An alternative, fallibilist model of moral reasoning rooted in the American Pragmatic tradition. Additional resources drawn from Chinese philosophy, Jain epistemology, modern philosophy of mathematics, and the Gadamerian hermeneutical tradition serve both to corroborate the argumentation and to provide examples of continuities in reasoning that cross the boundaries of disparate traditions.

This collection of twenty-one essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources, the essays cover topics related to the study of beauty in art and nature.

In tenth-century Baghdad, the Mu'tazila theologians believed good and evil could be distinguished through human reason, while in the Indian subcontinent in the sixteenth century, rationalism served to express both the connections and boundaries of Islam in a sphere of religious pluralism. Universality in Islamic Thought discusses specific applications of rationalism in Islamic thought - from the Mu'tazila of Iraq and the Hanafi school of Islamic Law to the Chishti mystics of Mughal India - to explore the boundaries, morality and utility of the universalist principle as conceived by Islamic scientists, scholars, theologians and mystics across half a millennium. Providing a long-overdue and groundbreaking study of rationalism in Islam, this is the first methodological examination of how rationalism served - or did not serve - as a bridge between Muslims and non-Muslims during one of the most vital periods of Islamic intellectual activity. Bringing together contributions from leading academics such as Wilferd Madelung and Carl W Ernst, this is essential reading for scholars and students of intellectual history and Islamic studies.

Sun-Tzu's Art of War is Perhaps the most important book ever written about warfare. It can be used and adapted in every facet of your life. This book explains when and how to go to war, as well as when not to. The wisdom of the ages is distilled here, and no one has ever written a book about war that has become more important or replaced or topped the knowledge in this book. Niccolo Machiavelli considered his Art of War to be his greatest achievement. Here you will learn how to recruit, train, motivate, and discipline an army. You will learn the difference between strategy and tactics. Machiavelli does a masterful job of breaking down and analyzing historic battles. These two books of military knowledge belong side by side on every book shelf, and now you can have them in one volume as East meets West.

Although George Lukacs's work has been widely read and reviewed, and has exerted a significant influence on recent international discussions of literature, philosophy, and Marxism, no comprehensive and up-to-date bibliography of the wide range of critical response to his writings has appeared in book form to date. This bibliography contains in Part I books devoted to Lukacs, including all available reviews, and the books are classified by language. Part II lists dissertations and theses, and reproduces the text in Dissertation Abstracts International when available. Part III includes essays and articles devoted to Lukacs, and these also are classified by language. Part IV lists items by proper names. It includes material in which Lukacs is being compared, or contrasted with other major figures in philosophy, literary theory and criticism, aesthetics and Marxism. Late entries are included in the addendum, and author and editor indexes also are included.

To the horrors of war and genocide in the twentieth century there were witnesses, among them Hermann Cohen, Emmanuel Levinas, Ernst Bloch, Leo Strauss, Franz Rosenzweig, Gershom Scholem, Walter Benjamin, Martin Buber, and Hans Jonas. All defined themselves as Jews and philosophers. Their intellectual concerns and worldviews often in conflict, they nevertheless engaged in fruitful conversation: through the dialogue between Zionist activism and heterodox forms of Marxism, in the rediscovery of hidden traditions of Jewish history, at the intersection of ethics and metaphysics. They shared a common hope for a better, messianic future and a deep interest in and reliance on the cultural sources of the Jewish tradition.

In this magisterial work, Pierre Bouretz explores the thought of these great Jewish philosophers, taking a long view of the tenuous survival of German-Jewish metaphysical, religious, and social thought during the crises and catastrophes of the twentieth century. With deep passion and sound scholarship, Bouretz demonstrates the universal significance of this struggle in understanding the present human condition. The substantial and established influence of the book's subjects only serves to confirm this theory.

Profoundly learned and amply documented, "Witnesses for the Future" explains how these important philosophers came to understand the promise of a Messiah. Its significant bearing on a number of fields--including religious studies, literary criticism, philosophy of history, political theory, and Jewish studies--encourages scholars to rethink and reassess the intellectual developments of the past 100 years.

Ralph Waldo Emerson wrote in Nature, "The moral law lies at the centre of nature and radiates to the circumference." The great Chinese synthesizer of Neo-Confucian philosophy Zhu Xi expressed a similar idea in the twelfth century: "In the realm of Heaven and Earth it is this moral principle alone that flows everywhere." Though living in different ages and cultures, these two thinkers have uncanny overlap in their work. A comparative investigation of Emerson's Transcendental thought and Zhu Xi's Neo-Confucianism, this book shows how both thinkers traced the human morality to the same source in the ultimately moral nature of the universe and developed theories of the interrelation of universal law and the human mind.

This is the most important book ever written about warfare and conflict. Lionel Giles' translation is the definitive edition. The Art of War can be used and adapted in every facet of your life. This book explains when and how to go to war, as well as when not to. Learn how to win any conflict whether it be on the battlefield or in the boardroom. This deluxe edition contains two versions of The Art of War. The first has no commentary so that you can immerse yourself directly in Sun Tzu's work. The second version includes Lionel Giles' indispensable commentary.

An unabridged edition to include: Wherein I Bow to the Reader - A Prelude to the Quest - A Magician Out of Egypt - I Meet A Messiah - The Anchorite of the Adyar River - The Yoga Which Conquers Death - The Sage Who Never Speaks - With The Spiritual Head of South India - The Hill of the Holy Beacon - Among The Magicians And Holy Men - The Wonder-Worker of Benares - Written in the Stars - The Garden of the Lord - At the Parsee Messiah's Headquarters - A Strange Encounter - In a Jungle Hermitage - Tablets of Forgotten Truth

The Upanishads are among the source books of the Hindu faith, being the concluding portion of the Hindu scriptures, the Vedas, also the Vedanta. This selection of translations by Swami Nikhilananda contains the Svetasvatara, Prasna and Mandukya Upanishads together with a special contribution to Western understanding of these important books in the form of a noteworthy essay on Hindu Ethics. Translated from the Sanskrit with an Introduction embodying a study of Hindu Ethics, and with Notes and Explantions based on the Commentary of Sri Sankaracharya, the great Eighth-Century Philosopher and Saint of India. Contents Include: Svetasvatara Upanishad - Prasna Upanishad - Mandukya Upanishad

Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but 'the way' (dao), which lacks the solidity and fixedness of essence. The difference between essence and absence is the difference between being and path, between dwelling and wandering. 'A Zen monk should be without fixed abode, like the clouds, and without fixed support, like water', said the Japanese Zen master D gen. Drawing on this fundamental distinction between essence and absence, Byung-Chul Han explores the differences between Western and Far Eastern philosophy, aesthetics, architecture and art, shedding fresh light on a culture of absence that may at first sight appear strange and unfamiliar to those in the West whose ways of thinking have been shaped for centuries by the preoccupation with essence.

This book argues that a general understanding of traditional Chinese philosophy can be achieved by a concise elaboration of its truth, goodness and beauty; that goodness and beauty in Chinese philosophy, combined with the integration of man and heaven, knowledge and practice, scenery and feeling, reflect a pursuit of an ideal goal in traditional Chinese philosophy characterized by the thought mode uniting man and nature.This book also discusses the anti-traditionalism of the May Fourth Movement, explaining that the true value of "sagacity theory" in traditional Chinese philosophy, especially in Neo-Confucianism in the Song and Ming dynasties, lies in its insights into universal life. In addition, existing ideas, issues, terminologies, concepts, and logic of Chinese philosophical thought were actually shaped by Western philosophy. It is necessary to be alienated from traditional status for the creation of a viable "Chinese philosophy." "Modern Chinese philosophy" in the 1930s and 1940s was comprised of scholarly work that characteristically continued rather than followed the traditional discourse of Chinese philosophy. That is to say, in the process of studying and adapting Western philosophy, Chinese philosophers transformed Chinese philosophy from traditional to modern.In the end of the book, the author puts forward the idea of a "New Axial Age." He emphasizes that the rejuvenation of Chinese culture we endeavor to pursue has to be deeply rooted in our mainstream culture with universal values incorporating cultures of other nations, especially the cultural essence of the West.