This volume provides the first critical edition of Boethius' "De divisione," The importance of Boethius' treatise is twofold: it was widely read in the medieval schools, and it preserves the only known vestiges of Porphyry's commentary on Plato's "Sophist" and of Andronicus' treatise on diaeresis. The book is in four main sections: prolegomena in three parts, dealing with the date, source(s), and text of "De divisione"; critical text with apparatus and English translation; detailed philological and philosophical commentary; appendix, bibliography, and word index. This is the first edition of "De divisione" based on the earliest extant manuscripts, and the first complete commentary in any modern language. It will be of particular interest to students of later ancient and medieval philosophy and literature.

Individuality in house-furnishing has seldom been more harped upon than at the present time. The cheap originality which finds expression in putting things to uses for which they were not intended is often confounded with individuality; whereas the latter consists not in an attempt to be different from other people at the cost of comfort, but in the desire to be comfortable in one's own way, even though it be the way of a monotonously large majority. It seems easier to most people to arrange a room like some one else's than to analyze and express their own needs. -from Chapter II: "Rooms in General" This classic 1898 manual of interior design is considered a standard reference of the art, and perfectly useful more than a century later. Here, renowned American architect OGDEN CODMAN, JR. (1863-1951) is joined by American author EDITH WHARTON (1862-1937), whose novels, including The House of Mirth (1905) and the Pulitzer Prize-winning The Age of Innocence (1920), took us into the wealthy-and tasteful-New York society she hailed from. Together, they offer timeless advice on such matters as: [ the importance of balance and symmetry [ how to avoid the superficial application of ornament [ the necessity of adhering to proportion [ the proper material for fireplace andirons [ the usages of cornices [ the decoration of windows [ and much, much more.

With rare access, interior designer and artist Ashley Hicks has photographed the State Rooms of Buckingham Palace, home of Britain's monarch since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash. Hicks's eye brings a vibrant take on the formal spaces, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the opulently decorated State Rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art in the Royal Collection by Rembrandt, Rubens, Poussin, van Dyck, Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms. This intimate tour through the Buckingham Palace State Rooms is a necessary addition to the libraries of devotees of the royal family, English architecture, decoration, and the fine arts in general.

First published in 1937, Woodcraft In Design And Practice contains a wealth of designs for 1930s furniture. Working from solid design principles, Rodney Hooper sets out plans for practical, modern furniture to suit the changing lifestyles of the time. Considered as part of an overall interior, his tables and chairs, shelves and cabinets, boxes, sideboards and light fittings are examples of clean, bold period design that would still sit comfortably in today's houses and flats. Illustrated throughout with black and white photographs and detailed line drawings, Woodcraft In Design And Practice is of interest both as a fascinating piece of design history and as inspiration for today's interior decorator or DIY enthusiast.

From the nineteenth-century Arts and Crafts movement to the present day from Art Nouveau, Bauhaus, the Modern Movement, and Art Deco to High-Tech and green design every style of interior design since 1900 is charted in this wide-ranging survey. Design in the twentieth century saw many changes in direction, including the emergence of professional "interior decoration" and its evolution into interior design. Interiors, domestic and other, are explored and placed within their social, political, economic, and cultural context. This revised and expanded edition is brought into the twenty-first century with a new chapter on sustainable design that focuses on public spaces such as hotels, offices, factories, and shops."

Dedicated mailing and e-mail campaign to targeted design and style related media. 'There's not a great deal of difference between living and working for those of us who one day decide to make a living by creating the world, for those of us who perceive architecture as something more than just work and the negative aspect associated with this word, but rather like a window through which to see the world. And a means of transforming this world'. This is the vision of Octavio Mestre and this is the book that celebrates that maxim. Over 240-pages and more than 180 full-colour photographs, plans and drawings, reveal the stunning contemporary work of this much-admired practitioner.

Now students of architecture and interior design can get a full introduction to interior architecture and its history in one authoritative volume. "The Fundamentals of Interior""Architecture, " the first in a series on the subject, is also the only book on the market that approaches the topic in a detailed, educationally focused way. Whether "home" is the simplest railroad flat or the halls of Versailles, interior architecture reflects our times. Discover the intriguing past and the exhilarating present of architectural interiors and furnishings, drafting and presentation skills, space planning, materials, lighting design, professional practices, 2D design, color theory, 3D design, drawing and illustration skills, and the use of CAD. A great price and handy paper binding make this book a must-have for everyone interested in how we live and work today.

1928. With 200 Illustrations. From the Foreword: By the practical method here adopted of illustrating and treating the furniture of each style by itself and in proper chronological order it becomes easy to distinguish the characteristics of each furniture-group, and so quickly to place, by the recognition of those qualities, any piece of furniture that one sees. These consecutive styles soon lie out in the mind like a map, upon any location in which a mental finger can unhesitatingly be set down. Transition pieces then cause no difficulty, for the characteristics of two styles in the one piece are recognized, and the article is assigned to its natural place between the two modes. To a degree that did not obtain in England, there was sometimes here the persistence of certain features of one style into the next, and this makes it all the more necessary to understand which features belong to each. Contents: The Colonial Styles: Jacobean or Stuart; William and Mary; Queen Anne-Early Georgian; Chippendale. The Federal Styles: Hepplewhite, Shearer, and Early Sheraton; American Directoire; American Empire. Decoration: Interior Architecture; Decorative Accessories. Due to the age and scarcity of the original we reproduced, some pages may be spotty or faded.

This collection provides a genuinely fresh outlook on the Italian interior and will form a rich resource for scholars and students of the Renaissance.
Brings together an interdisciplinary group of scholars, combining innovative approaches, case studies, and methodological critiques
Expands the discourse on the Renaissance home, ultimately challenging traditional notions of public and private, interior and exterior, ideals and reality
Examines under-studied spaces of the interior, such as baths and chapels, and offers new insights into more familiar topics such as identity, status, and family memory
Includes a wide range of primary sources from visual and material evidence to archival documents

Hybrid Interiors collects intriguing and inspiring residences from around the world that illustrate bold and innovative combinations of styles, cultures, and functions.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book has been written from the conviction that general statements about the philosophical position taken by Theophrastus in this small but extremely difficult treatise, can only be made on the basis of a detailed interpretation of each and every sentence of the text. This resulted in a full commentary, which evades no philological or philosophical question that should be asked in order to elicit from the text a maximum of information. The outcome is a cautious but nonetheless explicit and determinate characterization and evaluation of Theophrastean metaphysics as a biologist's metaphysics, which deserves the attention of philosophers in its own right.
The author has paid special attention to questions of Peripatetic idiom and terminology, thus increasing the value of this book to students of Peripatetic thought in general. The information brought together has been made easily accessible by full indexes.

In this gloriously illustrated book, world traveller and style expert Bibi Jordan introduces Swahili style, a school of design, architecture and graceful living that instils a sense of simplicity, sensuality and spirituality into any interior. Each chapter details the region's rich past, with fascinating facts about African culture and history, and highlights the most intriguing and inspirational aspects of the local decor, making this an ideal book for both the armchair traveller and the globetrotting adventurer as well as decorating devotees.

Traditionally considered the heart of the home, the fireplace (or hearth) has become a metaphor for shelter and security, yet there are few books devoted exclusively to its design. Here is an overview that approaches the subject from both an aesthetic and a practical point of view. Packed with beautiful color illustrations and helpful explanatory captions, it will be an indispensable guide for architects, builders, and homeowners planning to buy a new home or renovate an old one.

1928. With 200 Illustrations. From the Foreword: By the practical method here adopted of illustrating and treating the furniture of each style by itself and in proper chronological order it becomes easy to distinguish the characteristics of each furniture-group, and so quickly to place, by the recognition of those qualities, any piece of furniture that one sees. These consecutive styles soon lie out in the mind like a map, upon any location in which a mental finger can unhesitatingly be set down. Transition pieces then cause no difficulty, for the characteristics of two styles in the one piece are recognized, and the article is assigned to its natural place between the two modes. To a degree that did not obtain in England, there was sometimes here the persistence of certain features of one style into the next, and this makes it all the more necessary to understand which features belong to each. Contents: The Colonial Styles: Jacobean or Stuart; William and Mary; Queen Anne-Early Georgian; Chippendale. The Federal Styles: Hepplewhite, Shearer, and Early Sheraton; American Directoire; American Empire. Decoration: Interior Architecture; Decorative Accessories. Due to the age and scarcity of the original we reproduced, some pages may be spotty or faded.

Hundreds of rare illustrations depict wide range of design alternatives for prospective homeowners and other customers of the late 19th century. While the collection includes elevations and floor plans for a variety of handsome, private residences and commercial structures, the emphasis is on architectural details -- from dormer windows to balconies.

This compact, heavily-illustrated guide makes it a snap to identify period styles from the 17th century to the present day. The Guide to Period Styles for Interiors, Second Edition is a comprehensive reference that combines depth of content with ease of use. Including examples and analysis on 17th-century Louis XIV through 20th-century Late Modern and each style in between, this new edition is also updated with the latest trends of the 21st century, including computer design, sustainable design, and modern office design. New sidebars interspersed throughout the book offer glimpses into historic design styles from around the globe. Each style section ends with a summary of key characteristics, major designers, and iconic fabrics. This book is an indispensable tool for identifying the trends throughout the history of interior design.

Packed with clever tips, valuable hints, quick fixes, makeovers for all budgets and real-life examples. Covering everything from the basics, such as structure and planning, through to adding final finishing touches.

This comprehensive text examines the technical, practical, and aesthetic aspects of lighting design. With its focus on quality, it demonstrates how lighting designers provide functional, safe, and aesthetically pleasing designs for both residential and commercial interiors. The author's extensive research integrates developments in the field with an introduction to lighting systems, giving readers a foundation for applying design principles to lighting projects.

Trompe L Oeil Today offers a fascinating overview of the range of styles and techniques of illusionistic painting for private residences and public spaces, restaurants and other commercial interiors, and even indoor swimming pools. It covers unusual techniques, such as anamorphism, and bold geometric patterns, as well as more traditional Trompe L oeil subjects, including Pompeian-style wall paintings, classical arches and colonnades, landscapes, statues and reliefs, and elaborate ceiling treatments. The book defines the categories of illusionistic painting: material imitation, or faux finishes, ranging from marble and wood finishes to snake and crocodile skin; grisaille, including imaginary moldings, reliefs, and statuary; small-format trompe l oeils, such as those painted in niches and on doors; and large panoramic murals. Experienced professionals, the authors address practical questions and offer helpful tips and tricks for choosing the right materials, technique, and style. They examine the use of perspective and the psychology of visual perception, presenting a visually beguiling array of painting possibilities. Trompe L Oeil Today is an essential reference for artists and designers working in trompe l oeil and in search of suggestions or inspiration, interior architects and decorators looking for an outline of what can be done to create new and different ambiances, and clients who plan to commission a work. Over 150 four-color photographs illustrate the architectural and aesthetic impact of professional illusionistic work. Trompe L Oeil Today is an invaluable survey of an impressive, popular art form."

Diploma Thesis from the year 2001 in the subject Design (Industry, Graphics, Fashion), grade: 1,0, Bochum University of Applied Sciences (Elektrotechnik), language: English, abstract: Inhaltsangabe: Abstract: An embedded telemetry system has been designed and implemented into the solar-powered racing car Mad Dog 3. The system shall assist strategists in making decisions during a solar car race. It delivers input data for a computer simulation model and for reconstruction of situations when failure occurred. System requirements have been analysed and the scope of solutions on the market has been explored. As a result, the choice of hardware and peripheral components has been made in favour of a microcomputer-based system. Strategy-relevant quantities in the solar car are measured by transducers and at the same time displayed on panel meters in the cockpit. Measured data are transmitted via a bus system to the central processing unit, which consists of the world's smallest PC. From the sensor signals the car's performance data is computed. As a result of computation, sets of performance data are sent to a laptop computer in one of the support vehicles by a pair of wireless modems. For safety reason, the system has been designed redundant. There is a digital device and a second analogue instrument for all key measurements. Communication equipment between the solar car driver and support staff has been reviewed and recommendations have been given. The project has been completed successfully, i.e. project aims have been reached. This was confirmed during a test drive. The range of the wireless modems has been proven satisfactory. CB radios have been shown not to be appropriate. There is a wide scope of additional investigation and supplementary features, due to the flexible nature of a microcomputer-based system. Inhaltsverzeichnis: Table of Contents: Acknowledgements Notationii 1.Introduction1 1.1Solar Energy3 1.2Solar Car Racing4 1.2.1ASC Race Regulations6 2.Proj