This collection examines ways in which modern literature responds to the body-at-war, examining the effects of violent conflict on the body in its literal and representative forms. Spanning literature from World War I to the present day, it includes essays on pacifist theatre, torture, fascist fantasies, and uniforms and masculinity.

Theories of Memory provides a comprehensive introduction to the rapidly expanding field of memory studies. It is a resource through which students of literature will be able both to broaden their knowledge of contemporary theoretical perspectives and to trace the development of ideas about memory from the classical period to the present.

The reader is organized into three parts:

Part I, Beginnings, is historical in scope. Its three sections, Classical and Early Modern Ideas of Memory, Enlightenment and Romantic Memory, and Memory and Late Modernity, lay out key psychological, rhetorical, and cultural concepts of memory in the work of a range of thinkers from Plato to Walter Benjamin.

Part II, Positionings, identifies three major perspectives through which memory has been defined and debated more recently: Collective Memory, Jewish Memory Discourse, and Trauma.

Part III, Identities, examines the key role of memory in contemporary constructions of identity under the headings of Gender, Race/Nation, and Diaspora.

"Animated by scandals, scoundrels and imposters, this collection, with contributions from prominent scholars of literature, history and law, seeks to address issues of identity, trust and deception in eighteenth- and nineteenth-century Britain through the optic of the twin concepts of legitimacy and illegitimacy"--Provided by publisher.

To explore literary silence is to explore the relationships between literary texts and the silence of the ineffable. It is to enquire what dynamics texts develop as they strive to 'say the unsayable', and it is to think literature as a silence that speaks itself. This study describes these literary and silent dynamics through readings of Pascal's Pensees, Rousseau's Reveries, and Beckett's trilogy Molloy, Malone meurt, and L'Innommable. It contributes to our understanding of three major writers and challenges our idea of what silence is. The subject of silence and of the ineffable has a long philosophical and critical tradition. A careful study of this tradition reveals the dominance of a limiting dualistic understanding of silence and its relationship to noise or language: silence becomes the negative other, the beyond, about which there remains nothing to say. The study of literary silence seeks rather to trace a language that becomes its own silence. It compromises the attempt to think a silence that moves within and through texts, that is inherent to the literary expression. Central to this theoretical endeavour are thinkers like Derrida, Deleuze, Gadamer, and Vattimo (among several others). The theoretical understanding of silence permits an effective methodology for reading literary silence. Notions of repetition, the aporia and the implosion, which are developed in reference to Kierkegaard and Bataille, describe textual strategies of literary silence and structure the readings. Finally, the reading of literary silence has its point of reference in writers like Mallarme, Blanchot, and Beckett. It is their texts that have taught us to become topological readers, to move in and out of texts' movements; they have shown us how the literary expression is irreducible to linear, meaning oriented language. As readers of such texts we have been prepared to read the dynamics of the unsayable, and finally to start discerning the silences of the literary.

"Scenes of Intimacy" analyzes the representation of acts and relationships of intimacy in contemporary literature, the effect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory. Opening with an in-depth interview with literary critic, Derridean, and novelist Professor Nicholas Royle, the volume contains eleven further essays that move from intimate scenes of familial and pedagogic legacy, on to representations of love, of sex, and finally to scenes of death and dying. The essays are textually attentive to how literary techniques create intimacy, and draw upon new and notable theoretical positions and critics from queer theory, affect studies, psychoanalysis, poststructualism and deconstruction to ask difficult and uncomfortable questions about intimacy and its representation. Across the genres of poetry, autobiography, journals, love letters, short stories and novels, "Scenes of Intimacy" shows that contemporary literature poses new possibilities and questions about our intimate relationalities, their failures and their futures.

The debate over extending full civil rights to British and Irish Catholics not only preoccupied British politics but also informed the romantic period's most prominent literary works. This book offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period's most contentious issues.

Writing in fragments is often held to be one of the most distinctive signature effects of Romantic, modern, and postmodern literature. But what is the fragment, and what may be said to be its literary, philosophical, and political significance? Few writers have explored these questions with such probing radicality and rigorous tenacity as the French writer and thinker Maurice Blanchot.
For the first time in any language, this book explores in detail Blanchot's own writing in fragments in order to understand the stakes of the fragmentary within philosophical and literary modernity. It attends in detail to each of Blanchot's fragmentary works "(Awaiting Forgetting, The Step Not Beyond," and" The Writing of the Disaster") and reconstructs Blanchot's radical critical engagement with the philosophical and literary tradition, in particular with Hegel, Nietzsche, Heidegger, Heraclitus, Levinas, Derrida, Nancy, Mallarme, Char, and others, and assesses Blanchot's account of politics, Jewish thought, and the Shoah, with a view to understanding the stakes of fragmentary writing in Blanchot and within philosophical and literary modernity in general.

Aristotle's Poetics is one of the most powerful, perceptive and influential works of criticism in Western literary history. A penetrating, near-contemporary account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealized yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals. Essential reading for all students of Greek literature and of the many Renaissance and post-Renaissance writers who consciously adopted Aristotle as a model, the Poetics is equally stimulating for anyone interested in theatre today.

In the thirty years since the
publication of Stephen Greenblatt's "Renaissance Self-Fashioning"
overthrew traditional modes of Shakespeare criticism, New Historicism and Cultural
Materialism have rapidly become the dominant modes for studying and writing
about the Bard. This comprehensive guide introduces students to the key
writers, texts and ideas of contemporary Shakespeare criticism and alternatives
to new historicist and cultural materialist approaches suggested by a range of
dissenters including evolutionary critics, historical formalists and advocates
of 'the new aestheticism', and the more politically active presentists.
"Shakespeare and Contemporary Theory" covers such topics as:
The key theoretical
influences on new historicism including Michel Foucault and Louis Althusser.
The major critics, from Stephen Greenblatt to Jonathan Dollimore and Alan
Sinfield.
Dissenting views from traditional critics and contemporary theorists.
Chapter summaries and questions for discussion throughout encourage students to
critically engage with contemporary Shakespeare theory for themselves. The book
includes a 'Who's Who' of major critics, a timeline of key publications and a
glossary of essential critical terms to give students and teachers easy access
to essential information.

Since its foundation a little over a century ago, psychoanalysis has been fascinated by literature. Freud himself was fond of saying that poets were there before him, hinting that the findings of psychoanalysis were foreshadowed in works of literature. Sophocles's Oedipus Rex and Shakespeare's Hamlet are only the most famous literary works around which Freud developed his ideas - but literature appears 'in' psychoanalysis in the shape of Freud's brilliant and inventive storytelling, as well as in explicit theoretical themes. Literature in Psychoanalysis explores the ongoing dialogue between literature and psychoanalysis in contemporary essays that revisit and revise classic Freudian positions (such as Freud's and Jones's reading of Hamlet, and Freud's account of the 'uncanny') and consider literary treatments of the analytic (including Nicolas Abraham's remarkable 'Sixth Act' to Hamlet and Helene Cixous's feminist dramatization of Freud's 'Dora' case history in Portrait of Dora). The volume also presents the use of literary terms in the post-Freudian history of Freud's 'Wolf Man' through the stunning work of Nicolas Abraham and Maria Torok on the Wolf Man's buried 'magic word'.Resisting the idea of 'applying' psychoanalytic theory to literature, Steve Vine's collection, along with his helpful introductory notes to each section and essay, shows the ways in which literature and psychoanalysis are involved with each other. It is an invaluable resource for teachers and students of literature and theory alike, and for all those with a general interest in the interaction between literature and psychoanalysis.

Aleksis Kivi (1834-1872) is Finland's greatest writer. His great 1870 novel The Brothers Seven has been translated 59 times into 34 languages. Is he world literature, or not? In Aleksis Kivi and/as World Literature Douglas Robinson uses this question as a wedge for exploring the nature and nurture of world literature, and the contributions made by translators to it. Drawing on Deleuze and Guattari's notion of major and minor literature, Robinson argues that translators have mainly "majoritized" Kivi-translated him respectfully-and so created images of literary tourism that ill suit recognition as world literature. Far better, he insists, is the impulse to minoritize-to find and celebrate the minor writer in Kivi, who "sends the major language racing."

Trollope and the Magazines examines a serial publication of several of Trollope's novels in the context of the gendered discourses circulating in a range of Victorian magazines--including Cornhill, Good Words, Saint Pauls, and the Fortnightly Review. It highlights the importance of the periodical press in the literary culture of Victorian Britain, and argues that readers today need to engage with the lively cultural debates in the magazines, in order to appreciate more fully the complexity of Trollope's popular fiction.

Including original contributions by, among others, Martin Amis, Alan Sillitoe, Ruth Fainlight and D.J. Taylor, this important collection examines the status and practice of literary biography and autobiographical writing, and reasserts the centrality of the relationship between authors' lives and their works.

This book charts the history of the concept of nihilism in some of the most important philosophers and literary theorists of the modern and postmodern periods, including Wyndham Lewis, Heidegger, Adorno, Blanchot, Derrida, and Vattimo. Focusing in particular on the ways in which each of these thinkers produces a theory of the literary as the privileged form of resistance to nihilism, Weller offers the first in-depth analysis of nihilism's key role in the thinking of the aesthetic since Nietzsche.

'Reading by Numbers: Recalibrating the Literary Field' proposes and demonstrates a new digital approach to literary history. Drawing on bibliographical information on the Australian novel in the AustLit database, the book addresses debates and issues in literary studies through a method that combines book history's pragmatic approach to literary data with the digital humanities' idea of computer modelling as an experimental and iterative practice. As well as showcasing this method, the case studies in 'Reading by Numbers' provide a revised history of the Australian novel, focusing on the nineteenth century and the decades since the end of the Second World War, and engaging with a range of themes including literary and cultural value, authorship, gender, genre and the transnational circulation of fiction. The book's findings challenge established arguments in Australian literary studies, book history, feminism and gender studies, while presenting innovative ways of understanding literature, publishing, authorship and reading, and the relationships between them. More broadly, by demonstrating critical ways in which the growing number of digital archives in the humanities can be mined, modelled and visualised, 'Reading by Numbers' offers new directions and scope for digital humanities research.

"Queer Narratives of the Caribbean Diaspora: Exploring Tactics" combines the fields of queer and diasporic writing. It opens up an entire new domain where social and cultural meanings of sexuality within Caribbean space become objects of historical, colonial and literary investigations. By juxtaposing queerness, nation and belonging, this book unlocks both disciplines, making them permeable to other contexts and perspectives. Exploring the works of writers such as Shani Mootoo, Jamaica Kincaid and Lawrence Scott, this book investigates the Western notions of sexual identity and belongingness alongside postcolonial deployments of nation, diaspora and sexuality. The book adds to the abundant fields of queer and diaspora studies by intersecting them, in order not only to render their ability to work together but also to expose their weaknesses and highly contested underpinnings.

Norris presents a series of closely linked chapters on recent developments in epistemology, philosophy of language, cognitive science, literary theory, musicology and other related fields. While to this extent adopting an interdisciplinary approach, Norris also very forcefully challenges the view that the academic "disciplines" as we know them are so many artificial constructs of recent date and with no further role than to prop up existing divisions of intellectual labour. He makes his case through some exceptionally acute revisionist readings of diverse thinkers such as Derrida, Paul de Man, Wittgenstein, Chomsky, Michael Dummett and John McDowell. In each instance Norris stresses the value of bringing various trans-disciplinary perspectives to bear while none-the-less maintaining adequate standards of area-specific relevance and method. Most importantly he asserts the central role of recent developments in cognitive science as pointing a way beyond certain otherwise intractable problems in philosophy of mind and language.

Until recently, the work of Jean-Paul Sartre seemed to have faded out of fashion. Existentialism was replaced by structuralism and poststructuralism, and Sartrean philosophy was relegated to anthologies. In France and the United States, real confrontation with his work has been virtually missing. This collection of essays addresses this absence by shedding light on Sartre's contribution to critical trends that have been developing over the last twenty years, including feminism, gender studies and post-colonial studies. In addition, the essays combine to reassess Sartre's importance in such traditional fields as literature, philosophy and psychoanalysis. An essential, comprehensive volume of work, Situating Sartre in Twentieth-Century Thought and Culture updates and expands the scope of Sartrean studies.

This volume offers an interdisciplinary approach to six examples of West Indian fiction, combining symbolic anthropology with traditional literary criticism. Focusing on works by George Lamming and Wilson Harris, two vastly dissimilar Caribbean writers, Joyce Jonas identifies an emerging West Indian aesthetic, stressing the conflict between oral and written communication, and between folk culture and imperialist domination. By applying post-modernist literary theories to the texts, Dr. Jonas explores colonization as a key metaphor for exploitation of gender, class, race, and environment. The six novels surveyed all describe a "plantation landscape" within which the action takes place, and which provides a context for a study of the polarized world of colonizer and colonized. Two icons are employed in the analysis: the Great House, a colonial world view of binary oppositions, and Anancy, a trickster-figure of West Indian folklore. The first of the three essays focuses on the collision between imperialist culture and the submerged folk heritage. The second explores the phenomenon of exile through the artist-in-the-text, a feature common to all six novels that places the artist at the crossroads of a colonized world. Finally, the third essay blends the anthropological concept of liminality with a feminist perspective, widening the discussion to embrace all types of oppressive exploitation. With its subtle literary readings and its philosophical commentary, this volume will be a significant resource for courses in West Indian and Third World literature, literature and culture, and race and gender in literature. It will also be an important addition to academic and public libraries.

Best International Debut in 2017 (awarded by Romanian General and Comparative Literature Association) Most Prestigious Publication in the Humanities (awarded by the Senate of the University of Bucharest) Surrealism began as a movement in poetry and visual art, but it turned out to have its widest impact worldwide in fiction-including in major world writers who denied any connection to surrealism at all. At the heart of this book are discoveries Delia Ungureanu has made in the archives of Harvard's Widener and Houghton libraries, where she has found that Jorge Luis Borges and Vladimir Nabokov were greatly indebted to surrealism for the creation of the pivotal characters who brought them world fame: Pierre Menard and Lolita. In From Paris to Tloen: Surrealism as World Literature, Ungureanu explores the networks of transmission and transformation that turned an avant-garde Parisian movement into a global literary phenomenon. From Paris to Tloen gives a fresh account of surrealism's surprising success, exploring the process of artistic transfer by which the surrealist object rapidly evolved from a purely poetic conception to a mainstay of surrealist visual art and then a key element in late modernist and postmodern fiction, from Borges and Nabokov to such disparate writers as Gabriel Garcia Marquez, Haruki Murakami, and Orhan Pamuk in the 21st century.

Drawing on Louis Althusser's concept of internal distantiation, " Reconstituting Americans" reads post-1960s U.S. literature to reveal the representational paradoxes of liberal multicultural subjecthood. This engaging study uses historicist and formalist methodologies within Marxist, psychoanalytic, and critical race frameworks to discuss the formal techniques in the work of Arturo Islas, Bharati Mukherjee, Jamaica Kincaid, Reginald McKnight, and Audre Lorde. Megan Obourn deftly looks at the historical and social realities of social identities, while simultaneously bringing to the fore the limitations of liberal multicultural ways of conceptualizing identity and difference.

Ousselin sets out to show that Europe is essentially a literary fiction and that the ongoing movement towards European unity cannot be understood without reference to the literary works that helped bring it about.

With the diminished influence of intellectuals outside the academy and a marked decline in the quality of public discourse, many observers have called for the return of the "public intellectual." At the same time, religion is playing an increasingly public role in the modern world. This collection of essays examines the possibility that both religion and literature, in their complex interactions, are capable of reentering and renewing what the eminent German philosopher Jürgen Habermas refers to as "the public sphere."

This ground-breaking study argues that literature and criminology share a common concern to understand modernity and that this project is often focused upon gender-specific criminality. Central to this concern is duplicity masquerade and performance. These subjects are explored for the first time in relation to criminality with reference to a range of literary and popular texts, from Dickens and Poe through to Toni Morrison and Easton Ellis, in which the traditional boundaries between different genders and sexualities are made more fluid and complex than in traditional criminal narratives.

Marxism initiated a new era not only for people to fight for socialist future, but also for each discipline of sciences to witness profound changes. In such a context, literature, which has always been closely related to politics, will inevitably move toward a new direction. This book is composed of two parts. Part One studies the development of literary theories in contemporary China from a Marxist perspective. It introduces the basic ideas of Marxist literary theories as well as their spread and development in China, such as the combination of the theories and Chinese revolutionary literature. Moreover, it discusses the challenges facing Marxist literary theories in the 21st century under the background of diversification of literature and art, in terms of theory and practice, and high technologies which brought about electronic writing and digital communication of literary works. The second part elucidates the author's insights into major issues concerning literary theories (e.g. the relationship between literature and people, literature and reality, perception and rationality in literary creation, etc.) This book will appeal to scholars and students of literary aesthetics and Chinese literary and cultural studies. People who are interested in history of contemporary Chinese literature will also benefit from this book.