Formed in 1972, Jesus People USA is an evangelical Christian community that fundamentally transformed the American Christian music industry and the practice of American evangelicalism, which continues to evolve under its influence. In this fascinating ethnographic study, Shawn David Young replays not only the growth and influence of the group over the past three decades but also the left-leaning politics it developed that continue to serve as a catalyst for change. Jesus People USA established a still-thriving Christian commune in downtown Chicago and a ground-breaking music festival that redefined the American Christian rock industry. Rather than join "establishment" evangelicalism and participate in what would become the megachurch movement, this community adopted a modified socialism and embraced forms of activism commonly associated with the New Left. Today the ideological tolerance of Jesus People USA aligns them closer to liberalism than to the religious right, and Young studies the embodiment of this liminality and its challenge to mainstream evangelical belief. He suggests the survival of this group is linked to a growing disenchantment with the separation of public and private, individual and community, and finds echoes of this postmodern faith deep within the evangelical subculture.

A Geography of the Hutterites in North America explores the geographical diffusion of the Hutterite colonies from the "bridgehead" of Dakota Territory in 1874 to the present distribution across North America. Looking further than just maps of location, this book analyzes the relationship between parent and daughter colonies as the Hutterite population continues to grow and examines the role of cultural and demographic forces in determining the diffusion process. Throughout this geographical analysis, Simon M. Evans pays due attention to the Hutterites' contribution to the cultural landscape of the Canadian Prairies and the American Great Plains, as well as the interactions that the Hutterites have with the land, including their agricultural success. With over forty years of research and personal interactions with more than a hundred Hutterite colonies, Evans offers a unique insight into the significant role that the Hutterites have in North America, both currently and historically. This study goes beyond the history, life, and culture of this communal brotherhood to present a new geographical analysis that reports on current and ongoing research within the field. The first narrative to be published regarding Hutterites in nearly a decade, A Geography of the Hutterites in North America is a valuable resource for scholars and students alike.

Since her groundbreaking memoir In My Father's House, which recounts an agonizing break from fundamentalist polygamy, Dorothy Allred Solomon has continued to publish on the lives of Mormon women and the dissonance many experience in connection to fundamentalist pasts. The more Solomon delved into issues of agency, the more she felt her own dissonance and began to look for answers in her ancestral past-those early women she knew only through family stories. Finding Karen: An Ancestral Mystery springs from a decade of research into Solomon's paternal great-great grandmother Karen Sorensen Rasmussen, who converted to Mormonism in Denmark and emigrated to the United States in 1859. Held up to Solomon throughout childhood as an icon of feminine heroism, a stoic handcart immigrant who helped establish Zion in Utah, Karen became equally emblematic of Solomon's own strong-willed determination and of everything Solomon found lacking in herself. Finding Karen is a revelatory journey, twinned with Solomon's own in surprising ways. As valuable a study in recovering history as it is in the need to re-examine family stories, Solomon's retelling takes readers through the twists and turns of discovery/recovery as she encounters them. In doing so, she illuminates not only the risk inherent in trusting even what persists as historic record but also the insights to be gained from assiduous persistence.

In 1878, Elder Joseph Standing traveled into the Appalachian mountains of North Georgia, seeking converts for the Church of Jesus Christ of Latter-day Saints. Sixteen months later, he was dead, murdered by a group of twelve men. The church refused to bury the missionary in Georgia soil; instead, he was laid to rest in Salt Lake City beneath a monument that declared, "There is no law in Georgia for the Mormons." Most accounts of this event have linked Standing's murder to the virulent nineteenth-century anti-Mormonism that also took the life of prophet Joseph Smith and to an enduring southern tradition of extralegal violence. In these writings, the stories of the men who took Standing's life are largely ignored, and they are treated as significant only as vigilantes who escaped justice. Historian Mary Ella Engel adopts a different approach, arguing that the mob violence against Standing was a local event, best understood at the local level. Her examination of Standing's murder carefully situates it in the disquiet created by missionaries' successes in the North Georgia community. As Georgia converts typically abandoned the state for Mormon colonies in the West, a disquiet situated within a wider narrative of post-Reconstruction Mormon outmigration to colonies in the West. In this rich context, the murder reveals the complex social relationships that linked North Georgians-families, kin, neighbors, and coreligionists-and illuminates how mob violence attempted to resolve the psychological dissonance and gender anxieties created by Mormon missionaries. In laying bare the bonds linking Georgia converts to the mob, Engel reveals Standing's murder as more than simply mountain lawlessness or religious persecution. Rather, the murder responds to the challenges posed by the separation of converts from their loved ones, especially the separation of women and their dependents from heads of households.

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

What is the true nature and mission of the church? Is its proper Christian purpose to save souls, or to transform the social order? This question is especially fraught when the church is one built by an enslaved people and formed, from its beginning, at the center of an oppressed community's fight for personhood and freedom. Such is the central tension in the identity and mission of the black church in the United States. For decades the black church and black theology have held each other at arm's length. Black theology has emphasized the role of Christian faith in addressing racism and other forms of oppression, arguing that Jesus urged his disciples to seek the freedom of all peoples. Meanwhile, the black church, even when focused on social concerns, has often emphasized personal piety rather than social protest. With the rising influence of white evangelicalism, biblical fundamentalism, and the prosperity gospel, the divide has become even more pronounced. In Piety or Protest, Raphael G. Warnock, Senior Pastor of the historic Ebenezer Baptist Church, the spiritual home of the Rev. Dr. Martin Luther King, Jr., traces the historical significance of the rise and development of black theology as an important conversation partner for the black church. Calling for honest dialogue between black and womanist theologians and black pastors, this fresh theological treatment demands a new look at the church's essential mission. The Reverend Dr. Raphael G. Warnock serves as Senior Pastor of the Ebenezer Baptist Church (Atlanta, Georgia). In the Religion, Race, and Ethnicity series