John Cage was among the first wave of post-war American artists and intellectuals to be influenced by Zen Buddhism and it was an influence that led him to become profoundly engaged with our current ecological crisis. In John Cage and Buddhist Ecopoetics, Peter Jaeger asks: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage's own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and writing, this book outlines a new critical language that reconfigures writing and silence. Interrogating Cage's 'green-Zen' in the light of contemporary psychoanalysis and cultural critique as well as his own later turn towards anarchist politics, John Cage and Buddhist Ecopoetics provides readers with a critically performative site for the Zen-inspired "nothing" which resides at the heart of Cage's poetics, and which so clearly intersects with his ecological writing.

This volume delves into the socio religious milieu of the authors, editors, and propagators of the ""Rastrapalapariprccha-sutra"" (Questions of Rastrapala), a Buddhist text circulating in India during the first half of the first millennium C.E. Daniel Boucher first reflects upon the problems that plague historians of Mahayana Buddhism, whose previous efforts to comprehend the tradition have often ignored the social dynamics that motivated some of the innovations of this new literature. Following that is a careful analysis of several motifs found in the Indian text and an examination of the value of the earliest Chinese translation for charting the sutra's evolution.The first part of the study looks at the relationship between the bodily glorification of the Buddha and the ascetic career that produced it within the socioeconomic world of early medieval Buddhist monasticism. Boucher then focuses on a third-century Chinese translation of the sutra and traces the changes in the translation to the late tenth century. He concludes with an annotated translation of the sutra based on a new reading of its earliest extant Sanskrit manuscript.

"The Buddhist Experience in America" explores how the world's fourth-largest religion came to America and flourished here. Although the percentage of Buddhists in America has always been, and will probably remain, low, Buddhism has had a greater impact on culture than its small numbers might indicate. Concepts such as Nirvana and practices such as meditation have entered the mainstream of American life. Zen has turned into a commonplace adjective, and everybody knows who the Dalai Lama is. But Buddhism is a much more complex and powerful phenomenon than is indicated a catchy phrase, a political cause, or devotion to a charismatic personality. This book provides an accessible introduction to the religion, as well as to how Buddhists follow their beliefs in the United States.

Just as the teachings of Jesus gave birth to Orthodoxy, Catholicism, and hundreds of different Protestant sects, the teachings of the historical Buddha developed into many different traditions. "The Buddhist Experience in America" examines how these traditions are practiced: Theravada Buddhism, oldest of Buddhist sects, was the last to have a substantial presence in this country; the Mahayana tradition, with particular attention to Pure Land Buddhism, the Buddhism of most Japanese- and Chinese-Americans; the special case of Zen Buddhism, which, while a distinctly minority religion is Japan, has been historically the greatest Buddhist influence in America; and Vajrayana, or Tibetan Buddhism, currently the fastest growing school of Buddhism in America. The book includes a discussion of the historical Buddha and an examination of how contemporary Buddhism has responded to current issues and concerns. Appendices include a glossary, a who's who of Buddhism, a timeline, and a list of resources for further information.

Scholars of Daoism in the Ming dynasty (1368-1644) have paid particular attention to the interaction between the court and certain Daoist priests and to the political results of such interaction; the focus has been on either emperors or Daoist masters. Yet in the Ming era a special group of people patronized Daoism and Daoist establishments: these were the members of the imperial clan, who were enfeoffed as princes. In addition to personal belief and self-cultivation, a prince had other reasons to patronize Daoism. As the regional overlords, the Ming princes like other local elites saw financing and organizing temple affairs and rituals, patronizing Daoist priests, or collecting and producing Daoist books as a chance to maintain their influence and show off their power. The prosperity of Daoist institutions, which attracted many worshippers, also demonstrated the princes' political success. Locally the Ming princes played an important cultural role as well by promoting the development of local religions. This book is the first to explore the interaction between Ming princes as religious patrons and local Daoism. Barred by imperial law from any serious political or military engagement, the Ming princes were ex officio managers of state rituals at the local level, with Daoist priests as key performers, and for this reason they became very closely involved in Daoist clerical and liturgical life. By illuminating the role the Ming princes played in local religion, Richard Wang demonstrates in The Ming Prince and Daoism that the princedom served to mediate between official religious policy and the commoners' interests.

Tibet's Mount Kailas is one of the world's great pilgrimage centres, renowned as an ancient sacred site that embodies a universal sacrality. But Kailas Histories: Renunciate Traditions and the Construction of Himalayan Sacred Geography demonstrates that this understanding is a recent construction by British colonial, Hindu modernist, and New Age interests. Using multiple sources, including fieldwork, Alex McKay describes how the early Indic vision of a heavenly mountain named Kailas became identified with actual mountains. He emphasises renunciate agency in demonstrating how local beliefs were subsumed as Kailas developed within Hindu, Buddhist, and Boen traditions, how five mountains in the Indian Himalayan are also named Kailas, and how Kailas sacred geography constructions and a sacred Ganges source region were related.

Originally published in 1927. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Researches into Japanese Buddhism. This book is full of suggestive thought, with the essays on Japanese religious belief calling for particular praise for the earnest spirit in which the subject is approached. Contents Include A Living God. Out of the Street. Notes of a Trip to Kyoto. Dust. About Faces in Japanese Art. Ningyo-No-Haka. In Osaka. Buddhist Allusions in Japanese Folk Song. Nirvana. The Rebirth of Katsuguro. Within the Circle.

Nagarjuna's Vigrahavyavartani is an essential work of Madhyamaka Buddhist philosophical literature. Written in an accessible question-and-answer style, it contains Nagarjuna's replies to criticisms of his philosophy of the "Middle Way." The Vigrahavyavartani has been widely cited both in canonical literature and in recent scholarship; it has remained a central text in India, Tibet, China, and Japan, and has attracted the interest of greater and greater numbers of Western readers.
In The Dispeller of Disputes, Jan Westerhoff offers a clear new translation of the Vigrahavyavartani, taking current philological research and all available editions into account, and adding his own insightful philosophical commentary on the text. Crucial manuscript material has been discovered since the earlier translations were written, and Westerhoff draws on this material to produce a study reflecting the most up-to-date research on this text. In his nuanced and incisive commentary, he explains Nagarjuna's arguments, grounds them in historical and textual scholarship, and explicitly connects them to contemporary philosophical concerns.

Bringing together leading authorities in the fields of Chinese and Tibetan Studies alike, Chinese and Tibetan Esoteric Buddhism engages cutting-edge research on the fertile tradition of Esoteric Buddhism (also known as Tantric Buddhism). This state of the art volume unfolds the sweeping impact of esoteric Buddhism on Tibetan and Chinese cultures, and the movement's role in forging distinct political, ethnical, and religious identities across Asia at large. Deciphering the oftentimes bewildering richness of esoteric Buddhism, this broadly conceived work exposes the common ground it shares with other Buddhist schools, as well as its intersection with non-Buddhist faiths. As such, the book is a major contribution to the study of Asian religions and cultures. Contributors are: Yael Bentor, Ester Bianchi, Megan Bryson, Jacob P. Dalton, Hou Chong, Hou Haoran, Eran Laish, Li Ling, Lin Pei-ying, Lu Jianfu, Ma De, Dan Martin, Charles D. Orzech, Meir Shahar, Robert H. Sharf, Shen Weirong, Henrik H. Sorensen, and Yang Fuxue and Zhang Haijuan.

In Moby-Dick's wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick's construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books-offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

Knowledge plays a very significant role in Buddhism, as it is the gateway to enlightenment and nirvana. This volume provides a clear and exhaustive exposition of Buddhist epistemology and logic, based on the works of classical thinkers such as Vasubandhu, Dinnaga, and Dharmakiriti. It traces the historical development of the Buddhist theory of knowledge and analyzes some basic issues like the nature of reality and knowledge, the criteria of truth, and nature of perception and inference, the only two sources of knowledge accepted in Buddhist philosophy. The appendix contains the Sanskrit original and an annotated translation of Nyaya Pravesa, a basic text of Buddhist epistemology, which discusses the nature of perception and inference and their fallacies. This work sheds light on abtruse epistemological topics and will enable readers to gain a clearer appreciation of the depths of Buddhist theory of knowledge.

Bestselling author and renowned Zen teacher Steve Hagen penetrates the most essential and enduring questions at the heart of the Buddha's teachings: How can we see the world in each moment, rather than merely as what we think, hope, or fear it is? How can we base our actions on reality, rather than on the longing and loathing of our hearts and minds? How can we live lives that are wise, compassionate, and in tune with reality? And how can we separate the wisdom of Buddhism from the cultural trappings and misconceptions that have come to be associated with it?

Drawing on down-to-earth examples from everyday life and stories from Buddhist teachers past and present, Hagen tackles these fundamental inquiries with his trademark lucid, straightforward prose. The newcomer to Buddhism will be inspired by this accessible and provocative introduction, and those more familiar with Buddhism will welcome this much needed hands-on guide to understanding what it truly means to be awake. By being challenged to question what we take for granted, we come to see the world as it truly is. Buddhism Is Not What You Think offers a profound and clear path to a life of joy and freedom.

The term "revival" has been used to describe the resurgent vitality of Buddhism in Taiwan. Scholars have particularly been impressed by the quality and size of the nun's order: Taiwanese nuns today are highly educated and greatly outnumber monks. Both characteristics are unprecedented in the history of Chinese Buddhism and are evident in the Incense Light community (Xiangguang). Passing the Light is the first in-depth case study of the community. Founded in 1974, Incense Light remains a small but influential order of highly educated nuns who dedicate themselves to teaching Buddhism to lay adults. The work begins with a historical survey of Buddhist nuns in China, based primarily on the sixth-century biographical collection Lives of the Nuns. This is followed by discussions on the early history of the Incense Light community; the life of Wuyin, one of its most prominent leaders; and the crucial role played by Buddhist studies societies on college campuses, where many nuns were first introduced to Incense Light. Later chapters look at the curriculum and innovative teaching methods at the Incense Light seminary and the nuns' efforts to teach Buddhism to adults. The work ends with portraits of individual nuns, providing details on their backgrounds, motivations for becoming nuns, and the problems or setbacks they have encountered both within and without the Incense Light community. This engaging study enriches the literature on the history of Buddhist nuns, seminaries, and education, and will find an appreciative audience among scholars and students of Chinese religion, especially Buddhism, as well as those interested in questions of religion and modernity and women and religion.