In Lev Shestov: Existential Philosopher and Religious Thinker, Michael Finkenthal explores the evolution of Lev Shestov's philosophical and religious intellectual contributions. The hermeneutical effort is mainly based on the Shestovian oeuvre, but his thought is considered in light of existential philosophies in their evolution from Pascal, Nietzsche, and Kierkegaard to those of the twentieth century. Shestov's "deconstruction" of philosophy is discussed parallel to the analysis of the formation of his religious thought and its relevancy in the context of efforts by Buber, Rosenzweig, and Levinas to redefine Judaism.

Fool's Phenomenology gives an original metaphysics approach to, as well as an in-depth account of, the structures of spiritual evolution. Using a wide range of references to philosophical and literary sources, the author adumbrates a surprisingly complex and complete view of the spiritual condition of our species as it struggles in conditions of late modernity.

Grounded in theoretical studies of postmodern and narrative ethics, this book proposes the need for a re-examination of E. L. Doctorow's work from an ethical perspective. Through in-depth analyses of previously neglected intertexts, it questions the classification of his fiction as an expression of postmodern skepticism. Seven of Doctorow's most widely acclaimed novels are dealt with in chronological order, tracing his finely tuned characterizations of the human quest for narrative truth. Growing out of the early protagonists' vague sense of moral consciousness is their recognition of an obligation to interpret signs from and for the Other. Through logical deliberation and close reading, the study gradually identifies the narrative voice of the post-modern gnostic.

Self-individualization has been interpreted as the process in which the all-embracing Self unfolds into an infinite variety of different individ uals, plants, animals and men. A comparison of the different ways in which the Self manifests itself in the biological and psychological devel opmental processes, or in a visionary image of the undivided Self, reveals the same basic structure of expression. The Self, the one, is represented by a circular domain, and comprises a basic inner duality, the two, creating a paradox of conflicting opposites. In the undivided Self the two give rise to a trinity in which, however, a quatemity is hidden. The latter expresses itself in this world as the four basic forces, the four Elements or the four main archetypes, specifying the possibilities or development in space and time. Self-individualization starts with the first appearance of a primary structure of an individual sub-Self. This is the fifth basic force, the fifth Element. Further development is character ized by four generative principles: 1st, the principle of wholeness: connection and integration (being oriented to remaining whole or restoring wholeness); 2nd, the principle of complementarity and com pensation (a periodic shift between opposing influences); 3rd, the enstructuring principle (causing the relative stability of the spatial appear ance of the manifest structure), and 4th, the principle of gesture (resulting in a gradual stepwise development of that structure into a full-grown individual)."

In art and literature, animals appear not only as an allegoric representation but as a reference which troubles the border between humanity and animality. The aim of this book is to challenge traditional ways of confronting animality with humanity and to consider how the Darwinian turn has modified this relationship in postmodern narratives. The subject of animality in culture, ethics, philosophy, art and literature is explored and reevaluated, and a host of questions regarding the conditions of co-existence of humans and animals is asked: Should discourse ethics now include entities that initially seemed mute and were excluded from discussions? Does the modern animal rights movement need a theology, and vice versa, is there a theology that needs animals? Are animals in literature just metaphors of human characters, or do they reveal something more profound, a direction of human desires, or a fantasy of transgressing humanity? This book provides answers and thus gives a new impetus to a so far largely overlooked field.

It would seem that modern humanity has unthroned the human spirit, undercutting the very foundation of the validity of truth, moral values and principles. There appears to be no attempt to discern what is beautiful and true: it is functional and pragmatic usefulness that seem to dominate human evaluations and transactions with other humans and, indeed, animals. Humanity is becoming detached from the higher' aesthetic, moral and intellectual works of the human spirit and thus the life of the spirit is often situated on the other side of a gulf, opposed to science with its rationality. Culture is in danger of becoming reduced to science. In other words, the great metaphysical questions - those of telos, of sense - often are answered in terms of scientific conceptions. But these are at least incomplete, if not fragmentary, and in principle hypothetical, which still leaves the questions unanswered. But it is culture that is the manifestation of the human spirit, being the historical process of human self-interpretation-in-existence. All manifestations of the creative forge of the human being find a role in the fabric of culture, which involves progressively widening circles of the human community, demanding an integration and attunement with others in their changing conditions of life. This consideration of culture involves all areas of philosophical reflection: moral, aesthetic, metaphysical, epistemological, semiological, cognitive, and more.

Authorship is a complicated subject in Kierkegaard's work, which he surely recognized, given his late attempts to explain himself in On My Work as an Author. From the use of multiple pseudonyms and antonyms, to contributions across a spectrum of media and genres, issues of authorship abound. Why did Kierkegaard write in the ways he did? Before we assess Kierkegaard's famous thoughts on faith or love, or the relationship between 'the aesthetic,' 'the ethical,' and 'the religious,' we must approach how he expressed them. Given the multi-authored nature of his works, can we find a view or voice that is definitively Kierkegaard's own? Can entries in his unpublished journals and notebooks tell us what Kierkegaard himself thought? How should contemporary readers understand inconsistencies or contradictions between differently named authors? We cannot make definitive claims about Kierkegaard's work as a thinker without understanding Kierkegaard's work as an author. This collection, by leading contemporary Kierkegaard scholars, is the first to systematically examine the divisive question and practice of authorship in Kierkegaard from philosophical, literary and theological perspectives.

Since its publication, Existence has been regarded as the most important, complete, and lucid account of the existentialist approach to psychology. From the works of the leading spokesmen of the existential analytic movement, the editors have selected classic case histories and other writings to define the approach that seeks to understand mental illness, in the words of Rollo May, ..".not as deviations from the conceptual yardstick of this or that psychiatrist...but as deviations in the structure of the particular patient's existence, the disruptions of his condition humane."

Although this book derives its inspiration and model from Descartes' Meditations and Husserl's Cartesian Meditations, it attempts to overcome Cartesianism conceived as individualistic, reflective, apodictic, presuppositionless self-recovery. Instead, contends Professor Marsh, the isolated, individualistic, brougeois ego gives way to the social, communal, post-bourgeois self: wordly, linguistic, historical, practical, and critical. The book attempts to overcome Cartesianism both in content and in form. In content, Marsh argues, the social self replaces the isolated ego; this he attempts to establish through a series of chapters progressively expanding their scope and social context. Beginning with an emphasis on individual perception, thought, and freedom, and moving through reflections on knowledge of the other, practical engagments with the other, and hermeneutics, he concludes with critiques of the psychological and social unconscious. The result is not a rejection of individual perception, reflection, and freedom, but their sublation within community, tradition, and history. For Marsh the authentic individual is the social individual, the individual-in-community. This book not only inscribes a progressively expanding circle, but also moves in a circle. It begins with a reflection on the contemporary experience of alientation and history of philosophy, ascends in the next several chapters to considering the perceptual, cognitive, free, social self, and then descends in the last chapter to further discussion of this historical starting points in this practical and philosophical aspects. Dialectical phenomenology as method bends back on itself to reflect in a manner both critical and redemptive on its own starting point and genesis. Post-Cartesian Meditations obviously situates itself withing the modernism/post-modernism debate being carried on by Ricoeur and Derrida, Habermas and Foucault, Searle and Rorty, Bernstein and Caputo. Like post-modernism, the book is critical of naive Cartesian presence, the excesses of technological rationality, the pathology of modernity, the irrationality of bourgeois society. Unlike post-modernism, however, the book argues for a socially mediated self, the legitimacy of technology in contrast to technocracy, the critical redemption of modernity, a dialectical rather than a rejectionistic overcoming of capitalism. Rich in insight, suggestion, and argumentation, this book has much to offer students and instructors of philosophy generally, but will be particularly useful to those interested in phenomenological developments, or a Marxist critique of capitalism as a way of life influencing modern philosophical thought.

'It is possible for man to snatch the world from the darkness of absurdity' How should we think and act in the world? These writings on the human condition by one of the twentieth century's great philosophers explore the absurdity of our notions of good and evil, and show instead how we make our own destiny simply by being. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

Science and philosophy have both undergone radical transformations in recent times. Now they are poised for a pivotal alliance. Science has abandoned the mechanistic model of nature. Philosophy has broken through the tight, traditional circle of conceptualisation, intellectualistic preconceptions and cognitive presuppositions. The two now meet to focus on the palpitating, fluctuating stream of nature/life. Their traditional prejudices dispersed under the pressure of new evidence, philosophy/phenomenology of life and the sciences of life meet in the Archimedean point of the human creative condition (proper to the phenomenology of life) and the role of the human subject (central to the scientific view of reality). They necessitate each other: without the sciences of life, philosophy/phenomenology of life cannot penetrate the intricacies of nature/life; without recourse to philosophy to delineate, design, provide clues to the organisation of natural evidence, the sciences of life cannot devise new strategies for inquiry nor survey their field. The present collection throws open the barriers that separate nature and culture, works of physis and those of the spirit. Following the philosophical model of the ontopoieisis of life, focusing on its specifically human sphere - that of the human self-interpretation-in-existence - it encircles the vast, new horizons of the new alliance.

Since the latter half of the 20th century, committed art has been associated with conceptual, critical and activist practices. Painting, by contrast-despite its significance as a site for continued artistic experimentation-has all too often been dismissed as an outmoded, reactionary, market-led venture; an ineffectual medium from the perspective of social and political engagement. How can painting change the world today? The question of painting, in particular, fuelled the investigations of a major 20th-century philosopher: the French phenomenologist, Maurice Merleau-Ponty (1908-61). Merleau-Ponty was at the forefront of attempts to place philosophy on a new footing by contravening the authority of Cartesian dualism and objectivist thought-an authority that continues to limit present-day intellectual, imaginative, ethical, and indeed scientific possibilities. Taking an approach that moves between the fields of philosophical and visual culture research, The Question of Painting is organized around a closely focused, chronological account of Merleau-Ponty's unfolding project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally "intercorporeal" basis of reality as he saw it, and articulate its lived implications-implications that have a, productive bearing on the personal, ethical and political challenges facing us today. The Question of Painting brings today's much debated concerns about the socio-cultural and political potential of painting into contact with the question of painting in philosophy.

Stolorow and his collaborators' post-Cartesian psychoanalytic perspective intersubjective-systems theory is a phenomenological contextualism that illuminates worlds of emotional experience as they take form within relational contexts. After outlining the evolution and basic ideas of this framework, Stolorow shows both how post-Cartesian psychoanalysis finds enrichment and philosophical support in Heidegger's analysis of human existence, and how Heidegger's existential philosophy, in turn, can be enriched and expanded by an encounter with post-Cartesian psychoanalysis. In doing so, he creates an important psychological bridge between post-Cartesian psychoanalysis and existential philosophy in the phenomenology of emotional trauma.

Philosophical debates, many of them involving the appropriation of modern Western philosophical doctrines, are a crucial element shaping the intellectual and practical behaviour of many thinkers in the Islamicate world and their audiences. One Western philosopher currently receiving a particularly lively reception throughout the Islamicate world is Martin Heidegger. This book explores various aspects of the reception of Heidegger's thought in the Arabic, Iranian, Turkish, and South Asian intellectual context. Expert Heidegger scholars from across the Islamicate world introduce and discuss approaches to Heidegger's philosophy that operationalize, recontextualize, or review it critically in the light of Islamic and Islamicate traditions. In doing so, this book imparts knowledge of the history and present situation of Heidegger's reception in the Islamicate world and suggests new pathways for the future of Heidegger Studies - pathways that associate Heidegger's thought with the challenges presently faced by the Islamicate world.

Kierkegaard's Concluding Unscientific Postscript is a classic of existential literature. It concludes the first and richest phase of Kierkegaard's pseudonymous authorship and is the text that philosophers look to first when attempting to define Kierkegaard's own philosophy. Familiar Kierkegaardian themes are introduced in the work, including truth as subjectivity, indirect communication, the leap, and the impossibility of forming a philosophical system for human existence. The Postscript sums up the aims of the preceding pseudonymous works and opens the way to the next part of Kierkegaard's increasingly tempestuous life: it can thus be seen as a cornerstone of his philosophical thought. This volume offers the work in a new and accessible translation by Alastair Hannay, together with an introduction that sets the work in its philosophical and historical contexts.

"The Philosophy of Heidegger" is a readable and reliable overview of Heidegger's thought, suitable both for beginners and advanced students. A striking and refreshing feature of the work is how free it is from the jargon and standard idioms of academic philosophical writing. Written in straightforward English, with many illustrations and concrete examples, this book provides a very accessible introduction to such key Heideggerian notions as in/authenticity, falling, throwness, moods, temporality, earth, world, enframing, etc. Organized under clear, no-nonsense headings, Watt's exposition avoids complicated involvement with the secondary literature, or with wider philosophical debates, which gives his writing a fresh, immediate character. Ranging widely across Heidegger's numerous writings, this book displays an impressively thorough knowledge of his corpus, navigating the difficult relationship between earlier and later Heidegger texts, and giving the reader a strong sense of the basic motives and overall continuity of Heidegger's thought.

The Concept of Logical Consequence is a critical evaluation of the model-theoretic and proof-theoretic characterizations of logical consequence that proceeds from Alfred Tarski's characterization of the informal concept of logical consequence. This study evaluates and expands upon ideas set forth in Tarski's 1936 article on logical consequence, and appeals to his 1935 article on truth. Classical logic, as well as extensions and deviations are considered. Issues in the philosophy of logic such as the nature of logical constants, the philosophical significance of completeness, and the metaphysical and epistemological implications of logic are discussed in the context of the examination of the concept of logical consequence.

Investigating connections between philosophical hermeneutics and neighbouring traditions of thought, this volume considers the question of how post-Heideggerian hermeneutics, as represented by Gadamer, Ricoeur and recent scholars following in their wake, relate to these traditions, both in general terms and bearing upon specific questions. The traditions covered in this volume-existentialism, pragmatism, poststructuralism, Eastern philosophy, and hermeneutics itself-are all characterized by significant internal diversity, adding to the difficulty in reaching an interpretation that is at once comparative and critical. None of these traditions represent a unified system of belief; all are umbrella terms which are at once useful and imprecise, and the differences internal to each must not to be understated. An innovative work of comparative philosophy, this volume avoids oversimplification and offers specific analyses that treat hermeneutics in relation to particular themes and key figures in each of these traditions of thought. Philosophical hermeneutics is explicitly dialogical, and it is in this spirit that the authors of this book approach their subjects, revealing the important affinities and opportunities for mutually enriching conversations which have until now been overlooked.

Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty Painting does not imitate the world, but is a world of its own .

An outstanding series of chapters by an international group of contributors examine the following questions:

• Paul Klee and the body in art
• colour and background in Merleau-Ponty 's phenomenology of art
• self-consciousness and seventeenth-century painting
• Vermeer and Heidegger
• philosophy and the painting of Rothko
• embodiment in Renaissance art
• sculpture, dance and phenomenology.

Art and Phenomenology is essential reading for anyone interested in phenomenology, aesthetics, and visual culture.

This collection brings to the public the fruits of the groundlaying work on the philosophy/phenomenology of life presented in some 30 volumes of the Analecta Husserliana, and inaugurates a new phase in philosophy/phenomenology - a truly radical turn. As Tymieniecka in her introduction puts it, the time is ripe to abandon the prejudices against empiria and set aside in a second position' the epistemological/constitutive criterion of validity and truth - without, however, abandoning it. To the contrary: recognising with our present culture the overwhelmingly superior validity of the pragmaticity test, which science indubitably applies in its verification' of technology, philosophy/phenomenology at last reaches the full significance of reality: the fullness of the vital fact of life, which comprises not only the works and enjoyment of the mind and the spirit, but those of the bios and the cosmos too. The full-fledged dialogue with the hard-core sciences opens up; philosophy of life and the human creative condition draws together all the radiations of life into its field of inquiry. Tymieniecka thus proposes a new mathesis universalis - the dream of Leibniz and Husserl - which can at least be fulfilled.

If Edmund Husserl's true philosophy lay in his unpublished research manuscripts, as he argues, then it is in these -- rather than the "introductions" and fragmentary studies he published during his lifetime -- that we may possibly find a systematic of his philosophy. This work constitutes a study of the full range of Husserl's writings with the special task of uncovering there the systematic presentation or presentations of the transcendental phenomenological problematic. Sandmeyer's study contains an overview of Husserl's total set of writings, a translation of Husserl correspondence with Georg Misch, a translation of a draft outline of the "system of phenomenological philosophy" produced by Husserl in collaboration with his assistant, Eugen Fink, and it also closely traces the influence of Wilhelm Dilthey on Husserl's philosophy.

Jean-Paul Sartre was one of the most influential philosophers of the twentieth century. The fourteen original essays in this volume focus on the phenomenological and existentialist writings of the first major phase of his published career, arguing with scholarly precision for their continuing importance to philosophical debate. Aspects of Sartre's philosophy under discussion in this volume include: consciousness and self-consciousness imagination and aesthetic experience emotions and other feelings embodiment selfhood and the Other freedom, bad faith, and authenticity literary fiction as philosophical writing Reading Sartre: on Phenomenology and Existentialism is an indispensable resource for understanding the nature and importance of Sartre's philosophy. It is essential reading for students of phenomenology, existentialism, ethics, or aesthetics, and for anyone interested in the roots of contemporary thought in twentieth century philosophy.

Jean-Paul Sartre was one of the most influential philosophers of the twentieth century. The fourteen original essays in this volume focus on the phenomenological and existentialist writings of the first major phase of his published career, arguing with scholarly precision for their continuing importance to philosophical debate. Aspects of Sartre's philosophy under discussion in this volume include: consciousness and self-consciousness imagination and aesthetic experience emotions and other feelings embodiment selfhood and the Other freedom, bad faith, and authenticity literary fiction as philosophical writing Reading Sartre: on Phenomenology and Existentialism is an indispensable resource for understanding the nature and importance of Sartre's philosophy. It is essential reading for students of phenomenology, existentialism, ethics, or aesthetics, and for anyone interested in the roots of contemporary thought in twentieth century philosophy.

Translated by:
Jonathan Webber

This book offers an interpretative key to Virginia Woolf's visual and spatial strategies by investigating their nature, role and function. The author examines long-debated theoretical and critical issues with their philosophical implications, as well as Woolf's commitment to contemporary aesthetic theories and practices. The analytical core of the book is introduced by a historical survey of the interart relationship and significant critical theories, with a focus on the context of Modernism. The author makes use of three investigative tools: descriptive visuality, the widely debated notion of spatial form, and cognitive visuality. The cognitive and remedial value of Woolf's visual and spatial strategies is demonstrated through an inter-textual analysis of To the Lighthouse, The Waves and Between the Acts (with cross-references to Woolf's short stories and Jacob's Room). The development of Woolf's literary output is read in the light of a quest for unity, a formal attempt to restore parts to wholeness and to rescue Being from Nothingness.