The problem of human knowing has been foundational for the enterprise of philosophy since the time of Descartes. The great philosophers have offered different accounts of the power and limits of human knowing but no generally acceptable system has emerged. Contemporary writers have almost given up on this most intractable issue. In this book, Brian Cronin suggests using the method of introspective description to identify the characteristics of the act of human understanding and knowing. Introspection--far from being private and unverifiable--can be public, communal, and verifiable. If we can describe our dreams and our feelings, then, we can describe our acts of understanding. Using concrete examples, one can identify the activities involved--namely, questioning, researching, getting an idea, expressing a concept, reflecting on the evidence and inferring a conclusion. Each of these activities can be described clearly and in great detail. If we perform these activities well, we can understand and know both truth and value. The text invites readers to verify each and every statement in their own experience of understanding. This is a detailed and verifiable account of human knowing: an extremely valuable contribution to philosophy and a solution to the foundational problem of knowing.

Why does the world look to us as it does? Generally speaking, this question has received two types of answers in the cognitive sciences in the past fifty or so years. According to the first, the world looks to us the way it does because we construct it to look as it does. According to the second, the world looks as it does primarily because of how the world is. In The Innocent Eye, Nico Orlandi defends a position that aligns with this second, world-centered tradition, but that also respects some of the insights of constructivism. Orlandi develops an embedded understanding of visual processing according to which, while visual percepts are representational states, the states and structures that precede the production of percepts are not representations. If we study the environmental contingencies in which vision occurs, and we properly distinguish functional states and features of the visual apparatus from representational states and features, we obtain an empirically more plausible, world-centered account. Orlandi shows that this account accords well with models of vision in perceptual psychology - such as Natural Scene Statistics and Bayesian approaches to perception - and outlines some of the ways in which it differs from recent 'enactive' approaches to vision. The main difference is that, although the embedded account recognizes the importance of movement for perception, it does not appeal to action to uncover the richness of visual stimulation. The upshot is that constructive models of vision ascribe mental representations too liberally, ultimately misunderstanding the notion. Orlandi offers a proposal for what mental representations are that, following insights from Brentano, James and a number of contemporary cognitive scientists, appeals to the notions of de-coupleability and absence to distinguish representations from mere tracking states.

Exporting Japanese Aesthetics brings together historical and contemporary case studies addressing the evolution of international impacts and influences of Japanese culture and aesthetics. The volume draws on a wide range of examples from a multidisciplinary team of scholars exploring transnational, regional and global contexts. Studies include the impact of traditional Japanese theatre and art through to the global popularity of contemporary anime and manga. Under the banner of soft power or Cool Japan, cultural commodities that originate in Japan have manifested new meanings outside Japan. By (re)mapping meanings of selected Japanese cultural forms, this volume offers an in-depth examination of how various aspects of Japanese aesthetics have evolved as exportable commodities, the motivations behind this diffusion, and the extent to which the process of diffusion has been the result of strategic planning. Each chapter presents a case study that explores perspectives that situate Japanese aesthetics within a wide-ranging field of inquiry including performance, tourism, and visual arts, as well as providing historical contexts. The importance of interrogating the export of Japanese aesthetics is validated at the highest levels of government, which formed the Office of Cool Japan in 2010, and which perhaps originated in the 19th century at governmentally endorsed cultural courts at world fairs. Increased international consumption of contemporary Japanese culture provides a much needed boost to Japans weakening economy. The case studies are timely and topical. As host of the 2020/2021 Tokyo Olympic Games and the 2025 Osaka Expo, Cool Japan will be under special scrutiny.

Montesquieu and the Spirit of Rome argues that the eighteenth-century French author Charles-Louis de Secondat, Baron de La Brede et de Montesquieu (1689-1755) developed a novel, comprehensive account of Roman history that framed his new political science and grounded his political teachings. Rome's legacy in early-modern thought turns on the work of Montesquieu, and through Rome Montesquieu articulated the strengths and weaknesses of the modern state-the moderation that can distinguish it and sources of extremism that must haunt it. This book is the first to unify Montesquieu's Roman thoughts; it is the first to reconstruct the Rome that was one of his most powerful legacies in the 18th and 19th centuries. Montesquieu and the Spirit of Rome restores Rome to its proper place at the peak of Montesquieu's thought and Montesquieu's thought to its proper place in the history of classical study. It treats Montesquieu as what he claimed to be-a jurist, a poet, a historian, and a political writer of the first rank, and it revives his hard-nosed defence of moderation.

Within the contemporary philosophical debates over the nature of perception, the question of whether perception has content in the first place recently has become a focus of discussion. The most common view is that it does, but a number of philosophers have questioned this claim. The issue immediately raises a number of related questions. What does it mean to say that perception has content? Does perception have more than one kind of content? Does perceptual content derive from the content of beliefs or judgments? Should perceptual content be understood in terms of accuracy conditions? Is naive realism compatible with holding that perception has content? This volume brings together philosophers representing many different perspectives to address these and other central questions in the philosophy of perception.

This book presents an analysis of the social aspects of Carl Gustav Jung's thought and its followers, the interpretation of the phenomena of contemporary social life (social imagery) from the perspective of the main categories of this thought (archetype, unconscious, collectivity, mass society, mass man). It also contains an attempt of their application for understanding contemporary social and political phenomena (e.g. Brazilian sebastianism, Balkan conflicts, virtual-imagery sphere of communication, figures of imagery in popular culture, and others). The authors examine the relationship between Jung's and Jungians' (E. Neumann, J. Hillman, J. L. Henderson) conceptions and many accompanying them (e.g. Frankfurt school, Bachelard's philosophy, American cultural psychoanalysis) and the background of contemporary social psychology, sociology, and cultural anthropology.

The philosopher Abu Nasr al-Farabi (c. 870-c. 950 CE) is a key Arabic intermediary figure. He knew Aristotle, and in particular Aristotle's logic, through Greek Neoplatonist interpretations translated into Arabic via Syriac and possibly Persian. For example, he revised a general description of Aristotle's logic by the 6th century Paul the Persian, and further influenced famous later philosophers and theologians writing in Arabic in the 11th to 12th centuries: Avicenna, Al-Ghazali, Avempace and Averroes. Averroes' reports on Farabi were subsequently transmitted to the West in Latin translation. This book is an abridgement of Aristotle's Prior Analytics, rather than a commentary on successive passages. In it Farabi discusses Aristotle's invention, the syllogism, and aims to codify the deductively valid arguments in all disciplines. He describes Aristotle's categorical syllogisms in detail; these are syllogisms with premises such as 'Every A is a B' and 'No A is a B'. He adds a discussion of how categorical syllogisms can codify arguments by induction from known examples or by analogy, and also some kinds of theological argument from perceived facts to conclusions lying beyond perception. He also describes post-Aristotelian hypothetical syllogisms, which draw conclusions from premises such as 'If P then Q' and 'Either P or Q'. His treatment of categorical syllogisms is one of the first to recognise logically productive pairs of premises by using 'conditions of productivity', a device that had appeared in the Greek Philoponus in 6th century Alexandria.

At the intersection between psychoanalysis (Freudian and Lacanian) and philosophy, this book is a glimpse into the life of patients, into desire and love, and into the fate of the relationship between men and women.

Neuroscientists often consider free will to be an illusion. Contrary to this hypothesis, the contributions to this volume show that recent developments in neuroscience can also support the existence of free will. Firstly, the possibility of intentional consciousness is studied. Secondly, Libet's experiments are discussed from this new perspective. Thirdly, the relationship between free will, causality and language is analyzed. This approach suggests that language grants the human brain a possibility to articulate a meaningful personal life. Therefore, human beings can escape strict biological determinism.