This book presents formalizations of three important medieval logical theories: supposition, consequence and obligations. These are based on innovative vantage points: supposition theories as algorithmic hermeneutics, theories of consequence analyzed with tools borrowed from model-theory and two-dimensional semantics, and obligations as logical games. The analysis of medieval logic is relevant for the modern philosopher and logician. This is the first book to render medieval logical theories accessible to the modern philosopher.

Before Margaret Mead, even before Ruth Benedict, it was Elsie Clews Parsons who paved the way as the first woman president of the American Anthropological Association. Born into a prominent New York family in 1874, Parsons showed early determination to be free of social constraints. Everything she did until her death in 1941 stemmed from her concern for the ways in which expression of personality is affected by social conventions. Her proposal of "trial marriage" in 1906 and even her pacifism in World War I (in association with Randolph Bourne) derived from that concern.Parson's personality was fascinating in its tensions and complexity. She was a feminist who admitted to prejudice against her own sex and seldom enjoyed the companionship of other women. She was devoted to her politically prominent husband from whom she never concealed her relationships with other men. However, her husband's companionship with another woman tormented her. Her publications ranged from iconoclastic propaganda to technical science. She loved rugged adventure in the wild, yet thrived on scholarly work. Though her convictions were passionately held, her voice was never raised.

This timely book provides new insights into debates around the relationship between women and film by drawing on the work of philosopher Luce Irigaray. Arguing that female-directed cinema provides new ways to explore ideas of representation and spectatorship, it also examines the importance of contexts of production, direction and reception.

In the pages that follow, an attempt is made to examine those sections of the Dialogues Concerning Natural Religion which deal with the Argument from Design - the argument which purports to prove that certain observed similarities between the design of the world and machines of human contrivance countenance reasoning by analogy to the conclusion that the cause of the design of the world resembles human intelligence. The sections which deal with the Argument from Design, and with which I am therefore concerned, are Parts I through VIII and Part XII. I argue that a clue to Hume's discussion of the Argument from Design is to be found in Section XII of the first Enquiry, in which Hume presents his most thorough analysis of philosophic dogmatism and scepticism. The Dialogues, as will be shown, follows precisely Hume's recommendations in this Section for bringing the dogmatist to the position which Hume himself endorses - 'mitigated scepticism. ' It is, then, the position of the mitigated sceptic which is elaborated in Part XII of the Dialogues. The belief in an intelligent designer of the world is shown to be akin to certain other beliefs discussed by Hume - causality, physical objects, a continuing self - which are usually referred to in the literature as 'natural beliefs. ' The mitigated sceptic's defense of the unknowability of the divine nature is seen to be in accordance with Hume's view that whatever is believed naturally cannot be known or understood.

The present volume seeks to inaugurate a new discussion of two schools of historical thought by social scientists, economists, and phi- losophers in the English language. The tradition of the "Historical and Ethical School of Economics" established by Friedrich List, Wilhelm Roscher, and Gustav Schmollerand the tradition of historism in the hu- manities represented by Wilhelm Dilthey are examined not so much for their own historical interest as for their potential systematic contribu- tion to the contemporary debates on business ethics, economics, sociol- ogy, and philosophy. The book contains the proceedings of the 1994 SEEP-Conference on Economics and Ethics held under the title "Economics and Ethics in the Historical School of Economics. Achievements and Present Relevance. Part A: The Older Historical School, Schmoller, Dilthey, and Others" with the financial support of the Fritz Thyssen Stiftung, Cologne, at Kloster Marlenrode near Hitdesheim and Hannover, Gennany, on March 23rd to 27th, 1994. The SEEP-Conferences on Economics and Ethics are organised an- nually by the editor and the editorial board of Studies in Economic Ethics and Philosophy (SEEP). The 1994 SEEP-Conference was the frrst of two conferences on the Historical School and will be followed by a conference in 1996 on the topic "Economics and Ethics in the His- torical School of Economics. Achievements and Present Relevance. Part B: Heinrich Rickert, Max Weber, Werner Sombart, and Others", concen- trating on the discussion in the 20th century.

This study is an attempt to examine the relationships between religious belief and the humanism of the Enlightenment in the philosophy of Hegel and of a group of thinkers who related to his thought in various ways during the 1840's. It begins with a study of the ways in which Hegel attempted to evolve a genuinely Christian humanism by his demonstration that the modern understanding of man as a free and rational subject derived its strength and validity from the union of God and human existence in the incarnation. The rest of this study is con cerned with two different forms of opposition to Hegel: first, the criti cal discipleship of the Young Hegelians and Moses Hess, who insisted that Hegel's notion of Christian humanism was false because religious belief was necessarily inimical to a clear consciousness of social evil and the determination to abolish it; second, the religious opposition to the Enlightenment in the thought of Schelling and Kierkegaard, which emphasized God's transcendence to human reason and the insig nificance of secular history. In the years leading up to the revolution of 1848, Hegel's synthesis was rejected in favour of the assertion of atheistic humanism or religious otherworldliness. Chapter One, after discussing the young Hegel's critique of the social and political effects of Christianity, examines the union of religi ous belief, speculative philosophy and the rational state in Hegel's mature system."

Macroeconomics has undergone profound changes since the Keynesian consensus broke down in the mid-1960s. Axel Leijonhuvfvud belonged to that core group of distinguished macroeconomists who wrought the changes that brought back the classical questions to the subject: microfoundations, money, markets, institutions, information and transition dynamics. He fashioned a whole series of conceptual innovations that have become part of the folklore of monetary macroeconomics.;This collection of essays by distinguished colleagues and former students pay homage to Leijonhuvfvud. Issues that have featured at the centre of his research for over 30 years are discussed by the contributors. History of thought, philosophy of science and transition dynamics, in addition to the more central issues of money, inflation, monetary regimes, information, institutions, microfoundations, increasing returns and stabilizing speculation are some of the central topic discussed, empirically and theoretically, in these essays.;Kumaraswamy Vellupillai is the author of "Business Cycles", "Nonlinear and Multisectoral Macrodynamics" and "Nonleantities, Disequilibria and Simulation".

The Impact of Keynes on Economics in the 20th Century reconsiders the nature and significance of Keynes's theories and economic policies. It provides important contrasting interpretations of Keynesian thought, and illustrates the diversity of Keynesianism in different European countries throughout the century. The book provides a blend of theoretical and historical discussions to evaluate the contents and implications of Keynesianism. It includes reappraisals of modern interpretations of Keynes's thought, the extent to which Keynesian ideas were anticipated in different European countries and the reactions to the Keynesian revolution. In addition the authors consider the impact of Keynesian thought on institutions which embraced, rejected or developed alternatives to this school of thought. The book is divided into three main parts. The first addresses Keynesian theory. The second part presents an overall picture of Keynesian-type policies and theories throughout Europe; many of these were not necessarily stimulated by Keynes but were the outcome of national traditions and on-going debates. The third part is devoted to how Keynesian policy has been used by government and non-governmental organizations in an attempt to deal with unemployment and deflation during the twentieth century. The Impact of Keynes on Economics in the 20th Century will be welcomed by historians of economic thought, economic historians and those interested in Keynesian and post-Keynesian developments in Europe during this century.

This new and expanded edition of a classic work draws our attention to the often neglected role women have played in the development of economics. The work and intellectual history of eight prominent women economists of the eighteenth to twentieth centuries are studied to reveal how they strove to become successful contributors to economic science.These women economists had vastly different lives and philosophies. Jane Marcet, Harriet Martineau and Millicent Fawcett followed the goal of free enterprise and individualism and wrote on the subject when economics was still in its infancy. Rosa Luxemburg, Beatrice Webb and Joan Robinson were all believers in some form of collective government, and Barbara Bergmann and Irma Adelman concern themselves with income distribution, in both developed and developing countries. The authors examine the respective backgrounds and discuss the intellectual histories of these remarkable women to throw light on the development of economics since the time of Adam Smith. This book will be welcomed by students and scholars interested in the contribution women have made to the advancement of economic science.

Silence, Feminism, Power: Reflections at the Edges of Sound interrogates the often-unexamined assumption that silence is oppressive, to consider the multiple possibilities silence enables. The equation between voice and power informs feminist theory and activism, creating an imperative that the oppressed must 'come to voice.' Alternately, this volume explores the diverse and complex ways that differently situated groups and individuals deploy power through silence. Authors engage questions like: What forms of resistance and healing do silence make possible? What alliances might be enabled by learning to read silences? Under what conditions is it productive to move between voice and silence? The book is thematically organized to explore: Intersectionality, Privilege, and Alliances; Academia and Knowledge Production; Community, Family, and Intimacy; Memory, Healing, and Power. Essays feature diverse feminist reflections on the nuanced relationship between silence and voice to foreground the creative, healing, meditative, generative and resistive power our silences engender.

In this new collection of essays, a range of established and emerging cultural critics re-evaluate Richard Hoggart's contribution to the history of ideas and to the discipline of Cultural Studies. They examine Hoggart's legacy, identifying his widespread influence, tracing continuities and complexities, and affirming his importance.

Walter Benjamin's work represents one of the most radical and controversial responses to the problems of 20th century culture and society. This new interpretation analyzes some of the central enigmatic features of his writing, arguing that they result from the co-presence of religious skepticism and the desire for a religious foundation of social life. Margarete Kohlenbach focuses on the structure of self-reference as an expression of Benjamin's skeptical religiosity and examines its significance in his writing on language, literature and the cinema, as well as history, politics and modern technology.

The present volume owes its ongm to a Colloquium on "Alchemy and Chemistry in the Sixteenth and Seventeenth Centuries," held at the Warburg Institute on 26th and 27th July 1989. The Colloquium focused on a number of selected themes during a closely defined chronological interval: on the relation of alchemy and chemistry to medicine, philosophy, religion, and to the corpuscular philosophy, in the sixteenth and seventeenth centuries. The relations between Medicina and alchemy in the Lullian treatises were examined in the opening paper by Michela Pereira, based on researches on unpublished manuscript sources in the period between the 14th and 17th centuries. It is several decades since the researches of R.F. Multhauf gave a prominent role to Johannes de Rupescissa in linking medicine and alchemy through the concept of a quinta essentia. Michela Pereira explores the significance of the Lullian tradition in this development and draws attention to the fact that the early Paracelsians had themselves recognized a family resemblance between the works of Paracelsus and Roger Bacon's scientia experimentalis and, indeed, a continuity with the Lullian tradition.

Italian Economists of the 20th Century provides a unique up-to-date assessment and appreciation of the work of 12 pioneering economists. The essays - written by a group of leading international scholars - are a fitting tribute to the important contribution that Italian economists have made to twentieth century economics. This important book includes entries not only on familiar names such as Vilfredo Pareto, Piero Sraffa and Franco Modigliani, but also on less well known yet equally important economists. It demonstrates the rich intellectual tradition in Italy and its profound - yet often unrecognized - impact on economics in general.

Nations and nationalism remain powerful phenomena in the contemporary world. Why do they continue to inspire such passion and attachments? Myths and Memories of the Nation explores the roots of nationalism by examining the myths, symbols and memories of the nation through a 'ethno-symbolic' approach. The book reveals the continuing power of myth and memory to mobilise, define and shape people and their destinies. It examines the variety and durability of ethnic attachments and national identities, and assesses the contemporary revival of ethnic conflicts and nationalism. The book analyses the depth of ethnic attachments and the persistence of nations to this day.

Irish culture is obsessed with the past, and this book asks why and how. In an innovative reading of Irish culture since 1980, Emilie Pine provides a new analysis of theatre, film, television, memoir and art, and interrogates the anti-nostalgia that characterizes so much of contemporary Irish culture.

This is the first study to focus on the idea of virtue and its place in political thought in 18th-century France. Virtue could be used to impart moral authority to arguments about political power. The development of this strategic idea is traced through the works of key Enlightenment thinkers. There is also consideration of the ways in which numerous popular writers of the day, including clerics, eulogists, journalists, novelists and lawyers, employed the idea of virtue in polemical discussions in their writings.

This collection of essays focuses on Weber's political ideology as well as his political sociology. This interdisciplinary work draws upon the expertise of a number of writers and challenges major schools of thought on Weber. In the first section on ideology, scholars question whether Weber's political predictions were based on a realistic appraisal of social development or if his objectivity was compromised by events in Weimar Germany. They then address Weber's attitudes toward socialism in light of contemporary sociology and his early writings. Part two examines Weber's theory: the concept of rationalization; ideas about charisma; and the decline of charisma in light of the growing role of the media. A study of Weber's analysis of the 1917 events in Russia concludes the volume.

'Since at Least Plato...' and Other Postmodernist Myths surveys the fields of theories of postmodernism and criticizes some of the most common claims found in them about philosophy, science, and the relationship and literary techniques to metaphysics, epistemology, and political ideologies. Devaney finds the accounts offered by these theories of concepts ranging from the law of noncontradiction to relativity and the Uncertainty Principle to be as ill-informed as they are pervasive. Devaney shows how the use to which these accounts have been put in constructing the story of the progression from realism to postmodernism to modernism flattens out both the history of ideas and the history of literature.

In the Critique of Judgment, Kant argues that feeling is part of the system of the mind. Judgments of taste based on feeling are a unique kind of judgment, and the feeling that is their foundation forms an independent third power of the mind. Feeling has a special role within this system in that it also provides a transition between the other two powers of the mind, cognition and desire. Matthews argues that feeling, our experience of beauty, provides a transition because it orients humans in a sensible world. Judgments of taste help overcome the difficulties that arise when rational cognitive and moral ends must be pursued in a sensible world. Matthews demonstrates how feeling, disassociated from rational activities in Kant's earlier works, is now central in reaching rational ends and understanding humans as unified rational beings. Audience: This book would be of interest to research libraries and university libraries, philosophers, historians and aestheticians.

Siberia has no history of independent political existence, no claim to a separate ethnic identity, and no clear borders. Yet, it could be said that the elusive country 'behind the Urals' is the most real and the most durable part of the Russian landscape. For centuries, Siberia has been represented as Russia's alter ego, as the heavenly or infernal antithesis to the perceived complexity or shallowness of Russian life. It has been both the frightening heart of darkness and a fabulous land of plenty; the 'House of the Dead' and the realm of utter freedom; a frozen wasteland and a colourful frontier; a dumping ground for Russia's rejects and the last refuge of its lost innocence. The contributors to Between Heaven and Hell examine the origin, nature, and implications of these images from historical, literary, geographical, anthropological, and linguistic perspectives. They create a striking, fascinating picture of this enormous and mysterious land.

by JOHN H. YODER S'il m'a ete demande de vous soumettre quelques remarques en guise d'introduction, c'est d'abord pour reconnaitre notre dette envers les chercheurs qui, depuis Ie milieu du siecle dernier, ont pose les fonda tions de la recherche dans Ie domaine des mouvements non-officiels de la Reforme. Certains de ces pionniers tels que Cornelius et Rohrich 1 travaillaient ici a Strasbourg. On peut facilement resumer sur deux plans ce qu'ils nous ont legue: un acquis sur Ie plan des idees, un autre sur celui de l'outillage. L'idee qui grace a leur oeuvre a acquis droit de cite - au point que notre generation com; oit avec difficulte qu'il a pu en etre autremen- est la Iegitimite de l'etude des dissidences du seizieme siecle en tant que telles, et non seulement comme Ie fond sombre qui doit faire rejaillir combien les reformateurs officiels - ou les catholiques, ou les prince- avaient raison."

In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition. Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty. The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense.