Basic copyright laws and enforcements have been in effect for hundreds of years. However, laws with such extensive histories can often make understanding them complicated. As publishing moves into a digital arena, copyright laws have become increasingly complex. Authors, Copyright, and Publishing in the Digital Era not only addresses the current complexities that aries with authors and copyright laws when publishing digitally, but it also sheds light on the current processes and procedures in place concerning copyright options for digital publishers. This publication addresses a global audience in the manner in which it discusses traditional methods used in publishing before segueing into new model and strategies for both a business and an author in this ever-expanding digital world.

An inspiring look at the women who broke the glass ceiling in sports journalism. Women in sports journalism have faced an uphill battle to succeed within the "old boy" world of sports. The early trailblazers faced colleagues who ignored them, athletes who tried to humiliate them, fans who ridiculed them, and executives who kept them from doing their jobs--challenges many still face today. In Who Let Them In? Pathbreaking Women in Sports Journalism, Joanne Lannin recounts the stories of the tenacious and resilient female sportscasters and writers who paved the way for those that followed. Exclusive interviews with such pioneers as CBS Sports' Lesley Visser, NFL Today's Andrea Kremer, and Baseball Hall of Fame inductee Claire Smith reveal the many challenges these women faced as they sought to break down the gender-based barriers that kept them from press boxes, locker rooms, and broadcast booths. And while great strides have been made in the sports world to correct the gender imbalance, Lannin discusses how misogyny and sexual harassment continues to permeate the industry even today. Who Let Them In? offers compelling insight into how women sports journalists broke into this male-dominated field and managed to stay there, despite the many obstacles put in their way. It shows the sacrifices and commitment it takes to succeed in sports journalism and discusses what the future may hold for women in a media landscape that continues to evolve almost daily.

Government and Misgovernment of London was first published in 1939.

"The most detailed and up-to-date book on independent cinema, an invaluable reference work." - Molly Haskell, "Washington Post"

"Thoughtful and substantial." - Stuart Klawans, "The Nation"

"An indispensable text for anyone who wants to understand the independent world." - David Ansen of "Newsweek"

"At a time when independent American films are more visible and important than ever before, this is an invaluable study. Emanuel Levy's writing is wise, passionate, and amazingly well-informed." - Roger Ebert

"The time is ripe for an intelligent, informed, well-organized book on the world of independent cinema - and Emanuel Levy has given us just that." - Leonard Maltin

A Los Angeles Times Bestseller

The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.

Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers ("Fargo"), Quentin Tarentino ("Pulp Fiction"), and Billy Bob Thornton ("Sling Blade"), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style.

Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience.

Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including "Choose Me," "Stranger Than Paradise," "Blood Simple," "Blue Velvet," "Desperately Seeking Susan," "Slacker," "Poison," "Reservoir Dogs," "Gas Food Lodging," "Menace II Society," "Clerks," "In the Company of Men," "Chasing Amy," "The Apostle," "The Opposite of Sex," and "Happiness,"

Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."

Presidential candidates have criticized the press since the days of Thomas Jefferson, with claims of media bias for one party or another being a recurring campaign complaint. In focusing on the presidential campaigns of 1984 and 1988, this study provides a comprehensive analysis of media bias in two particular elections as well as for presidential campaigns in general. Stempel and Windhauser have collected more data than in any previous study, and they have included newspapers, network television news, and news magazines in their evaluation. Their thorough analysis of the content and slant of each item provides a clearcut picture of just what the media covered and how the coverage differed when an incumbent was not running. The study is based on news items collected from 23 sources in the three media, covering the Labor Day through Election Day period of both campaigns. Seventeen elite newspapers, including the New York Times, Wall Street Journal, Washington Post, and Chicago Tribune, had their election coverage analyzed, as did the three major television networks and the three general news magazines, Time, Newsweek, and U.S. News and World Report. Each news item was classified by which candidate it primarily concerned, whether it was favorable, unfavorable, or neutral, and what major issue the story dealt with. The findings are presented in three separate chapters that focus on the different media, with additional chapters offering analysis of newspaper editorials in the two campaigns and the results of a telephone survey on public attitudes toward coverage. A final chapter provides a concluding look at the press, politicians, and the public. This comprehensive study will be an important reference for courses in political science, journalism, and American history, and a valuable addition to public and academic libraries.

This book provides a conceptual framework to understand and analyze the decline of the telecommunications industry and the rise of information industries. This includes information distribution, banking, advertising, computing, etc. and will use a value-based perspective to show the industry shaping dynamics. The integrative framework will cover issues relevant to all information industries including network externalities, lock in and switching costs, cost structure analysis, transactions costs and infomediaries.

The Kardashian family is a contemporary cultural touchstone, recognizable throughout the world connoting warrantless celebrity, voluptuous beauty, and social media savviness. Amanda Scheiner McClain explores the Kardashians' brand and celebrity via narrative discourse analyses of their hit reality television series, Keeping Up with the Kardashians, social media utilization, and popular press coverage. This triangulated study allows insight into contemporaneous American culture: societal norms, values, and ideologies, as well as structural and cultural aspects of cross-platform brand creation. The television series examination finds intrinsic paradoxes of sexuality/conservatism, family/business, beauty/unhappiness, narcissism/celebrity, intimate/transgressiveness, and traditional/nontraditional gender roles, as well as materialism and public vs. private spheres themes. In addition, a study of the Kardashian blogs and Twitter use finds that their careful participation amplifies celebrity and unifies the overall brand into a single, sellable image across media. Through interactive media and just being themselves, the Kardashians renovate banal status updates and hackneyed reality television into character-constructing building blocks of brand, celebrity, and profits.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.

Mobility has become a prominent feature in African societies: Populations all over Africa are both mobile and politically and economically marginal. Yet these populations are actively engaged in maintaining social networks across localities. Mobilities, ICTs and marginality in Africa looks at the dramatic changes brought about in socially marginal populations by new ICTs in general and mobile phones in particular. The book aims to situate the cultural, social and, in some cases, transnational context of ICT appropriation and virtual connectivity so as to reposition Africans from various countries and contexts as active agents of social change. The intricacies of local ICT use and the dynamics of mobility in the African context enables us to better understand material cultures, relationships between people, new media and social networking. Equally explored in relation to ICTs are the social and spatial dynamics of communication, association and belonging across spaces – particularly physical borders, social boundaries and confines and possibilities informed by the habitus of bodies and practices. Mobilities, ICTs and marginality in Africa is rich in theoretically informed case studies that lend themselves to comparative perspectives and to ethnographies from beyond Africa.

Diving deep into the world of corporate marketing, this incisive and eye-opening work shows how, in the hands of the corporation, business has become manipulative, divisive and disastrously at odds with the needs of the natural world. It calls on us to rethink and rebel. The corporate marketing blitz is driven by a simple economic truth: profits depend on demand always exceeding supply. A multi-billion-dollar global industry has therefore been created with the sole aim of turning us into devout consumers. Gerard Hastings invites us to explore alternatives to a system that is threatening our survival. He explores what it is to be human, how marketing can be used to do good rather than harm and the potential of alternative models that empower us to be citizens, not just consumers. Professionals and students in the business, marketing, public health, environmental and political sectors - as well as concerned citizens who know that business as usual is not an option - will value this accessible guide to what is going wrong with our current business models and how these failings can be addressed.

The subject of this book - whether or not to extend traditional telecommunications regulation to high-speed, or broadband, access to the Internet - is perhaps the most important issue facing the Federal Communications Commission. The issue is contentious, with academics and influential economic interests on both sides. This volume offers updated papers originally presented at a June 2003 conference held by the Progress and Freedom Foundation. The authors are top researchers in telecommunications.

This edited collection seeks to better understand how journalism across cultures differs, presenting an in-depth exploration of global practices that departs from the typical Western-centric approach. Journalists across the world are trained, generally speaking, within Western models of reporting and are taught to do so as a practice where reporters need to aspire and aim for. Yet what such training is short of achieving is teaching reporters how to 'do' journalism within their own environments. In turn, what is required is a method of journalistic training and practice that is reflective of the actual practice reporters encounter on the ground. In order to do so, a better understanding of how journalism is practised in different parts of the world, the context surrounding such practices, the issues and challenges associated, and the positive practices that Western journalism can offer, is necessary. Promoting and deploying a culturally-specific and politically-relevant journalism, this book provides just that.

This is the 3rd volume of Advances in Telecommunication Management, focusing on Information Technology and Crisis Management.

This book describes the lifecycle of media in the context of the media ecology, presenting a general theoretical framework and a series of methodological procedures to support the construction of an eco-evolutionary approach to media change. Focusing on a series of processes - emergence, competition, dominance, hybridization, adaptation, extinction - this book goes beyond a chronological approach to propose a reticulated and multi-layered conception of media evolution. If media evolution is a network, what are the relationships between "media species" like? What happens when a new media emerges into the media ecology? How do new media influence the old ones? Can media become extinct? How do media adapt when the social and economic context changes? How can media evolution be analysed? What kinds of quantitative and qualitative techniques can be applied in media evolution research? By presenting an innovative research approach and theoretical framework to media studies, this book will be of keen interest to scholars and graduate students of new media, media history and theory, philosophy of technology, mass communication, and organisational studies.

This book explores the impact of, and lessons learned from, media development and training programs sponsored by the US government and non-governmental organizations in countries transitioning to democracy. Recognizing the importance of establishing a free press and a free market economy in newly democratic societies, this book examines the training of journalists and media managers in selected countries in Eastern Europe, Africa, Asia, the Middle East, and South America. Drawing on the author's and other media trainers' experiences over a 25-year period, this book provides important insights into tailoring training programs to specific regions and countries. Case studies describe training in radio and television management, broadcasting, and media sustainability, and are contextualized against the cultural and historical backgrounds of each region. Media Training in Transition Countries will be of interest to media trainers, government and nongovernment agencies, and scholars and students of international journalism and development.

'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.

The first book in a six-volume series on the history of American journalism, this volume provides a survey of the earliest printing in the American colonies, up through the Revolutionary War. The work focuses on the nature of journalism during the years covered, considers noteworthy figures, examines the relationship of journalism to society, and provides explanations for the main directions that journalism was taking.

Early American printing was animated by remarkable vitality and sophistication, with the life of each newspaper and printer being marked by individual ideas and individual struggles. Early Americans also had quite sophisticated ideas about the role and operation of the press. In this survey, the authors try to suggest the complexities of the early American press. They address such issues as why newspapers first appeared, the purpose that newspaper operators saw for themselves, the role of the practice of journalism in the colonial press, and the role of the press in influencing public opinion. Their primary focus, however, is on the essential nature of the early American press and the factors that accounted for that character.

Unlike many of her female contemporaries during the thirties and forties, whose political activities furthered the agendas of male politicians, Frieda B. Hennock pursued her own political goals. Guided by intense personal and public interests, she became the first woman appointed to serve on the Federal Communications Commission, and her tenure there coincided with a period of unprecedented regulatory activity, during which the FCC made several significant decisions regarding the development of television. Simultaneously challenging the FCC's status quo and making a political name for herself with her tireless efforts to develop educational television, Hennock became one of the most significant female political figures of this century.

Utilizing both critical and historical research methodologies, Brinson highlights key events in Hennock's career, including her dissenting position in the color TV hearings and her blindness to the deficiencies of the UHF system. "Personal and Public Interests" serves as a much-needed corrective to the scholarly oversight of Hennock's life and work, which represent the intersection of the histories of both broadcasting and women in the United States. More than mere biography, this insightful work examines the union of history, technology, and personality, creating a vivid portrait of both a woman and her era.

Garrard provides an expert account of the growth and development of markets in the rapidly growing and profitable cellular communications industry. The author brings his invaluable insights to this authoritative analysis of business and regulatory issues, drawing lessons for current business practice. The treatment is global. Market development is described, analyzed and evaluated, bringing the reader up-to-date with current market characteristics and future trends. 514 p.

Featuring the latest music business and social media concepts as well as brand-new interviews with a variety of the industry's top movers and shakers, Music 3.0: A Survival Guide for Making Music in the Internet Age, Third Edition is a completely updated version of the previous best-selling editions! How has streaming music impacted the artist and the industry? Who are the new industry players? Why do traditional record labels, television, and radio have increasingly less influence in an artist's success? How should music be marketed and distributed in this new world? How do you make money when listeners stream your music? What's the best way to develop your brand? How are Facebook, Twitter, and YouTube best used as marketing tools? What are the new technologies being introduced that will influence how we sell and market our work? All these questions are answered in this updated version of Music 3.0, along with some new high- and low-tech tips for inexpensive marketing and promotion.