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Books > Language & Literature > Literary & linguistic reference works
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In late 1872, the New York Herald named James J. O'Kelly its
special correspondent to Cuba, to cover what would later be known
as the Ten Years' War. O'Kelly was tasked with crossing Spanish
lines, locating the insurgent camps, and interviewing the president
of the Cuban republic, Carlos Manuel de Cespedes. O'Kelly became a
political lightning rod when, after fulfilling his mission, he was
arrested, court-martialed, and threatened with execution in Spanish
Cuba. For the book that followed, The Mambi-Land, or Adventures of
a Herald Correspondent in Cuba, O'Kelly assembled edited versions
of the eighteen dispatches he sent to the Herald, some written in
the remotest imaginable places in the Cuban interior. The
Mambi-Land constitutes the first book-length account of Cuba's Ten
Years' War for independence from Spain (1868-1878) and provides a
window on an understudied moment in U.S.-Cuba relations. More than
recovering an important lost work, this critical edition draws
attention to Cuba's crucial place in American national
consciousness in the post-Civil War period and represents a timely
and significant contribution to our understanding of the
complicated history of Cuba-U.S. relations.
Contributions by Jacob Agner, Sarah Gilbreath Ford, Katie Berry
Frye, Michael Kreyling, Andrew B. Leiter, Rebecca Mark, Suzanne
Marrs, Tom Nolan, Michael Pickard, Harriet Pollack, and Victoria
Richard Eudora Welty's ingenious play with readers' expectations
made her a cunning writer, a paramount modernist, a short story
artist of the first rank, and a remarkable literary innovator. In
her signature puzzle-texts, she habitually engages with familiar
genres and then delights readers with her transformations and
nonfulfillment of conventions. Eudora Welty and Mystery: Hidden in
Plain Sight reveals how often that play is with mystery, crime, and
detective fiction genres, popular fiction forms often condescended
to in literary studies, but unabashedly beloved by Welty throughout
her lifetime. Put another way, Welty often creates her stories'
secrets by both evoking and displacing crime fiction conventions.
Instead of restoring order with a culminating reveal, her
story-puzzles characteristically allow mystery to linger and
thicken. The mystery pursued becomes mystery elsewhere. The essays
in this collection shift attention from narratives, characters, and
plots as they have previously been understood by unearthing enigmas
hidden within those constructions. Some of these new readings
continue Welty's investigation of hegemonic whiteness and southern
narratives of race-outlining these in chalk as outright crime
stories. Other essays show how Welty anticipated the regendering of
the form now so characteristic of contemporary women mystery
writers. Her tender and widely ranging personal correspondence with
the hard-boiled American crime writer Ross Macdonald is also
discussed. Together these essays make the case that across her
career, Eudora Welty was arguably one of the genre's greatest
double agents, and, to apply the titles of Macdonald's novels to
her inventiveness with the form, she is its "underground woman,"
its unexpected "sleeping beauty.
F. Scott Fitzgerald's second novel, The Beautiful and Damned, has
frequently been dismissed as an outlier and curiosity in his
oeuvre, a transitional work from the coming-of-age plot of This
Side of Paradise to the masterful critique of American aspiration
in The Great Gatsby. The Beautiful and Damned belongs to a genre
that is widely misunderstood, the "bright young things" novel in
which spoiled and wealthy characters succumb to decay because of
their privilege and lack of purpose. Set between 1913 and 1922,
Fitzgerald's longest novel touches on many of the decisive issues
that mark the passage from the Gilded Age and the Progressive Era
into the Jazz Age: conspicuous consumption, income inequality,
yellow journalism, the Great War, the rise of the movie industry,
automobile travel, Wall Street stock scams, immigration and
xenophobia, and the fixation with youth and aging. Published to
coincide with the novel's centennial in 2022, this collection
approaches The Beautiful and Damned for its insights more than its
faults. Prominent Fitzgerald scholars analyze major themes and
reveal unappreciated issues with attention to history, biography,
literary influence, gender studies, and narratology. While
acknowledging the novel's shortcomings, the essayists illustrate
that The Beautiful and Damned has much more to say about its milieu
than previously recognized. This collection provides a guide for
understanding Fitzgerald's aims while demonstrating the richness of
ideas that this novel explores, alongside the anxieties and
ambitions that reverberate within it.
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