The book analyses the work of R.G. Collingwood and Romantic thinkers, taking an interdisciplinary approach to mythology The book traces the changing relationship between history and myth and argues for new methodological approaches The book brings forward the broader perspective of idealism, where history is viewed as a form of knowledge, to bear upon a discussion of the nature of myths

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norris' book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

Trauma and Motherhood in Contemporary Literature and Culture repositions motherhood studies through the lens of trauma theory by exploring new challenges surrounding conception, pregnancy, and postpartum experiences. Chapters investigate nine case studies of motherhood trauma and recovery in literature and culture from the last twenty years by exploring their emotional consequences through the lens of trauma, resilience, and "working through" theories. Contributions engage with a transnational corpus drawn from the five continents and span topics as rarely discussed as pregnancy denial, surrogacy, voluntary or involuntary childlessness, racism and motherhood, carceral mothering practices, surrogacy, IVF, artificial wombs, and mothering through war, genocide, and migration. Accompanied by an online creative supplement, this volume deals with silenced aspects of embodied motherhood while enhancing a better understanding of the cathartic effects of storytelling.

Representing Vulnerabilities in Contemporary Literature includes a collection of essays exploring the ways in which recent literary representations of vulnerability may problematize its visibilization from an ethical and aesthetic perspective. Recent technological and scientific developments have accentuated human vulnerability in many and different ways at a cross-national, and even cross-species level. Disability, technological, and ecological vulnerabilities are new foci of interest that add up to gender, precarity and trauma, among others, as forms of vulnerability in this volume. The literary visualization of these vulnerabilities might help raise social awareness of one's own vulnerabilities as well as those of others so as to bring about global solidarity based on affinity and affect. However, the literary representation of forms of vulnerability might also deepen stigmatization phenomena and trivialize the spectacularization of vulnerability by blunting readers' affective response towards those products that strive to hold their attention and interest in an information-saturated, global entertainment market.

Urban Enlightenment and the Eighteenth-Century Periodical Essay is the first extensive literary history of the eighteenth-century British periodical essay, and the first to examine the critical reception and canonizing of the genre in a transatlantic context. Drawing on a wide range of early Modern and Enlightenment essays, character writings and critical reviews, it argues that authors on both sides of the Atlantic came to regard the periodical essay as a literary means of transmitting moral-civic wisdom to posterity. As it traces the developments and changes in the genre across the century, this study devotes special attention to important but lesser-read mid-century London serials like the" World" and "Connoisseur," the "Edinburgh Mirror" and "Lounger," and Washington Irving's "Salmagundi." By recovering the conception of literary citizenship that grounds these serials' claims to the notice of posterity, "Urban Enlightenment" gives new insights into the historical character of the Enlightenment literary public sphere.

Written from diverse perspectives, the eleven essays that make up "Vargas Llosa and Latin American Politics" portray the Nobel Prize-winning Peruvian novelist not only as one of the most celebrated writers of the last 50 years, but also as a central influence on the region's political evolution. Ever since his conversion to free market ideology in the 1980s, Mario Vargas Llosa has waged public battle against what he believes are the scourges of socialism and populism. This book studies the fiction and journalism of Vargas Llosa in the context of his political thought.

Towards a Theory of Life-Writing:Genre Blending provides a look into the rules of life-writing genre blending proposing a theory to explain and illustrate the main regulations governing such genre play. It centers on fact and fiction duality in the formation of auto/biofictional genres. This book investigates the existing developments in this field, and explores major criticism and lines of inquiry in order to arrive at the theory of life-writing genre play textuality. The specific interplay of the different generic characteristics develops a specific textuality at the heart of it. This is termed biofictional preservation (biopreservation) to explain the textual transformation and the shaping of the auto/biofictional genres. Written for undergraduate and graduate students, but also for the general readers, the book further exemplifies the theory in the analyses of different biofictions about the American authors F. Scott Fitzgerald and Ernest Hemingway featuring overlapping and juxtaposed material. This volume aims to provide a theory of this specific textuality in order to better understand and approach the process in question as well as to open up new horizons for further study and exploration.

Tang and Wijaya present a range of new and established scholarly voices, including local activists directly involved in developments in Southeast Asia. This groundbreaking collection presents the current state of play and longstanding LGBTQ+ debates in this often-overlooked region of Asia. The diversity of both the subject and the region is reflected in the broad scope of topics addressed, from the impact of Japanese queer popular culture on queer Filipinos, to the politics of public toilets in Singapore, and the impact of digital governance on queer communities across ASEAN. Taken in combination, these investigations not only highlight the operations of queer politics in Southeast Asia, but also present a concrete basis to reflect on queer knowledge production in the region. A vital resource for students and scholars of gender and sexuality in Southeast Asia, or any Queer or LGBTQ+ studies looking beyond the West.

This is a book of meditative reading. Each of the sixty-one aphoristic entries aims to interpret Rilke's poetry as a musician might play Debussy's Clair de lune, to transpose into the key of language the song, the melody, and the refrain of Rilke's gentle disposition: his recognition of the transience of things; his acknowledgment of the vulnerability and fragility of people, animals, and flowers; his empathy toward those who suffer. The cut flowers gently laid out on the garden table "recovering from their death already begun" in one of theSonnets to Orpheus form a thread now visible now faint through most of this book. And because of the flowers, the concept of gentleness forms another thread, and because of gentleness, hands-agents of gentleness throughout Rilke's poetry-enfold these pages. The German word leise (gentle, tender, quiet) weaves the first thread; the second is woven by flowers, then by girls' hands, then by angels, the beloved, the poor, the dying and the dead, animals, birds, dogs, fountains, things, vanishings. The purpose of this essay is to experience and to examine gentleness, how it shapes and pervades Rilke's work, how his poetry might gently inspire us to become more gentle people.

This is a comprehensive and up-to-date critical examination of cultural diversity in Germanic-speaking societies. It goes beyond ethnic, religious, and gender stereotypes to show minority groups as active participants in German history rather than as passive victims. This collection of critical and theoretical essays seeks to interpret the current philosophical, aesthetic, and literary thinking about diversity in literature and language.

The book is divided into four parts: literary analyses of works produced by members of minority populations, linguistic discussions and case studies of minority groups, structures and strategies of discourse and prejudice, and studies of remedies for problems of racism and discrimination. Some of the most significant writers and thinkers in the field have contributed, making this volume of critical concern to scholars and students of German, modern languages, and comparative studies.

In James Joyce and the Politics of Egoism a leading scholar approaches the entire Joycean canon through the concept of "egoism". This concept, Jean-Michel Rabaté argues, runs throughout Joyce's work, and involves and incorporates its opposite, "hospitality", a term Rabaté understands as meaning an ethical and linguistic opening to "the other". Rabaté explores Joyce's complex negotiation between these two poles in a study of interest to all scholars of modernism.

This work proposes a radical view of the influence that colonised societies have had on their former colonisers. In this work, Bill Ashcroft extends the arguments posed in "The Empire Writes Back" to investigate the transformative effects of post-colonial resistance and the continuing relevance of colonial struggle. The book demonstrates the remarkable capacity for change and adaptation emanating from post-colonial cultures both in everyday life and in the intellectual spheres of literature, history and philosophy. The transformations of post-colonial literary study have not been limited to a simple rewriting of the canon but have also affected the ways in which all literature can be read and have let to a more profound understanding of the network of cultural practices that influence creative writing.

Acheraiou analyzes hybridity using a theoretical, empirical approach that reorients debates on metissage and the "Third Space," arguing for the decolonization of postcolonialism. Hybridity is examined in the light of globalization, indicating how postcolonial discourse could become a counter-hegemonic ethics of resistance to global neoliberal doxa.

Vibratory Modernism is a collection of original essays that will enable scholars and students to explore how vibrations provided a means of bridging science and art - two fields that became increasingly separate over the course of the nineteenth and early twentieth centuries. The book demonstrates the vital role played by vibrations in the fields of physics, physiology, spiritualism, and by new vibratory technologies, in helping to shape the way modernist art was made and viewed. The chapters are placed into three connecting parts focusing on literature, the visual arts and theatre, each part highlighting the diverse ways in which writers, artists and performers engaged with the fascinating world of vibrations.

How do we know the other culture? How do such inquiries impact on our knowledge of our own culture? These questions lie at the heart of comparative intercultural studies. As a theoretical inquiry into how conceptual resources of cultures (such as explicit and implicit categories of thought) may pre-figure our perspectives, this book re-conceives and reorients comparative intercultural inquiry by arguing for the importance of an epistemological approach and for its potential to transform current critical paradigms, in contrast to approaches that emphasize primarily the political and the ethical. By critically engaging with and developing the insights of scholars and thinkers from both Anglo-American and Continental traditions, the book makes a significant meta-critical contribution to a rethinking of comparative intercultural studies and literary theory. It will be of interest to students and scholars in comparative literature, English, world literature, and global and translation studies.

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norrisa (TM) book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations. Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens. Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and infused the rhetoric of cultural criticism and political activism.

This book is the first of its kind—a comprehensive account of transvestism and the performance of gender in Latin American literature and culture. It explores the figure of the transvestite and his/her relation to the body through a series of canonical Latin American texts. By analyzing works by Alejo Carpentier, José Donoso, Severo Sarduy, and Manuel Puig, alongside critical works in gender studies and queer theory, Sifuentes-Jauregui shows how transvestism operates not only to destabilize, but often to affirm sexual, gender, national, and political identities.

Narrative Medicine: A Rhetorical Rx rests on the principles that storytelling is central to medical encounters between caregivers and patients and that narrative competence enhances medical competence. Thus, the book's goal is to develop the narrative competence of its reader. Grounded in the rhetorical theory of narrative that Phelan has been constructing over the course of his career, this volume utilizes a three-step method: Offering a jargon-free explication of core concepts of narrative such as character, progression, perspective, time, and space. Demonstrating how to use those concepts to interpret a diverse group of medical narratives, including two graphic memoirs. Pointing to the relevance of those demonstrations for caregiver-patient interactions. Narrative Medicine: A Rhetorical Rx is the ideal volume for undergraduate students interested in pursuing careers in healthcare, students in medical and allied health professional schools, and graduate students in the health humanities and social sciences.

This book is an exploration of the viability of applying the post structuralist theory of intertextuality to early modern texts. It suggests that a return to a more theorised understanding of intertextuality, as that outlined by Julia Kristeva and Roland Barthes, is more productive than an interpretation which merely identifies 'source' texts. The book analyses several key early modern texts through this lens, arguing that the period's conscious focus on and prioritisation of the creative imitation of classical and contemporary European texts makes it a particularly fertile era for intertextual reading. This analysis includes discussion of early modern creative writers' utilisation of classical mythology, allegory, folklore, parody, and satire, in works by William Shakespeare, Sir Francis Bacon, John Milton, George Peele, Thomas Lodge, Christopher Marlowe, Francis Beaumont, and Ben Jonson, and foregrounds how meaning is created and conveyed by the interplay of texts and the movement between narrative systems. This book will be of interest to undergraduate and postgraduate students of early modern literature, as well as early modern scholars.

This Routledge Revival, first published in 1985, gives detailed attention to the bearing of literary theory on questions of truth, meaning and reference. On the one hand, deconstruction brings a vigilant awareness of the figural and narrative tropes that make up the discourse of philosophic reason. On the other it insists that argumentative rigour cannot be divorced from the kind of close reading that has come to characterize literary theory in its more advanced or speculative forms. This present-day a ~contest of facultiesa (TM) has large implications for philosophers and critics, many of whom will welcome the reissue of such a clear-headed statement of the impact of deconstruction.

The terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. Sarah Cole's examination of the literary and cultural history of twentieth century masculine intimacy considers such crucial themes as the broken friendships that permeate Forster's fictions, Lawrence's desperate urge to make culture out of blood brotherhood and the intense bereavement of the war poet. Cole argues that these dramas of compelling and often tortured male friendship have helped to define a particular voice within the literary canon.

From "Murphy "to "Rockaby" to "Worstward Ho," "Beckett's Masculinity" illustrates how Samuel Beckett's work functions as a testament to the site of memory for the historically erased twentieth-century Protestant, Anglo-Irish community. Jennifer Jeffers ably shows how Beckett converted his own personal traumatic loss of a masculine, patriarchal national identity into a sustained group of obsessive images in his texts. As Beckett's work matured, he utilized the strategies of emasculation and gender distortion to dismantle Western masculinity. "Beckett's Masculinity" shows that Western hegemonic masculinity was a source of private trauma and anxiety for Beckett; yet, he eventually transformed the twentieth-century literary landscape by harnessing the power of parodied masculinity and perverted gender in his work.

The book deals with Pound's literary criticism as a whole, and discusses his critical tenets and concepts as well as his critical evaluations of Arnaut Daniel, Dante, Cavalcanti, Villon, Chancer, Shakespeare, Milton, Thomas Hardy, Henry James, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound's critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modem French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.