What are the things that we assert, believe, and desire? The orthodox view among philosophers is eternalism: these are contents that have their truth-values eternally. Transient Truths provides the first book-length exposition and defense of the opposing view, temporalism: these are contents that can change their truth-values along with changes in the world. Berit Brogaard argues that temporal contents are contents and propositions in the full sense. This project involves a thorough analysis of how we talk about and retain mental states over time, an examination of how the phenomenology of mental states bear on the content of mental states, an analysis of how we pass on information in temporally extended conversations, and a revival of a Priorian tense logic. The view suggests a broader view according to which some types of representation have a determinate truth-value only relative to features about the subject who does the representing. If this view is right, successful semantic representation requires an eye on our own position in the world.

The study of self-consciousness helps humans understand themselves and restores their identities. But self-consciousness has been a mystery since the beginning of history, and this mystery cannot be resolved by conventional natural science. In Self-Consciousness, author Masakazu Shoji takes the mystery out of self-consciousness by proposing the idea that the human brain and body are a biological machine. A former VLSI microprocessor designer and semiconductor physicist, Shoji was guided by the ideas of ancient sages to create a conceptual design of a human machine brain model. He explains how it works, how it senses itself and the outside world, and how the machine creates the sense of existence of the subject SELF to itself, just as a living human brain does. A follow-up to Shoji's previous book, Neuron Circuits, Electronic Circuits, and Self-Consciousness, this new volume examines self-consciousness from three unconventional viewpoints to present a complex theory of the mind and how self-consciousness develops.

The Kantian Aesthetic explains the kind of perceptual knowledge involved in aesthetic judgments. It does so by linking Kant's aesthetics to a critically upgraded account of his theory of knowledge. This upgraded theory emphasizes those conceptual and imaginative structures which Kant terms, respectively, "categories" and "schemata." By describing examples of aesthetic judgment, it is shown that these judgments must involve categories and fundamental schemata (even though Kant himself, and most commentators after him, have not fully appreciated the fact). It is argued, in turn, that this shows the aesthetic to be not just one kind of pleasurable experience amongst others, but one based on factors necessary to objective knowledge and personal identity, and which, indeed, itself plays a role in how these capacities develop.
In order to explain how individual aesthetic judgments are justified, and the aesthetic basis of art, however, the Kantian position just outlined has to be developed further. This is done by exploring some of his other ideas concerning how critical comparisons inform our cultivation of taste, and art's relation to genius. By linking the points made earlier to a more developed account of this horizon of critical comparisons, a Kantian approach can be shown to be both a satisfying and comprehensive explanation of the cognitive basis of aesthetic experiences. It is shown also that the approach can even cover some of the kinds of avant-garde works which were thought previously to limit its relevance.

We know, more intimately than anything else, what it's like to undergo a rich world of experiences: agonizing pains, dizzying pleasures, heady rage and existential doubts. But, despite the incredible advances of physical science, it seems that we're no closer to an explanation of how this inner world of experiences comes about. No matter how detailed our description of the physical brain, perhaps we'll always be left with this same question: how and why does the brain produce consciousness? This book is a short, accessible and engaging guide to the mystery of consciousness. Featuring remastered interviews and original essays from the world's leading thinkers, Philosophers on Consciousness sheds new light on the most promising theories in philosophy and science. Beyond understanding the mind, this is a journey into personal identity, the origin of meaning, the nature of morality and the fundamental structure of reality. Contributors include: Miri Albahari, Susan Blackmore, David Chalmers, Patricia Churchland, Daniel Dennett, Keith Frankish, Philip Goff, Frank Jackson, Casey Logue, Gregory Miller, Michelle Montague, Massimo Pigliucci and Galen Strawson.

Prolegomena to a Carnal Hermeneutics introduces the importance of body politics from both Eastern and Western perspectives. Hwa Yol Jung begins with Giambattista Vico's anti-Cartesianism as the birth of the discipline. He then explores the homecoming of Greek mousike (performing arts), which included oral poetry, dance, drama, and music; Mikhail Bakhtin's dialogical body politics; the making of body politics in Hannah Arendt, Emmanuel Levinas, and Luce Irigaray; Marshall McLuhan's transversal and embodied philosophy of communication; and transversal geophilosophy. This tour de force will be an engaging read for anyone interested in the above thinkers, as well as for students and scholars of comparative philosophy, communication theory, environmental philosophy, political philosophy, or continental philosophy

This volume investigates the neglected topic of mental action, and shows its importance for the metaphysics, epistemology, and phenomenology of mind. Twelve specially written essays address such questions as the following: Which phenomena should we count as mental actions--imagining, remembering, judging, for instance? How should we explain our knowledge of our mental actions, and what light does that throw on self-knowledge in general? What contributions do mental actions make to our consciousness? What is the relationship between the voluntary and the active, in the mental sphere? What are the similarities and differences between mental and physical action, and what can we learn about each from the other?

In Animal Rationality: Later Medieval Theories 1250-1350, Anselm Oelze offers the first comprehensive and systematic exploration of theories of animal rationality in the later Middle Ages. Traditionally, it was held that medieval thinkers ascribed rationality to humans while denying it to nonhuman animals. As Oelze shows, this narrative fails to capture the depth and diversity of the medieval debate. Although many thinkers, from Albert the Great to John Buridan, did indeed hold that nonhuman animals lack rational faculties, some granted them the ability to engage in certain rational processes such as judging, reasoning, or employing prudence. There is thus a whole spectrum of positions to be discovered, many of which show interesting parallels with contemporary theories of animal rationality.

This is a comprehensive reference guide to current research in Philosophy of Mind, assembled by an international team of leading scholars in the discipline. From new questions concerning qualia, representation, embodiment and cognition to fresh thinking about the long-standing problems of physicalism, dualism, personal identity and mental causation, this book is an authoritative guide to the latest research in the Philosophy of Mind. Across twelve entries, experts in the field explore the current thinking in one of the most active areas of interest in philosophy today. To aid researchers further, the Companion also includes overviews of perennial problems and new directions in contemporary philosophy of mind, an extended glossary of terms for quick reference, a detailed chronology, a guide to research for ongoing study and a comprehensive bibliography of key classic and contemporary publications in the philosophy of mind. "The Continuum Companions" series is a major series of single volume companions to key research fields in the humanities aimed at postgraduate students, scholars and libraries. Each companion offers a comprehensive reference resource giving an overview of key topics, research areas, new directions and a manageable guide to beginning or developing research in the field. A distinctive feature of the series is that each companion provides practical guidance on advanced study and research in the field, including research methods and subject-specific resources.

"Philadelphia A Story Sequence in Verse" is a window on the work of esoteric schools. It portrays a small, representative group of loving friends who at first naively and later decisively with the potent ancient knowledge in which they have been instructed engage in storytelling's highest purpose: to remind and remind and remind us again to remember and hold ourselves aware of what our busy minds are always forgetting - the present, where the divine resides. John Craig, the author, is a poet and teacher who with his wife Victoria,a native of Phila-delphia,lives in the Sierra foothills of northern California. They have two grown sons.

When instruments are harmoniously joined together, beautiful music ensues. Just as in a classic symphony, life often occurs in phases, or movements. In his creative comparison Symphony #1 in a Minor Key, literary exegete Alan Block shares his philosophies on four movements reflected in his own life, each loosely modeled on a different musical form linked to the emotions of a life both fully lived and joyously celebrated. In the first movement, "Sonata Allegro," Block juxtaposes biblical stories with personal experiences as he explores the contradictory nature of what it means to leave home in search of another home. In the second movement, representing a slow march to and from the grave, he focuses his examination on the funerals of three very different people from a Jewish perspective. In strong contrast, Block presents a glimpse into his absurd daily world in the third movement, punctuated by jokes and commentary. Finally, he shares a celebration of life and hope inspired by the final movement of Beethoven's Seventh Symphony, encouraging others to be open to the sublime and realize that none of our worlds is perfect. Symphony #1 in a Minor Key shares one man's reflections as he offers a fascinating meditation on life, death, and everything in between.

Spheres of Reason comprises nine original essays on the philosophy of normativity, written by a combination of internationally renowned and up-and-coming philosophers working at the forefront of the topic. On one broad construal the normative sphere concerns norms, requirements, oughts, reasons, reasoning, rationality, justification, value. These notions play a central role in both everyday thought and philosophical enquiry; but there remains considerable disagreement about how to understand normativity -- its nature, metaphysical and epistemological bases -- and how different aspects of normative thought connect to one another. As well as exploring traditional and ongoing issues central to our understanding of normativity -- especially those concerning reasons, reasoning and rationality -- the volume's essays develop new approaches to and perspectives in the field. Notably, they make a timely and distinctive contribution to normativity as it features across each of the practical, epistemic and affective regions of thought, including the important issue of how normativity as it applies to action, belief and feeling may (or may not) be connected. In doing so, the essays engage topics within the philosophy of mind and action, epistemology, normative ethics and metaethics. With an editor's introduction providing a comprehensive and accessible background to the subject, Spheres of Reason is essential reading to anyone interested in the nature of normativity and the bearing it has on human thought.

Anthony Everett defends the commonsense view that there are no such things as fictional people, places, and things. More precisely he develops and defends a pretense theoretic account on which there are no such things as fictional objects and our talk and thought that purports to be about them takes place within the scope of a pretense. Nevertheless we may mistakenly suppose there are fictional objects because we mistake the fact that certain utterances count as true within the pretense, and convey veridical information about the real world, for the genuine truth of those utterances. In the first half of The Nonexistent an account of this form is motivated, developed in detail, and defended from objections. The second half of the book then argues against fictional realism, the view that we should accept fictional objects into our ontology. First it is argued that the standard arguments offered for fictional realism all fail. Then a series of problems are raised for fictional realism. The upshot of these is that fictional realism provides an inadequate account of a significant range of talk and thought that purports to concern fictional objects. In contrast the pretense theoretic account developed earlier provides a very straightforward and attractive account of these cases and of fictional character discourse in general. Overall, Everett argues that we gain little but lose much by accepting fictional realism.

Creations of the Mind presents sixteen original essays by theorists from a wide variety of disciplines who have a shared interest in the nature of artifacts and their implications for the human mind. All the papers are written specially for this volume, and they cover a broad range of topics concerned with the metaphysics of artifacts, our concepts of artifacts and the categories that they represent, the emergence of an understanding of artifacts in infants' cognitive development, as well as the evolution of artifacts and the use of tools by non-human animals. This volume will be a fascinating resource for philosophers, cognitive scientists, and psychologists, and the starting point for future research in the study of artifacts and their role in human understanding, development, and behaviour. Contributors: John R. Searle, Richard E. Grandy, Crawford L. Elder, Amie L. Thomasson, Jerrold Levinson, Barbara C. Malt, Steven A. Sloman, Dan Sperber, Hilary Kornblith, Paul Bloom, Bradford Z. Mahon, Alfonso Caramazza, Jean M. Mandler, Deborah Kelemen, Susan Carey, Frank C. Keil, Marissa L. Greif, Rebekkah S. Kerner, James L. Gould, Marc D. Hauser, Laurie R. Santos, Steven Mithen

New Essays on Singular Thought presents ten new, specially written essays on an issue central to philosophy of mind, language, and perception: the nature of our thought about the external world.
Is our thought about objects in the world always descriptive, mediated by our conceptions of those objects? Or is some of our thought somehow more direct, singular, associated more intimately with our perceptual, linguistic, and socially mediated relations to them? Leading experts in the field contributing to this volume make the case for the singularity of thought and debate a broad spectrum of issues it raises, including the structure of singular thought, the role of acquaintance in perception- and communication-based reference, the semantics of fictional and mythical terms, and the merits of epistemic, cognitive, and linguistic conditions on singular thought. Their essays explore new directions for future research and will be an important resource for anyone working at the interface of semantics and mental representation.

A generic statement is a type of generalization that is made by asserting that a "kind" has a certain property. For example we might hear that marshmallows are sweet. Here, we are talking about the "kind" marshmallow and assert that individual instances of this kind have the property of being sweet. Almost all of our common sense knowledge about the everyday world is put in terms of generic statements. What can make these generic sentences be true even when there are exceptions? A mass term is one that does not "divide its reference;" the word water is a mass term; the word dog is a count term. In a certain vicinity, one can count and identity how many dogs there are, but it doesn't make sense to do that for water--there just is water present. The philosophical literature is rife with examples concerning how a thing can be composed of a mass, such as a statue being composed of clay. Both generic statements and mass terms have led philosophers, linguists, semanticists, and logicians to search for theories to accommodate these phenomena and relationships.
The contributors to this interdisciplinary volume study the nature and use of generics and mass terms. Noted researchers in the psychology of language use material from the investigation of human performance and child-language learning to broaden the range of options open for formal semanticists in the construction of their theories, and to give credence to some of their earlier postulations--for instance, concerning different types of predications that are available for true generics and for the role of object recognitions in the development of count vs. mass terms. Relevant data also is described by investigating the ways children learn these sorts of linguistic items: children can learn how to sue generic statements correctly at an early age, and children are adept at individuating objects and distinguishing them from the stuff of which they are made also at an early age.

Recent Western thought has consistently emphasized the individualistic strand in our understanding of persons at the expense of the social strand. Thus, it is generally thought that persons are self-determining and autonomous, where these are understood to be capacities we exercise most fully on our own, apart from others, whose influence on us tends to undermine that autonomy. Love, Friendship, and the Self argues that we must reject a strongly individualistic conception of persons if we are to make sense of significant interpersonal relationships and the importance they can have in our lives. It presents a new account of love as intimate identification and of friendship as a kind of plural agency, in each case grounding and analyzing these notions in terms of interpersonal emotions. At the center of this account is an analysis of how our emotional connectedness with others is essential to our very capacities for autonomy and self-determination: we are rational and autonomous only because of and through our inherently social nature. By focusing on the role that relationships of love and friendship have both in the initial formation of our selves and in the on-going development and maturation of adult persons, Helm significantly alters our understanding of persons and the kind of psychology we persons have as moral and social beings.