Comparative Philosophy without Borders presents original scholarship by leading contemporary comparative philosophers, each addressing a philosophical issue that transcends the concerns of any one cultural tradition. By critically discussing and weaving together these contributions in terms of their philosophical presuppositions, this cutting-edge volume initiates a more sophisticated, albeit diverse, understanding of doing comparative philosophy. Within a broad conception of the alternative shapes that work in philosophy may take, this volume breaks three kinds of boundaries: between cultures, historical periods and sub-disciplines of philosophy such as metaphysics, epistemology, ethics, aesthetics, and political philosophy. As well as distinguishing three phases of the development of comparative philosophy up to the present day, the editors argue why the discipline now needs to enter a new phase. Putting to use philosophical thought and textual sources from Eurasia and Africa, contributors discuss modern psychological and cognitive science approaches to the nature of mind and topics as different as perception, poetry, justice, authority, and the very possibility of understanding other people. Comparative Philosophy without Borders demonstrates how drawing on philosophical resources from across cultural traditions can produce sound state-of-the-art progressive philosophy. Fusing the horizons of traditions opens up a space for creative conceptual thinking outside all sorts of boxes.

Examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry, and attempts to restore their original meanings.

Edward L. Shaughnessy examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry. By describing the original contexts in which these books were written and what they meant to their original authors and readers, this book sheds light on both the degree to which Chinese culture already was literate by 1000 BC, and also on how the later classical tradition eventually diverged from these origins.

"What I like most is the wealth of detail and the meticulous attention to primary evidence, combined with an overall appreciation of the broader cultural and historical context of the problems that have defied solution for centuries and with which the author deals.

"The book is filled with original lines of inquiry and original conclusions; the articles are of uncommon interest and intellectual challenge". -- John Knoblock, University of Miami

"Shaughnessy really has produced an outstanding work which will provide a service, find a substantial audience, and broaden awareness of his splendid contributions. He has played a pioneering role in opening up Western Zhou cultural history to the field". -- Robert Eno, Indiana University

Arthur Schopenhauer was the first Western thinker who incorporated thoughts of the Upanishads in his own philosophy. His appreciation for Indian philosophy and culture is quite well known. Presently serious research work is going on in different disciplines in different academic institutions and universities in the West to examine the influence of Indian philosophy and culture in the philosophical thinking of Germany, particularly in relation to Arthur Schopenhauer and vice versa. This book provides a common platform for interaction to the scholars from East and West to express their views on the link between Eastern and Western philosophy. It significantly contributes to a better understanding not only of the connection between Schopenhauer and Indian philosophical systems but also of the increasing interest in this relation. The book includes papers of eminent scholars. The papers shed new light on the relationship between Schopenhauer's philosophy and the different aspects of Indian philosophy and culture, and thus offer a rich source of research material.

Human society has experienced the primitive, slavery, feudalistic, and capitalist stages and has witnessed two world wars and numerous regional wars. Humankind currently faces various severe ecological and sociological problems. In "On the Culture of Harmony, " author Gordon Wang answers the serious and significant question of where human beings are headed in terms of both time and space.

Wang traveled across five continents and through dozens of countries searching for answers; now, he shares his results in "On the Culture of Harmony." He discusses the origin, concept, and domains of the Culture of Harmony based on an in-depth analysis of the Chinese and world culture and philosophy. He demonstrates how the globalization of economy and information calls for the dominance of the Culture of Harmony, which should be used to correct human bias, establish core values, lead human spirits, and expedite borderless unions.

Through a unique perspective of the physical and social sciences, Wang communicates the need to promote a harmonious society through the Culture of Harmony.

Philosophy of The Bhagavad Gita: A Contemporary Introduction presents a complete philosophical guide and new translation of the most celebrated text of Hinduism. While usually treated as mystical and religious poetry, this new translation focuses on the philosophy underpinning the story of a battle between two sets of cousins of the Aryan clan. Designed for use in the classroom, this lively and readable translation: - Situates the text in its philosophical and cultural contexts - Features summaries and chapter analyses and questions at the opening and end of each of the eighteen chapters encouraging further study - Highlights points of comparison and overlap between Indian and Western philosophical concepts and themes such as just war, care ethics, integrity and authenticity - Includes a glossary allowing the reader to determine the meaning of central concepts Written with clarity and without presupposing any prior knowledge of Hinduism, Philosophy of the Bhagavad Gita: A Contemporary Introduction reveals the importance and value of reading the Gita philosophically.

Explicates early Chinese thought and explores the relationship between language and thought.

This book maintains that early Chinese philosophers, whatever their philosophical school, assumed common principles informed the natural and human worlds and that one could understand the nature of man by studying the principles which govern nature. Accordingly, the natural world rather than a religious tradition provided the root metaphors of early Chinese thought. Sarah Allan examines the concrete imagery, most importantly water and plant life, which served as a model for the most fundamental concepts in Chinese philosophy including such ideas as dao, the "way", de, "virtue" or "potency", xin, the "mind/heart", xing "nature", and qi, "vital energy". Water, with its extraordinarily rich capacity for generating imagery, provided the primary model for conceptualizing general cosmic principles while plants provided a model for the continuous sequence of generation, growth, reproduction, and death and was the basis for the Chinese understanding of the nature of man in both religion and philosophy.

"I find this book unique among recent efforts to identify and explain essential features of early Chinese thought because of its emphasis on imagery and metaphor". -- Christian Jochim, San Jose State University

This is the first book to bring together the major essays and lectures of Leo Strauss in the field of modern Jewish thought. It contains some of his most famous published writings, as well as significant writings which were previously unpublished.

Containing over 500 new listings of frequently used religious terms and numerous etymological derivations, this new and revised edition of A Concise Dictionary of Indian Philosophy provides a comprehensive dictionary of Indian philosophical terms in both devanagari and roman transliteration along with an English translation. It offers special meanings of words used as technical terms within particular philosophical systems and contains the meaning of terms fundamental to epistemology, metaphysics, and practical teaching of heterdox and orthodox schools of Indian philosophy.

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: thereare affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

As the People's Republic's seemingly inexorable rise to economic and military power con-tinues, never has the need for a better grasp of Chinese strategic thought by the West been more acute. In Deciphering Sun Tzu, Derek Yuen seeks to reclaim for the reader the hidden contours and lost Chinese and Taoist con- texts of Sun Tzu's renowned treatise The Art of War, a literary classic and arguably one of the most influential books ever written. He also explains its historical, philosophical, strategic, and cross-cultural significance. His comprehensive analysis of Sun Tzu, based on close reading of the Chinese sources, also reconstructs the philosophy, Taoist methodology and worldview that effectively form the cornerstones of Chinese strategic thinking, which are arguably as relevant today as at any moment in history. Yuen's innovative reading and analysis of Sun Tzu within and from a Chinese context is a new way of approaching the strategic mas- ter's main concepts, which he compares with those of Clausewitz, Liddell-Hart and other Western strategists.Deciphering Sun Tzu offers illuminating analysis and contextualisation of The Art of War in a manner that has long been sought by Western readers and opens new means of getting to grips with Chinese strategic thought.

Kaun abhatta's Vaiyakarana-bhusana is a massive work on semantic theory written in India in the 17th century. Kaun abhatta belonged to the tradition of Sanskrit grammar and in this work he consolidated the philosophy of language developed in the Paninian tradition of Sanskrit grammar. Kaun abhatta's work takes account of the philosophical debate which occurred in classical and medieval India among the philosophers and grammarians from about 500 B.C. to the 17th century A.D. Kaun abhatta's work primarily represents this debate between the traditions of Sanskrit grammar, Mi amsa, and Nyaya-Vaisesika. It discusses ontological, epistemological, and exegetical issues concerning the notion of meaning as it relates to the various components of language. The present book is a heavily annotated translation of the Namartha-nirnaya section of Kaun abhatta's Vaiyakarana-bhusana, with an extensive introduction. While there are several books that discuss Indian semantic theories in general terms, this book belongs to a small class of intensive, focused studies of densely written philosophical texts which examines each argument in its historical and philosophical context. It is of interest to all students of philosophy of language in general, and to students of Indian philosophy in particular.

This book is the first to describe the development of Halevi's thought with a view to reaching a better understanding of its inherent systematic difficulties, as well as enabling identification of the various strata of the book belonging to different periods in his philosophical development.