Lucretius' account of the origin of life, the origin of species, and human prehistory (first century BC) is the longest and most detailed account extant from the ancient world. It is a mechanistic theory that does away with the need for any divine design, and has been seen as a forerunner of Darwin's theory of evolution. This commentary seeks to locate Lucretius in both the ancient and modern contexts. The recent revival of creationism makes this study particularly relevant to contemporary debate, and indeed, many of the central questions posed by creationists are those Lucretius attempts to answer.

This fascinating study looks at how the seemingly incompatible forces of science, magic, and religion came together in the 15th, 16th, and 17th centuries to form the foundations of modern culture. As Religion, Magic, and Science in Early Modern Europe and America makes clear, the early modern period was one of stark contrasts: witch burnings and the brilliant mathematical physics of Isaac Newton; John Locke's plea for tolerance and the palpable lack of it; the richness of intellectual and artistic life, and the poverty of material existence for all but a tiny percentage of the population. Yet, for all the poverty, insecurity, and superstition, the period produced a stunning galaxy of writers, artists, philosophers, and scientists. This book looks at the conditions that fomented the emergence of such outstanding talent, innovation, and invention in the period 1450 to 1800. It examines the interaction between religion, magic, and science during that time, the impossibility of clearly differentiating between the three, and the impact of these forces on the geniuses who laid the foundation for modern science and culture. Illustrations A bibliography

As the sole purveyors of news and opinion, Reconstruction-era newspapers bent and spindled American public opinion with little regard for independent journalism and great regard for party politics. In other words, the newspapers of the Reconstruction era served political rather than social needs. The issues facing the nation were momentous, and opinions on how to deal with the problems were vigorously presented and defended. Using editorials, letters, essays, and news reports that appeared throughout the country's print media, this book reveals how editors, politicians, and other Americans used the press to influence opinion from 1865 to 1877. Issues such as civil rights, constitutional amendments, a presidential impeachment, Indian wars, immigration, and political corruption dominated the newspapers and gave journalists opportunities to advance their agendas. Each of the 30 chapters of this book introduces an event or issue and includes news articles representing opposing sides of the issue as it affected Americans. Readers can use the introductory essays and primary source documents to understand how newspapers and magazines presented vital events and issues to Americans of the day. This invaluable reference source presents hard-to-find opinions in the words of those who wrote them.

"In bold and beautifully crafted close readings, Reid-Pharr challenges many of the structuring absences that have shaped the fields of African-American literary studies, queer studies, and American Studies. His provocative arguments about sexuality, race, and masculinity are unsettling, in the best sense of that word."
--Siobhan B. Somerville, University of Illinois, Urbana-Champaign

aProvocatively and often brilliantly, this book disturbs some of our most fundamental thinking about the role of choice, literary influence, collective identity, and the racial erotic in African American letters. Reid-Pharr engages these questions--sometimes with the subtler edge of his wit and other times with the sharpness of cutting-edge theory--but always with an eye to re-orienting us as readers toward what it means to inhabit, or refuse, the skin of identity.a
--Marlon Ross, author of "Manning the Race"

aA deeply local and deeply ethical book and Reid-Pharr is willing to risk the misunderstanding in order to insist on the importance of black political agency. There is a refreshing honesty in the way Reid-Pharr directs his comments toward readers.a--"GC Advocate"

Richard Wright. Ralph Ellison. James Baldwin. Literary and cultural critic Robert Reid-Pharr asserts that these and other post-World War II intellectuals announced the very themes of race, gender, and sexuality with which so many contemporary critics are now engaged. While at its most elemental Once You Go Black is an homage to these thinkers, it is at the same time a reconsideration of black Americans as agents, and not simply products, of history. Reid-Pharr contends that our current notions of black American identity are notinevitable, nor have they simply been forced onto the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural today.

Turning first to the late and relatively obscure novels of Wright, Ellison, and Baldwin, Reid-Pharr suggests that each of these authors rejects the idea of the black as innocent. Instead they insisted upon the responsibility of all citizens-even the most oppressed-within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film "Sweet Sweetback's Baadasssss Song,"

Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is an impassioned, eloquent, and elegant call to bring the language of choice into the study of black American literature and culture. At the same time, it represents a hard-headed rejection of the presumed inevitability of what Reid-Pharr names racial desire in the production of either culture or cultural studies.

Covering the history and contributions of black women intellectuals from the late 19th century to the present, this book highlights individuals who are often overlooked in the study of the American intellectual tradition. This edited volume of essays on black women intellectuals in modern U.S. history illuminates the relevance of these women in the development of U.S. society and culture. The collection traces the development of black women's voices from the late 19th century to the present day. Covering both well-known and lesser-known individuals, Bury My Heart in a Free Land gives voice to the passion and clarity of thought of black women intellectuals on various arenas in American life-from the social sciences, history, and literature to politics, education, religion, and art. The essays address a broad range of outstanding black women that include preachers, abolitionists, writers, civil rights activists, and artists. A section entitled "Black Women Intellectuals in the New Negro Era" highlights black women intellectuals such as Jessie Redmon Fauset and Elizabeth Catlett and offers new insights on black women who have been significantly overlooked in American intellectual history. Represents a standout volume on the subject of black women intellectuals in modern U.S. history that covers figures from the late 19th century to the present Includes well-known individuals, such as Ida B. Wells and Toni Morrison, as well as lesser-known black women intellectuals, such as Wanda Coleman Provides contributions from various experts in the field

Volume XXI/2 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.

David and Mary Norton present the definitive scholarly edition of one of the greatest philosophical works ever written. This second volume begins with their 'Historical Account' of the Treatise, an account that runs from the beginnings of the work to the period immediately following Hume's death in 1776, followed by an account of the Nortons' editorial procedures and policies and a record of the differences between the first-edition text of the Treatise and the critical text that follows. The volume continues with an extensive set of 'Editors' Annotations', intended to illuminate (though not intepret) Hume's texts; a four-part bibliography of materials cited in both volumes; and a comprehensive index.

David and Mary Norton present the definitive scholarly edition of one of the greatest philosophical works ever written. This first volume contains the critical text of David Hume's Treatise of Human Nature (1739/40), followed by the short Abstract (1740) in which Hume set out the key arguments of the larger work; the volume concludes with A Letter from a Gentleman to his Friend in Edinburgh (1745), Hume's defence of the Treatise when it was under attack from ministers seeking to prevent Hume's appointment as Professor of Moral Philosophy at the University of Edinburgh.

The influential readings contained in this volume combine conceptual history - the history of words and languages - and global history, showing clearly how the two disciplines can benefit from a combined approach. The readings familiarize the reader with conceptual history and its relationship with global history, looking at transfers between nations and languages as well as the ways in which world-views are created and transported through language. Part One: Classical Texts presents the three foundational texts for conceptual history, giving the reader a grasp of the origins of the discipline. Part Two: Challenges focuses on critiques of the approach and explores their ongoing relevance today. Part Three: Translations of Concepts provides examples of conceptual history in practice, via case studies of historical research with a global scope. Finally, the book's concluding essay examines the current state and the future potential of conceptual history. This original introduction provides the students of conceptual, global and intellectual history with a firm grasp of the past trajectories of conceptual history as well as its more recent global and transnational tendencies, and the promises and challenges of writing global history.

The Cambridge Platonist, Henry More (1614-1687), was a dominant figure on the 17th-century intellectual scene. His life spanned both the political revolutions of the English Civil War and its aftermath and the intellectual revolution in 17th-century science and philosophy. More was highly regarded in his own day as a metaphysician, although the combination of receptivity to the new (such as his admiration of Galileo, Descartes and Boyle) and defence of traditional thinking (notably his belief in witchcraft) makes him a difficult figure to assess today. The heterodoxy of his theological views notwithstanding, More was an important spokesman for moderation within the Anglican Church after the Restoration, and a key figure in the Latitudinarian movement. This text is the only biographical account of him by one of his contemporaries. The almost hagiographical tone is ample testimony to the high regard in which More was held by his admirers. Ward's "Life" is an important document of intellectual and cultural history which testifies to the continuing impact of More's ideas in the Enlightenment. Among other topics, Ward's biography registers the impact of Quakerism in the late-17th century and includes important details about More's "heroine pupil", Anne Conway. The present edition prints both the only modern edition of the printed part of Ward's account first published in 1710, together with the manuscript Account of More's writings.

This book investigates intersections between the philosophy of nature and Hellenism in British and German Romanticism, focusing primarily on five central literary/philosophical figures: Friedrich Schelling, Friedrich Hoelderlin, Johann Wolfgang von Goethe, Percy Shelley, and Lord Byron. Near the end of the eighteenth century, poets and thinkers reinvented Greece as a site of aesthetic and ontological wholeness, a move that corresponded with a refiguring of nature as a dynamically interconnected web in which each part is linked to the living whole. This vision of a vibrant materiality that allows us to become "one with all that lives," along with a Romantic version of Hellenism that wished to reassemble the broken fragments of an imaginary Greece as both site and symbol of this all-unity, functioned as a two-pronged response to subjective anxiety that arose in the wake of Kant and Fichte. The result is a form of resistance to an idealism that appeared to leave little room for a world of beauty, love, and nature beyond the self.

Following the American Revolution, citizens of the United States began to write a history of their new nation starting with the first English settlements, Jamestown and Plymouth. Virginians embellished the saga of Jamestown and Pocahontas, the Indian woman who, by popular accounts, saved the colony. Similarly, New Englanders sanctified the Pilgrims and their mythical first step on Plymouth Rock.By comparing these two origin myths, investigating them in art, literature, and popular memory, Ann Uhry Abrams uncovers surprising similarities in traditions of remembrance as well as striking differences in the character of the myths and the messages they convey. During these heated debates of antebellum America, the escalating rivalry between North and South prompted an array of artists, authors, and politicians to refashion the legends to their needs, with Massachusetts turning the settlers of Plymouth into pious and industrious saints, Virginians portraying Pocahontas as the savior of English civilization in North America. As these images were codified, tales of Jamestown and Plymouth bolstered debates over immigration, women's rights, abolition, Indian removal, and a host of other issues of national import. And when sectional rifts exploded into the Civil War, the stories fueled the flames that pitted North against South.

On Location is the first book devoted to a highly significant doctrine in the history of philosophy and science--Aristotle's account of place in the Physics. Ben Morison presents an authoritative exposition and defence of this account of what it is for something to be somewhere, and demonstrates its enduring philosophical interest and value.

This book explores the idea that there is a certain performativity of thought connecting Kant's Critique of Pure Reason and Wittgenstein's Tractatus Logico-Philosophicus. On this view, we make judgments and use propositions because we presuppose that our thinking is about something, and that our propositions have sense. Kant's requirement of an a priori connection between intuitions and concepts is akin to Wittgenstein's idea of the general propositional form as sharing a form with the world. Aloisia Moser argues that Kant speaks about acts of the mind, not about static categories. Furthermore, she elucidates the Tractatus' logical form as a projection method that turns into a so-called 'zero method', whereby propositions are merely the scaffolding of the world. In so doing, Moser connects Kantian reflective judgment to Wittgensteinian rule-following. She thereby presents an account of performativity centering neither on theories nor methods, but on the application enacting them in the first place.

French regionalism has often been associated with the political right. Julian Wright's fresh analysis of regionalist political thought overturns that assumption. Jean Charles-Brun, a teacher and journalist whose eclectic connections have often puzzled historians, takes centre-stage. Through this intellectual biography, Wright unpacks regionalism's broad appeal and helps to explain the important role it plays in modern French politics.

Van Eyck is now seen as the artist who bridged the gap between the medieval and the modern. His story is the story of modern art - the turbulent clash of ideologies, the shifting and making of taste, the perfect timing of historical event and technological change, the politics of the art world and the cult of celebrity. The Enlightenment had quietly placed van Eyck in the Gothic tradition. Then Napoleon looted panels of his masterwork, the Ghent Altar-piece, and took them back to the Louvre. With his work centre stage in the greatest art gallery of the time, interest in van Eyck exploded across Europe. The nineteenth century saw the arrival of van Eyck mania, with ever-more fanciful tales in the art press of his life as inventor of oil painting, monkish painter, even arsonist and murderer; with scenes from his life, cheap colour prints and van Eyck carpets and mirrors vying for popular consumption; and with the claiming of van Eyck as the first Pre-Raphaelite. Today, van Eyck is regarded as the first realist painter, with popular and scholarly attention shifted from the Ghent Altar-piece - also looted by Hitler and stored in an Austrian salt-mine during the Second World War - to the riddle of his celebrated Arnolfini Portrait. Inventing van Eyck tells the extraordinary story of the making of an artist for the modern age.

This book explores the changing perspective of astrology from the Middle Ages to the Early Modern Era. It introduces a framework for understanding both its former centrality and its later removal from legitimate knowledge and practice. The discussion reconstructs the changing roles of astrology in Western science, theology, and culture from 1250 to 1500. The author considers both the how and the why. He analyzes and integrates a broad range of sources. This analysis shows that the history of astrology-in particular, the story of the protracted criticism and ultimate removal of astrology from the realm of legitimate knowledge and practice-is crucial for fully understanding the transition from premodern Aristotelian-Ptolemaic natural philosophy to modern Newtonian science. This removal, the author argues, was neither obvious nor unproblematic. Astrology was not some sort of magical nebulous hodge-podge of beliefs. Rather, astrology emerged in the 13th century as a richly mathematical system that served to integrate astronomy and natural philosophy, precisely the aim of the "New Science" of the 17th century. As such, it becomes a fundamentally important historical question to determine why this promising astrological synthesis was rejected in favor of a rather different mathematical natural philosophy-and one with a very different causal structure than Aristotle's.

Fred Beiser, renowned as one of the world's leading historians of German philosophy, presents a brilliant new study of Friedrich von Schiller (1759-1805), rehabilitating him as a philosopher worthy of serious attention. Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments of this fertile period.

An Unabridged Printing, With Bibliography And A Comprehensive Index. Chapters Include: The Meaning Of Probability - Probability In Relation To The Theory Of Knowledge - The Measurement Of Probabilities - The Principle Of Indifference - Other Methods Of Determining Probabilities - The Weight Of Arguments - Historical Retrospect - The Frequency Theory Of Probability - The Theory Of Groups, With Special Reference To Logical Consistence, Inference, And Logical Priority - The Definitions And Axioms Of Inference And Probability - The Fundamental Theorems Of Necessary Inference - The Fundamental Theorems Of Probable Inference - Numerical Measurement And Approximation Of Probabilities - Some Problems In Inverse Probability, Including Averages - The Nature Of Argument By Analogy - The Value Of Multiplication Of Instances, Or Pure Induction - Some Historical Notes On Induction - The Meanings Of Objective Chance, And Of Randomness - Some Problems Arising Out Of The Discussion Of Chance - The Application Of Probability To Conduct - The Nature Of Statistical Inference - The Law Of Great Numbers - The Theorems Of Bernoulli, Poisson, And Tchebycheff - Etc., Etc.

Gervase of Tilbury's Otia Imperialia was written in the early thirteenth century for his patron, the Holy Roman Emperor Otto IV. This is the first English translation of this major medieval text which is both learned and entertaining, full of scientific and theological speculation and a wealth of accounts of folklore and popular belief.

The first translation of the volumes in Michel Serres' classic 'Humanism' tetralogy, this ambitious philosophical narrative explores what it means to be human. With his characteristic breadth of references including art, poetry, science, philosophy and literature, Serres paints a new picture of what it might mean to live meaningfully in contemporary society. He tells the story of humankind (from the beginning of time to the present moment) in an attempt to affirm his overriding thesis that humans and nature have always been part of the same ongoing and unfolding history. This crucial piece of posthumanist philosophical writing has never before been released in English. A masterful translation by Randolph Burks ensures the poetry and wisdom of Serres writing is preserved and his notion of what humanity is and might be is opened up to new audiences.

In seventeenth-century Europe, the Copts, or the Egyptian members of the Church of Alexandria, were widely believed to hold the key to an ancient wisdom and an ancient theology. Their language was thought to lead to the deciphering of the hieroglyphs and their Church to retain traces of early Christian practices, as well as early Egyptian customs. This book, the first full-length study of the subject, discusses the attempts of Catholic missionaries to force the Church of Alexandria into union with the Church of Rome and the slow accumulation of knowledge of Coptic beliefs, undertaken by Catholics and Protestants. It ends with a survey of the study of the Coptic language in the West, and of the uses to which it was put by Biblical scholars, antiquarians, theologians and Egyptologists.

This book describes how and why the early modern period witnessed the marginalisation of astrology in Western natural philosophy, and the re-adoption of the cosmological view of the existence of a plurality of worlds in the universe, allowing the possibility of extraterrestrial life. Founded in the mid-1990s, the discipline of astrobiology combines the search for extraterrestrial life with the study of terrestrial biology - especially its origins, its evolution and its presence in extreme environments. This book offers a history of astrobiology's attempts to understand the nature of life in a larger cosmological context. Specifically, it describes the shift of early modern cosmology from a paradigm of celestial influence to one of celestial inhabitation. Although these trends are regarded as consequences of Copernican cosmology, and hallmarks of a modern world view, they are usually addressed separately in the historical literature. Unlike others, this book takes a broad approach that examines the relationship of the two. From Influence to Inhabitation will benefit both historians of astrology and historians of the extraterrestrial life debate, an audience which includes researchers and advanced students studying the history and philosophy of astrobiology. It will also appeal to historians of natural philosophy, science, astronomy and theology in the early modern period.

Ada's Legacy illustrates the depth and diversity of writers, thinkers, and makers who have been inspired by Ada Lovelace, the English mathematician and writer. The volume, which commemorates the bicentennial of Ada's birth in December 1815, celebrates Lovelace's many achievements as well as the impact of her life and work, which reverberated widely since the late nineteenth century. In the 21st century we have seen a resurgence in Lovelace scholarship, thanks to the growth of interdisciplinary thinking and the expanding influence of women in science, technology, engineering and mathematics. Ada's Legacy is a unique contribution to this scholarship, thanks to its combination of papers on Ada's collaboration with Charles Babbage, Ada's position in the Victorian and Steampunk literary genres, Ada's representation in and inspiration of contemporary art and comics, and Ada's continued relevance in discussions around gender and technology in the digital age. With the 200th anniversary of Ada Lovelace's birth on December 10, 2015, we believe that the timing is perfect to publish this collection of papers. Because of its broad focus on subjects that reach far beyond the life and work of Ada herself, Ada's Legacy will appeal to readers who are curious about Ada's enduring importance in computing and the wider world.