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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries
Criminal psychology, and its relationship to the practice of law, has become a topic of major significance over the last three decades. Psychologists play a key role in modern criminal investigation and are central to crime reduction measures such as offender profiling, delinquency prevention and tackling fear of crime. Contributors from North America, Europe and Australia examine this link, both adding to and drawing upon the pool of recent theory construction and empirical work in the following areas: * causes and prevention of offending * studies of crime and offenders * the victim's perspective * witnesses and testimony * studies of legal processes. These issues are studied from a 'local' perspective that recognises not only the need for cross-national comparative research, but also the generation of a corpus of scientific knowledge more representative of the complexity of criminal and legal investigation today.
This volume captures the essence of how we communicate differences in relationships, between and across cultures, in organizations, through education and in moments of local and global conflict and crisis that demonstrates the importance and viability of approaching peace and conflict communication from various fields within communication studies.
First published in 1990, this title presents a rich account of how television intersects with family life in American and other world cultures. From an analysis of the political and cultural significance of China's most important television series to detailed descriptions of how families in the United States interpret and use television at home, James Lull's ethnographic work marks an important stage in the study of the role of the mass media in contemporary culture. This title will be of interest not only to those in media and communications, but also to those in the broader fields of cultural anthropology and sociology.
"Modern Communications LaW" provides the most comprehensive and contemporary coverage of communications law available, a subject characterized by rapidly expanding and changing horizons. The book is thorough, informative, and accessible. It is divided into three main sections that respectively consider the media's nature and context, structural governance of the communications industry, and content issues. Lively provides an in-depth study of telephone communications--an area which affects virtually the entire citizenry--as well as print, broadcasting, cable, and other new media. The book contains several structural innovations calculated to enhance the teaching and learning process. The selection and editing of cases and other primary materials reflect the author's experience with topics that facilitate animated discussion. Additionally, the text is extensively annotated with pinpoint citations which heighten the book's utility for research and reference purposes. A particularly notable feature is the introduction of case summaries preceding all major court opinions. The synopses are intended to familiarize readers with the basic arguments, issues and reasoning so that they derive more meaning from the cases themselves than ever before. The book is well-suited for law school courses and is appropriate for communications law courses in the graduate and undergraduate curricula. Legal practitioners, media industry professionals and government regulators and policy-makers will find "Modern Communications LaW" an essential resource.
This book deals with the packaging of electronic equipment to prevent damage from vibration and exposure to large variations in temperature.
How do you design personalized user experiences that delight and
provide value to the customers of an eCommerce site?
Personalization does not guarantee high quality user experience: a
personalized user experience has the best chance of success if it
is developed using a set of best practices in HCI. In this book 35
experts from academia, industry and government focus on issues in
the design of personalized web sites. The topics range from the
design and evaluation of user interfaces and tools to information
architecture and computer programming related to commercial web
sites. The book covers four main areas:
Intended as a textbook for graduate (and some undergraduate) students in audiovisual and technology management classes, this book covers all aspects of the media manager's role, from supervision and budgeting to public relations and evaluation. Its pragmatic approach deals with such tasks as acquisitions, circulation, collection development and maintenance, facility design, managing legal issues, and dealing with technological change. The book also makes an excellent reference book for media managers in educational, corporate, government, and nonprofit agencies. Based on the more than 40 years of media management experiences of the present and previous authors, this new edition has been substantially revised to reflect the phenomenal technological changes in the field over the past 10 years.
This book analyses the relationship between commercial and elite culture in Britain in the early twentieth century. The development of popular national daily newspapers, the cinema, the radio, the gramophone, and other forms of mass entertainment threatened to upset traditional patterns of British culture. Writers, artists, musicians, critics, and their sympathizers responded in a variety of ways. Some engaged in detailed polemics against the mass media; others, such as those associated with the BBC, embraced new technology and sought to uplift tastes. These groups struggled against a culture that measured success by popularity rather than aesthetic merit. With the significant extension of the franchise in 1918 and 1928, Britain finally enjoyed full parliamentary democracy. What culture was appropriate for that democracy became an issue which pitted the forces of the market place against the influence of an articulate minority.
An invaluable reference book for publishers or anyone interested or in any way involved in the African book/publishing/literary scene, or writers looking for a publisher. Lists a wide range of over 60 small and independent publishers in countries from around Africa. The catalogue also contains articles about publishing the indie way, book-making in the time of COVID-19, and more. Includes publishers from South Africa, Ghana, Zimbabwe, Senegal, France, the United Kingdom, Switzerland, Nigeria, the United States, Canada, Togo, Mozambique, Morocco, Uganda, Rwanda, Malawi, Algeria, Egypt, Uganda, and Namibia.
What might the digital revolution we're currently living through mean for conventional paper books? Is there a future for the long-form text at all? At the onset of the digital deluge, books had evolved into the perfect reading machine. In the screen era, technology increasingly and emphatically foregrounds itself in the digital reading experience. It is one thing to identify what we lose in the process (which is a natural human tendency), but quite another and, it might be argued, an ultimately more fruitful one, to identify how that screen technology might shape the activities for which we always used to use paper. Screen technology is likely to determine our learning and entertainment habits. Indeed, the 'industrial' forms of reading that may be performed by the computer have a very tenuous relationship to what we have always understood by the term. Awareness of the issues, and eventually new insights, are essential if we want screen technology to offer a digital future to the long-form text.
This book is an essential read for anyone interested in Public
Relations in Asia. Whether you are working in PR, studying PR, a
journalist dealing with PR, or just interested in this fascinating
and fast growing market, Public Relations in Asia offers readers a
vital insight into how PR works.
The book examines the system used to produce professional communicators in the United States, compares the system to that of other countries, and examines the impact of the system on the field of mass communications. In addition, it explores the personnel practices of media organizations and shows the interface between those practices and the educational programs that produce the journalism and mass communication students.
This volume covers many aspects of multimedia and communications security, from national security policies to file server architectures, from hypertext documents to specialized cryptographic algorithms. It provides the interested reader with a spectrum of up-to-the-minute knowledge on the topics covered.
"Recommended on all levels, particularly for those libraries with southern collections and journalism holdings." Choice
Emerging Competition in Postal and Delivery Services brings together practitioners, postal administrators, the courier industry, regulators, academic economists and lawyers to examine important policy and regulatory issues facing the postal and delivery industries. This volume reviews such topics as cost and productivity analysis, universal service and entry, demand analysis and the structure of postal payment system, price regulation and competition.
Flea, the iconic bassist and co-founder, alongside Anthony Kiedis, of the immortal Red Hot Chili Peppers finally tells his fascinating origin story, complete with all the dizzying highs and the gutter lows you'd expect from an LA street rat turned world-famous rock star. Michael Peter Balzary was born in Melbourne, Australia, on October 16, 1962. His more famous stage name, Flea, and his wild ride as the renowned bass player for the Red Hot Chili Peppers was in a far and distant future. Little Michael from Oz moved with his very conservative, very normal family to Westchester, New York, where life as he knew it was soon turned upside down. His parents split up and he and his sister moved into the home of his mother's free-wheeling, jazz musician boyfriend - trading in rules, stability, and barbecues for bohemian values, wildness, and Sunday afternoon jazz parties where booze, weed, and music flowed in equal measure. There began Michael's life-long journey to channel all the frustration, loneliness, love, and joy he felt into incredible rhythm. When Michael's family moved to Los Angeles in 1972, his home situation was rockier than ever. He sought out a sense of belonging elsewhere, spending most of his days partying, playing basketball, and committing petty crimes. At Fairfax High School, he met another social outcast, Anthony Kiedis, who quickly became his soul brother, the yin to his yang, his partner in mischief. Michael joined some bands, fell in love with performing, and honed his skills. But it wasn't until the night when Anthony, excited after catching a Grandmaster Flash concert, suggested they start their own band that he is handed the magic key to the cosmic kingdom. Acid for the Children is as raw, entertaining and wildly unpredictable as its author. It's both a tenderly evocative coming of age story and a raucous love letter to the power of music and creativity
This textbook takes a case study approach to media and audience analytics. Realizing the best way to understand analytics in the digital age is to practice it, the authors have created a collection of cases using data sets that present real and hypothetical scenarios for students to work through. Media Analytics introduces the key principles of media economics and management. It outlines how to interpret and present results, the principles of data visualization and storytelling and the basics of research design and sampling. Although shifting technology makes measurement and analytics a dynamic space, this book takes an evergreen, conceptual approach, reminding students to focus on the principles and foundations that will remain constant. Aimed at upper-level students in the fast-growing area of media analytics in a cross-platform world, students using this text will learn how to find the stories in the data and to present those stories in an engaging way to others. Instructor and Student Resources include an Instructor's Manual, discussion questions, short exercises and links to additional resources. They are available online at www.routledge.com/cw/hollifield.
'Rana el Kaliouby's vision for how technology should work in parallel with empathy is bold, inspired and hopeful' Arianna Huffington, founder and CEO of Thrive Global 'This lucid and captivating book by a renowned pioneer of emotion-AI tackles one of the most pressing issues of our time: How can we ensure a future where this technology empowers rather than surveils and manipulates us?' Max Tegmark, professor of physics at Massachusetts Institute of Technology and author of Life 3.0 We are entering an empathy crisis. Most of our communication is conveyed through non-verbal cues - facial expressions, tone of voice, body language - nuances that are completely lost when we interact through our smartphones and other technology. The result is a digital universe that's emotion-blind - a society lacking in empathy. Rana el Kaliouby discovered this when she left Cairo, a newly-married, Muslim woman, to take up her place at Cambridge University to study computer science. Many thousands of miles from home, she began to develop systems to help her better connect with her family. She started to pioneer the new field of Emotional Intelligence (EI). She now runs her company, Affectiva (the industry-leader in this emerging field) that builds EI into our technology and develops systems that understand humans the way we understand one another. In a captivating memoir, Girl Decoded chronicles el Kaliouby's mission to humanise technology and what she learns about humanity along the way.
As the title implies, the business of television rather than its programming is the focus of this historical dictionary. Its entries briefly relate the histories of production companies, networks, cable stations, industry associations, and public interest pressure groups. The focus is on the American television industry from its origins through early 1991, but it also selctively covers the industry worldwide. . . . Because entries relate only essential facts, many are amplified by brief bibliographies of books and articles, many of the latter from trade magazines. An appendix profiling Goldenson, Paley, and Sarnoff, the guiding spirits of ABC, CBS, and NBC, respectively, precedes a brief bibliography and the names index. Slide has produced another hit, another basic source on one of America's basic industries. "Wilson Library Bulletin " This unique dictionary is the first what's what of television. Its more than 1,000 entries provide succinct factual data on production companies, distributors, organizations, genres, historical and technical terms, and much more. All areas of the industry, including free, public, and cable television, are covered. While the majority of the entries relate to the American television industry, the book is international in scope. Following many of the entries is an address, if the company or organization is still active, and, where appropriate, a bibliography. An asterisk following a name indicates that there is a separate entry for that subject. Headings are based on the best-known name of the company or technical innovation and are not necessarily the final names by which the subjects are known. However, all such alternative names are included in the index. Wherever feasible, birth and death years are noted for key figures. A general bibliography of reference books on television appears at the end of the volume. The index provides immediate access to all the entries and to the personalities discussed in each entry. In addition, there is a program index, providing the reader with speedy information as to which company or distributor is responsible for which series. "The Television Industry" will serve as an essential reference tool for any scholar, student, or librarian involved in the study of the television industry. It will also prove enlightening and interesting for the casual reader.
This introduction to the next generation of human telecommunications enterprise examines the development of laser satellite communications and describes its advantages over previous technologies. It looks at the development of the technology and the industry through wired and wireless media and presents the vision, promise, and challenges of free-space lasers. The book balances its focused consideration of the telecommunications industry and markets with practical thoughts on creating a business involved in the introduction of commercial laser satellite communications systems. Scholars, investors, venture capitalists, policy makers, and corporate leaders will find this to be a comprehensive and eye-opening bridge between the existing telecommunications industry and the opportunities of the next generation. The opening chapters introduce the concepts of Migration, Specialization, and Interconnectivity as solutions inherent in third generation laser-satellite communications. The high capacity of the optical spectrum invites migration of applications beyond the narrow RF spectra to the high frequencies of free-space laser beams. Migration stimulates specialization of voice and duplex at the lower, optimal RF spectra. The third generation--laser-wired space--focuses around global satellite interconnectivity between fiber optics and RF. The final chapters introduce a model business concept to pioneer the third generation. Several approaches to capitalization, organization, technology development, and business strategies provide an exciting stimulus for pragmatic approaches to commercial concepts.
So you’ve always dreamed of a career in publishing… but you don’t know where to start or how? You’re holding the key in your hands! Using insider information, How to Get A Job in Publishing is the newly revised edition of the classic text for you if you are keen to work in publishing or associated industries – or if you are already in publishing and want to go further. Packed with real-life quotes, case studies and practical advice from publishing veterans, and more recent arrivals, the authors differentiate types of publishing and explain how roles and departments work together. They discuss the pros and cons of internships and further study as well as training and lifelong learning, working internationally, networking and building your personal brand. The book includes vital guidelines for applying for publishing roles, including sample CVs and cover letters and a glossary of industry terms, to make sure you stand out from the crowd when you apply for jobs. This thoroughly updated edition covers: The post-pandemic publishing world, changes and current controversies, the rise of e-books, Amazon, self-publishing and indie publishing The growth in tertiary courses in Publishing Studies and internships – are they really the best way in? How to create your CV and a compelling cover letter that gets you noticed A new chapter addresses equity, diversity, inclusion and belonging, reflecting on the current state of the publishing industry, how to evaluate potential employers and how to look after yourself and others at work. Whether you are a new or soon-to-be graduate of Media and Publishing, or are just interested in a career in publishing or the creative industries, How to Get A Job in Publishing is an essential resource.
Kazan tests several hypotheses on development communications derived from the ideas of Marx, Toynbee, Lerner, McLuhan, Frey, and Schiller, through three years of research he conducted in Saudi Arabia, Oman, Bahrain, the United Arab Emirates, Kuwait, and Qatar. He focuses on whether media content, rather than the process of media exposure (i.e., vicarious exposure to different experiences), is the decisive factor in cultivating modernity. Particularly, Kazan examines whether Gulf media, which convey socially and politically restricted "traditional" content in "traditional" societies, cultivate attitudinal "traditionality" or "modernity." Investigated are the differences in the impact of local, regional, and foreign media, and various media organs--including newspapers, magazines, radio, television, video, and electronic media. Kazan also tests the notion of cultural imperialism, such as the degrees of credibility that respondents lend to Western media, their interest in and satisfaction with Western and regional media, and the amount of time respondents allocate to Western and local media. Specific media studied include the Voice of America, Radio Moscow, Monte Carlo Radio, the BBC, Voice of the Arabs, Voice of the Arab Homeland, Radio of the Islamic Republic of Iran, and the local broadcasting services of each Gulf country. Dr. Kazan presents both a review and a critique of classical and mainstream theories of modernization in general, and those of development communication in particular, to determine the degrees of validity, relevance, and applicability of these theories to the development situation of Gulf societies. Furthermore, Kazan develops an integrated mass media effects modelthat factors in both macro and micro processes that are dynamically interconnected, interdependent, and continuously evolving and changing, to account for the impact of media on modernity and development. Media impact, according to this model, should be understood, not only in terms of the socio-economic and psychological characteristics of the media audience, but also in terms of the dynamics of the whole socio-cultural and political system. Kazan concludes his study with a critique of the Western paradigm of development and presents the outline of a new paradigm of development that is more in harmony with the new physics, with the ecosystems, and with social justice. |
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