In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb population. But as much as Safe Area Gorazde is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. Since it was first published in 2000, Safe Area Gorazde has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco's other books on the Cape list - Palestine, The Fixer and Notes from a Defeatist.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq.

In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.

This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

The son of one of the greatest writers of our time-Nobel Prize winner and internationally best-selling icon Gabriel Garcia Marquez-remembers his beloved father and mother in this tender memoir about love and loss. 'It enthralled and moved me.' Salman Rushdie In March 2014, Gabriel Garcia Marquez, one of the most acclaimed writers of the twentieth century, came down with a cold. The woman who had been beside him for more than fifty years, his wife Mercedes Barcha, was not hopeful; her husband, affectionately known as "Gabo," was then nearly 87 and battling dementia. I don't think we'll get out of this one, she told their son Rodrigo. Hearing his mother's words, Rodrigo wondered, "Is this how the end begins?" To make sense of events as they unfolded, he began to write the story of Garcia Marquez's final days. The result is this intimate and honest account that not only contemplates his father's mortality but reveals his remarkable humanity. Both an illuminating memoir and a heartbreaking work of reportage, A Farewell to Gabo and Mercedes transforms this towering genius from literary creator to protagonist, and paints a rich and revelatory portrait of a family coping with loss. At its centre is a man at his most vulnerable, whose wry humour shines even as his lucidity wanes. Gabo savours affection and attention from those in his orbit, but wrestles with what he will lose-and what is already lost. Throughout his final journey is the charismatic Mercedes, his constant companion and the creative muse who was one of the foremost influences on Gabo's life and his art. Bittersweet and insightful, surprising and powerful, A Farewell to Gabo and Mercedes celebrates the formidable legacy of Rodrigo's parents, offering an unprecedented look at the private family life of a literary giant. It is at once a gift to Gabriel Garcia Marquez's readers worldwide, and a grand tribute from a writer who knew him well.

In 2015, a year after it started, Bushra al-Maqtari decided to document the suffering of civilians in the Yemeni Civil War, which has killed over 350,000 people according to the UN. Inspired by the work of Svetlana Alexievich, she spent two years visiting different parts of the country, putting her life at risk by speaking with her compatriots, and gathered over 400 testimonies, a selection of which appear in What Have You Left Behind? Purposefully alternating between accounts from the victims of the Houthi militia and those of the Saudi-led coalition, al-Maqtari highlights the disillusionment and anguish felt by those trapped in a war outside of their own making. As difficult to read as it is to put down, this unvarnished chronicle of the conflict serves as a vital reminder of the scale of the human tragedy behind the headlines, and offers a searing condemnation of the international community's complicity in the war's continuation.

A self-proclaimed 'myth buster by trade', over her long-ranging career as a journalist and political activist Barbara Ehrenreich has delved with devastating wit and insight into the social and political fabric of America. Had I Known gathers together Ehrenreich's most significant articles and excerpts from the last four decades - some of which became the starting point for her bestselling books - from her award-winning article 'Welcome to Cancerland', published shortly after she was diagnosed with breast cancer, to her groundbreaking investigative journalism in 'Nickel and Dimed', which explored living in America on the minimum wage. Issues she identified as far back as the 80s and 90s such as work poverty, rising inequality, the gender divide and medicalised health care, are top of the social and political agenda today. Written with remarkable tenderness, humour and incisiveness, Ehrenreich's describes an America of struggle, inequality, racial bias and injustice. Her extraordinarily prescient and relevant perspective announces her as one of most significant thinkers of our day.

The son of one of the greatest writers of our time-Nobel Prize winner and internationally best-selling icon Gabriel Garcia Marquez-remembers his beloved father and mother in this tender memoir about love and loss. "I find myself remembering that my father used to say that everyone has three lives: the public, the private, and the secret." On a weekday morning in March 2014, Gabriel Garcia Marquez, one of the most acclaimed writers of the twentieth century, came down with a cold. In this intimate and honest account on grief and death, Rodrigo Garcia not only contemplates his father's mortality and remarkable humanity, but also his mother's tremendous charm and tenderness. Mercedes Barcha, Gabo's constant companion and creative muse, was one of the foremost influences on his life and art. A Farewell to Gabo and Mercedes is a revelatory portrait of a family coping with loss and a rich depiction of a son's love.

At risk of life and reputation, the reform journalist W. T. Stead (1849-1912) exposed child vice and white slavery in London and established age 16 for statutory rape. Concluding the 1914 Portrait, Joyce saluted the "Old father, old artificer, stand me now and ever in good stead" and set the path of future works. The exemplary life and devotions of Stead provided James Joyce with a model, a theme, and a purpose. Joyce integrated Steadfacts with his own personal emerging autobiography and interpretation of the ongoing Irish national, international, and even cosmic events. In this book Eckley uses new sources to unravel forgotten languages, motifs, and metaphors and recognizes "obscurity" as a "chrysalis factor" in Joyce's Finnegans Wake to illuminate Stead's influence on Joyce. This book of Finnegans Wake criticism will open paths for exciting new efforts in studying Joyce.

THE SUNDAY TIMES BESTSELLER Relive the delusional fever-dream of the modern era. 'Thank f*ck for Marina Hyde: the most lethal, vital, screamingly funny truth-teller of our time.' PHOEBE WALLER-BRIDGE 'The most brilliantly funny columnist of our time.' GARY LINEKER 'It's a scientific FACT: Marina Hyde is Britain's funniest writer.' CAITLIN MORAN No other writer is more suited to chronicling the absurd times in which we live. In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson. Marvel at the sights, from Trumpian WTF-ery to celebrity twattery. And boggle at the cast of characters: Hollywood sex offenders, populists, sporting heroes (and villains), dastardly dukes, media barons, movie stars, reality TV monsters, billionaires, police officers, various princes and princesses, wicked advisers, philanthropists, fauxlanthropists, telly chefs, and (naturally) Gwyneth Paltrow. It's the full state banquet of crazy - and you're most cordially invited. Drawn from her spectacularly funny Guardian columns, What Just Happened?! is a welcome blast of humour and sanity in a world where reality has become stranger than fiction. 'A joyous rallying voice in British journalism.' GRAYSON PERRY 'An infinite number of gag-writers, working all day in a gag factory, couldn't come up with any of the perfectly-formed one-liners that populate Marina Hyde's hilarious writing . . . But behind the wit lurks real anger, argument, exasperation and intelligence. Her writing is more than a gentle poke in the ribs: it's a well-wrought and deftly aimed smash in the teeth.' ARMANDO IANNUCCI

This compelling book explores how Egyptian bloggers used citizen journalism and cyberactivism to chip away at the state's monopoly on information and recalibrate the power dynamics between an authoritarian regime and its citizens. When the Arab uprisings broke out in early 2011 and ousted entrenched leaders across the region, social media and the Internet were widely credited with playing a role, particularly when the Egyptian government shut down the Internet and mobile phone networks in an attempt to stave off the unrest there. But what these reports missed were the years of grassroots organizing, digital activism, and political awareness-raising that laid the groundwork for this revolutionary change. Radsch argues that Egyptian bloggers created new social movements using blogging and social media, often at significant personal risk, so that less than a decade after the information revolution came to Egypt they successfully mobilized the overthrow of the state and its president.

The Believer, a ten-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine based at the Beverly Rogers, Carol C. Harter Black Mountain Institute, a department of the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, and on occasion, delightful and unexpected bonus items. Our poetry section is curated by Jericho Brown, Kristen Radtke selects our comics, and Joshua Wolf Shenk is our editor-in-chief. Issues feature a column by Nick Hornby, in which he discusses the things he's been reading, as well as a comedy advice column.

"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "Essential reading" History Today "A moving evocation . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed that Albania could become a self-sufficient bastion of communism. Every day, many of its citizens were thrown into prisons and forced labour camps for daring to think independently, for rebelling against the regime or trying to escape - the consequences of their actions were often tragic and irreversible. Mud Sweeter than Honey gives voice to those who lived in Albania at that time - from poets and teachers to shoe-makers and peasant farmers, and many others whose aspirations were brutally crushed in acts of unimaginable repression - creating a vivid, dynamic and often painful picture of this totalitarian state during the forty years of Hoxha's ruthless dictatorship. Very little emerged from Albania during communist times. With these personal accounts, Rejmer opens a window onto a terrifying period in the country's history. Mud Sweeter than Honey is not only a gripping work of reportage, but also a necessary and unique portrait of a nation. With an Introduction by Tony Barber *Winner of the Polityka Passport Prize**Winner of the Koscielski Award* Translated from the Polish by Zosia Krasodomska-Jones and Antonia Lloyd-Jones

'A hugely significant and wonderfully haunting collection' William Boyd In the 1920s and 1930s, Joseph Roth travelled extensively in Europe, living in hotels and writing about the towns through which he passed and the people he encountered. Collected in one volume, his experiences in Italy, Germany, Russia, Albania and Ukraine form a series of tender vignettes that capture life in the inter-war years. Evocative, curious and sharply observed, these literary postcards document a continent clinging to tradition while on the brink of further upheaval.

The last major interview with John Lennon and Yoko Ono, conducted by New York Times bestselling author David Sheff, featuring a new introduction that reflects on the fortieth anniversary of Lennon's death.

Originally published in Playboy in 1981 just after John Lennon's assassination, All We Are Saying is a rich, vivid, complete interview with Lennon and Yoko Ono, covering art, creativity, the music business, childhood beginnings, privacy, how the Beatles broke up, how Lennon and McCartney collaborated (or didn't) on songs, parenthood, money, feminism, religion, and insecurity. Of course, at the heart of the conversation is the deep romantic and spiritual bond between Lennon and Ono.

Sheff's insightful questions set the tone for Lennon's responses and his presence sets the scene, as he goes through the kitchen door of Lennon and Yoko's apartment in the Dakota and observes moments at Lennon's famous white piano and the rock star's work at the stove, making them grilled cheese sandwiches. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview: unguarded, wide-ranging, alternately frisky and intense.

In The Future is History Masha Gessen follows the lives of four Russians, born as the Soviet Union crumbled, at what promised to be the dawn of democracy. Each came of age with unprecedented expectations, some as the children or grandchildren of the very architects of the new Russia, each with newfound aspirations of their own - as entrepreneurs, activists, thinkers and writers, sexual and social beings. Gessen charts their paths not only against the machinations of the regime that would seek to crush them all (censorship, intimidation, violence) but also against the war it waged on understanding itself, ensuring the unobstructed emergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. The Future is History is a powerful and urgent cautionary tale by contemporary Russia's most fearless inquisitor.

A.A. Gill was an exceptional writer. Savage and compassionate in equal measure, he was always opinionated, always original, often surprising, and his writing illuminated every page. This second collection of his journalism brings together pieces from near and far. He was ferociously well-travelled and wrote 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. Far and Away is a book about meeting those neighbours. Wherever he was - with the glitterati in St Tropez or in the ruins of earthquake-stricken Haiti - he had the ability to pin down the heart of a story and render it unforgettable. He was a peerless writer about food, and we also join him at tables all around the globe. A.A. Gill had the gift of making his readers see the world in a different way. And, always, of making them laugh. This collection is an opportunity to marvel at a master at work.

Lynching in American Literature and Journalism consists of twelve essays investigating the history and development of writing about lynching as an American tragedy and the ugliest element of national character. According to the Tuskegee Institute, 4,743 people were lynched between 1882 and 1968 in the United States, including 3,446 African Americans and 1,297 European Americans. More than 73 percent of the lynchings in the Civil War period occurred in the Southern states. The Lynchings increased dramatically in the aftermath of the Reconstruction, after slavery had been abolished and free men gained the right to vote. The peak of lynching occurred in 1882, after Southern white Democrats had regained control of the state legislators. This book is a collection of historical and critical discussions of lynching in America that reflects the shameful, unmoral policies, and explores the topic of lynching within American history, literature, and journalism.

A joyful collection of the most popular, provocative, and unforgettable essays from the New York Times 'Modern Love' column, featuring stories from the upcoming anthology series starring Tina Fey, Andy Garcia, Anne Hathaway, Catherine Keener, Dev Patel, and John Slattery. A young woman goes through the five stages of ghosting grief. A man's promising fourth date ends in the emergency room. A female lawyer with bipolar disorder experiences the highs and lows of dating. A widower hesitates about introducing his children to his new girlfriend. A divorcee in her seventies looks back at the beauty and rubble of past relationships. These are just a few of the people who tell their stories in Modern Love featuring dozens of the most memorable essays to run in the New York Times "Modern Love" column since its debut in 2004. Some of the stories are unconventional, while others hit close to home. Some reveal the way technology has changed dating forever; others explore the timeless struggles experienced by anyone who has ever searched for love. But all of the stories are, above everything else, honest. Together, they tell the larger story of how relationships begin, often fail, and-when we're lucky-endure. This is the perfect book for anyone who's loved, lost, stalked an ex on social media, or pined for true romance: in other words, anyone interested in the endlessly complicated workings of the human heart.

In this follow-up to their landmark first book, Deric Henderson and Ivan Little have gathered new stories from seventy journalists who have worked in Northern Ireland during the Troubles. These contributors write powerfully about the victims they have never forgotten, the events that have never left them, and the lasting impact of working through those terrible years. Reporting the Troubles 2, which includes contributions from a new generation of journalists, who came up in the years leading to the Good Friday Agreement, provides a compelling narrative of the last fifty years, and covers many of the key events in Northern Ireland's troubled history, from Bloody Sunday in 1972 to the inquest into the Ballymurphy Massacre in 2021. Grounded in the passionate belief that good journalism and good journalists make a difference, Reporting the Troubles 2 is a profoundly moving act of remembrance and testimony. 'I am sometimes asked to identify the most important story that I dealt with while I was editor of the Irish Times ... I answer that the most important story was not published in a single day but over years. And it was not put together by any one journalist but by a whole cohort of reporters, photographers, feature writers and editors ... For the most part they just got by-lines and the satisfaction of knowing that what they were doing was important, that the story had to be told, day by day, hour by hour. And that telling it could make a difference. It is difficult to imagine that there could ever have been a peace process without that.' CONOR BRADY, former editor, Irish Times Contributions from - Gordon Adair, Don Anderson, Ciaran Barnes, Colin Bateman, Jilly Beattie, Charlie Bird, David Blevins, Declan Bogue, Conor Brady, Stephen Breen, Eugene Campbell, Peter Cardwell, Mark Carruthers, Niall Carson, Paddy Clancy, Simon Cole, Liam Collins, Mark Davey, Donna Deeney, Michael Denieffe, Patricia Devlin, Michael Donnelly, Roisin Duffy, Gavin Esler, Michael Fisher, Jim Flanagan, Mike Gaston, Gareth Gordon, Jim Gracey, Paul Harris, Deric Henderson, Mark Hennessy, Gary Honeyford, Paul Johnson, Fergal Keane, Vincent Kearney, Gerry Kelly, Will Leitch, Ivan Little, Robin Livingstone, David Lynas, Darragh MacIntyre, Michael Macmillan, Kevin Magee, Stanley Matchett, Don McAleer, Roisin McAuley, Barry McCaffrey, Jonny McCambridge, Freya McClements, Sir Trevor McDonald, Lindy McDowell, Mark McFadden, Hugh McGrattan, Seamus McKee, Fearghal McKinney, Allison Morris, Rod Nawn, Malachi O'Doherty, Maggie O'Kane, Mike Parry, Lance Price, Colin Randall, Paul Reynolds, Maggie Taggart, Eric Villiers, John Ware, Nicholas Watt, Johnny Watterson, David Young.

George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject. Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as well as a scathing assessment of how State of the Union Addresses are delivered in the modern day. Mr. Will also offers his perspective on American socialists, anti-capitalist conservatives, drug policy, the criminal justice system, climatology, the Coronavirus, the First Amendment, parenting, meritocracy and education, China, fascism, authoritarianism, Frank Sinatra, Bob Dylan, The Beach Boys, and the morality of enjoying football. American Happiness and Discontents: The Unruly Torrent, 2008-2020 is a collection packed with wisdom and leavened by humor from one the preeminent columnists and intellectuals of our time.

G K Chesterton (1874-1936) was an important figure in the Edwardian literary world. He engaged closely with the vibrant new influences in literature and reviewed a stream of new editions, biographies, and memoirs for the Daily News. This critical edition includes all of his contributions to the Daily News from 1901 to 1913.

G K Chesterton (1874-1936) was an important figure in the Edwardian literary world. He engaged closely with the vibrant new influences in literature and reviewed a stream of new editions, biographies, and memoirs for the Daily News. This critical edition includes all of his contributions to the Daily News from 1901 to 1913.

A TLS and a Prospect Book of the Year A revelatory, explosive new analysis of the military today. Over the first two decades of the twenty-first century the British Army fought in Iraq and Afghanistan, at considerable financial and human cost. Yet neither war achieved its objectives. Award-winning journalist Simon Akam questions why, and provides challenging but necessary answers. Composed from assiduous documentary research, field reportage, and hundreds of interviews, this book is a strikingly rich, nuanced portrait of one of our pivotal national institutions in a time of great stress. This is as much a book about Britain, and about the politics of failure, as it is about the military.

This is the third volume of the First of the Year annual series. Contributors such as Armond White, Philip Levine, Charles O'Brien, Uri Avnery, Donna Gaines, Tom Smucker, Scott Spencer, and Amiri Baraka are back (and fractious as ever). And First's family of writers keeps growing. This volume includes vital new voices such as A. B. Spellman, Bernard Avishai, Rudolph Wurlitzer, and Diane di Prima.

First never shies away from hot button issues--Fredric Smoler, for example, offers a definitive consideration of America's recent history with torture. But First's approach to current political firestorms is often marked by a cool sense of the past. History is always in the mix when First writers examine the roots of Glenn Beck and Sarah Palin and contemporary right-wing pundits who falsely claim the mantle of Whittaker Chambers. First's refusal to toe "correct" lines is apparent in Benj DeMott's reconsideration of Chambers' work.

The new volume is also marked by its cultivation of radical imaginations. The ideas of the Situationists and Cornelius Castoriadis are revived. A young historian, David Waldstreicher, recovers the radical, useable past in the 60s work of Staughton Lynd. Amiri Baraka evokes the felt quality of Jesse Jackson's 1988 campaign and another poet remembers (in verse) long-forgotten, extreme political acts of American Renaissance poets.

A recent review of First of the Year: 2009 used a phrase of Kenneth Burke's--"perspective by incongruity"--to make sense of the method that shaped it. First is committed to thought-provoking incongruities. Faith that wonder is our best teacher informs this volume. First's music writing provides a high-low soundtrack of surprise. Beyond the section on Michael Jackson, there are serious responses to John Coltrane and Bach, World Saxophone Quartet and Mariah Carey, Sonny Rollins and Willie Mitchell. First's message is in the music.

Familiar narratives and simplistic stereotypes frame the representation of women in U.S. politics. Pervasive containment rhetorics, such as the distinction between women as mothers and caregivers and men as rational thinkers, create unique hurdles for any woman seeking public office. While these 'governing codes' generally act to constrain female political power, they can also be harnessed as a resource depending on the particular circumstances (e.g., party affiliation, geographic location and personal style). One of these governing codes, the metaphor, is an especially powerful tool in politics today, particularly for women. By examining the political careers of four of the most prominent and influential women in contemporary U.S. politics_Democrats Ann Richards and Hillary Rodham Clinton and Republicans Christine Todd Whitman and Elizabeth Dole_Karrin Vasby Anderson and Kristina Horn Sheeler illustrate how metaphors in public discourse may be both familiar narratives to embrace and boundaries to overturn.

'The late Jim Harrison was one of the true greats when it came to writing about food. He combined an attention to detail with a glorious prose style and a massive appetite... A must read.' - Observer New York Times bestselling author Jim Harrison was one of America's most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. He also wrote some of the best essays on food around, earning praise as 'the poet laureate of appetite' (Dallas Morning News). A Really Big Lunch collects many of his food pieces for the first time - and taps into his larger-than-life appetite with wit and verve. Jim Harrison's legendary gourmandise is on full display in A Really Big Lunch. From the titular New Yorker piece about a French lunch that went to thirty-seven courses, to pieces from Brick, Playboy, the Kermit Lynch Newsletter and more on the relationship between hunter and prey, or the obscure language of wine reviews, A Really Big Lunch is shot through with Harrison's pointed apercus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison's life over the last fifteen years. A Really Big Lunch is a literary delight that will satisfy every appetite.