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Books > Religion & Spirituality > Non-Christian religions > Religions of Indic & Oriental origin > Buddhism > General
One of the first attempts ever to present in a systematic way a
non-western semiotic system. This book looks at Japanese esoteric
Buddhism and is based around original texts, informed by explicit
and rigorous semiotic categories. It is a unique introduction to
important aspects of the thought and rituals of the Japanese
Shingon tradition. Semiotic concerns are deeply ingrained in the
Buddhist intellectual and religious discourse, beginning with the
idea that the world is not what it appears to be, which calls for a
more accurate understanding of the self and reality. This in turn
results in sustained discussions on the status of language and
representations, and on the possibility and methods to know reality
beyond delusion; such peculiar knowledge is explicitly defined as
enlightenment. Thus, for Buddhism, semiotics is directly relevant
to salvation; this is a key point that is often ignored even by
Buddhologists. This book discusses in depth the main elements of
Buddhist semiotics as based primarily on original Japanese
pre-modern sources. It is a crucial publication in the fields of
semiotics and religious studies.
Under the leadership of Mazu Daoyi (709-788) and his numerous
disciples, the Hongzhou School emerged as the dominant tradition of
Chan (Zen) Buddhism in China during the middle part of the Tang
dynasty(618-907). Mario Poceski offers a systematic examination of
the Hongzhou School's momentous growth and rise to preeminence as
the bearer of Chan orthodoxy, and analyzes its doctrines against
the backdrop of the intellectual and religious milieus of Tang
China. Poceski demonstrates that the Hongzhou School represented
the first emergence of an empire-wide Chan tradition that had
strongholds throughout China and replaced the various fragmented
Schools of early Chan with an inclusive orthodoxy.
Poceski's study is based on the earliest strata of permanent
sources, rather than on the later apocryphal "encounter dialogue"
stories regularly used to construe widely-accepted but historically
unwarranted interpretations about the nature of Chan in the Tang
dynasty. He challenges the traditional and popularly-accepted view
of the Hongzhou School as a revolutionary movement that rejected
mainstream mores and teachings, charting a new path for Chan's
independent growth as a unique Buddhist tradition. This view, he
argues, rests on a misreading of key elements of the Hongzhou
School's history. Rather than acting as an unorthodox movement, the
Hongzhou School's success was actually based largely on its ability
to mediate tensions between traditionalist and iconoclastic
tendencies. Going beyond conventional romanticized interpretations
that highlight the radical character of the Hongzhou School,
Poceski shows that there was much greater continuity between early
and classical Chan-and between theHongzhou School and the rest of
Tang Buddhism-than previously thought.
The Buddhist Bible was first published in Vermont in 1932 by DWIGHT
GODDARD (1861-1939), a pioneer in the American Zen Buddhist
movement. It contains edited versions of foundational Buddhist
texts designed to provide spiritual seekers with the heart of the
Zen message. Writing at a time when Buddhism was greatly
misunderstood in the West, Goddard hoped to bring a new and deep
understanding to light. His mission was not only to explain
Buddhism to his fellow Americans but to show how the ancient
religion could be made relevant to modern problems. The Buddhist
Bible made a huge impact when it was published and is known to have
influenced the views of iconic Beat author Jack Kerouac.
Jesuit on the Roof of the World is the first full-length study in
any language of Ippolito Desideri (1684-1733), a Jesuit explorer
and missionary who traveled in Tibet from 1715 to 1721.
Based on close readings of a wide range of primary sources in
Tibetan, Italian, and Latin, Jesuit on the Roof of the World
follows Desideri's journey across the great Western deserts of
Tibet, his entry into the court of the Mongol chieftain Lhazang
Khan, and his flight across Eastern Tibet during the wars that
shook Tibet during the early-eighteenth century. While telling of
these harrowing events, Desideri relates the dramatic encounter
between his Jesuit philosophy and the scholasticism of the Geluk
monks; the personal conflict between his own Roman Catholic beliefs
and his appreciation of Tibet religion and culture; and the
travails of a variety of colorful characters whose political
intrigues led to the invasion of Zunghar Mongols of 1717 and the
establishment of the Chinese protectorate in 1720.
As the Tibetans fought among themselves, the missionary waged his
own war against demons, sorcerers, and rival scholastic
philosophers. Towering over all in the mind of the missionary was
the "fabulous idol" Avalokitesvara and its embodiment in the Sixth
Dalai Lama Tsangyang Gyatso. In describing his spiritual warfare
against the Tibetan "pope," the missionary offers a unique glimpse
into theological problem of the salvation of non-Christians in
early modern theology; the curious-and highly controversial-appeal
of Hermetic philosophy in the Asian missions; the political
underbelly of the Chinese Rites Controversy; and the persistent
European fascination with the land of snows."
Contextualizing the sutra within a milieu of intense religious and
cultural experimentation, this volume unravels the sudden rise of
Diamond Sutra devotion in the Tang dynasty against the backdrop of
a range of social, political, and literary activities. Through the
translation and exploration of a substantial body of narratives
extolling the efficacy of the sutra, it explores the complex social
history of lay Buddhism by focusing on how the laity might have
conceived of the sutra and devoted themselves to it. Corroborated
by various sources, it reveals the cult's effect on medieval
Chinese religiosity in the activities of an empowered laity, who
modified and produced parasutraic texts, prompting the monastic
establishment to accommodate to the changes they brought about.
Whether through lyrical celebrations of the wonders of nature;
paeans to the steadfastness of women; or salutations to the world
leaders who have in their various ways provided inspiration to his
lifelong devotion to the causes of peace, justice and education,
Daisaku Ikeda in his poems expresses unwavering commitment to the
development of a humanistic global culture. These translations, the
first of a three-volume collection and based on the Japanese
Complete Works of Daisaku Ikeda (Ikeda Daisaku zenshu), cover the
years 1945-2007, and explore the many subjects to which the leader
of the Soka Gakkai International has devoted his 'poetic heart and
mind.' The translators have sought to reproduce the rhythms and
timbres of a voice, which- though influenced by the likes of
Whitman, Defoe, Dumas, Ibsen, Emerson and Shelley- is yet
distinctive and unique. Sometimes the poet adopts a simple
vernacular note; at other times the compression associated with
Japanese poeic forms haiku and waka. But at all times the poetry
maintains a stately rhythm that reflects the dignity of ordinary
language and expression. This collection will delight readers
familiar with the prose writings of the author as well as those
coming to his work for the first time. The poems within it speak,
with freedom and feeling, of a world where genuine poetry reigns
supreme- and of a world where poetic perception becomes a
perception of interconnectedness; between friends. between humanity
and nature, or between humanity and the cosmos.
As a religion concerned with universal liberation, Zen grew out of
a Buddhist worldview very different from the currently prevalent
scientific materialism. Indeed, says Taigen Dan Leighton, Zen
cannot be fully understood outside of a worldview that sees reality
itself as a vital, dynamic agent of awareness and healing. In this
book, Leighton explicates that worldview through the writings of
the Zen master Eihei Dogen (1200-1253), considered the founder of
the Japanese Soto Zen tradition, which currently enjoys increasing
popularity in the West.
The Lotus Sutra, arguably the most important Buddhist scripture in
East Asia, contains a famous story about bodhisattvas (enlightening
beings) who emerge from under the earth to preserve and expound the
Lotus teaching in the distant future. The story reveals that the
Buddha only appears to pass away, but actually has been practicing,
and will continue to do so, over an inconceivably long life
span.
Leighton traces commentaries on the Lotus Sutra from a range of
key East Asian Buddhist thinkers, including Daosheng, Zhiyi,
Zhanran, Saigyo, Myoe, Nichiren, Hakuin, and Ryokan. But his main
focus is Eihei Dogen, the 13th century Japanese Soto Zen founder
who imported Zen from China, and whose profuse, provocative, and
poetic writings are important to the modern expansion of Buddhism
to the West.
Dogen's use of this sutra expresses the critical role of Mahayana
vision and imagination as the context of Zen teaching, and his
interpretations of this story furthermore reveal his dynamic
worldview of the earth, space, and time themselves as vital agents
of spiritual awakening.
Leighton argues that Dogen uses the images and metaphors in
thisstory to express his own religious worldview, in which earth,
space, and time are lively agents in the bodhisattva project.
Broader awareness of Dogen's worldview and its implications, says
Leighton, can illuminate the possibilities for contemporary
approaches to primary Mahayana concepts and practices.
The present geopolitical rise of India and China evokes much
interest in the comparative study of these two ancient Asian
cultures. There are various studies comparing Western and Indian
philosophies and religions, and there are similar works comparing
Chinese and Western philosophy and religion. However, so far there
is no systemic comparative study of Chinese and Indian philosophies
and religions. Therefore there is a need to fill this gap. As such,
Brahman and Dao: Comparative Studies of Indian and Chinese
Philosophy and Religion is a pioneering volume in that it
highlights possible bridges between these two great cultures and
complex systems of thought, with seventeen chapters on various
Indo-Chinese comparative topics. The book focuses on four themes:
metaphysics and soteriology; ethics; body, health and spirituality;
and language and culture.
Buddhism has played a significant role in the current global rise
in religious nationalism and violence, but the violent aspects of
Buddhist tradition have been neglected in the outpouring of
academic analyses and case studies of this disturbing trend. This
book offers eight essays examining the dark side of a tradition
often regarded as the religion of peace. The authors note the
conflict between the Buddhist norms of non-violence and the
prohibition of the killing of sentient beings and acts of state
violence supported by the Buddhist community (sangha), acts of
civil violence in which monks participate, and Buddhist
intersectarian violence. They consider contemporary and historical
cases of Buddhist warfare from a wide range of traditions -
Tibetan, Mongolian, Japanese, Chinese, Sri Lankan, and Thai -
critically examining both Buddhist textual sources justifying
violence and Buddhist actors currently engaged in violence. They
draw not only on archival material but interviews with those living
and involved in war zones around the world. The book enriches our
understanding both of the complexities of the Buddhist tradition
and of the violence that is found in virtually all of the world's
religious traditions.
This book is a compilation of several sections of a larger work, a
book by the name of African Origins of Civilization, Religion, Yoga
Mysticism and Ethics Philosophy. It also contains some additional
evidences not contained in the larger work that demonstrate the
correlation between Ancient Egyptian Religion and Buddhism. This
book is one of several compiled short volumes that has been
compiled so as to facilitate access to specific subjects contained
in the larger work which is over 680 pages long. These short and
small volumes have been specifically designed to cover one subject
in a brief and low cost format. This present volume, The Ancient
Egyptian Buddha: The Ancient Egyptian Origins of Buddhism, formed
one subject in the larger work; actually it was one chapter of the
larger work. However, this volume has some new additional evidences
and comparisons of Buddhist and Neterian (Ancient Egyptian)
philosophies not previously discussed. It was felt that this
subject needed to be discussed because even in the early 21st
century, the idea persists that Buddhism originated only in India
independently. Yet there is ample evidence from ancient writings
and perhaps more importantly, iconographical evidences from the
Ancient Egyptians and early Buddhists themselves that prove
otherwise. This handy volume has been designed to be accessible to
young adults and all others who would like to have an easy
reference with documentation on this important subject. This is an
important subject because the frame of reference with which we look
at a culture depends strongly on our conceptions about its origins.
in this case, if we look at the Buddhism as an Asiatic religion we
would treat it and it'sculture in one way. If we id as African
Ancient Egyptian] we not only would see it in a different light but
we also must ascribe Africa with a glorious legacy that matches any
other culture in human history and gave rise to one of the present
day most important religious philosophies. We would also look at
the culture and philosophies of the Ancient Egyptians as having
African insights that offer us greater depth into the Buddhist
philosophies. Those insights inform our knowledge about other
African traditions and we can also begin to understand in a deeper
way the effect of Ancient Egyptian culture on African culture and
also on the Asiatic as well. We would also be able to discover the
glorious and wondrous teaching of mystical philosophy that Ancient
Egyptian Shetaut Neter religion offers, that is as powerful as any
other mystic system of spiritual philosophy in the world today.
Burning for the Buddha is the first book-length study of the theory
and practice of ""abandoning the body"" (self-immolation) in
Chinese Buddhism. It examines the hagiographical accounts of all
those who made offerings of their own bodies and places them in
historical, social, cultural, and doctrinal context. Rather than
privilege the doctrinal and exegetical interpretations of the
tradition, which assume the central importance of the mind and its
cultivation, James Benn focuses on the ways in which the heroic
ideals of the bodhisattva present in scriptural materials such as
the Lotus Sutra played out in the realm of religious practice on
the ground.
The Sugata Saurabha is an epic poem that retells the story of the
Buddha's life. It was published in 1947 in the Nepalese language,
Newari, by Chittadhar Hridaya, one of the greatest literary figures
of 20th-century Nepal. The text is remarkable for its
comprehensiveness, artistry, and nuance. It covers the Buddha's
life from birth to death and conveys his basic teachings with
simple clarity. It is also of interest because, where the classical
sources are silent, Hridaya inserts details of personal life and
cultural context that are Nepalese. The effect is to humanize the
founder and add the texture of real life. A third point of interest
is the modernist perspective that underlies the author's manner of
retelling this great spiritual narrative. This rendering, in a long
line of accounts of the Buddha's life dating back almost 2,000
years, may be the last ever to be produced that conforms to the
traditions of Indic classic poetry. It will not only appeal to
scholars of Buddhism but will find use in courses that introduce
students to the life of the Buddha.
Scholars of religion have always been fascinated by asceticism.
Some have even regarded this radical way of life-- the withdrawal
from the world, combined with practices that seriously affect basic
bodily needs, up to extreme forms of self-mortification --as the
ultimate form of a true religious quest. This view is rooted in
hagiographic descriptions of prominent ascetics and in other
literary accounts that praise the ascetic life-style. Scholars have
often overlooked, however, that in the history of religions ascetic
beliefs and practices have also been strongly criticized, by
followers of the same religious tradition as well as by outsiders.
The respective sources provide sufficient evidence of such critical
strands but surprisingly as yet no attempt has been made to analyze
this criticism of asceticism systematically. This book is a first
attempt of filling this gap. Ten studies present cases from both
Asian and European traditions: classical and medieval Hinduism,
early and contemporary Buddhism in South and East Asia, European
antiquity, early and medieval Christianity, and 19th/20th century
Aryan religion. Focusing on the critics of asceticism, their
motives, their arguments, and the targets of their critique, these
studies provide a broad range of issues for comparison. They
suggest that the critique of asceticism is based on a worldview
differing from and competing with the ascetic worldview, often in
one and the same historical context. The book demonstrates that
examining the critics of asceticism helps understand better the
complexity of religious traditions and their cultural contexts. The
comparative analysis, moreover, shows that the criticism of
asceticism reflects areligious worldview as significant and
widespread in the history of religions as asceticism itself is.
Presenting a comprehensive portrayal of the reading of Chinese and
Buddhist philosophy in early twentieth-century German thought,
Chinese and Buddhist Philosophy in Early Twentieth-Century German
Thought examines the implications of these readings for
contemporary issues in comparative and intercultural philosophy.
Through a series of case studies from the late 19th-century and
early 20th-century, Eric Nelson focuses on the reception and uses
of Confucianism, Daoism, and Buddhism in German philosophy,
covering figures as diverse as Buber, Heidegger, and Misch. He
argues that the growing intertextuality between traditions cannot
be appropriately interpreted through notions of exclusive
identities, closed horizons, or unitary traditions. Providing an
account of the context, motivations, and hermeneutical strategies
of early twentieth-century European thinkers' interpretation of
Asian philosophy, Nelson also throws new light on the question of
the relation between Heidegger and Asian philosophy. Reflecting the
growing interest in the possibility of intercultural and global
philosophy, Chinese and Buddhist Philosophy in Early
Twentieth-Century German Thought opens up the possibility of a more
inclusive intercultural conception of philosophy.
Unfortunate Destiny focuses on the roles played by nonhuman animals
within the imaginative thought-world of Indian Buddhism, as
reflected in pre-modern South Asian Buddhist literature. These
roles are multifaceted, diverse, and often contradictory: In
Buddhist doctrine and cosmology, the animal rebirth is a most
"unfortunate destiny" (durgati), won through negative karma and
characterized by a lack of intelligence, moral agency, and
spiritual potential. In stories about the Buddha's previous lives,
on the other hand, we find highly anthropomorphized animals who are
wise, virtuous, endowed with human speech, and often critical of
the moral shortcomings of humankind. In the life-story of the
Buddha, certain animal characters serve as "doubles" of the Buddha,
illuminating his nature through identification, contrast or
parallelism with an animal "other." Relations between human beings
and animals likewise range all the way from support, friendship,
and near-equality to rampant exploitation, cruelty, and abuse.
Perhaps the only commonality among these various strands of thought
is a persistent impulse to use animals to clarify the nature of
humanity itself-whether through similarity, contrast, or
counterpoint. Buddhism is a profoundly human-centered religious
tradition, yet it relies upon a dexterous use of the animal other
to help clarify the human self. This book seeks to make sense of
this process through a wide-ranging-exploration of animal imagery,
animal discourse, and specific animal characters in South Asian
Buddhist texts.
Gandhara, with its wide variety of architectural remains and
sculptures, has for many decades perplexed students of South and
Central Asia. Kurt Behrendt in this volume for the first time and
convincingly offers a description of the development of 2nd century
B.C.E. to 8th century C.E. Buddhist sacred centers in ancient
Gandhara, today northwest Pakistan.
Regional variations in architecture and sculpture in the Peshawar
basin, Swat, and Taxila are discussed. At last a chronological
framework is given for the architecture and the sculpture of
Gandhara, but also light is being shed on how relic structures were
utilized through time, as devotional imagery became increasingly
significant to Buddhist religious practice.
With an important comparative overview of architectural remains, it
is indispensable for all those interested in the development of the
early Buddhist tradition of south and central Asia and the roots of
Buddhism elsewhere in Asia.
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