A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. From a young age, Josephine Wall has been passionate about light and colour, fantasy and visual story telling. She uses acrylic paint to build textural layers and create colourful effects and believes that there are never enough hours in the day for her to paint all the images that are in her head. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

The Art of the Dead showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley Mouse Miller, Alton Kelley, Wes Wilson, and Victor Moscoso.
The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995.
The book is in four-color throughout, featuring iconic and rare images as well as extensive process material, including sketches, original art, blue lines, film, and printing plates that show how the art was created. It will also include essays by Greil Marcus, Peter Coyote, and Victoria Binder, as well as essays on the elements of the printing process from the original art to the final poster.
Ultimately, the Art of the Dead makes the case that poster art is truly an original form of American fine art.

The Chinese artist Liu Ye's meticulous, colorful canvases convey his love of literature in the first publication dedicated to his paintings of books. The Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Drawn equally from contemporary culture and old master painting, Liu's wide-ranging visual touchstones include Piet Mondrian, Miffy the Bunny, and Prada advertisements. In this new publication devoted to his book paintings, the artist examines the book as both a physical object and cultural totem. Playing with geometry and perspective, Liu creates extraordinary and disorienting portraits of this most familiar subject. Liu's Book Painting series, begun in 2013, depicts close-up views of books that are turned open to reveal empty pages, an approach that emphasizes the object's form over its content. Rendering books' material structure-endpapers, binding, spine-in sensual detail, these paintings indicate an obsession with the book as an object and a lifelong love of literature. Liu's father was a children's book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Many of the books in Liu's father's collection were banned in Cultural Revolution-era China and the artist read them secretly throughout his childhood. This formative experience figures in his popular Banned Books series and in his book paintings in general. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu, who traces the evolution of the book form in Liu's work, as well as an interview with the artist by Hans Ulrich Obrist.

This detailed analysis of the adult manga phenomenon describes and analyzes the complex attitudes towards manga in Japan since the 1980s. Topics covered include: the revival of manga censorship and the moral panic surrounding manga otaku; the repression of the amateur manga subculture; and the promotion of certain genres of manga by educational and cultural institutions. The book aims to show how manga's status in Japanese society is intimately linked to changes in the balance of power between artists and editors.

First detailed analysis of the phenomenon in English. Describes and analyses the complex new attitudes to manga since the 1980s. Provocative and timely, the book shows how manga's status in Japanese society is intimately linked to changes in the balance of power between artists and editors.

In The Secret Origins of Comics Studies, today's leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.

The investigation onto the museum raid continues, but it's a difficult one. One of the four 'knights' has already died in his - guarded - hospital room, and FBI Agent Reilly is unknowingly engaged in a race to find the other thieves before the mysterious assassins trying to eliminate them. Meanwhile, young archaeologist Tess Chaykin is following up the Templar lead - one that the FBI considers too far-fetched to be worth looking into...

Lily O’Farrell started drawing cartoons as a way of making sense of the everyday sexism she encountered as a young woman, and her Instagram feed has now grown to over 225,000 followers. In Kyle Theory, Lily addresses the pressing issues of the day through hilarious and relatable cartoons, from #MeToo and the patriarchy, to racism, internet culture and how to deal with trolls. Feminism is for everybody, and so is this book.

Over the last ten years, Australian artist Matthew Revert has gained a cult fanbase in various artistic fields including graphic design, writing, & music. TRY NOT TO THINK BAD THOUGHTS collects over 150 pieces of absurdist collage, watercolor, and ink, imbued with humor, horror, sex, heart, and surreal love.

A Darkly Humorous Collection of Cartoons Rejected by The New Yorker

From the No. 1 international bestselling author, film producer and Wattpad platform icon Anna Todd - the continuation of her bestselling love story AFTER in Volume Two of After: The Graphic Novel. Fall in love all over again in volume two of the graphic novel adaptation of the global phenomenon AFTER! Uncover Tessa and Hardin's love story as you've never seen it before . . . There was the time before Tessa met Hardin, and then there's everything AFTER . . . As good girl Tessa Young embarks on her first year of college at Washington Central University, she has direction, ambition and a new circle of friends who are always trying to push her beyond her comfort zone. Chief among them is fellow student, campus bad boy - and son of the University's Chancellor - Hardin Scott, who has simultaneously enraged and seduced her. Tessa can hardly abide Hardin's antics and ex-girlfriends yet, despite their differences, Tessa and Hardin are undeniably, passionately drawn to one other, and willing to risk a bumpy ride for a romance that will consume and change them both. Anna Todd's original story comes to life with breathtaking illustrations by Pablo Andres. Featuring twelve pages of behind-the-scenes and character profile bonus content, Volume Two of After: The Graphic Novel is the ultimate collector's item for fans everywhere!

In Graphic Storytelling and Visual Narrative, Will Eisner one of the most influential comic artists of the twentieth century lays out the fundamentals of storytelling and their application in the comic book and graphic novel. In a work that will prove invaluable for comic artists and filmmakers, Eisner reveals how to construct a story and the basics of crafting a visual narrative. Filled with examples from Eisner's work as well as that of artists like Art Spiegelman and R. Crumb, this essential work covers everything from the fine points of graphic storytelling to the big picture of the medium, including how to: Combine words and images into seamless storytelling. Wield images like narrative tools. Master different types of comic book stories. Write and illustrate effective dialogue. Develop ideas that can be turned into dynamic stories. "

The legendary Samurai, and the sharp-edged katanas they mastered, are the point of this thrill-seeking guide to drawing swordfights, battle scenes and skirmishes. The Complete Guide to Drawing Dynamic Manga Sword Fighters provides a highly detailed series of lessons--ideal for digital artists--starting with the body, the fighter's stance and the various ways your characters can be twisted, torqued and turned into powerful poses. No detail is overlooked: from the grip on the weapon to the intense look on your character's face. Also included is an entire chapter devoted to the various razor-sharp weapons your characters can come armed with. This invaluable manga drawing guide then concludes with a gallery of full-color scenes, poses and anime stills showing important, aspirational details: captivating scenes, compelling characters and powerful weapons at the ready. With this book, intermediate artists of all ages can refine their style and add intensity, authenticity and drama to their stories. Enjoy as your characters slash, fence and fight their way through your own custom-designed action manga.

This large-format poster book lets you decorate your walls with images from Katie Scott's Botanicum. Featuring plantlife of all kinds, from right around the world, it's a stunning celebration of all things botanical.

As there has yet to be any substantial scrutiny of the complex confluences a more sustained dialogue between disability studies and comics studies might suggest, Disability in Comic Books and Graphic Narratives aims through its broad range of approaches and focus points to explore this exciting subject in productive and provocative ways.

The surely soon-to-be million-copy bestselling sort-of inspirational parody.. A timeless parody of Charlie Mackesy's The Boy, the Mole, the Fox and the Horse. Enter the world of me, Panda, plus my sometime-friends Cat and Teddy. You will find us living our best lives, trying (and occasionally succeeding) to be kind to each other. The cat is quite nice but can be a little bit selfish. Teddy can come across as very nice, with his squeaky voice and looking so tiny and helpless. But I must warn you, Teddy can be a vicious little backstabber, actually. This is a book of nice illustrations and some words from which you will likely gain some sort of inspiration. Like: 'Just because you're struggling, it doesn't mean you're failing... But it might do.' 'Nothing beats kindness,' said the cat. 'Gin does', said Panda. 'If you don't stop saying inspirational things to me, I'm going to punch you up the hooter.' 'You OK, hun?' asked Panda, but he was just taking the piss. 'We're just so, so lucky to have each other as friends, and it's going to make a marvellous book.'

A lavishly illustrated biography of James Gillray, inventor of the art of political caricature James Gillray (1756-1815) was late Georgian Britain's funniest, most inventive, and most celebrated graphic satirist and continues to influence cartoonists today. His exceptional drawing, matched by his flair for clever dialogue and amusing titles, won him unprecedented fame; his sophisticated designs often parodied artists such as William Hogarth, Joshua Reynolds, and Henry Fuseli, while he borrowed and wittily redeployed celebrated passages from William Shakespeare and John Milton to send up politicians in an age-as now-where society was fast changing, anxieties abounded, truth was sometimes scarce, and public opinion mattered. Tim Clayton's definitive biography explores Gillray's life and work through his friends, publishers-the most important being women-and collaborators, aiming to identify those involved in inventing satirical prints and the people who bought them. Clayton thoughtfully explores the tensions between artistic independence, financial necessity, and the conflicting demands of patrons and self-appointed censors in a time of political and social turmoil. Distributed for the Paul Mellon Centre for Studies in British Art

This well focused and perceptive analysis of a phenomenon in our popular culture--the new respectability of the comic book form--argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication.

In this study Joseph Witek examines the rise of the comic book to a position of importance in modern culture and assesses its ideological and historical implications. Jack Jackson, Art Spiegelman, and Harvey Pekar are among the creators whom Witek credits for the emergence of the comic book as a serious artistic medium. As American codes of ethics, aesthetics, and semiotics have evolved, so too has the comic book as a mode for presenting the weightier matters of history. It is safe to claim that comic books are not just for kids anymore.

Graphic novels (kurimchaek) are a major art form in North Korea, produced by agents of the regime to set out its vision in a range of important areas. This book provides an analysis of North Korean graphic novels, discussing the ideals they promote and the tensions within those ideals, and examining the reception of graphic novels in North Korea and by North Korean refugees in South Korea. Particular themes considered include the ideal family and how the regime promotes this; patriotism, and its conflict with class identities; and the portrayal of the Korean War - "The Fatherland Liberation War", as it is known in North Korea - and the subsequent, continuing stand-off. Overall, the book demonstrates the importance of graphic novels in North Korea as a tool for bringing up children and for promoting North Korean ideals. In addition, however, the book also shows that although the regime sees the imaginative power of graphic novels as a necessity for effective communication, graphic novels are also viewed with caution in that they exist in everyday social life in ways that the regime may be aware of, and seeks to control, but cannot dominate completely.