The debate over extending full civil rights to British and Irish Catholics not only preoccupied British politics but also informed the romantic period's most prominent literary works. This book offers the first comprehensive, interdisciplinary study of Catholic Emancipation, one of the romantic period's most contentious issues.

At a time increasingly dominated by globalization, migration, and the clash between supranational and ultranational ideologies, the relationship between language and borders has become more complicated and, in many ways, more consequential than ever. This book shows how concepts of 'language' and 'multilingualism' look different when viewed from Belize, Lagos, or London, and asks how ideas about literature and literary form must be remade in a contemporary cultural marketplace that is both linguistically diverse and interconnected, even as it remains profoundly unequal. Bringing together scholars from the fields of literary studies, applied linguistics, publishing, and translation studies, the volume investigates how multilingual realities shape not only the practice of writing but also modes of literary and cultural production. Chapters explore examples of literary multilingualism and their relationship to the institutions of publishing, translation, and canon-formation. They consider how literature can be read in relation to other multilingual and translational forms of contemporary cultural circulation and what new interpretative strategies such developments demand. In tracing the multilingual currents running across a globalized world, this book will appeal to the growing international readership at the intersections of comparative literature, world literature, postcolonial studies, literary theory and criticism, and translation studies.

The problem of the nature of fiction and the problem of nonexistence are closely tied because fiction often talks about nonexistent entities. In Fiction, Reference, and Nonexistence, A. P. Martinich and Avrum Stroll, two of America's leading philosophers, explore fiction and undertake an analytic philosophical study of fiction and its reference and its relation to truth. Included in the discussion is the authors' new, contemporary theory of fiction developed as an extension of the speech act theory of H. P. Grice, as well as the relationship between nonexistence and Bertrand Russell's well-known theory of definite descriptions, and Hilary Putnam's theory of the relationship between common names and the world.

Marxism initiated a new era not only for people to fight for socialist future, but also for each discipline of sciences to witness profound changes. In such a context, literature, which has always been closely related to politics, will inevitably move toward a new direction. This book is composed of two parts. Part One studies the development of literary theories in contemporary China from a Marxist perspective. It introduces the basic ideas of Marxist literary theories as well as their spread and development in China, such as the combination of the theories and Chinese revolutionary literature. Moreover, it discusses the challenges facing Marxist literary theories in the 21st century under the background of diversification of literature and art, in terms of theory and practice, and high technologies which brought about electronic writing and digital communication of literary works. The second part elucidates the author's insights into major issues concerning literary theories (e.g. the relationship between literature and people, literature and reality, perception and rationality in literary creation, etc.) This book will appeal to scholars and students of literary aesthetics and Chinese literary and cultural studies. People who are interested in history of contemporary Chinese literature will also benefit from this book.

In Diachronic Dialogues: Authority and Continuity in Homer and the Homeric Tradition author Ahuvia Kahane considers central aspects of Homer's poetry, such as truth, knowledge, gender, virtue and the heroic code, authorship, memory and song, diction and formula. This book makes the case for performative, rather than essential values in the Illiad and the Odyssey. On the one hand performativity allows Homeric epic form to enact diverse claims and agendas in specific historical, cultural, and political contexts. On the other hand, the performative character of Homer's values implies radical resistance to fixity of reference, forms of meaning, and patterning, etc. No individual performers or group of historical interpreters can thus claim exclusive authority over the song and its contents i.e. over its truth, knowledge, social codes, its diction, authorship, etc. The interaction of diversity and radical resistance marks the traditional and canonical icon we call 'Homeric epic.' It is a shared record of many pasts open to all but exclusive to none. Performativity may be a general quality of all poetic discourse, or indeed of language itself. Nevertheless, this study suggests that in historical terms Homeric poetry has been, and perhaps still is, one of the most prominent sites for exercising tradition and claims of cultural continuity. Diachronic Dialogues is an essential addition to scholarship in literary criticism and the classics.

Climate Change and Writing the Canadian Arctic explores the impact of climate change on Canadian literary culture. Analysis of the changing rhetoric surrounding the discovery of the lost ships of the Franklin expedition serves to highlight the political and economic interests that have historically motivated Canada's approach to the Arctic and shaped literary representations. A recent shift in Canadian writing away from national sovereignty to circumpolar stewardship is revealed in detailed close readings of Kathleen Winter's Boundless and Sheila Watt-Cloutier's The Right to Be Cold.

This set of 37 volumes is a revival of the original Critical Idiom series. First published between 1969 and 1979, the volumes in this series provide concise and accessible introductions to a range of critical terms which are key to the study of literature. This set will be a valuable resource for students working with complex literary terminology.

This book explores how literary texts envision England and respond to discourses and conceptions of Englishness and the English nation, especially in relation to gender and language. The essays discuss texts from the fifteenth to the twentieth century and bear witness to changing views of England and the English, highlighting the importance of religion, economy, landscape, the spectre of the "other" and language in this discourse. The volume pays attention to women writers' reflection on the nation and the roles female figures play in male writers' visions of nationhood. It brings into conversation less well-known voices like those of Osbern Bokenham, Thomas Deloney, Eleanor Davies and Jacquetta Hawkes with canonical authors-William Shakespeare, William Wordsworth, Jane Austen and Virginia Woolf-and opens a space for exploring the interplay of dominant and variant voices in the fashioning of England.

This open access book explores literary works and practices - always existing in the dynamic relation between locations and orientations - in a series of carefully designed case studies. Explicitly expressed or implied, manifesting itself sometimes as dislocation and disorientation, the claiming of space by any symbolic means necessary is revealed as a constant effect of literary endeavors. In dialogue with geopolitics of culture, sociology and anthropology, attention to literary locations and orientations brings spatial particularity into the study of world literatures. These case studies demonstrate that four key terms (cosmopolitan, vernacular, location, orientation) can frame analyses of very different types of literary acts and texts in the contemporary period, allowing for distinctions that are not captured within the grids of other conceptual pairs like centre-periphery, local-global, postcolonial-metropolitan, North-South. With this framing, expressive practices in a wide range of regions - including Europe, Africa, the Middle East and the Pacific - are analysed in ways that bring out how spatiality is at stake in the cosmopolitan-vernacular dynamic. The eBook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.

Since its foundation a little over a century ago, psychoanalysis has been fascinated by literature. Freud himself was fond of saying that poets were there before him, hinting that the findings of psychoanalysis were foreshadowed in works of literature. Sophocles's Oedipus Rex and Shakespeare's Hamlet are only the most famous literary works around which Freud developed his ideas - but literature appears 'in' psychoanalysis in the shape of Freud's brilliant and inventive storytelling, as well as in explicit theoretical themes. Literature in Psychoanalysis explores the ongoing dialogue between literature and psychoanalysis in contemporary essays that revisit and revise classic Freudian positions (such as Freud's and Jones's reading of Hamlet, and Freud's account of the 'uncanny') and consider literary treatments of the analytic (including Nicolas Abraham's remarkable 'Sixth Act' to Hamlet and Helene Cixous's feminist dramatization of Freud's 'Dora' case history in Portrait of Dora). The volume also presents the use of literary terms in the post-Freudian history of Freud's 'Wolf Man' through the stunning work of Nicolas Abraham and Maria Torok on the Wolf Man's buried 'magic word'.Resisting the idea of 'applying' psychoanalytic theory to literature, Steve Vine's collection, along with his helpful introductory notes to each section and essay, shows the ways in which literature and psychoanalysis are involved with each other. It is an invaluable resource for teachers and students of literature and theory alike, and for all those with a general interest in the interaction between literature and psychoanalysis.

Chinese and Western Literary Influence in Liu Cixin's Three Body Trilogy examines Liu Cixin's acclaimed trilogy, a Chinese science fiction epic whose translation is exceedingly popular in the Western world. Will Peyton argues that the ingenuity of Liu's writing is found in its conscious engagement with translated Western fiction rather than, as one might expect, in Chinese language science fiction of the past. The book illustrates how contemporary Chinese fiction, since the economic opening of China in the late 1980s, is deeply and complexly influenced by various strains in Western literary and intellectual thought, an area that scholars of Chinese literature have tended to neglect. Providing a lucid and succinct close-reading and textual analysis of Three Body trilogy, the book also makes reference to broader ideas and themes in modern Chinese and Western intellectual history.

Including original contributions by, among others, Martin Amis, Alan Sillitoe, Ruth Fainlight and D.J. Taylor, this important collection examines the status and practice of literary biography and autobiographical writing, and reasserts the centrality of the relationship between authors' lives and their works.

"Queer Narratives of the Caribbean Diaspora: Exploring Tactics" combines the fields of queer and diasporic writing. It opens up an entire new domain where social and cultural meanings of sexuality within Caribbean space become objects of historical, colonial and literary investigations. By juxtaposing queerness, nation and belonging, this book unlocks both disciplines, making them permeable to other contexts and perspectives. Exploring the works of writers such as Shani Mootoo, Jamaica Kincaid and Lawrence Scott, this book investigates the Western notions of sexual identity and belongingness alongside postcolonial deployments of nation, diaspora and sexuality. The book adds to the abundant fields of queer and diaspora studies by intersecting them, in order not only to render their ability to work together but also to expose their weaknesses and highly contested underpinnings.

Trollope and the Magazines examines a serial publication of several of Trollope's novels in the context of the gendered discourses circulating in a range of Victorian magazines--including Cornhill, Good Words, Saint Pauls, and the Fortnightly Review. It highlights the importance of the periodical press in the literary culture of Victorian Britain, and argues that readers today need to engage with the lively cultural debates in the magazines, in order to appreciate more fully the complexity of Trollope's popular fiction.

Wagering on Transcendence explores the question of ultimate meaning in literature. Through essays, Mount Mary College professors from various disciplines analyze several pieces of literature from a variety of genres and authors to show how each depicts the human struggle to find meaning.

The essays analyze concrete examples of spiritual journeys, the ways in which nature can be an avenue of transcendence, the transforming effect that the search for meaning can have on the individual, how transcendence can be experienced through community, the roles of language and story in the quest for transcendence, and the wager itself: how our bets about the existence of the Divine determine how we live our lives.

C. G. Jung understood the anima in a wide variety of ways but especially as a multifaceted archetype and as a field of energy. In Anima and Africa: Jungian Essays on Psyche, Land, and Literature, Matthew A. Fike uses these principles to analyze male characters in well-known British, American, and African fiction. Jung wrote frequently about the Kore (maiden, matron, crone) and the "stages of eroticism" (Eve, Mary, Helen, Sophia). The feminine principle's many aspects resonate throughout the study and are emphasized in the opening chapters on Ernest Hemingway, Henry Rider Haggard, and Olive Schreiner. The anima-as-field can be "tapped" just as the collective unconscious can be reached through nekyia or descent. These processes are discussed in the middle chapters on novels by Laurens van der Post, Doris Lessing, and J. M. Coetzee. The final chapters emphasize the anima's role in political/colonial dysfunction in novels by Barbara Kingsolver, Chinua Achebe/Nadine Gordimer, and Aphra Behn. Anima and Africa applies Jung's African journeys to literary texts, explores his interest in Haggard, and provides fresh insights into van der Post's late novels. The study discovers Lessing's use of Jung's autobiography, deepens the scholarship on Coetzee's use of Faust, and explores the anima's relationship to the personal and collective shadow. It will be essential reading for academics and scholars of Jungian and post-Jungian studies, literary studies, and postcolonial studies, and will also appeal to analytical psychologists and Jungian psychotherapists in practice and in training.

Drawing on Louis Althusser's concept of internal distantiation, " Reconstituting Americans" reads post-1960s U.S. literature to reveal the representational paradoxes of liberal multicultural subjecthood. This engaging study uses historicist and formalist methodologies within Marxist, psychoanalytic, and critical race frameworks to discuss the formal techniques in the work of Arturo Islas, Bharati Mukherjee, Jamaica Kincaid, Reginald McKnight, and Audre Lorde. Megan Obourn deftly looks at the historical and social realities of social identities, while simultaneously bringing to the fore the limitations of liberal multicultural ways of conceptualizing identity and difference.

This fascinating collection draws together perspectives on the future of writing in publishing, journalism and online sites. Discussion ranges across the challenges and opportunities for writing and publishing in the context of new content platforms, formats and distribution networks, including e-books, online news and publishing, and social media.

This book charts the history of the concept of nihilism in some of the most important philosophers and literary theorists of the modern and postmodern periods, including Wyndham Lewis, Heidegger, Adorno, Blanchot, Derrida, and Vattimo. Focusing in particular on the ways in which each of these thinkers produces a theory of the literary as the privileged form of resistance to nihilism, Weller offers the first in-depth analysis of nihilism's key role in the thinking of the aesthetic since Nietzsche.

In Diachronic Dialogues: Authority and Continuity in Homer and the Homeric Tradition author Ahuvia Kahane considers central aspects of Homer's poetry, such as truth, knowledge, gender, virtue and the heroic code, authorship, memory and song, diction and formula. This book makes the case for performative, rather than essential values in the Illiad and the Odyssey. On the one hand performativity allows Homeric epic form to enact diverse claims and agendas in specific historical, cultural, and political contexts. On the other hand, the performative character of Homer's values implies radical resistance to fixity of reference, forms of meaning, and patterning, etc. No individual performers or group of historical interpreters can thus claim exclusive authority over the song and its contents i.e. over its truth, knowledge, social codes, its diction, authorship, etc. The interaction of diversity and radical resistance marks the traditional and canonical icon we call "Homeric epic." It is a shared record of many pasts open to all but exclusive to none. Performativity may be a general quality of all poetic discourse, or indeed of language itself. Nevertheless, this study suggests that in historical terms Homeric poetry has been, and perhaps still is, one of the most prominent sites for exercising tradition and claims of cultural continuity. Diachronic Dialogues is an essential addition to scholarship in literary criticism and the classics.

Political Economy and the Novel: A Literary History of 'Homo Economicus' provides a transhistorical account of homo economicus (economic man), demonstrating this figure's significance to economic theory and the Anglo-American novel over a 250-year period. Beginning with Adam Smith's seminal texts - Theory of Moral Sentiments and The Wealth of Nations - and Henry Fielding's A History of Tom Jones, this book combines the methodologies of new historicism and new economic criticism to investigate the evolution of the homo economicus model as it traverses through Ricardian economics and Jane Austen's Sanditon; J. S. Mill and Charles Dickens' engagement with mid-Victorian dualities; Keynesianism and Mrs Dalloway's exploration of post-war consumer impulses; the a/moralistic discourses of Friedrich von Hayek, and Ayn Rand's Atlas Shrugged; and finally the virtual crises of the twenty-first century financial market and Don DeLillo's Cosmopolis. Through its sustained comparative analysis of literary and economic discourses, this book transforms our understanding of the genre of the novel and offers critical new understandings of literary value, cultural capital and the moral foundations of political economy.

Ousselin sets out to show that Europe is essentially a literary fiction and that the ongoing movement towards European unity cannot be understood without reference to the literary works that helped bring it about.

The standard interpretation keeps repeating that Camus is the prototypical "absurdist" thinker. Such a reading freezes Camus at the stage at which he wrote The Stranger and The Myth of Sisyphus. By taking seriously how (1) Camus was always searching and (2) the rest of his corpus, Albert Camus and the Philosophy of the Ordinary corrects the one-sided, and thus faulty, depiction of Camus as committed to a philosophy of absurdism. His guiding project, which he explicitly acknowledged, was an attempt to get beyond nihilism, the general dismissal of value and meaning in ordinary life. Tracing this project via Camus's works, Albert Camus and the Philosophy of the Ordinary, offers a new lens for thinking about the well-known author.

Norris presents a series of closely linked chapters on recent developments in epistemology, philosophy of language, cognitive science, literary theory, musicology and other related fields. While to this extent adopting an interdisciplinary approach, Norris also very forcefully challenges the view that the academic "disciplines" as we know them are so many artificial constructs of recent date and with no further role than to prop up existing divisions of intellectual labour. He makes his case through some exceptionally acute revisionist readings of diverse thinkers such as Derrida, Paul de Man, Wittgenstein, Chomsky, Michael Dummett and John McDowell. In each instance Norris stresses the value of bringing various trans-disciplinary perspectives to bear while none-the-less maintaining adequate standards of area-specific relevance and method. Most importantly he asserts the central role of recent developments in cognitive science as pointing a way beyond certain otherwise intractable problems in philosophy of mind and language.

This volume offers an interdisciplinary approach to six examples of West Indian fiction, combining symbolic anthropology with traditional literary criticism. Focusing on works by George Lamming and Wilson Harris, two vastly dissimilar Caribbean writers, Joyce Jonas identifies an emerging West Indian aesthetic, stressing the conflict between oral and written communication, and between folk culture and imperialist domination. By applying post-modernist literary theories to the texts, Dr. Jonas explores colonization as a key metaphor for exploitation of gender, class, race, and environment. The six novels surveyed all describe a "plantation landscape" within which the action takes place, and which provides a context for a study of the polarized world of colonizer and colonized. Two icons are employed in the analysis: the Great House, a colonial world view of binary oppositions, and Anancy, a trickster-figure of West Indian folklore. The first of the three essays focuses on the collision between imperialist culture and the submerged folk heritage. The second explores the phenomenon of exile through the artist-in-the-text, a feature common to all six novels that places the artist at the crossroads of a colonized world. Finally, the third essay blends the anthropological concept of liminality with a feminist perspective, widening the discussion to embrace all types of oppressive exploitation. With its subtle literary readings and its philosophical commentary, this volume will be a significant resource for courses in West Indian and Third World literature, literature and culture, and race and gender in literature. It will also be an important addition to academic and public libraries.