This topical study examines the 'novelizations' of radical literary theory in the work of A.S. Byatt, Angela Carter, Umberto Eco, John Fowles, Richard Powers and many other leading novelists. It offers a comprehensive analysis of the 'post-theoretical novel', and traces an alternative history of the 'theory revolution' in recent literary fiction.

Reissuing works originally published between 1929 and 1996, Routledge Library Editions: Arthurian Literature offers a selection of scholarship on the genre. Classic previously out-of-print works are brought back into print here in this small set of literary criticism, translation, art and drama.The enduring myth and legend appears from Mediaeval literature through to more modern writings and offers a spectrum of poetry and prose which is studied widely, as expemplified in this set.

Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the 21st century, so much so that, perhaps, our Bergson is Deleuze's Bergson. Despite renewed interest in Bergson, his influence remains understudied and consequently undervalued. While books examining the impact of Freud and James on Modernism abound, Bergson's impact, though widely acknowledged, has been closely examined much more rarely. Understanding Bergson, Understanding Modernism remedies this deficiency in three ways. First, it offers close readings and critiques of six pivotal texts. Second, it reassesses Bergson's impact on Modernism while also tracing his continuing importance to literature, media, and philosophy throughout the twentieth and into the 21st century. In its final section it provides an extended glossary of Bergsonian terms, complete with extensive examples and citations of their use across his texts. The glossary also maps the influence of Bergson's work by including entries on related writers, all of whom Bergson either corresponded with or critiqued.

Afro-Greeks examines the reception of Classics in the English-speaking Caribbean, from about 1920 to the beginning of the 21st century. Emily Greenwood focuses on the ways in which Greco-Roman antiquity has been put to creative use in Anglophone Caribbean literature, and relates this regional classical tradition to the educational context, specifically the way in which Classics was taught in the colonial school curriculum. Discussions of Caribbean literature tend to assume an antagonistic relationship between Classics, which is treated as a legacy of empire, and Caribbean literature. While acknowledging the importance of this imperial context, Greenwood argues that Caribbean appropriations of Classics played an important role in formulating original, anti-colonial and anti-imperial criticism in Anglophone Caribbean fiction. Afro-Greeks reveals how, in the twentieth century, two generations of Caribbean writers, including Kamau Brathwaite, Austin Clarke, John Figueroa, C. L. R. James, V. S. Naipaul, Derek Walcott and Eric Williams, created a distinctive, regional counter-tradition of reading Greco-Roman Classics.

Offering a strikingly original treatment of feminist literature, "Popular Feminist Fiction as American Allegory "argues that feminist novels served as a means of narrating and negotiating the perceived decline of American progress after the 1960s. Elliott analyzes popular tropes ranging from the white middle class housewife trapped in endless domestic labor to the woman of color haunted by a traumatic past--exploring the way in which feminist narratives represented women as unable to access positive futures. In a powerful new reading of temporality in contemporary fiction, Elliott posits that feminism's image of women trapped in time operated as a potent allegory for the apparent breakdown of futurity in postmodernity.

The Open Book is a provocative study of literary influence at work in English writing from Hardy to Woolf. Jensen reimagines the links between text and context as she endeavors to historicize literary influence, by taking Bloomian "anxiety" and Kristevan "intertextuality" into fields of actual history and biography. Jensen both borrows from and deconstructs the ideas of thesetheorists as she reads the texts of Hardy, Stephen, Woolf, Mansfield, andMiddleton Murry. By doing so, The Open Book offers a fresh and pragmatic opening onto the relation between personal, cultural and institutional history on the one hand, and literary history on the other.

Originally published in 1993. This book explores the process by which individuals reconstruct the meaning and significance of past experience. Drawing on the lives of such notable figures as St Augustine, Helen Keller and Philip Roth as well as on the combined insights of psychology, philosophy and literary theory, the book sheds light on the intricacies and dilemmas of self-interpretation in particular and interpretive psychological enquiry more generally. The author draws upon selected, mainly autobiographical, literary texts in order to examine concretely the process of rewriting the self. Among the issues addressed are the relationship of rewriting the self to the concept of development, the place of language in the construction of selfhood, the difference between living and telling about it, the problem of facts in life history narrative, the significance of the unconscious in interpreting the personal past, and the freedom of the narrative imagination. Alpha Sigma Nu National Book Award winner in 1994

What, for a poet, could 'passive making' mean? What does Wordsworth imagine he is doing, in commanding the moon to shine, the wind to blow in 'Tintern Abbey'? Heralded as the age of social contract and the Rights of Man, romanticism-this book argues-instead engages in non-contractual poetics. In the period's burgeoning economics of 'fiat' money, as much as in the natural and supernatural imagination of its poets, the legacy of romanticism involves a series of absolutist gestures of verbal fiat: a rhetoric subject to historical and philosophical pressures, which so far has largely escaped critical attention. Focused on William Wordsworth, but in constant range of his poet-successors and modern critics, Romantic Fiat argues for the dialectical perils of the urge to reach freedom from illusion. The study presents a rich and emphatic new argument for a double romantic signature of 'let there be' and 'let be.'

The Oxford Handbook of Thucydides contains essays on Thucydides as an historian, thinker, and writer. It also features papers on Thucydides' intellectual context and ancient reception. The creative juxtaposition of historical, literary, philosophical, and reception studies allows for a better grasp of Thucydides' complex project and its intellectual context, while at the same time providing a comprehensive introduction to Thucydides' ideas. The Oxford Handbook of Thucydides is organized into four sections of papers: History, Historiography, Political Theory, and Context and Reception. It therefore bridges traditionally divided disciplines. The authors engaged to write the forty chapters for this volume include both well-known scholars and less well-known innovators, who bring fresh ideas and new points of view. Articles avoid technical jargon and long footnotes, and are written in an accessible style. Finally, The Oxford Handbook of Thucydides includes a thorough introduction, which introduces every paper, as well as two maps and an up-to-date bibliography that will enable further and more specific study. It therefore offers a comprehensive introduction to a thinker and writer whose simultaneous depth and innovativeness have been the focus of intense literary and philosophical study since ancient times.

"The Practice of Quixotism" models how to think simultaneously about postmodern theory and eighteenth-century texts. The postmodern claim that we encounter "reality" only through cultural scripts of which we are unaware has a long history: eighteenth-century writers thought about this same possibility with the help of quixote figures, who view the "real" through texts they have read. Focusing on unorthodox quixote narratives written by eighteenth-century women, many now popular in today's classroom, "The Practice of Quixotism" will fascinate readers interested in recent theory, in eighteenth-century culture, in eighteenth-century women writers--or in the descendants of Don Quixote, who celebrated his 400th birthday in 2005.

Jerome McGann has been at the forefront of the digital revolution in the humanities. His pioneering critical projects on the World Wide Web have redefined traditional notions about interpreting literature. In this trailblazing book, McGann explores the profound implications digital media have for the core critical tasks of the humanities.Drawing on his work as editor of the acclaimed hypertext project The Rossetti Archive, he sets the foundation for a new critical practice for the digital age. Digital media, he demonstrates, can do much more than organize access to great works of literature and art. Beyond their acknowledged editorial and archival capabilities, digital media are also critical tools of unprecedented power. In McGann’s practical vision, digital tools give scholars a flexible, dynamic means for interpreting expressive works—especially those that combine text and image. Radiant Textuality demonstrates eloquently how new technologies can deepen our understanding of complex, multi-layered works of the human imagination in ways never before thought possible.

The book relates to the study of spirit and spirituality; mind, intelligence, consciousness and epistemology; literature and theatre. From a basis in recorded experience it rethinks the nature of spirit and relates spirit to the human mind, and it questions the unprovable assumptions underlying contemporary objectivist and scientific approaches to intelligence, language and knowledge. It develops a model of the mind and extended states of consciousness and uses this to explore the rhythmical structures fundamental to literature and theatre.

The Force of Language illustrates how the philosophy of Language, if differently conceived, can directly incorporate questions of political thought and of emotionality, and offers the practical case of defensive strategies against the abusive speech. This follows a broad consideration of the inner voice or inner speech as a test case for a new approach to language, in particular as a way of radically rethinking the usual contrast between inner and outer through furnishing an account of how we internalize speech. The book's core offers a substantial critique of orthodox approaches to the philosophy of language form Chomsky and others; drawing on European political thought from Marx to Deleuze, it will move beyond this inheritance to explain and demonstrate its fresh conception of language at work.

A major, defining polarity in Euripidean drama, wisdom and folly, has never so far been the subject of a book-length study. The volume aims at filling this gap. Virtually all Euripidean characters, from gods to slaves, are subject to some aspect of folly and claim at least some measure of wisdom. The playwright's sophisticated handling of the tradition and the pervasive ambiguity in his work add extra layers of complexity. Wisdom and folly become inextricably intertwined, as gods pursue their agendas and mortal characters struggle to control their destiny, deal with their troubles, confront their past, and chart their future. Their amoral or immoral behavior and various limitations often affect also their families and communities. Leading international scholars discuss wisdom and folly from various thematic angles and theoretical perspectives. A final section deals with the polarity's reception in vase-painting and literature. The result is a wealth of fresh insights into moral, social and historical issues. The volume is of interest to students and scholars of classical drama and its reception, of philosophy, and of rhetoric

The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 41 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organised around familiar concepts - such as humans, animals, workers, empires, nations and states - rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included in and excluded from politics, and how different spaces are imagined to be political. It also offers a series of engagements with key moments in literary and political history from 1066 to the present in order to assess and reassess the utility of conventional modes of periodization. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of literary studies as a whole which will appeal to academics and researchers seeking to orient their own interventions into broader contexts.

These innovative essays take a comparative approach to queer studies while simultaneously queering the field of comparative literature, strengthening the interdisciplinarity of both. By focusing not only on comparative praxis, but also on interrogating our assumptions and categories of analysis, "Comparatively Queer" powerfully transforms the paradigms of comparison.

Russian-American poet Joseph Brodsky is one of the most celebrated poets of our time, preoccupied with the the nature and destiny of poetry in our era. This volume analyzes Brodsky's career in terms of key elegies and investigates the critical role of elegiac thinking in postmodernist poetics. In his elegies for poetic ancestors, family, friends, and the self, Brodsky demonstrates a concern for a paradox that is at the heart of modern elegiac poetry: attempting to find a basis for consolation in the face of death, but at length being compelled to discard traditional consolations, such as religion or art. The only source of relief is language itself, which Brodsky saw as both the origin and the final repository of values and truths.

First published in 1989, this collection of essays brings into focus the history of a specific form of violence - that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.

First published in 1980, The Anatomy of Literary Studies provides students of English Literature with a clearer understanding of the significance and scope of the subject and a comprehensive background to its study. It gives pointers towards intellectual integrity and advice on independent study, libraries, essay writing and examinations. This reissue of Marjorie Boulton's classic work will be of particular value to students studying English at university or those applying to a course who would like a fuller understanding of what it might entail.

This volume adopts a varied approach to the study of the "material world" in the French literature, thought and visual arts of the 19th century. Beginning with more purely philosphical definitions of materialism, seen as a topic within the history of ideas, it moves to a broader, more general treatment of materialism - and examines the political, social and cultural repercussions of the emergence of this consumer society.;In particular, the book tackles the question of how things, objects and the material surface of the world - for so long disdained and excluded by a deeply entrenched Neo-classical cultural tradition - came to be fully incorporated into the literature and visual arts of the period. Contributors look not only at the Romantic and Realist transcendence of the Neo-classical heritage of abstraction and idealism, but also adopt modern critical perspectives to analyze central themes such as urbanization, fetishism and the representation of the female body. By the author of "Popular Culture in Modern France: A Study of Cultural Discourse" and co-editor (with N. Hewitt) of "France and the Mass Media".

Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association. Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect-in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state. If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power. A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.

Metaphor and Iconicity attempts to clarify the interplay of metaphor and iconicity in the creation and interpretation of spoken and written texts from a cognitive perspective. There are various degrees in which metaphor and iconicity manifest themselves, ranging from sound symbolism and parallelism in poetic discourse to word order, inflectional forms, and other grammatical structures in ordinary discourse. The book makes unique contributions to the study of the relationship of form and meaning.

These essays extend an ongoing conversation on dialogic qualities of poetry by positing various foundations, practices, and purposes of poetic dialogism. The authors enrich and diversify the theoretical discourse on dialogic poetry and connect it to fertile critical fields like ethnic studies, translation studies, and ethics and literature.

Globalisation, devolution and the challenges of a postcolonial and multicultural society have fuelled the debate about national identity in Britain in recent years. Notions of individual and collective identity have revolved around a number of stereotypes of 'Britishness' or 'Englishness' which appear ever more incongruous. This study suggests that these debates still draw on discourses of Englishness which were shaped in the interwar period and amplified in Second World War propaganda. From the 1920s to the 1940s, Englishness as a form of collective and cultural identity can be described as a 'symbolic form', comprising specific notions of the people and their relationship to the country, most powerfully visualized in landscapes embodying a 'mythical present'. Two case studies, focused on J.B. Priestley and Daphne du Maurier, explore crucial ways in which popular 'middlebrow' authors imagine and shape the nation, providing a fresh and innovative approach to literary negotiations of cultural identity.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. From the 19th century onwards, famous literary trials have caught the attention of readers, academics and the public at large. Indeed it is striking that more often than not, it was the texts of renowned writers that were dealt with by the courts, as for example Gustave Flaubert's Madame Bovary and Charles Baudelaire's Les Fleurs du Mal in France, James Joyce's Ulysses and Henry Miller's Tropic of Cancer in the US, D.H. Lawrence's Lady Chatterley's Lover in Great-Britain, up to the more recent trials on Klaus Mann's Mephisto and Maxim Biller's novel Esra in Germany. By bringing together international leading experts, Literary Trials represents the first step towards a systematic discussion of literary trials on a global scale. Beginning by first reassessing some of the most famous of these trials, it also analyses less well-known but significant literary trials. Special attention is paid to recent developments in the relationship between literature and judicature, pointing towards an increasing role for libel and defamation in the societal demarcation of what literature is, and is not, allowed to do.