The evolutionary approach to economics can be traced back as far as the eighteenth and nineteenth centuries in the work of Darwin, Smith and Malthus. These ideas have gradually developed since that time through Marx, Veblen and Marshall, and have recently experienced considerable attention. This book considers the development of evolutionary economics and its place in economic thought today. The book begins with a concise history of evolutionary economics which develops to examine the variety of approaches within the subject. The discussion continues with a rigorous analysis of why, in contrast to popular belief, evolutionary economics is not alien to neoclassical economics, arguing that it may even be considered to complement neoclassical economics. Continuing along this theme the firm is discussed from an evolutionary and neoclassical standpoint. Leading on from this is a discussion of modern model building in evolutionary economics and its relationship with Schumpeter's developmental work. Model building is examined further in relation to endogenous technological change and economic growth, and the effect that technological change and innovation can have on the spatial distribution of new industry. This book will be of special interest to evolutionary and post Keynesian economists and those interested in technological change and innovation.

This is the first extensive treatment from a modern Austrian perspective of the history of economic thought up to Adam Smith and as such takes into account the profound influence of religious, social and political thought upon economics. In Economic Thought before Adam Smith, Murray Rothbard contends that laissez-faire liberalism and economic thought itself began with the Catholic scholastics and early Roman and canon law, rather than with Adam Smith. The scholastics, he argues, established and developed the subjective utility and scarcity theory of value, as well as the theory that prices, or the value of money, depend on its supply and demand. This continental, or 'pre-Austrian' tradition, was destroyed, rather than developed, by Adam Smith whose strong Calvinist tendencies towards glorifying labour, toil and thrift is contrasted with the emphasis in Scholastic economic thought towards labour in the service of consumption. Tracing economic thought from the Greeks to the Scottish Enlightenment, this book is notable for its inclusion of all the important figures in each school of thought with their theories assessed in historical context. Classical Economics, the second volume of Professor Rothbard's history of economic thought from an Austrian perspective, is also available.

American Economists of the Late Twentieth Century is a collection of essays on the work of 22 contemporary US economists. The essays summarize, place in perspective and appraise the work of a diverse array of accomplished scholars whose writings respresent the best, the most promising and the most innovative in the US. The economists whose work is discussed include Samuel Bowles and Herbert Gintis, Paul Davidson, Nancy Folbre, Robert H. Frank, Robert Heilbroner, David Kahneman and Amos Tversky, Paul Krugman, William Lazonick, Gregg Lewis, Richard R. Nelson and Sidney G. Winter, Mancur Olson, Nathan Rosenberg, Thomas Schelling, Vernon Smith, Robert A. Solo, Joseph Stiglitz, Richard Thaler, Lester Thurow and Oliver E. Williamson. The emphasis of the collection is on both the quality and diversity of the work - of different ways of doing economics as it is presently practised. Warren J. Samuels has brought together a series of original essays written by economists who are distinguished in their own right. Historians of economic thought, methodologists, general economists and specialists in the fields represented by the subjects will welcome American Economists of the Late Twentieth Century as a significant contribution to our understanding of contemporary American economic scholarship.

This volume covers a broad range of everyday private and public, touristic, commercial and fictional encounters between Britons and continental Europeans, in a variety of situations and places: moments that led to a meaningful exchange of opinions, practices, or concepts such as friendship or politeness. It argues that, taken together, travel accounts, commercial advice, letters, novels and philosophical works of the long eighteenth century, reveal the growing impact of British sociability on the sociable practices on the continent, and correspondingly, the convivial turn of the Enlightenment. In particular, the essays collected here discuss the ways and means - in conversations, through travel guides or literary works - by which readers and writers grappled with their cultural differences in the field of sociability. The first part deals with travellers, the second section with the spreading of various cultural practices, and the third with fictional encounters in philosophical dialogues and novels.

Moral paragon, public servant, founding father; scoundrel, opportunist, womanizing phony: There are many Benjamin Franklins. Now, as we celebrate the tercentenary of Franklin's birth, Jerry Weinberger reveals the Franklin behind the many masks and shows that the real Franklin was far more remarkable than anyone has yet discovered.

Taking the Autobiography as the key to Franklin's thought, Weinberger argues that previous assessments have not yet probed to the bottom of Ben's famous irony and elusiveness. While others take the self-portrait as an elder statesman's relaxed and playful retrospection, Weinberger unveils it as the window to Franklin's deepest reflections on God, virtue, justice, equality, natural rights, love, the good life, the modern technological project, and the place and limits of reason in politics and human experience. Along the way, Weinberger explores Franklin's ribald humor, usually ignored or toned down by historians and critics, and shows it to be charming-and philosophic.

Following Franklin's rhetorical twists and turns, Weinberger discovers a serious thinker who was profoundly critical of religion, moral virtue, and political ideals and whose grasp of human folly constrained his hopes for enlightenment and political reform. This close and amusing reading of Franklin portrays a scrupulous dialectical philosopher, humane and wise, but more provocative and disturbing than even the most hardboiled interpreters have taken Franklin to be--a freethinking critic of Enlightenment freethinking, who played his moral and theological cards very close to the vest.

Written for general readers who want to delve more deeply into the mind of a great man and great American, Benjamin Franklin Unmasked shows us a massively powerful intellect lurking behind the leather-apron countenance. This lively, witty, and revelatory book is indispensable for those who want to meet the real Franklin.

Oskar Lange was one of the few economists able to observe first hand the three major economic systems that have been the hallmark of the 20th century. He learned about the economic backwardness of peripheral capitalism in pre-war Poland. Later he spent more than twelve years in the bastion of modern capitalism, the United States. After returning to Poland in 1948 he linked his fate to the creation and then reform of the Communist system.This important collection of Professor Lange's work, prepared by his disciple and close friend Tadeusz Kowalik, presents his most important work on the economic theory of socialism, economic planning, Marxism and 'bourgeois' economics. The volume makes an important contribution by improving access to the papers of an economist whose work was at the very heart of the intellectual conflict between socialism and capitalism in the late twentieth century.

The history of economics comprises the accumulated capital of the discipline; its study permits both the retrieval of important ideas and the conduct of analysis which places present day work in context. The essays in this book demonstrate some of the variety of uses to which the history of economics, as a sub-discipline, can be put.Economic Thought and Discourse in the 20th Century commences with an essay on John R. Hicks, one of the leading economic theorists of the twentieth century and a writer with much to say about the nature of economic theory and the functions of the history of economic thought. An essay on Thorstein Veblen examines a figure who is at once both idiosyncratic and monumental, and whose work on war and peace is seen both to have been deeply prescient at the time it was written, and to be critically relevant at the close of the twentieth century. The third piece in this collection is a study of the discursive and interpretative structure of Alfred Marshall's Principles of Economics. More than a century after its publication, the Principles is widely regarded as one of the most important, and immediately influential, works of economic science ever written. Yet, it is argued, Marshall's use of language and argument may well have been equal in importance to the analytical techniques which he demonstrated. The concluding essay on the early journal history of law and economics places in perspective much of the contemporary work in this area and suggests that more could be expected from a field with such a rich and suggestive history. These essays will make significant contributions both to their respective subjects and to the historiography of economics.

This volume focuses on the theme of the dual aspects of method in the development of economic thought. It contains new papers that address methodological issues, and others that deal with the evolution of analytic techniques and the social or personal milieux in which ideas emerged and the extent to which they became part of the body of literature we call political economy.

Wicksteed's classic work, The Co-ordination of the Laws of Distribution, has a central place within the development of marginal productivity theory. It claimed to explain all 'factor returns' on a unified basis and to show how 'marginal productivity factor pricing' just exhausted the total product. It is presented here with a long introduction by the editor, Ian Steedman, who provides both a careful analysis of the text and an assessment of Wicksteed's place within the development of modern economics. This important new edition will make The Co-ordination of the Laws of Distribution accessible to a fresh generation of economists.

This fascinating study looks at how the seemingly incompatible forces of science, magic, and religion came together in the 15th, 16th, and 17th centuries to form the foundations of modern culture. As Religion, Magic, and Science in Early Modern Europe and America makes clear, the early modern period was one of stark contrasts: witch burnings and the brilliant mathematical physics of Isaac Newton; John Locke's plea for tolerance and the palpable lack of it; the richness of intellectual and artistic life, and the poverty of material existence for all but a tiny percentage of the population. Yet, for all the poverty, insecurity, and superstition, the period produced a stunning galaxy of writers, artists, philosophers, and scientists. This book looks at the conditions that fomented the emergence of such outstanding talent, innovation, and invention in the period 1450 to 1800. It examines the interaction between religion, magic, and science during that time, the impossibility of clearly differentiating between the three, and the impact of these forces on the geniuses who laid the foundation for modern science and culture. Illustrations A bibliography

Frederick R. Bauer captures the essence of William James in "Science, God's Hard Gift." We have all heard the word "pragmatic." It entered our everyday vocabulary as a result of a series of lectures delivered by William James, the greatest of all great American thinkers. He gave those lectures in 1906, four years before his death at age sixty-eight, in 1910. In the first of those lectures, James described the type of person he wanted to reach, a person not unlike a large number of persons today: "He wants facts; he wants science," James said, "but he also wants a religion."

James did not live to see the incredible new scientific discoveries of the 1900s. Those discoveries have led increasing numbers of experts to claim that modern science has made religion "obsolete." "Science, God's Hard Gift" celebrates this centenary of James's death by updating and expanding his ideas on pragmatism for those contemporaries who want facts and science, but also a religion.

Covering the history and contributions of black women intellectuals from the late 19th century to the present, this book highlights individuals who are often overlooked in the study of the American intellectual tradition. This edited volume of essays on black women intellectuals in modern U.S. history illuminates the relevance of these women in the development of U.S. society and culture. The collection traces the development of black women's voices from the late 19th century to the present day. Covering both well-known and lesser-known individuals, Bury My Heart in a Free Land gives voice to the passion and clarity of thought of black women intellectuals on various arenas in American life-from the social sciences, history, and literature to politics, education, religion, and art. The essays address a broad range of outstanding black women that include preachers, abolitionists, writers, civil rights activists, and artists. A section entitled "Black Women Intellectuals in the New Negro Era" highlights black women intellectuals such as Jessie Redmon Fauset and Elizabeth Catlett and offers new insights on black women who have been significantly overlooked in American intellectual history. Represents a standout volume on the subject of black women intellectuals in modern U.S. history that covers figures from the late 19th century to the present Includes well-known individuals, such as Ida B. Wells and Toni Morrison, as well as lesser-known black women intellectuals, such as Wanda Coleman Provides contributions from various experts in the field

As the sole purveyors of news and opinion, Reconstruction-era newspapers bent and spindled American public opinion with little regard for independent journalism and great regard for party politics. In other words, the newspapers of the Reconstruction era served political rather than social needs. The issues facing the nation were momentous, and opinions on how to deal with the problems were vigorously presented and defended. Using editorials, letters, essays, and news reports that appeared throughout the country's print media, this book reveals how editors, politicians, and other Americans used the press to influence opinion from 1865 to 1877. Issues such as civil rights, constitutional amendments, a presidential impeachment, Indian wars, immigration, and political corruption dominated the newspapers and gave journalists opportunities to advance their agendas. Each of the 30 chapters of this book introduces an event or issue and includes news articles representing opposing sides of the issue as it affected Americans. Readers can use the introductory essays and primary source documents to understand how newspapers and magazines presented vital events and issues to Americans of the day. This invaluable reference source presents hard-to-find opinions in the words of those who wrote them.

This book explores the idea that there is a certain performativity of thought connecting Kant's Critique of Pure Reason and Wittgenstein's Tractatus Logico-Philosophicus. On this view, we make judgments and use propositions because we presuppose that our thinking is about something, and that our propositions have sense. Kant's requirement of an a priori connection between intuitions and concepts is akin to Wittgenstein's idea of the general propositional form as sharing a form with the world. Aloisia Moser argues that Kant speaks about acts of the mind, not about static categories. Furthermore, she elucidates the Tractatus' logical form as a projection method that turns into a so-called 'zero method', whereby propositions are merely the scaffolding of the world. In so doing, Moser connects Kantian reflective judgment to Wittgensteinian rule-following. She thereby presents an account of performativity centering neither on theories nor methods, but on the application enacting them in the first place.

"In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word."
--Siobhan B. Somerville, University of Illinois, Urbana-Champaign

aProvocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions--sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory--but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity.a
--Marlon Ross, author of "Manning the Race"

aA deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers.a--"GC Advocate"

Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are notinevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today.

Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens-even the most oppressed-within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film "Sweet Sweetback's Baadasssss Song,"

Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.

The influential readings contained in this volume combine conceptual history - the history of words and languages - and global history, showing clearly how the two disciplines can benefit from a combined approach. The readings familiarize the reader with conceptual history and its relationship with global history, looking at transfers between nations and languages as well as the ways in which world-views are created and transported through language. Part One: Classical Texts presents the three foundational texts for conceptual history, giving the reader a grasp of the origins of the discipline. Part Two: Challenges focuses on critiques of the approach and explores their ongoing relevance today. Part Three: Translations of Concepts provides examples of conceptual history in practice, via case studies of historical research with a global scope. Finally, the book's concluding essay examines the current state and the future potential of conceptual history. This original introduction provides the students of conceptual, global and intellectual history with a firm grasp of the past trajectories of conceptual history as well as its more recent global and transnational tendencies, and the promises and challenges of writing global history.

This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Hoelderlin, Johann Wolfgang von Goethe, Percy Shelley, and Lord Byron. Near the end of the eighteenth century, poets and thinkers reinvented Greece as a site of aesthetic and ontological wholeness, a move that corresponded with a refiguring of nature as a dynamically interconnected web in which each part is linked to the living whole. This vision of a vibrant materiality that allows us to become "one with all that lives," along with a Romantic version of Hellenism that wished to reassemble the broken fragments of an imaginary Greece as both site and symbol of this all-unity, functioned as a two-pronged response to subjective anxiety that arose in the wake of Kant and Fichte. The result is a form of resistance to an idealism that appeared to leave little room for a world of beauty, love, and nature beyond the self.

How did one man's critique of capitalism guide the course of modern history? When he died in 1883, Karl Marx left behind an intellectual legacy of formidable proportions and revolutionary potential, yet one that exerted limited actual political, social, or economic influence. The full force of his ideas did not come into play for another generation, and only after they had been appropriated and applied by some of Marxism's earliest proponents. The history of Marxism, in other words, is the story of those who brought Marx's ideas into play, transforming a sweeping but fractious and occasionally abstruse view of historical and social forces into a coherent plan of action. Christina Morina's illuminating book focuses on the first generation of Marxist who turned the work and ideas of one social theorist, one among many, into one of the most powerful transnational political movements in modern history. The Invention Of Marxism is therefore a group portrait, featuring such figures as Rosa Luxemburg, Max Adler, Jean Jaures, Eduard Bernstein, Karl Kautsky, and Vladimir Lenin-German, French, Russian, Czech-whose lives became dedicated to interpreting and applying Marxist thought. They were the vehicles by which his ideas were read, debated, and gradually adopted in socialist movements across Europe. Morina's fascinating book therefore reconstructs the beginnings of Marxism through the individual politicization of a group of intellectuals who made it their purpose in life to solve the "social question," exploring the nexus between their intellectual constructs and social and political reality. The Invention of Marxism shows how what started as a theory of capitalism grew into a fully-fledged political philosophy and platform, one that shaped the century that followed Marx's death. In short, it reveals how an idea first conquered these individuals and then the world.

This book explores the changing perspective of astrology from the Middle Ages to the Early Modern Era. It introduces a framework for understanding both its former centrality and its later removal from legitimate knowledge and practice. The discussion reconstructs the changing roles of astrology in Western science, theology, and culture from 1250 to 1500. The author considers both the how and the why. He analyzes and integrates a broad range of sources. This analysis shows that the history of astrology-in particular, the story of the protracted criticism and ultimate removal of astrology from the realm of legitimate knowledge and practice-is crucial for fully understanding the transition from premodern Aristotelian-Ptolemaic natural philosophy to modern Newtonian science. This removal, the author argues, was neither obvious nor unproblematic. Astrology was not some sort of magical nebulous hodge-podge of beliefs. Rather, astrology emerged in the 13th century as a richly mathematical system that served to integrate astronomy and natural philosophy, precisely the aim of the "New Science" of the 17th century. As such, it becomes a fundamentally important historical question to determine why this promising astrological synthesis was rejected in favor of a rather different mathematical natural philosophy-and one with a very different causal structure than Aristotle's.

The Cambridge Platonist, Henry More (1614-1687), was a dominant figure on the 17th-century intellectual scene. His life spanned both the political revolutions of the English Civil War and its aftermath and the intellectual revolution in 17th-century science and philosophy. More was highly regarded in his own day as a metaphysician, although the combination of receptivity to the new (such as his admiration of Galileo, Descartes and Boyle) and defence of traditional thinking (notably his belief in witchcraft) makes him a difficult figure to assess today. The heterodoxy of his theological views notwithstanding, More was an important spokesman for moderation within the Anglican Church after the Restoration, and a key figure in the Latitudinarian movement. This text is the only biographical account of him by one of his contemporaries. The almost hagiographical tone is ample testimony to the high regard in which More was held by his admirers. Ward's "Life" is an important document of intellectual and cultural history which testifies to the continuing impact of More's ideas in the Enlightenment. Among other topics, Ward's biography registers the impact of Quakerism in the late-17th century and includes important details about More's "heroine pupil", Anne Conway. The present edition prints both the only modern edition of the printed part of Ward's account first published in 1710, together with the manuscript Account of More's writings.

Van Eyck is now seen as the artist who bridged the gap between the medieval and the modern. His story is the story of modern art - the turbulent clash of ideologies, the shifting and making of taste, the perfect timing of historical event and technological change, the politics of the art world and the cult of celebrity. The Enlightenment had quietly placed van Eyck in the Gothic tradition. Then Napoleon looted panels of his masterwork, the Ghent Altar-piece, and took them back to the Louvre. With his work centre stage in the greatest art gallery of the time, interest in van Eyck exploded across Europe. The nineteenth century saw the arrival of van Eyck mania, with ever-more fanciful tales in the art press of his life as inventor of oil painting, monkish painter, even arsonist and murderer; with scenes from his life, cheap colour prints and van Eyck carpets and mirrors vying for popular consumption; and with the claiming of van Eyck as the first Pre-Raphaelite. Today, van Eyck is regarded as the first realist painter, with popular and scholarly attention shifted from the Ghent Altar-piece - also looted by Hitler and stored in an Austrian salt-mine during the Second World War - to the riddle of his celebrated Arnolfini Portrait. Inventing van Eyck tells the extraordinary story of the making of an artist for the modern age.