Beginning as a renewal movement within Anglicanism in the eighteenth century, Methodism had become the largest Protestant denomination in the USA in the nineteenth century, and is today one of the most vibrant forms of Christianity. Representing a complex spiritual and evangelistic experiment that involves a passionate commitment to worldwide mission, it covers a global network of Christian denominations. In this Very Short Introduction William J. Abraham trace Methodism from its origins in the work of John Wesley and the hymns of his brother, Charles Wesley, in the eighteenth century, right up to the present. Considering the identity, nature, and history of Methodism, Abraham provides a fresh account of the place of Methodism in the life and thought of the Christian Church. Describing the message of Methodism, and who the Methodists are, he also considers the practices of Methodism, and discusses the global impact of Methodism and its decline in the homelands. Finally Abraham looks forward, and considers the future prospects for Methodism. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Providing new insight into the Wesley family, the fundamental importance of music in the development of Methodism, and the history of art music in Britain, Music and the Wesleys examines more than 150 years of a rich music-making tradition in England. John Wesley and his brother Charles, founders of the Methodist movement, considered music to be a vital part of religion, while Charles's sons Charles and Samuel and grandson Samuel Sebastian were among the most important English composers of their time. This book explores the conflicts faced by the Wesleys but also celebrates their triumphs: John's determination to elevate the singing of his flock; the poetry of Charles's hymns and their musical treatment in both Britain and America; the controversial family concerts by which Charles launched his sons on their careers; the prolific output of Charles the younger; Samuel's range and rugged individuality as a composer; the oracular boldness of Sebastian's religious music and its reception around the English-speaking world. Exploring British concert life, sacred music forms, and hymnology, the contributors analyze the political, cultural, and social history of the Wesleys' enormous influence on English culture and religious practices. Contributors are Stephen Banfield, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.