Crisis management is of increasing importance to organisations. With the rise of single-issue pressure groups, the development of sophisticated and informed consumers and volatile voters, no organisation in the public or private sector can afford to neglect preparation for dealing with the disasters that may befall it. This book aims to improve the relationship between the media and those subject to media scrutiny at a time of crisis or disaster by generating mutual understanding of their needs. Drawing on the experience of practitioners, it aims to disseminate good practice. Part I sets the context and raises some general issues on the theme of communicating at a time of crisis or disaster. Part II looks at the relationships between media and those who are trying to manage the crisis in public relations and public information terms. It contains a number of case studies, each contributed by an expert, clearly explaining how a variety of crises and disasters were managed by the organisations concerned, and how they were reported by the media. Part III is an extended case study of the Hillsborough disaster, taking a candid look at what happened from the perspective of four very different people who were closely involved in the aftermath. The final section includes chapters on the value of training and rehearsal, and some of the lessons learned from Dunblane.

Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media-especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films include documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed over the past decade. Contributing to this burgeoning field of sponsored and educational film scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or "spills" in the 20th century to today's post industrial "petromelancholia."

As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as 'Aesthetic Journalism', challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer. The book explores how the production of truth has shifted from the domain of the news media to that of art and aestheticism. With examples and theories from within the contemporary art and journalistic-scape, the book questions the very foundations of journalism. Aesthethic Journalism suggests future developments of this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike.

This book argues that journalism is a more recent invention than most authors have acknowledged so far. The profession of the journalist and the journalistic discourse are the products of the emergence, during the second half of the 19th century, of a specialized field of discursive production, the journalistic field. The book analyzes the emergence of journalism and examines the development of discursive norms, practices and strategies which are characteristic of this discourse.

Esteemed journalism historian James Startt has crafted an intriguing case study of the relationship between political leadership and the mass media during its early days, using the political ascendancy of Woodrow Wilson as its focus. Wilson's emergence as a major political figure coincided with the arrival of a real mass media and a more independent, less partisan style of political coverage. While most nineteenth-century presidents remained aloof from the press, Wilson understood it could no longer be ignored: "The public man who fights the daily press won't be a public man very long."

Describes the decisions that led to the success of 16 software companies. The decisions are illustrated in detail, providing entrepreneurs with insights into what it takes to make a decision that can change the future of a company.

The postal systems in Europe, as well as in other industrialised and non industrialised countries, are currently undergoing radical changes in their institutional set-up, competitive behaviors, productive and distributive processes, range of services offered. The study of these changes and of the strategic options that become available to the different operators in this field is interesting. And this is so not only per se for the postal system but also in the perspective of the banking system and for the wider financial field, which interacts with the postal sector within a framework of competion and collaboration.

Real and Imagined Readers looks at an important period in South African literary history, marked by apartheid censorship and the extensive banning of intellectual and creative voices. Returning to the archive, this book offers a reader-centric view of the successive censorship laws, and the consequences of publication control on the world of books. Books and print culture created intersectional spaces of solidarity where ideas and knowledge were contested, mediated and translated into the socio-political domain. By focusing on these marginalised readers, Matteau Matsha sheds light on the reading cultures and practices that developed in the shadow of apartheid censorship, creating alternative literary spaces. Real readers engaged in an elusive dialogue with the censors' imagined readers, and definitions of literature and readerships emerged from this unusual connection, leading to the formation of literary conventions that inform reading politics to this day. By understanding reading as a complex and dynamic activity, this book stresses the importance of appreciating books in relation to the social context in which they are written and, most importantly, read.

Food packaging materials have traditionally been chosen to avoid unwanted interactions with the food. During the past two decades a wide variety of packaging materials have been devised or developed to interact with the food. These packaging materials, which are designed to perform some desired role other than to provide an inert barrier to outside influences, are termed 'active packaging'. The benefits of active packaging are based on both chemical and physical effects. Active packaging concepts have often been presented to the food industry with few supporting results of background research. This manner of introduction has led to substantial uncertainty by potential users because claims have sometimes been based on extrapolation from what little proven information is available. The forms of active packaging have been chosen to respond to various food properties which are often unrelated to one another. For instance many packaging requirements for post harvest horticultural produce are quite different from those for most processed foods. The object of this book is to introduce and consolidate information upon which active packaging concepts are based. Scientists, technologists, students and regulators will find here the basis of those active packaging materials, which are either commercial or proposed. The book should assist the inquirer to understand how other concepts might be applied or where they should be rejected.

The ultimate guide to how to redesign and rethink - reframe - your projects, initiatives and even your very business model, Cyber Commerce Reframing (CCR) shows you how to turn your company around in the Cyber Economy towards maximum use of information technology by additionally saving investments already made. In his vivid and hands-on book, the author provides you the insights of what went wrong with web-based business by examining failed companies all over the world. CCR constitutes an alternative to business process reengineering and optimization, which were partly not as successful as during the 80s and 90s in delivering expected results as they precondition too much additional investments, neglect organizations' uniqueness and often miss the starting point. Having designed, planned, supported and implemented CCR solutions at various companies of different size, the description of the work with corporate clients facilitates the task of incorporating CCR's novel ideas in your company.

This book examines the 'new' areas of telecommunications technology, focusing particularly on fixed data communications (including the internet) and mobile telecommunications (including the mobile internet). A sectoral systems of innovation approach is used as a conceptual framework for the analysis of the telecommunications sector, in terms of equipment, access and content. The authors consider the emergence and expansion of new technologies and explore how the sectoral system of innovation is evolving and how previously independent systems are now converging. In particular, they address the question of equipment production and the provision of intangible service products such as internet access and content. By addressing the production of both goods and services, they highlight the critical interdependence of service innovations and manufacturing innovations. Some of the specific topics discussed within the book include: * the challenges for Europe of fixed data communications * second and third generation mobile telecommunications systems * data communication via satellite and television subsystems * the dynamics and trends of the internet services industry * policy implications for the future of the telecommunications sectoral system of innovation. The book is a comprehensive theoretical, empirical and policy oriented account of the emergence and evolution of the sectoral system of innovation of the internet and mobile telecommunications. It will be an invaluable source of reference for academic researchers and policymakers in the fields of macroeconomics, industrial economics and innovation, as well as consultants and firms operating in the communications industry.

Success out of near disaster, finances taken to the edge of bankruptcy, resignations - this volume tells the dramatic stories of the major new commercial television developments in Britain between 1981-92. This is an authoritative account, from the people involved and from official documents, of the launches and first ten years of Channel 4 and TV-am, the expansion of cable television and early difficulties of satellite broadcasting.

While the 2000 presidential election had a number of unique features, including the decisive role of the Supreme Court, it actually was quite similar to three earlier television-age campaigns. For the fourth time since 1960, an incumbent president retired and his party nominated the vice president as a potential successor. The nomination of the vice president has become so commonplace that we now expect it. Unfortunately, we lack theoretical explanations of why vice presidents win nominations while often losing the general election. Dover seeks to advance this needed theory.

Dover looks at the recurring features of television-age elections with surrogate incumbents and applies them to a description of the leading events of Election 2000. The emphasis is on mediated incumbency, a phenomenon that occurs when mass media, particularly television, exert enormous influence in defining the context and meaning of politics for most voters. The first topics considered are the growth of the modern vice presidency and the nature of surrogate incumbent elections. The outcome of such elections often turns on how effectively the vice president and his opponent overcome dilemmas unique to their strategic positions as incumbent or challenger. Dover then describes the campaign from January 1999 through December 2000, from the perspective of television news media, and shows how Gore failed to overcome his dilemma during a time marked by peace and prosperity. The text is an important resource for scholars, students, and other researchers involved with American elections, political communication, and the American presidency.

How is the classical music industry responding to the challenges of #MeToo, Black Lives Matter, and other social justice movements? Is increasing attention to equity and diversity in the classical music profession over recent years leading to systemic change? In this book, scholars, activists and musicians from countries across Europe and North America analyze inequalities in the classical music profession and introduce strategies for making change. Exploring racism, class and gender inequalities, disability representation, "authenticity", changing the canon, and neoliberalism, the book brings together analyses from academics alongside contributions from musicians and industry leaders working in the classical music industry who reflect on issues of diversity and share insights and best practices. Themes of the book include institutional legacies and possibilities for change; racial, classed and gendered inequalities and marginalised voices; and strategies for activism, whether reflective practices, informal networks, or larger organisations leading change. The book also discusses questions such as whether musical change is necessary for social change in classical music, and how activists can acknowledge structural inequalities whilst holding on to the possibility of change. Opening up the interdisciplinary field of "classical music studies," this book lays the groundwork for empirically-founded, theoretically-informed, and practice-based approaches to tackling inequalities in the classical music profession. As such, it will be a significant point of reference for musicians, students, classical music administrators, policy-makers, teachers, and academics - and anyone else who wants to make classical music more inclusive.

This unique book presents a comparative study of foreign news coverage in regional newspapers in the United States, Britain, and France. Journalistic images are quite distinct in these countries, but the news content in general, and foreign news in particular, appear to be remarkably uniform. Why is this so? Choosing the News proposes a taxonomy of factors affecting the selection of foreign news, showing how different groups of factors interact with each other. The book argues that, while profit may have become an invisible gatekeeper in the process of news selection, there are no alternative sources of media-funding that would be acceptable in democratic societies. Choosing the News is the only book of its kind to offer an in-depth examination of the self-perceptions of journalists in the United States, Britain, and France. Part I one of the book, Journalistic Images, describes how different perceptions of journalism have developed over time in each country. It then shows how these perceptions are reinforced and perpetuated through journalism training. Finally, it tracks some of the major trends that have shaped journalism and journalistic procedures since the end of World War II, in particular group ownership, increased competition, and new technologies. Part II, Journalistic Choices, analyzes the factors that affect the selection of foreign news. Systematic content analysis of foreign news content in three regional dailies confirms that coverage has indeed become strikingly homogeneous. Participant observation and interviews with journalists and editors in each of the three countries suggest that this uniformity is the result of technological innovations introduced by profit-oriented management as group ownership has sought to contend with increased competition. The book offers a bibliography that should be useful to scholars in the field. This book can be used in schools of journalism, community libraries, and by media executives and journalists. It also makes informative reading for anyone interested in the media and media ownership.

This book argues that journalism should treat itself as an academic discipline on a par with history, geography and sociology, and as an art form in its own right. Time, space, social relations and imagination are intrinsic to journalism. Chris Nash takes the major flaws attributed to journalism by its critics-a crude empiricism driven by an un-reflexive 'news sense'; a narrow focus on a de-contextualised, transient present; and a too intimate familiarity with powerful sources-and treats them as methodological challenges. Drawing on the conceptual frameworks of Pierre Bourdieu, David Harvey, Henri Lefebvre, Michel-Rolph Trouillot and Gaye Tuchman, he explores the ways in which rigorous journalism practice can be theorised to meet these challenges. The argument proceeds through detailed case studies of work by two leading iconoclasts-the artist Hans Haacke and the 20th century journalist I.F. Stone. This deeply provocative and original study concludes that the academic understanding of journalism is fifty years behind its practice, and that it is long past time for scholars and practitioners to think about journalism as a disciplinary research practice. Drawing on an award-winning professional career and over three decades teaching journalism practice and theory, Chris Nash makes these ideas accessible to a broad readership among scholars, graduate students and thoughtful journalists looking for ways to expand the intellectual range of their work.

Petros Iosifidis investigates the challenges that Public Television (PTV) broadcasters in Western European countries encounter in a competitive digital broadcasting environment and looks at the policies and strategies that these broadcasters are adopting in order to remain accountable, competitive and efficient. By looking at a number of large and small PTV broadcasters, the book reveals the different policies and strategy patterns that exist across Europe and uses European experience to propose workable strategies to be adopted by national PTV broadcasters.

This book examines newspapers, magazines, photographs, illustrations, and editorial cartoons to tell the important story of journalism, documenting its role during the Civil War as well as the impact of the war on the press. Civil War Journalism presents a unique synthesis of the journalism of both the North and South during the war. It features a compelling cast of characters, including editors Horace Greeley and John M. Daniel, correspondents George Smalley and Peter W. Alexander, photographers Mathew Brady and Alexander Gardner, and illustrators Alfred Waud and Thomas Nast. Written to appeal to those interested in the Civil War in general and in journalism specifically, as well as general readers, the work provides an introductory overview of journalism in the North and South on the eve of the Civil War. The following chapters examine reporting during the war, editorializing about the war, photographing and illustrating the war, censorship and government relations, and the impact of the war on the press.

This book includes a selection of reviewed papers presented at the 49th Conference of the International Circle of Educational Institutes for Graphic Arts Technology and Management & 8th China Academic Conference on Printing and Packaging, which was held on May 14-16, 2017 in Beijing, China. The conference was jointly organized by the Beijing Institute of Graphic Communication, China Academy of Printing Technology, and International Circle of Educational Institutes for Graphic Arts Technology and Management. With eight keynote talks and 200 presented papers on graphic communication and packaging technologies, the event attracted more than 400 scientists. The proceedings cover the latest advances in color science and technology; image processing technology; digital media technology; digital process management technology in packaging; packaging, etc., and will be of interest to university researchers, R&D engineers and graduate students in the graphic arts, packaging, color science, image science, material science, computer science, digital media and network technology.

TEX has always been regarded as the most elegant and powerful system for computer typesetting. However, its widespread use, beyond academia, was hampered by its complexity. Recently, fairly good TEX implementations have come out for PCs putting TEX on the desks of many people: writers, designers, desktop publishers, engineers, and consequently, the interest in TEX has surged. What is needed at this point is a book that teaches step-by-step how to use TEX, illustrating each step by meaningful examples. This is exactly what S.v. Bechtolsheim's book does. It is a tutorial and guide for the first-time users of TEX, as well as a reference for the most experienced "TEXpert." TEX in Practice will appear as a four volume set, starting with volume 1 "Basics," followed by volume 2 "Paragraphs, Math and " "Fonts," volume 3 "Tokens, Macros" and volume 4 "Output Routines, " "Tables." TEX in Practice will be an indispensable reference for the TEX community and a guide through the first steps for the TEX novice.

"New Lad culture" boomed in the 1990s with the publication of men's magazines such as loaded, FHM and Maxim. What were the commercial roots of this boom and what did it say about contemporary masculinity and the dynamics of cultural production?Applying a cultural-economic approach and drawing on interviews with key figures at the sector's leading products, Crewe unwraps the means through which publishing companies comprehended and addressed the men's magazine audience in the 1990s. He argues that it was informal knowledge about cultures of masculinity held by editorial practitioners that was decisive in constituting individual magazines and the overall character of the sector. In exploring the cultural resources, identifications and ambitions around which the market crystallized, Crewe provides an in-depth comparison of the editors and editorial identity of loaded, the pioneer of the 'mass market', with those of Esquire and Arena, magazines associated with the sector's initial reformation. Clear and comprehensive, this work sheds new light on the commercial assessment and representation of modern masculine culture.

The links between distinctive political regimes and media systems are undeniable. As Siebert, Peterson and Schramm wrote (1956: 1) 60 years ago: 'the press always takes on the form and coloration of the social and political structures within which it operates'. Nevertheless, today's world and politics are completely different from the bipolar era that inspired the ground breaking Four Theories of the Press. What are the main changes and continuities that have driven the study of politics and the media in the last decades? How to approach this interaction in the light of the challenges that democracy is facing or the continuing technological revolution that at times hampers the media? This provocative book explores the main premises that have guided the study of politics and the media in the last decades. In so doing, it gives the reader key analytical tools to question the sustainability of past categorizations that no longer match up with current developments of both, political regimes and the media. In searching for clarification about current discrepancies between democracies and media's distinctive structures or purposes, Four Theories of the Press: 60 Years and Counting puts forward an alternative premise: the political-media complex.

Although television is now dominant, radio surprisingly remains a medium of unparalleled power and importance. Worldwide, it continues to be the communications vehicle with the greatest outreach and impact. Every indicator--economic, demographic, social, and democratic--suggests that far from fading away, radio is returning to our consciousness, and back into the cultural mainstream.

Marilyn J. Matelski reviews radio's glory days, arguing that the glory is not all in the past. B. Eric Rhoads continues Matelski's thoughts by explaining how and why radio has kept its vitality. The political history of radio is reviewed by Michael X. Delli Carpini, while David Bartlett shows how one of radio's prime functions has been to serve the public in time of disaster. Other contributors discuss radio as a cultural expression; the global airwaves; and the economic, regulatory, social, and technological structures of radio.

Collectively, the contributors provide an intriguing study into the rich history of radio, and its impact on many areas of society. It provides a wealth of information for historians, sociologists, and communications and media scholars. Above all, it helps explain how media intersect, change focus, but still manage to survive and grow in a commercial environment.