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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > History of ideas, intellectual history
"Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, Sharon Lin Tay argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent"--Provided by publisher.
This book deals with three major French thinkers of the seventeenth century, Descartes, Pascal, and Malebranche. It examines their influential critical accounts of the impact of the body and of social relationships on experience, and the need to correct this by reference to metaphysical or religious truth.
"A Brief History of Economics" illustrates how the ideas of the great economists not only influenced societies but were themselves shaped by their cultural milieu. Understanding the economists' visions - lucidly and vividly unveiled by Canterbery -allows readers to place economics within a broader community of ideas. Magically, the author links Adam Smith to Isaac Newton's idea of an orderly universe, F. Scott Fitzgerald's "The Great Gatsby" to Thornstein Veblen, John Steinbeck's "Grapes of Wrath" to the Great Depression, and Tom Wolfe's "The Bonfire of the Vanities" to Reaganomics. Often humorous, Canterbery's easy style should make the student's first foray into economics lively and relevant. Readers will no longer dare call it the "dismal science".
Many studies of fictions of city life take the flneur as the characteristic metropolitan type and streets and plazas as definitive urban spaces. Looking at novels and films set in London and Paris from L'Assommoir to Nil By Mouth, this book shows that mass housing is equally central to images of the modern city.
Literature and Encyclopedism in Enlightenment Britain tells the story of long-term aspirations to comprehend, record, and disseminate complete knowledge of the world. It draws on a wide range of literary and non-literary works from the early modern era and British Enlightenment.
Kant's Religion within the Boundaries of Mere Reason is one of the great modern examinations of religion's meaning, function and impact on human affairs. In this volume, the first complete English-language commentary on the work, James J. DiCenso explains the historical context in which the book appeared, including the importance of Kant's conflict with state censorship. He shows how the Religion addresses crucial Kantian themes such as the relationship between freedom and morality, the human propensity to evil, the status of historical traditions in relation to ethical principles, and the interface between individual ethics and social institutions. The major arguments are clearly and precisely explained, and the themes are highlighted and located within Kant's mature critical philosophy, especially his ethics. The commentary will be valuable for all who are interested in the continuing relevance of religion for contemporary inquiries into ethics, public institutions and religious traditions.
This introductory guide to Louis Althusser provides the first major overview of his work since the publication in French of thousands of pages of essays, books, and letters unknown before 1990. Focusing on Althusser's writing on art, theater, and literature, Warren Montag traces the contradictory development of Althusser's thought from the early 60s to his autobiography, The Future Lasts Forever. Montag also explores how Althusser's reflections on reading can shed new light on well-known texts such as Heart of Darkness and Robinson Crusoe.
A collection of essays based on an international conference in 1989. The essays examine both the historical dimension of the European idea and the problems of national and transnational identity confronting European integration in the 1990s. Chapters discuss post-modern Europe, Europe and Japan, the European identity, political parties, contemporary feminist movements, socialism, Austrian identity and an essay on Mitterand.
In a systematic and comprehensive analysis of the relationship between sociology and cultural studies, Gregor McLennan lucidly guides us from central philosophical questions in the social sciences to new interpretations of such urgent contemporary questions as Eurocentrism, multiculturalism, and reflexivity. The author offers a range of closely linked arguments concerning the viability of the 'idea of sociology', the development of cultural studies, and the balance between positivity and reflexivity in setting the right kind of 'mood music' for progressive intellectual work.
One of the most vital questions of our time is how the new electronically based information technology can be used to its best advantage. We are now entering an era of multi-media communication which can bring benefit or dangers in its train. This volume offers a comprehensive, up-to-date survey of the present and future impact of these modern technologies (including word processors, videotex and video and digital optical discs) on professional, business and scholarly research information, as well as on information to the general public. The contributors are all experts in their fields, and include practitioners as well as scholars. The volume is intended for anyone who has a professional interest in information transfer, and those who wish to keep abreast of matters of important current concern. It provides a balanced and detailed, but easily readable introduction to the topic.
"Based on impressive research in a wide variety of sources,
including popular literature, advertisements, true confession and
physique magazines, advice columns, sex surveys, vice investigation
reports, and personal letters, "The First Sexual Revolution" offers
a provocative interpretation of the impact of the sexual revolution
on men. White's boldly-stated criticism of sexual liberalism is
sure to arouse controversy. Yet his view of men confused by new
expectations of attractiveness and sexiness, threatened by women's
demands for sexual satisfaction, yet essentially still in control,
is compelling." In the early 1900s, a sexual revolution took place that was to define social relations between the sexes in America for generations. As Victorian values gradually faded, and a commercialized consumer culture emerged, the female figure of the flapper came to embody early-twentieth century femininity. Simultaneously, masculine ideals were also undergoing radical change. Who then was this New Man to accompany the New Woman? Who was the flapper's boyfriend? In this remarkable book, Kevin White draws on a vast array of sources to examine the ideology--spread through movies, advertisements, sex confession magazines, social hygienists, sex manuals, and Freudian popularizers --that has defined modern American manhood. Examining attitudes toward masturbation, homosexuality, violence against women, feminism, free love, and the emerging dating system, "The First Sexual Revolution" shows how American men in the Jazz Age were subjected to a barrage ofinformation and advice about their sexuality that stressed not character but personality and sex appeal. Repression was out; sexual expression--performance--was in. This New Man was more egalitarian and more sexual than the Victorian patriarch. But the diffusion to the middle class of the Victorian underworld ethos of primitivism and violence against women, and the flight from commitment to relationships, heralded instability and tensions that continues to define American sexual relations. To illustrate this point, Dr. White takes a close look--through letters and diaries--at the successes and failures of nine marriages involving actively feminist women, demonstrating the pressures that this revolution in values caused. Dr. White concludes that the return to primitivism characterized by the men's movement marks the most recent aftershock of the revolution that has shaped us all.
This book examines why several American literary and intellectual icons found themselves to be pioneering scholars and lifelong students of the Hispanic world. The author asserts that these gifted Americans focused on the Hispanic world that they might shape their own country's identity after Independence and the War of 1812, a crucial time for the young republic, and that they found inspiration in a most unlikely place: the seat of the collapsing Spanish empire.
The relations between science and philosophy in the early nineteenth century remain one of the most misunderstood topics in modern European intellectual history. By taking the brilliant career of Danish physicist-philosopher Hans Christian A~rsted as their organizing theme, leading international philosophers and historians of science reveal illuminating new perspectives on the intellectual map of Europe in the age of revolution and romanticism. They show how A~rsted, an intrepid traveller and cosmopolitan from the periphery of enlightened Europe, mediated between the great scientists of Germany, France, and Britain and profoundly shaped post-kantian philosophy and the emerging new energy physics of the nineteenth-century.
Richard Sorabji presents a fascinating study of Gandhi's philosophy in comparison with Christian and Stoic thought. Sorabji shows that Gandhi was a true philosopher. He not only aimed to give a consistent self-critical rationale for his views, but also thought himself obliged to live by what he taught-something that he had in common with the ancient Greek and Christian ethical traditions. Understanding his philosophy helps with re-assessing the consistency of his positions and life. Gandhi was less influenced by the Stoics than by Socrates, Christ, Christian writers, and Indian thought. But whereas he re-interpreted those, he discovered the congeniality of the Stoics too late to re-process them. They could supply even more of the consistency he sought. He could show them the effect of putting their unrealised ideals into actual practice. They from the Cynics, he from the Bhagavadgita, learnt the indifference of most objectives. But both had to square that with their love for all humans and their political engagement. Indifference was to both a source of freedom. Gandhi was converted to non-violence by Tolstoy's picture of Christ. But he addressed the sacrifice it called for, and called even protective killing violent. He was nonetheless not a pacifist, because he recognized the double-bind of rival duties, and the different duties of different individuals, which was a Stoic theme. For both Gandhi and the Stoics it accompanied doubts about universal rules. Sorabji's expert understanding of these ethical traditions allows him to offer illuminating new perspectives on a key intellectual figure of the modern world, and to show the continuing resonance of ancient philosophical ideas.
Although there are many pamphlets and monographs that cover specific aspects of the European Community, the literature seems to lack a single, scholarly reader that gives a complete account of the many dimensions of European integration. This volume, written by a distinguished group of international specialists, seeks to fill this void by pulling together a broad collection of papers focusing on the political, sociological, and economic issues surrounding the European Union. Beginning with a historical look at the genesis, evolution, and theoretical interpretation of the historical process of European integration, the book goes on to analyze the socio-economic structure of the European community and the social forces operating within it. Students and scholars will find this a valuable, flexible, and versatile text for manifold courses in the social sciences; policymakers and general readers will find this a highly informative and readable evaluation of the current state of the European Union.
At the start of the third Christian millennium we are aware of massive political, economic, and ideological changes which condition the chances of liberty, wealth, and equality. Yet it is surprisingly difficult to understand these forces, because we cannot see what surrounds us so closely. This book analyzes our condition by looking at the work of two great thinkers; F.W. Maitland provides a deep historical perspective, while Yukichi Fukuzawa lays down a wide comparative analysis.
This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siecle Germany and contemporary Lagos, the formation of 'deep time' and 'timelessness' in paleontology and ethnographic museums, and the representation of time-past, present, and future alike-in music, film, and science fiction.
This work on microeconomics offers interpretations of both its strengths and its weaknesses. It shows how the general equilibrium ideas of Walras and Marshall were gradually transformed after 1930 into formalized accounts of imaginary economies where trading never occurs.
This collection of essays delineates the history of the rather disparate intellectual tradition usually labeled as "Platonic" or "Neoplatonic." In chronological order, the book covers the most eminent philosophic schools of thought within that tradition. The most important terms of the Platonic tradition are studied together with a discussion of their semantic implications, the philosophical and theological claims associated with the terms, the sources that furnish the terms, and the intellectual traditions aligned with or opposed to them. The contributors thereby provide a vivid intellectual map of the Middle Ages and the Early Modern period. Contributions are written in English or German.
Untying the Gordian Knot proposes a new creative synthesis, the Logoi framework, which is radically inclusive and incorporates both actuality and potentiality, to show how the fundamental notions of process, logic and relations, woven with triads of input-output-context and quantum logical distinctions, can resolve a baker's dozen of age-old philosophic problems. Further, it leverages a century of advances in quantum physics and the Relational Reality interpretation pioneered by Michael Epperson and Elias Zafiris (2013), augmented by the independent research of Ruth Kastner (2013) and Hans Primas (2017), to resolve long-standing issues in understanding quantum physics. Adding to this, advances in information and complex systems, semiotics and process philosophy are utilized to show how multiple levels of context, combined with relations, including potential relations, that are both local and local-global, can provide a grounding for causation, emergence and physical law. Finally, the Logoi framework goes beyond standard ways of knowing, that of context independence (science) and context focus (arts, humanities), to demonstrate the inevitable role of ultimate context (meaning, spiritual dimension) as part of a transformative ecological vision, which is urgently needed in these times of human and environmental crises.
This book examines how China has been portrayed in European and North American social and political thought. Such a question immediately evokes the spectre of orientalism and subsequent chapters explore whether the identification of an orientalist project invalidates the knowledge claims of European and North American social and political thought as it evolved from the 18th to the 20th century.
Mark Nash's "Screen Theory Culture" demonstrates the influence of Screen magazine on structuralist and post-structuralist film studies. More current articles make connections between this body of work and the art of the contemporary moving image art work. |
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