First published in 1970, this collection is made up of a selection of essays composed between 1962 and 1968, written by distinguished humanist and literary critic Northrop Frye. The book is divided into two parts: one deals largely with the contexts of literary criticism; the other offers more specific studies of literary works in roughly historical sequence. One of the essays is Frye's own elucidation of the development of his critical premises out of his early concern with the poetry of William Blake. Taken together, the essays offer a continuous and coherent argument, making a whole that is entirely equal to the sum of its parts.

The essays in this collection fall into three groups. The first group deals with philosophical accounts of interpretation. The second is concerned with the interpretation of scripture with particular reference to the work of the Oxford theologian and philosopher Austin Farrer. The third group provides some examples of interpretative practice relating to Genesis and the book of Psalms. The contributors represent a wide range of academic disciplines and religious traditions, providing significant pointers for further developments in Biblical criticism and interpretation theory.

Dialogue is a many-sided critical concept; at once an ancient philosophical genre, a formal component of fiction and drama, a model for the relationship of writer and reader, and a theoretical key to the nature of language. In all its forms, it questions ?literature?, disturbing the singleness and fixity of the written text with the fluid interactivity of conversation.

In this clear and concise guide to the multiple significance of the term, Peter Womack:

• outlines the history of dialogue form, looking at Platonic, Renaissance, Enlightenment and Modern examples
• illustrates the play of dialogue in the many ?voices? of the novel, and considers how dialogue works on the stage
• interprets the influential dialogic theories of Mikhail Bakhtin
• examines the idea that literary study itself consists of a ?dialogue? with the past
• presents a useful glossary and further reading section.

Practical and thought-provoking, this volume is the ideal starting-point for the exploration of this diverse and fascinating literary form.

Since the publication of his mammoth work, Being and Time, Martin Heidegger has remained one of the most influential figures in contemporary thought, and is a key influence for modern literary and cultural theory.

This guidebook provides an ideal entry-point for readers new to Heidegger, outlining such issues and concepts as:

• the limits of 'theory'
• the history of being
• the origin of the work of art
• language
• the literary work
• poetry and the political
• Heidegger's involvement with Nazism.

Fully updated throughout and featuring a new section on enviromental thought and ecocriticism, this guidebook clearly and concisely introduces Heidegger's crucial work relating to art, language and poetry, and outlines his continuing influence on critical theory.

This unique book examines the psychanalysis of madness and trauma through an extended discussion of Tristram Shandy. Crossover between literary studies and psychoanalysis. Francoise Davoine explores the entire novel, taking a psychoanalytic lens to the monologue by Tristram's embryo in the opening chapter, the war traumas of Captain Toby and Corporal Trim, and several key themes including confinement, love and history. The book presents Shandean wit as a valuable tool in therapeutic work.

Contemporary Literature is among the most popular areas of literary study but it can be a difficult one to define. This book equips readers with the necessary tools to take an analytical and systematic approach to contemporary texts. The author provides answers to some of the critical questions in the field:

• What makes a literary text contemporary?
• Is it possible to have a canon of contemporary literature?
• How does a reader 's location affect their understanding?
• How do print, electronic, and audio-visual media impact upon contemporary literature?
• Which key concepts and themes are most prevalent?

Containing diverse illustrative examples and discussing the topics which define our current sense of the contemporary, this is an ideal starting point for anyone seeking to engage critically with contemporary literature anywhere.

'What, in theory, is style? How has style been rethought in literary theory?' Drawing together leading academics working within and across the disciplines of English, philosophy, literary theory, and comparative literature, Style in Theory: Between Philosophy and Literature sets out to rethink the important but all-too-often-overlooked issue of style, exploring in particular how the theoretical humanities open conceptual spaces that afford and encourage reflection on the nature of style, the ways in which style is experienced and how style allows disciplinary boundaries to be both drawn and transgressed. Offering incisive reflections on style from a diverse and contemporary range of theoretical and methodological perspectives, the essays contained in this volume critically revisit and challenge accepted accounts of style, and provide fresh and compelling readings of the relevance in any rethinking of style of specific works by the likes of Shakespeare, Petrarch, Kant, Nietzsche, Heidegger, Deleuze, Blanchot, Derrida, Nancy, Cixous and Meillassoux.

In High Theory/Low Culture , Brottman uses the tools of 'high' cultural theory to examine many areas of today's popular culture, including style magazines, sport, shopping, tabloid newspapers, horror movies and pornography. In doing so, she not only demonstrates the practical use of 'high' theory as it relates to our everyday world, but she also investigates the kinds of 'low' culture that are regularly dismissed by academic scholars. Through a close examination of these cultural forms, Brottman reveals how the kinds of popular culture that we usually take for granted are, in fact, far more complex and sophisticated than is normally assumed.

Even when there is no direct contact, artists and writers develop many comparable techniques for coping with problems specific to their time. In "Modernist Patterns," Murray Roston explores the relationships between modernist artists and writers and their responses to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith.

By placing the literary works of such writers as T.S. Eliot, Virginia Woolf, James Joyce, and Ernest Hemingway within the context of the changes that occurred in the visual arts, "Modernist Patterns" expands our understanding of literature and identifies the cultural shifts that generated stylistic innovations within the visual arts.

Stanley Cavell and English Romanticism serves as both introduction to Cavell for Romanticists, and to the larger question of what philosophy means for the reading of literature, as well as to the importance and relevance of Romantic literature to Cavell's thought. Illustrated through close readings of Wordsworth and Shelley, and extended discussions of Emerson and Thoreau as well as Cavell, Duffy proposes a Romanticism of persisting cultural relevance and truly trans-Atlantic scope. The turn to romanticism of America's most distinguished "ordinary-language" philosopher is shown to be tied to the neo-Romantic claim that far from being merely an illustrator of the truths discovered by philosophy, poetry is its equal partner in the instituting of knowledge. This book will be vital reading for anyone interested in Romanticism, Stanley Cavell and the ever-deepening connections between literature and philosophy.

In this book, economists and literary scholars examine the uses to which the Robinson Crusoe figure has been put by the economics discipline since the publication of Defoe's novel in 1719. The authors' critical readings of two centuries of texts that have made use of Robinson Crusoe undermine the pervasive belief of mainstream economics that Robinson Crusoe is a benign representative of economic agency, and that he, like other economic agents, can be understood independently of historical and cultural specificity. The book provides a detailed account of the appearance of Robinson Crusoe in the economics literature and in a plethora of modern economics texts, in which, for example, we find Crusoe is portrayed as a schizophrenic consumer/producer trying to maximize his personal well-being. Using poststructuralist, feminist, postcolonial, Marxist and literary criticism approaches, the authors of the fourteen chapters in this volume examine and critique some of the deepest, fundamental assumptions neoclassical economics hold about human nature; the political economy of colonization; international trade; and the pervasive gendered organization of social relations. The contributors to this volume can be seen as engaging in the emerging conversation between economists and literary scholars known as the New Economic Criticism. They offer unique perspectives on how the economy and economic thought can be read through different disciplinary lenses. Economists pay attention to rhetoric and metaphor deployed in economics, and literary scholars have found new areas to explore and understand by focusing on economic concepts and vocabulary encountered in literary texts.

The book analyses the work of R.G. Collingwood and Romantic thinkers, taking an interdisciplinary approach to mythology The book traces the changing relationship between history and myth and argues for new methodological approaches The book brings forward the broader perspective of idealism, where history is viewed as a form of knowledge, to bear upon a discussion of the nature of myths

The popularity of romance fiction is such that it constitutes nearly one quarter of new paperback fiction printed in the world. Its success depends on its ability to reflect and articulate the reader's aspirations for a better life and stands at the same time as a testament to her alienation. This fresh look at the romantic fiction seeks to discover the reason for its appeal by combining analysis of the poetics of the genre with a study of the real reader's intervention.

Romantic Visualities offers a culturally informed understanding of the literary significance of landscape in the Romantic period. Labbe argues that the Romantic period associated the prospect view with the masculine ideal, simultaneously fashioning the detailed point of view as feminised. An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic tracts, conduct books, travel narratives, artistic theory, and the work of Wordsworth, Keats, Coleridge, Charlotte Smith, Ann Francis, Dorothy Wordsworth and others.

Exploring the meaning of modernism, this work focuses on the journey taken by Hardy, Lawrence and Woolf towards unknown regions of the mind and the universe. In a discussion of these novelists, both individually and in relation to one another, a reconsideration of modernism is developed. It aims to show the hypothetical train of Hardy, Lawrence and Woolf not following an existing track but tunnelling beneath surfaces.

Although the body has recently emerged throughout the humanities and social sciences as an object revealing the power and limits of representation, the study of narrative has almost entirely ignored human corporeality. As this book shows, attention to the body raises uncomfortable questions about the historicity of basic narrative concepts like character, plot, and narration--questions that critics would often prefer to ignore. Daniel Punday argues that narrative itself is a concept constructed by modern-day critics based on assumptions about identity, desire, movement and place that depend on modern ways of thinking about corporeality.

Towards a Theory of Life-Writing:Genre Blending provides a look into the rules of life-writing genre blending proposing a theory to explain and illustrate the main regulations governing such genre play. It centers on fact and fiction duality in the formation of auto/biofictional genres. This book investigates the existing developments in this field, and explores major criticism and lines of inquiry in order to arrive at the theory of life-writing genre play textuality. The specific interplay of the different generic characteristics develops a specific textuality at the heart of it. This is termed biofictional preservation (biopreservation) to explain the textual transformation and the shaping of the auto/biofictional genres. Written for undergraduate and graduate students, but also for the general readers, the book further exemplifies the theory in the analyses of different biofictions about the American authors F. Scott Fitzgerald and Ernest Hemingway featuring overlapping and juxtaposed material. This volume aims to provide a theory of this specific textuality in order to better understand and approach the process in question as well as to open up new horizons for further study and exploration.

This book offers a comprehensive and engaging introduction to the work of Homi K. Bhabha, a key figure in both post-colonial and post-structuralist theory.It outlines the key principles behind Bhabha's work and offers readings of widely-studied literary texts. It is clear and accessible for students.This comprehensive introduction to the work of Homi K. Bhabha, a key figure in both post-colonial and post-structuralist theory, is accessible and engaging. Like other titles in the Transitions series, the book first outlines the key principles behind his work and then uses this outline to offer readings of widely-studied literary texts.

Tang and Wijaya present a range of new and established scholarly voices, including local activists directly involved in developments in Southeast Asia. This groundbreaking collection presents the current state of play and longstanding LGBTQ+ debates in this often-overlooked region of Asia. The diversity of both the subject and the region is reflected in the broad scope of topics addressed, from the impact of Japanese queer popular culture on queer Filipinos, to the politics of public toilets in Singapore, and the impact of digital governance on queer communities across ASEAN. Taken in combination, these investigations not only highlight the operations of queer politics in Southeast Asia, but also present a concrete basis to reflect on queer knowledge production in the region. A vital resource for students and scholars of gender and sexuality in Southeast Asia, or any Queer or LGBTQ+ studies looking beyond the West.

This book, first published in 1986, explores the allusions in Dickens's work, such as current events and religious and intellectual issues, social customs, topography, costume, furniture and transportation. Together with an analysis of Dickens's imaginative responses to his culture, and their place in the genesis and composition of the text, this book is a full-scale, thoroughgoing annotation that The Mystery of Edwin Drood requires.

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norris' book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

This work proposes a radical view of the influence that colonised societies have had on their former colonisers. In this work, Bill Ashcroft extends the arguments posed in "The Empire Writes Back" to investigate the transformative effects of post-colonial resistance and the continuing relevance of colonial struggle. The book demonstrates the remarkable capacity for change and adaptation emanating from post-colonial cultures both in everyday life and in the intellectual spheres of literature, history and philosophy. The transformations of post-colonial literary study have not been limited to a simple rewriting of the canon but have also affected the ways in which all literature can be read and have let to a more profound understanding of the network of cultural practices that influence creative writing.

Written from diverse perspectives, the eleven essays that make up "Vargas Llosa and Latin American Politics" portray the Nobel Prize-winning Peruvian novelist not only as one of the most celebrated writers of the last 50 years, but also as a central influence on the region's political evolution. Ever since his conversion to free market ideology in the 1980s, Mario Vargas Llosa has waged public battle against what he believes are the scourges of socialism and populism. This book studies the fiction and journalism of Vargas Llosa in the context of his political thought.

What do we mean by 'voice' in poetry? In this work, David Nowell Smith teases out the diverse meanings of 'voice', from a poem's soundworld to the rhetorical gestures through which poems speak to us, in order to embark on a philosophical exploration of the concept of voice itself.

How do we know the other culture? How do such inquiries impact on our knowledge of our own culture? These questions lie at the heart of comparative intercultural studies. As a theoretical inquiry into how conceptual resources of cultures (such as explicit and implicit categories of thought) may pre-figure our perspectives, this book re-conceives and reorients comparative intercultural inquiry by arguing for the importance of an epistemological approach and for its potential to transform current critical paradigms, in contrast to approaches that emphasize primarily the political and the ethical. By critically engaging with and developing the insights of scholars and thinkers from both Anglo-American and Continental traditions, the book makes a significant meta-critical contribution to a rethinking of comparative intercultural studies and literary theory. It will be of interest to students and scholars in comparative literature, English, world literature, and global and translation studies.