle Story, composed only a generation after the Battle of Perire, contains abundant historical details attested in hieroglyphic and hieratic sources and borders on fictionalized history. A concluding analysis summarizes the audience and function of historical fiction as well as theology and historiography within the tales. An appendix of the hieroglyphic texts, all transliterated with philological commentary, make these texts accessible to a wide audience, while representing the first critical scholarly edition of them available. Colleen Manassa's thorough research into the literary, political, and social context of each tale will further stimulate current discussions of genres and the transmission of texts in Egyptolology and comparative literature studies.

This project documents the rich source material in European and North American repositories relating to the history of countries formerly under colonial rule. The manuscript and document holdings of public and private archives, libraries, museums and other institutions referred to in the guide cover all aspects of history. The primary emphasis is on political, diplomatic, commercial and military history, but there is good coverage of cultural history - especially in the reports and correspondence of explorers and travellers in missionary archives. Each series, of which this is the third, is arranged by country; sources within national volumes are described by repositories and archival groups.

This volume explores the planning and architectural cultures that shaped the model space of French colonial Dakar, a prominent city in West Africa. With a focus on the period from the establishment of the city in the mid-nineteenth century until the interwar years, the book reveals a variety of urban politics, policies and practices, and complex negotiations on both the physical and conceptual levels. Chronicling the design of Dakar as a regional capital, the book suggests a connection between the French colonial doctrines of assimilation and association, and French colonial planning and architectural policies in sub-Saharan Africa. Of interest to scholars in history, geography, architecture, urban planning, African studies and Global South studies, the book incorporates both primary and secondary sources collected from multilateral channels in Europe and Senegal. -- .

The book examines South African history and society from a variety of comparative perspectives. It brings together work by scholars based in South Africa, USA and the UK to reflect on the nature and evolution of what was considered for a long time a unique society. Drawing on studies of social, political and intellectual processes elsewhere, the authors seek to place South African developments in a broader context that sheds light on their specific features as well as global relevance.

"A strength of the volume is its coverage of the "applied" aspects of knowledge, from Anthropology through to Eugenics and state and social planning. There is also a commendable sensitivity to the unique ethnic dynamics of southern Africa, not least, for example, the complications of an "indigenized" and powerful Afrikaner nationalism." Donal Lowry, Oxford Brookes University This collection, dealing with case studies drawn from South Africa, Zimbabwe, Mozambique and Mauritius, examines the relationship between scientific claims and practices on the one hand and the exercise of colonial power on the other. It challenges conventional views that portray science as a detached mode of reasoning with the capacity to confer benefits in a more or less even-handed manner. That science has the potential to further the collective good is not fundamentally at issue, but science can also be seen as complicit in processes of colonial domination. Not only did science assist in bolstering aspects of colonial power and exploitation, it also possessed a significant ideological component: it offered a means of legitimating colonial authority by counter-poising Western rationality to native superstition and it served to enhance the self-image of colonial or settler elites in important respects. This innovative volume ranges broadly through topics such as statistics, medicine, eugenics, agriculture, entomology and botany. Its interdisciplinary approach will find a readership amongst historians, sociologists, anthropologists and historians of science and medicine, both at an undergraduate and at a specialist level. Contributions are drawn from South Africa, Britain and North America.

"Between Sea and Sahara" gives us Algeria in the third decade of colonization. Written in the 1850s by the gifted painter and extraordinary writer Eugene Fromentin, the many-faceted work is travelogue, fiction, stylized memoir, and essay on art. Fromentin paints a compelling word picture of Algeria and its people, questioning France's--and his own--role there. He shows French dynamism tending to arrogance, tinged with malaise, as well as the complexity of the Algerians and their canny survival tactics. In his efforts to capture the non-Western world on paper as well as on canvas, Fromentin reveals much about the roots of a colonial relationship that continues to affect the Algeria of today. He also reveals his own development as painter, writer--and human being.
Now available for the first time in English, "Between Sea and Sahara" appeals to today's reader on many levels--as a story of color, romance, and dramatic tension; as an eyewitness account of the colonial experience in Algeria; as a study in trans-genre text, foreshadowing Fromentin's psychological masterpiece, the novel Dominique. And, as Valerie Orlando points out in her introduction, Fromentin opens a window on the ethos informing the fashion of Orientalism that flourished with colonialism.

The French North African Crisis analyzes the postwar breakdown in French imperial rule in North West Africa, concentrating primarily upon the Algerian war of independence. This book highlights the human tragedy involved and the divisive consequences within French metropolitan politics of intractable colonial conflict. It further examines how far the protracted crisis of colonial control in North Africa shaped French foreign and security policy and this impacted upon Anglo-French relations, the western alliance and the wider process of decolonization.

When Peterhouse School opened in 1955, the British Empire in Africa was still intact and the Federation of Rhodesia and Nyasaland had just come into being. It was a boarding school founded on the British model, but with the intention that it would 'adapt all that is best in the Public School tradition to African conditions'. The story of Peterhouse is not only about work and sport, music and drama, chapel and syllabus changes. It is set in the context of educational development and political changes in a Southern Africa country. The school became a pioneering multi-racial institution in 'white Rhodesia'; shared the sufferings of the country during the 'bush war'; expanded greatly in the new Zimbabwe, survived the contradictions of a black 'Marxist' government, and has kept its firm commitment to being a 'Church School'. Despite the uncertainties and challenges of the new century, this is a story of faith and vision.

Victims of political persecution since 2000, Zimbabwe's whites have never overcome the problem of belonging. In North America and Australia, Europeans became the majority and "normal" partially through the genocide of native peoples. Settlers to Zimbabwe, however, only comprised a tiny minority. They monopolized the territory but struggled to assimilate culturally. Rather than integrating with African societies, many adopted a strategy of social escape. In this arresting and powerful study, David McDermott Hughes shows how they became emotionally and artistically invested in the non-human environment surrounding them. He traces how writers, artists, and farmers crafted a white identity focused on ecological conservation and how, emerging from state terror, some are now groping toward a whiteness of uncommon humanity and humility.