From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elzbieta Janicka. It is illustrated with scores of photographs and documents.

Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city's best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on "Characters'' offers a bouquet of indelible profiles. The section on "Places" takes us on journeys to some of the city's quintessential locales. "Rituals, Rhythms, and Ruminations" seeks to capture the city's peculiar texture, and the section called "Excavating the Past" offers slices of the city's endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.

Initially published in 1920, Darkwater: Voices from Within the Veil is a combination of essays that tackle the power dynamics of gender, race and religion. It's a searing portrait of America influenced by Du Bois' own personal experiences. Du Bois delivers a contemporary examination of African American life during the first half of the twentieth century. He addresses issues of segregation, employment disparity and misogyny, specifically toward Black women. Darkwater: Voices from within the Veil is one of his prominent autobiographies, detailing internal and external conflicts and their effect on the whole. He presents an overall indictment of systemic racism, oppression and exploitation of any kind. W.E.B. Du Bois was a celebrated figure who dedicated his life to uplifting and educating the African American community. Darkwater: Voices from within the Veil is a critical part of his enduring legacy. It broaches tough topics and presents a valid critique of American culture. With an eye-catching new cover, and professionally typeset manuscript, this edition of Darkwater: Voices from within the Veil is both modern and readable.

"She was part of the 'stunt girl' movement that was very important in the 1880s and 1890s as these big, mass-circulation yellow journalism papers came into the fore." -Brooke Kroeger Around the World in Seventy-Two Days (1890) is a travel narrative by American investigative journalist Nellie Bly. Proposed as a recreation of the journey undertaken by Phileas Fogg in Jules Verne's Around the World in Eighty Days (1873), Bly's journey was covered in Joseph Pulitzer's popular newspaper the New York World, inspiring countless others to attempt to surpass her record. At the time, readers at home were encouraged to estimate the hour and day of Bly's arrival, and a popular board game was released in commemoration of her undertaking. Embarking from Hoboken, noted investigative journalist Nellie Bly began a voyage that would take her around the globe. Bringing only a change of clothes, money, and a small travel bag, Bly travelled by steamship and train through England, France-where she met Jules Verne-Italy, the Suez Canal, Ceylon, Singapore, Hong Kong, and Japan. Sending progress reports via telegraph, she made small reports back home while recording her experiences for publication upon her return. Despite several setbacks due to travel delays in Asia, Bly managed to beat her estimated arrival time by several days despite making unplanned detours, such as visiting a Chinese leper colony, along the way. Unbeknownst to Bly, her trip had inspired Cosmopolitan's Elizabeth Brisland to make a similar circumnavigation beginning on the exact day, launching a series of copycat adventures by ambitious voyagers over the next few decades. Despite being surrounded by this air of popularity and competition, however, Bly took care to make her journey worthwhile, showcasing her skill as a reporter and true pioneer of investigative journalism. With a beautifully designed cover and professionally typeset manuscript, this edition of Nellie Bly's Around the World in Seventy-Two Days is a classic work of American travel literature reimagined for modern readers.

In Seven Stages: A Flying Trap Around the World (1891) is a travel narrative by American journalist Elizabeth Bisland. When Bly's journey-inspired by the travels of Phileas Fogg in Jules Verne's Around the World in Eighty Days (1873)-was announced in Joseph Pulitzer's popular newspaper the New York World, Cosmopolitan sent a young reporter of its own to race Bly across the globe. At the time, readers at home were encouraged to estimate the hour and day of Bisland's arrival, generating national interest and launching a series of copycat adventures by ambitious voyagers over the next few decades. "My appetite for mystery at that hour of the day is always lamentably feeble, and it was nearly eleven before I found time to go and investigate this one, although the office in question was only a few minutes' walk from my residence. On arriving, the editor and owner of the magazine asked if I would leave New York that evening for San Francisco and continue from there around the world, endeavoring to complete the journey in some absurdly inadequate space of time." Summoned from her life of work and leisure to undertake a several month journey around the world, Elizabeth Bisland rose to the occasion with courage and wit. Although Nellie Bly made it home five days before her-perhaps due to some subterfuge on the part of her publisher-Bisland took defeat in stride, writing an account filled with wonderful descriptions of her voyage. Ironic and self-effacing, Bisland's account, although less popular than Bly's, remains an essential work from the early days of tabloid entertainment and investigative journalism, a time when publishers were willing enough-or wild enough-to send correspondents on a globetrotting voyage in search of fame. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Bisland's In Seven Stages: A Flying Trap Around the World is a classic work of American travel literature reimagined for modern readers.

George Julian Harney was one of the half-dozen most important leaders of Chartism. This selection from the Newcastle Weekly Chronicle is the first book to reprint any of his journalism.Harney is a key figure in the history of English radicalism. His long life witnessed the Chartist movement from 1830s through to the beginnings of socialism from the 1880s. He wrote about literature, foreign affairs and politics, subjects that should interest anyone with an interest in Victorian Studies.In his youth Harney was an admirer of the most radical figures of the French Revolution. The youngest member of the first Chartist Convention, he was an advocate of physical-force Chartism in 1838-9. His interest to historians has tended to be as the friend of Marx and Engels, the publisher of the first English translation of the Communist Manifesto and leader, with Ernest Jones, of the Chartist left in the early 1850s. Yet his finest period had been 1843-50, when he worked on the Northern Star: for five years he was an outstanding editor of a great newspaper. Almost everyone will be astonished to discover that not only did he live until as late as 1897, but also that in the 1890s he was producing a weekly column for the Newcastle Weekly Chronicle edited by W.E. Adams, another old Chartist and his younger admirer. The column was superbly written, politically challenging, and vigorously polymathic.This is the first selection of Harney's writings to be published.

Elizabeth Hardwick's iconic essay collection Seduction and Betrayal is a radical portrait of women and literature, reissued with a new introduction by Deborah Levy.

'Hardwick's sentences are burned in my brain.' - Susan Sontag

Sidelined. Betrayed. Killed off. Elizabeth Hardwick dissects the history of women and literature.

In her most virtuoso work of criticism, she explores the lives of the Brontës, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the destinies of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With fierce empathy and biting wit, Hardwick mines their childhoods, families, and personalities to probe the costs of sex, love, and marriage. Shattering the barrier between writing and life, she asks who is the seducer and who the seduced; who the victim and who the victor.

First published in 1974, yet both urgently timely and timeless, Seduction and Betrayal explodes the conventions of the essay: and the result is nothing less than a reckoning.

Harvey Dorfman was an educator for twenty-seven years before entering the field of sport psychology. His stature in the field grew significantly during the twenty-six years of his second career. But through most of both professional pursuits, he was also a writer. Seven books and hundreds of newspaper columns and magazine articles have appeared under his name. This final volume is a collection of some of his favorite pieces. Included are personal reflections and social commentary, both sobering and satirical. Interviews of both public and private personages are included, as well as feature stories on subjects of general interest. These works appeared in local newspapers while he was living and teaching in Vermont and in The Rutland Herald, where he was a columnist and a feature writer. They have also appeared in The New York Times, The Miami Herald, and many other national periodicals.

Diversity and "perspective by incongruity" dene the approach to changing times in this fourth volume of the First of the Year series. Insights come from interesting minds in unobvious juxtapositions. First's roster of irreverent--and holy --regulars includes Amiri Baraka, Bernard Avishai, Uri Avnery, Chuck D, Diane di Prima, Fr. Rick Frechette, Donna Gaines, Lawrence Goodwyn, Roxane Johnson, W.T. Lhamon Jr., Philip Levine, Kanan Makiya, Bongani Madondo, Greil Marcus, Charles O'Brien, Judy Oppenheimer, Tom Smucker, Fredric Smoler, A.B. Spellman, Scott Spencer, Robert Farris Thompson, Richard Torres, David Waldstreicher, and Armond White.Their angles on history and history in the making are enhanced by contributions from new members of First's family of defamiliarizers such as Peter Brown, Wesley Brown, Mark Dudzic, Robert Hullot-Kentor, and Aram Saroyan.

Perspectives by Incongruity touches down in Kashmir, Haiti, South Africa, and Indonesia. There's a vital section devoted to the Arab Spring. But the volume homes in on the U.S.A. as well, digging into race and class structures of feeling (and fantasy). It means to comprehend the Obama era in real time. Music is key to Perspectives by Incongruity's offbeat truth-telling. Contributors sound off on Jay Z and Kanye West, mambo and Afropop, Dylan and Coltrane, Sun Ra and Arcade Fire. First's meaning is (as ever) in the mix.

Since the early nineteenth century women have been using their fabric collections to make quilts, often using thousands of pieces in a single quilt. These feats of perseverance and art were newsworth and in towns across the United States they caught the attention of the local press, which recognized the women and their work. This book gathers these newspaper accounts of industrious needlework into a chronicle of the work. Arranged chronologically, the reports are accompanied by detailed photographs of quilts made during the same time period. This visual record of the antique quilts make it clear how painstaking and beautiful was the quiltmaker's work, and why it attracted attention. Aficionados of women's history, textile history and quilt history will gain valuable insights into the quiltmakers' dedication to their minute work, and the esteem in which their communities held them. Quilt historians and all who cherish the art of the quilt will gain a new understanding of the quilts and the people who made them.

A classic collection of the New Yorker's most urgent and groundbreaking reporting from the front lines of the climate emergency In 1989, just one year after climatologist James Hansen first came before a Senate committee and testified that the earth was now warmer than it had ever been in recorded history, thanks to humankind's heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben's work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change - its past, present, and future - taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben's seminal essay 'The End of Nature,' the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.

Burning Crosses and Activist Journalism: Hazel Brannon Smith and the Mississippi Civil Rights Movement celebrates the contributions of the first woman to win a Pulitzer Prize for editorial writing (1964). Owner and publisher of four weekly newspapers in Mississippi, Smith began her journalism career as a states rights Dixiecrat and segregationist, but became an icon for progressive thought on racial and ethnic issues. Though befriended by editors such as Hodding Carter Jr. and Ira B. Harkey Jr., Smith was a target of the White Citizens' Council and was boycotted by advertisers. During the civil rights movement, a cross was burned in her yard and one of her newspaper offices was firebombed. Before her death in 1994, she endured foreclosure, memory loss, and public humiliation, but she never lost faith in journalism or in the power of informed debate.

This is the second volume in the "First of the Year" Series. Contributors like Armond White, Philip Levine, Donna Gaines, Lawrence Goodwyn, Irving Louis Horowitz, Charles O'Brien, Fredric Smoler, Paul Berman, and Amiri Baraka are back (and blazing). And there are important new voices in the "First" mix, such as Vincent Harding, Roxane Johnson, and Bob Levin. If there is a leitmotif to this edition, it is the election and inauguration of Barack Obama as the first African-American president. "First" aims to be up to the minute of this moment.

As Benj DeMott notes "a glance at this volume confirms the margin is still the center for us." And that margin stretches from Harlem to the world. There are tales of edgy sojourns in Afghanistan, Thailand, and South Africa. The volume also has a Question & Answer with Ousmane Sembi1/2ne, who taught Africans to resist "elements of received culture-those fixed rules and values which nobody but those on the margins dare to question." A second interview with Adam Hochschild celebrates the Englishman who invented abolition, and an African-American original who coined the phrase "crimes against humanity."

The volume includes a protest against the Israeli war machine by Uri Avnery who has long been a creative outsider in his own society. It makes the case that American ideologues (on both extremes) keep getting the Middle East wrong because they cannot grasp the complexities of any country, including their own. "First of the Year's" minority angles of vision will help readers see with new eyes. It will help their hearing too. The volume has plenty of music writing marked by loving attention to details of pop performances. In short, this collection reflects its editor; direct, unafraid, urban, and entirely contemporary.

This history of Chicago journalism is framed against the larger landscape of American media and the ways in which technology and mergers have altered news gathering and presenting, and it considers daily operations at the newspapers and broadcast stations to demonstrate how they have changed with the times. Audience tastes and interests ran a parallel course with technology, a sharp decline in print readership, competition in television news, and the explosion of the Internet.

In the last decade of the 20th century, during a time when African Americans were starting to take inventory of the gains of the civil rights movement and its effects on the lives of black professionals in the public sphere, the memoirs of several journalists were published, a number of which became national bestsellers. African American Journalists examines select autobiographies written by African American journalists in order to explore the relationship between race, class, gender, and journalism practice. At the heart of this study is the contention that contemporary memoirs written by African American journalists are quasi-political documents manifestos written in reaction to and against the forces of institutionalized racism in the newsroom. The memoirs featured in this study include Jill Nelson's Volunteer Slavery: My Authentic Negro Experience, Nathan McCall's Makes Me Wanna Holler: A Young Black Man in America, Jake Lamar's Bourgeois Blues: An American Memoir, and Patricia Raybon's My First White Friend: Confessions on Race, Love, and Forgiveness. The exploration of these works increases our understanding of the problems that members of other underrepresented groups may face in the workplace.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

Amid the ongoing and volatile debate over the nature and potential of peace journalism, this volume presents visionary insights from some of the most prominent scholars in the field. The significant empirical studies included here will provide foundation data for communication studies. The contributors broaden the purview and terrain of peace journalism to include new media, and offers essays on the eff ects and the content of global communications. In sum, the thirteenth volume of "Peace and Policy" deepens our empirical knowledge of the nature and effects of conflict, while underscoring the increase in numbers of participants and breadth of communications.

For the past half decade, these contributors have worked independently and collaboratively to increase systematic understanding of the value of peace journalism and communication to civil society. Th e group has contributed to a complex articulation of the various frames of conflict coverage. In so doing, they have clarified the structural, systemic and cultural aspects of global violence. In turn, this has helped create institutions, programs and strategies for enhancing constructive peace communication that will increase mutual understanding, cooperation, reconciliation and transform confl ict.

Peace journalism has reframed understanding of confl ict from a tug-of-war between two parties in which one side's gain is the other's loss, to the terms of relationships between various sides. It considers the context and the need to identify a range of stakeholders broader than the sides directly engaged in violent confrontation. In sum, it leads to understanding of the distinction between stated demands and underlying objectives, so as to identify voices working for creative and non-violent solutions, and finding ways to transform and transcend the lines of confl ict.

Long before journalist George Plimpton donned shoulder pads for Paper Lion, sportswriters were stepping onto the field, arena, track and ring. This first-of-its-kind anthology of participatory sports writing collects 38 essays from the Gilded and Golden Age greats. Charles Dickens, Robert Louis Stevenson, Theodore Roosevelt, Mark Twain, Walt Whitman, Frances Elizabeth Willard, John Muir, Jack London, Zane Grey, Ernest Hemingway, Ring Lardner, Bill Tilden, Bobby Jones, Helen Mills, Paul Gallico, and many more prowled America's sporting grounds with pen in hand in a time when, as Grantland Rice put it, 'a flame...lit up the sporting skies and covered the world'.

Settling the Borderland deals with the intimate connection between journalism and literature, both fields in which work by women has been underrepresented. This book has a twin focus: the work of journalists who became some of the greatest novelists, poets, and short-story writers of the nineteenth and twentieth centuries in America, several of whom are men, and contemporary journalists who best exemplify the effective use of literary techniques in news coverage. Although five women are emphasized here (Katherine Anne Porter, Eudora Welty, Joan Didion, Sara Davidson, and Susan Orlean), three men whose work was profoundly influenced by journalism also are included. Edgar Allan Poe, Walt Whitman, and John Steinbeck are well known as writers of poetry, short stories, and novels, but they, too, are among the "other voices" rarely included in studies of literary journalism. In Settling the Borderland, Jan Whitt presents a thorough analysis of the increasingly indistinct lines between truth and fiction and between fact and creative narrative in contemporary media.

Slovenia is acquiring some literary journalism written by Slovene journalists and writers. Author Sonja Merljak Zdovc suggests that more Slovene writers should prefer literary journalism because nonfiction is based on truth, facts, and data and appeals more to readers interested in real world stories. The honest, precise, profound, and sophisticated voice of literary journalism is becoming increasingly good for newspaper circulation, as it reaches not just the mind but also the heart of the reader. Thus, the world of Slovene journalism should also take a turn towards the stylized literary journalism seen in the United States. There, journalists and writers realize that through literary journalism they could perhaps end a general decline of traditional print media by restoring to readers stories that uncover the universal struggle of the human condition.

This is the first in a continuing series of reminders that the past informs the present as it infuses the future. As Benj DeMott notes, the aim of "First of the Year" is to define "the democratic imperatives and demotic tones that make our ongoing politics of culture matter." This annual publication is grounded in the needs of "dissed" people: disenfranchised, disadvantaged, disinherited, discomfited, and dismissed. But the concept has been sharpened to acknowledge that though the underdog is owed sympathy, the mad dog is owed a bullet. In short, "First of the Year" is very much an effort of the twenty-first century.

The publication aims to be more than a launching pad for writers. It attempts to bridge the gap between radical perspectives without losing focus on the centrality of African-American culture to the national conversation. The coming together of figures like Armond White, Kate Millett, Lorenzo Thomas, Russell Jacoby, Adolph Reed, and Amiri Baraka is quite unlike what can be found in standard literary and social publications. They treat the African-American condition as a policy issue or an executive summary report--not as a touchstone for the state of the nation as a whole.

The initial volume also deals extensively and seriously with the issue of humanism and terror, the nature of social movements, electoral and urban politics, and the musical trends of our time. It does so with a sense of urgency often denied in mainstream literary reviews. Issues of "standards" are addressed from the angle of African-American cultural traditions, and the mind-body problem as a matter of race not just of metaphysics. In a nutshell, this volume intends to open a new chapter in the Harlem Renaissance; or better, an American renaissance with a Harlem lilt. "First of the Year" is an attempt to make political arguments breathe through cultural voices. Contributors include Sheldon Wolin, Jean Bethke Elshtain, Kurt Vonnegut, Paul Berman, Charles Keil, and Philip Levine, among others, ensuring its ability to entertain.

"Benj DeMott" has written for the "The City Sun, The Village Voice," and academic journals. Since 1998, he has edited "First of the Month," along with Charles O'Brien and Armond White.i1/2 DeMott grew up in Amherst and now lives in New York City with his wife and son. He went to the University of Rochester where he studied with Christopher Lasch, i1/2 but his most important teachers have been family.

George Orwell, perhaps one of the most perceptive writers of the twentieth century, wrote extensively about English life and politics. This selection of his essays and journalism brings together his most provocative and insightful writing on England and Englishness.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Professor Michael Gardiner.

Orwell’s interests were broad. He often wrote about everyday concerns such as transport, food and the weather. Turning to social issues, he exposed the plight of the poor and the unemployed. He dissected the idea of nationalism and he examined the failings of the Left. What emerges from his acute observation of English rituals, habits and attitudes is his belief that these are the very things with which the English people can defend themselves against oppression. His writing remains insightful and prescient to this day.

Story Building demystifies the narrative style of writing by playfully undoing the knots of journalistic storytelling. It provides personalized guidance and practical advice on how to muster the passion and skills to gather compelling details needed to tell an engaging journalistic story on deadline. To write like a pro, you must think and report like a pro. In this book, accomplished journalists-from the smallest newspapers to the New York Times-take readers on their beats and, with a friendly voice, explain their actions and their choices.

*Winner of the 2016 Edna Staebler Award for Non-Fiction* How to start a book club in a men's prison? After a violent mugging, Ann Walmsley was understandably anxious when her friend set one up and asked her to help. But curiosity got the better of her, and she signed up. And this wasn't to be a typical book club - there would be no wine and cheese, no plush furniture and no superficial chat about recent holidays. Instead, classic works of fiction and non-fiction - from The Curious Incident of the Dog in the Night-Time to Three Cups of Tea - became springboards for frank discussions about loss, anger, identity and loneliness, and for the men a prized oasis in which to regain a sense of humanity. Follow Graham the biker, Frank the gunman, Ben and Dread the drug dealers and the robber duo Gaston and Peter as they share ideas and reveal their life stories in this heartwarming example of the rehabilitative power of reading.