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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries
Petrocinema presents a collection of essays concerning the close
relationship between the oil industry and modern media-especially
film. Since the early 1920s, oil extracting companies such as
Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have
been producing and circulating moving images for various purposes
including research and training, safety, process observation, or
promotion. Such industrial and sponsored films include
documentaries, educationals, and commercials that formed part of a
larger cultural project to transform the image of oil exploitation,
creating media interfaces that would allow corporations to
coordinate their goals with broader cultural and societal concerns.
Falling outside of the domain of conventional cinema, such films
firmly belong to an emerging canon of sponsored and educational
film and media that has developed over the past decade.
Contributing to this burgeoning field of sponsored and educational
film scholarship, chapters in this book bear on the intersecting
cultural histories of oil extraction and media history by looking
closely at moving image imaginaries of the oil industry, from the
earliest origins or "spills" in the 20th century to today's post
industrial "petromelancholia."
This groundbreaking and truly interdisciplinary collection of
essays examines how digital media technologies require us to
rethink established conceptualisations of human memory in terms of
its discourses, forms and practices.
Mobile communications are about to enter the third stage in their development, widely known as 3G. This will bring always-on Internet access to mobile devices. This book investigates the history of mobile communications and explores the technological background to 3G in a user-friendly manner. It examines the licensing process throughout the world, and draws conclusions about the prospects for 3G through a comprehensive analysis of the issues that have been raised so far.
Seldom has any business been in such turmoil as the
Communication Service Providers (CSP) business is today. Telecom
operators providing communication services constructed the
infrastructure of the global information society with their
trillion investments on various telecommunication technologies from
broadband to mobile. Their investments on software turned their
technology-specific in-house procedures into modern layered
OSS/BSS.
This book analyzes the status and the future evolution of
OSS/BSS software industry from multiple viewpoints including
technology diffusion, vertical disintegration and evolution of a
vertical software industry. The analysis uses both commercial
databases on software market transactions and interviews of
operators in Europe and Far East, using quantitative and
qualitative methods.
This research complying academic standards aims at serving the
practical business needs in the companies shaping the future of
communications: the CSPs and the software developers - sometimes
found in a single enterprise.
"Britsoft documents a vibrant period of invention in Britain's
cultural history - the start of a new form of entertainment,
created on ZX Spectrums, Commodore 64s, Amigas and Atari STs, in
bedrooms and living rooms. Interviewees include: David Braben
(Elite), Peter Molyneux (Populous), Rob Hubbard (Commando) and Jeff
Minter (Attack of the Mutant Camels), The book is a companion piece
to the 2014 documentary, From Bedrooms to Billions, and draws from
the hundreds of hours of interview footage to find new, untold
stories, and craft an original narrative. Through the voices of
programmers, musicians, journalists and business people, it traces
the making of games such as Dizzy, Elite, Paradroid and Kick Off;
and the birth of publishers, magazines and software houses, from
Codemasters to Zzap!64.
Broadcast News Toolkit focuses on the writing, shooting, and
production of broadcast news across multimedia platforms in a
non-technical and visually engaging way. Covering a range of
different story forms in broadcast news (RDR, FS, VO, VO/SOT, PKG
and Liveshots), this book illustrates basic audio/video shooting
and editing techniques through straightforward examples, including
online video tutorials that can be accessed via a QR code within
the book. Specific issues relating to online content, social media,
and audience engagement are discussed in detail, and the authors
further explore why trust in news media is declining, the impact
that fake news and deep fake videos have on media credibility,
diversity and inclusion in newsrooms, and what can be done to
increase the perceived credibility of the news. Students will also
learn how to write leads and teases that will keep viewers engaged.
This is an ideal text for undergraduate and graduate students of
Broadcast and Multimedia Journalism who are looking for a clear and
concise guide to the modern digital newsroom
Recent years have seen a renewed interest in the relationship
between the news, media and death. Driven by a perceived ubiquity
of death and dying on television, in newspapers and on the
internet, many scholars have attempted to more closely examine
aspects of this coverage. The result is that there now exists a
large body of scholarly work on death in the news, yet what has
been lacking is a comprehensive synthesis of the field. This book
seeks to close this gap by analyzing the scholarship on death in
the news by way of a thematic approach. It provides a historical
overview, looks at the conditions of production, content and
reception, and also analyzes emerging trends in the representation
of death online. This fascinating account provides a much needed
overview of what we currently know about death in the news and
provides food for thought for future studies in the field.
China presents us with a conundrum. How has a developing country
with a spectacularly inefficient financial system, coupled with
asset-destroying state-owned firms, managed to create a number of
vibrant high-tech firms? China's domestic financial system fails
most private firms by neglecting to give them sufficient support to
pursue technological upgrading, even while smothering
state-favoured firms by providing them with too much support. Due
to their foreign financing, multinational corporations suffer from
neither insufficient funds nor soft budget constraints, but they
are insufficiently committed to China's development. Hybrid firms
that combine ethnic Chinese management and foreign financing are
the hidden dragons driving China's technological development. They
avoid the maladies of China's domestic financial system while
remaining committed to enhancing China's domestic technological
capabilities. In sad contrast, China's domestic firms are
technological paper tigers. State efforts to build local innovation
clusters and create national champions have not managed to
transform these firms into drivers of technological development.
These findings upend fundamental debates about China's political
economy. Rather than a choice between state capitalism and building
domestic market institutions, China has fostered state capitalism
even while tolerating the importing of foreign market institutions.
While the book's findings suggest that China's state and domestic
market institutions are ineffective, the hybrids promise an
alternative way to avoid the middle-income trap. By documenting how
variation in China's institutional terrain impacts technological
development, the book also provides much needed nuance to
widespread yet mutually irreconcilable claims that China is either
an emerging innovation power or a technological backwater. Looking
beyond China, hybrid-led development has implications for new
alternative economic development models and new ways to
conceptualize contemporary capitalism that go beyond current
domestic institution-centric approaches.
A companion to volume 3 Politics and Control, 1968-80, this book
covers aspects of the same period and completes the history of
Independent Television from its origin and foundation to the end of
1980. The division between volumes 3 and 4 reflects the system
whereby a regulatory body, which was by statute the publisher and
the editor of all programmes, employed contractors to undertake the
primary function of programme-making. This arrangement built
stresses into the structure, and plenty of instances of tension
between the supervisors and supervised are recorded. Other
drawbacks were an Authority more reactive than proactive; the need
for much industry and inter-company decision-making by committee;
and a short-term approach to planning resulting from limited-period
contracts and the uncertainty of renewal.
The recent history of broadcasting on both sides of the Atlantic,
characterized by a great increase in the number of services on
offer to the public, has been brought about by technological
advances and economic pressures. This has inevitably affected
traditional forms of content regulation. The book explores the
moral basis and history of such regulation as it has until now been
applied to major issues of taste and decency. These include the
protection of children, obscenity and bad language, offences
against religious sensibility, `reality' television, and
stereotyping. Deciding What we Watch? considers the different
constraints (in the law, cultural customs, and self-regulation)
affecting broadcasters in the two societies and the means by which
they have responded to them. The book describes, with examples, the
operations of compliance regulations and standard controls. It also
looks at the impact of the First Amendment on American broadcasting
in this area. It looks at the arguments for the practicality of
maintaining appropriate forms of restraint into the future.
Deciding What we Watch? poses the question of how divided and
diverse societies decide what is permissible to broadcast and how
the issue might continue to evolve in the future.
Winner of the McKitterick Prize 2018. "Never cover an assignment
without collecting a brown envelope," Boniface had said. "It is a
real life saver for all journalists in this country." Ifiok, a
young journalist working for the government radio station in Lagos,
Nigeria, always aspires to do the right thing, but the odds seem to
be stacked against him. Government pressures cause the funding to
his radio drama to get cut off, his girlfriend leaves him when she
discovers he is having an affair with an intern, and kidnappings
and militancy are on the rise in the country. When Ifiok travels to
his hometown to do a documentary on some ex-militants' apparent
redemption, a tragi-comic series of events will make him realise he
is unable to swim against the tide of corruption. Building on the
legacy of the great African satirist tradition of Ngugi Wa Thiongo
and Ayi Kwei Armah, Radio Sunrise paints a sharp-tongued portrait
of (post) post-colonial Nigeria.
Embrace the Human Side of Organisational Digital Transformation
Digital Humans: Thriving in an Online World is an insightful,
engaging and interdisciplinary discussion of how best to transform
your organisation into a nimble, digital enterprise with human
beings firmly established at the centre of it. The authors draw on
complexity theory, anthropology, history, organisational
transformation and behavioural science to demonstrate the
characteristics that define successful digital organisations.
You'll discover the importance of focusing on human beings even as
you make the shift to digital and learn to understand the
importance of our new digital ecosystems. Illuminating case studies
and examples of organisations that have successfully made the jump
to digital are explored and the book presents new and effective
ways to make strategic decisions about your company's future based
on our new physical-digital hybrid reality. A can't-miss blueprint
to a market environment and world that's increasingly fast-moving,
complex and rewarding, Digital Humans will find a place in the
libraries of managers, executives, and business leaders looking for
an engaging roadmap to digital transformation that wouldn't have us
leave our humanity behind.
Bill Hewlett and Dave Packard invented the model of the Silicon
Valley start-up and set in motion a process of corporate becoming
that made it possible for HP to transform itself six times over the
77 years since its founding in the face of sweeping technological
changes that felled most of its competitors over the years. Today,
HP is in the throes of a seventh transformation to secure its
continued survival by splitting in two independent companies: HP
Inc. and Hewlett Packard Enterprise. Based on extensive primary
research conducted over more than 15 years, this book documents the
differential contribution of HP's successive CEOs in sustaining the
company's integral process of becoming. It uses a comprehensive
strategic leadership framework to examine and explain the role of
the CEO: (1) defining and executing the key tasks of strategic
leadership, and (2) developing four key elements of the company's
strategic leadership capability. The study of the strategic
leadership of HP's successive CEOs revealed the paradox of
corporate becoming, the existential situation facing successive
CEOs (that justifies the book's empathic approach), and the
importance of the CEO's ability to harness the company's past while
also driving its future. Building on these novel insights, the book
shows how the frameworks used to conceptualize the tasks of
strategic leadership and the development of strategic leadership
capability can serve as steps toward a dynamic theory of strategic
leadership that animates an evolutionary framework of corporate
becoming. This framework will be helpful for further theory
development about strategic leadership and also offers practical
tools for founders of new companies and CEOs and boards of
directors of existing companies who intend to create, run or
oversee companies built for continued relevance, longevity and
greatness.
This book studies the long-term developments in the South African
recording industry and adds to the existing literature an
understanding of the prevalence of informal negotiations over
rights, rewards and power in the recording industry. It argues that
patronage features often infiltrate the contractual relationships
in the industry.
Community media journalists are, in essence, "filling in the gaps"
left by mainstream news outlets. Forde's extensive 10 year study
now develops an understanding of the journalistic practices at work
in independent and community news organizations. "Challenging the
News" provides an inside glimpse into alternative and independent
media journalism in the UK, US and Australia and is the first work
to focus on providing practice-based examples of alternative
journalism. This book examines the nature of alternative and
community media outlets, focusing on the news structures and
journalistic practices at work to develop an understanding of the
journalistic practices at work in independent and community news
organisations. Specifically, this study looks at the role of the
alternative journalist -- how do they get their news ideas and what
drives their decisions? What motivates them and how does this
impact on the journalism they practice? Although up to date and
topical, historical sections on the UK, US and Australian
independent and alternative media also provide a useful comparative
context.
This is the first publication of AIJA's Antitrust Sub-Commission of
the International Business Law Standing Commission. The book is the
result of the reports from 20 different jurisdictions for the
working session organized by the Antitrust Sub-Commission during
the Annual Congress of AIJA in Sydney in September 1998. The
reports were based upon a questionnaire prepared by the General
Reporter and Editor and generally reflect legislation up until
January 1999. The purpose of this book is to discuss the critical
issues in applying antitrust laws to the media sector, having in
mind three main issues, namely deregulation and convergence in the
media industry worldwide, the effect of antitrust laws on the new
media environment, and the balance between sector-specific
regulation and antitrust rules.
In the aftermath of the financial crisis, Cooper locates the
WTO-focused struggle between the United States and the very small
island state of Antigua on Internet gambling in the wider
International Political Economy. He draws connections between
gambling and offshore and/or enclave cultures and points out the
stigmatization of "Casino Capitalism."
A stimulating treatment of an area of public life which is a
subject of continuing debate and controversy. This volume covers
the years in which ITV faced more challenges than at any time in
its history and its regulator, the IBA, was subject to political
pressures so extreme that they brought about its abolition and
rebirth as the Independent Television Commission. The book gives
detailed accounts, based on documents not previously available and
interviews with over sixty senior figures in the industry, of the
changes and controversies of the period. Highlights include: the
conflict with government over the programme Death on the Rock , the
battle with the BBC for possession of the rights to Dallas , the
financial crisis at ITN, the impact of the Peacock Committee Report
and the 1990 White Paper on Broadcasting, as well as detailed
accounts of the broadcasters' and the regulator's battle with the
government over the Broadcasting Bill and the subsequent 'auction'
of ITV licences.
Newspaper editorials say a lot about the society in which we live.
They are not just an indication and reflection of the issues of the
day and of which way the political wind is blowing. They are also a
part of the political climate that sets the agenda for politicians,
and helps them discern which are the hot-button issues and which
side people are on. Journalists and politicians enjoy a level of
symbiosis in their relationships-they influence each other
indirectly. It therefore follows that when fewer ideas, and a
narrower range of opinions, are expressed in the nation's
newspapers, there is a real danger that our thinking can become
more simplistic as well. In 1930 there were 288 competitive major
newspaper markets in the United States. Today, there are fewer than
30. In this dwindling marketplace of ideas, national themes tend to
crowd out local issues. Moreover, newspapers must compete with
24-hour news channels like CNN and national newspapers like USA
Today. This diminishing diversity of opinion and voices, as
expressed in our newspapers' editorials, is taking place even as
technological advances seemingly provide more sources of (the same)
information. At the same time, as Hallock shows, the concentration
of media ownership in fewer and fewer hands allows those
individuals and entities an inordinate amount of influence. In this
intriguing book, Hallock examines 18 newspaper markets to show us
exactly how and where this troubling trend is occurring, what it
means for the political landscape, and, ultimately, how it can
affect us all.
Delivers a conceptual overview of call centres - the products that
support them, the designs that make them work and the ongoing
management that is required for their successful operation.
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