Tied by history, politics, and faith to all corners of the globe, the Israeli-Palestinian conflict fascinates and infuriates people across the world. Based on new archive research and original interviews, Headlines from the Holy Land explains why this fiercely contested region exerts such a pull over leading correspondents and diplomats.

"China", Napoleon once remarked, "is a sleeping lion. Let her sleep, for when she wakes she will shake the world." In 2014, President Xi Jinping triumphantly declared the lion had awakened. Under his leadership, China is pursuing a dream to restore its historical position as the dominant power in Asia. From the Mekong River Basin to the Central Asian steppe, China is flexing its economic muscles for strategic ends. By setting up new regional financial institutions, Beijing is challenging the post-World War II order established under the watchful eye of Washington. And by funding and building roads, railways, ports and power lines-a New Silk Road across Eurasia and through the South China Sea and Indian Ocean-China aims to draw its neighbours ever tighter into its embrace. Combining a geopolitical overview with on-the-ground reportage from a dozen countries, China's Asian Dream offers a fresh perspective on the rise of China' and asks: what does it means for the future of Asia?

A self-proclaimed 'myth buster by trade', over her long-ranging career as a journalist and political activist Barbara Ehrenreich has delved with devastating wit and insight into the social and political fabric of America. Had I Known gathers together Ehrenreich's most significant articles and excerpts from the last four decades - some of which became the starting point for her bestselling books - from her award-winning article 'Welcome to Cancerland', published shortly after she was diagnosed with breast cancer, to her groundbreaking investigative journalism in 'Nickel and Dimed', which explored living in America on the minimum wage. Issues she identified as far back as the 80s and 90s such as work poverty, rising inequality, the gender divide and medicalised health care, are top of the social and political agenda today. Written with remarkable tenderness, humour and incisiveness, Ehrenreich's describes an America of struggle, inequality, racial bias and injustice. Her extraordinarily prescient and relevant perspective announces her as one of most significant thinkers of our day.

At risk of life and reputation, the reform journalist W. T. Stead (1849-1912) exposed child vice and white slavery in London and established age 16 for statutory rape. Concluding the 1914 Portrait, Joyce saluted the "Old father, old artificer, stand me now and ever in good stead" and set the path of future works. The exemplary life and devotions of Stead provided James Joyce with a model, a theme, and a purpose. Joyce integrated Steadfacts with his own personal emerging autobiography and interpretation of the ongoing Irish national, international, and even cosmic events. In this book Eckley uses new sources to unravel forgotten languages, motifs, and metaphors and recognizes "obscurity" as a "chrysalis factor" in Joyce's Finnegans Wake to illuminate Stead's influence on Joyce. This book of Finnegans Wake criticism will open paths for exciting new efforts in studying Joyce.

THE SUNDAY TIMES BESTSELLER Relive the delusional fever-dream of the modern era. 'Thank f*ck for Marina Hyde: the most lethal, vital, screamingly funny truth-teller of our time.' PHOEBE WALLER-BRIDGE 'The most brilliantly funny columnist of our time.' GARY LINEKER 'It's a scientific FACT: Marina Hyde is Britain's funniest writer.' CAITLIN MORAN No other writer is more suited to chronicling the absurd times in which we live. In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson. Marvel at the sights, from Trumpian WTF-ery to celebrity twattery. And boggle at the cast of characters: Hollywood sex offenders, populists, sporting heroes (and villains), dastardly dukes, media barons, movie stars, reality TV monsters, billionaires, police officers, various princes and princesses, wicked advisers, philanthropists, fauxlanthropists, telly chefs, and (naturally) Gwyneth Paltrow. It's the full state banquet of crazy - and you're most cordially invited. Drawn from her spectacularly funny Guardian columns, What Just Happened?! is a welcome blast of humour and sanity in a world where reality has become stranger than fiction. 'A joyous rallying voice in British journalism.' GRAYSON PERRY 'An infinite number of gag-writers, working all day in a gag factory, couldn't come up with any of the perfectly-formed one-liners that populate Marina Hyde's hilarious writing . . . But behind the wit lurks real anger, argument, exasperation and intelligence. Her writing is more than a gentle poke in the ribs: it's a well-wrought and deftly aimed smash in the teeth.' ARMANDO IANNUCCI

George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject. Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as well as a scathing assessment of how State of the Union Addresses are delivered in the modern day. Mr. Will also offers his perspective on American socialists, anti-capitalist conservatives, drug policy, the criminal justice system, climatology, the Coronavirus, the First Amendment, parenting, meritocracy and education, China, fascism, authoritarianism, Frank Sinatra, Bob Dylan, The Beach Boys, and the morality of enjoying football. American Happiness and Discontents: The Unruly Torrent, 2008-2020 is a collection packed with wisdom and leavened by humor from one the preeminent columnists and intellectuals of our time.

The son of one of the greatest writers of our time-Nobel Prize winner and internationally best-selling icon Gabriel Garcia Marquez-remembers his beloved father and mother in this tender memoir about love and loss. 'It enthralled and moved me.' Salman Rushdie In March 2014, Gabriel Garcia Marquez, one of the most acclaimed writers of the twentieth century, came down with a cold. The woman who had been beside him for more than fifty years, his wife Mercedes Barcha, was not hopeful; her husband, affectionately known as "Gabo," was then nearly 87 and battling dementia. I don't think we'll get out of this one, she told their son Rodrigo. Hearing his mother's words, Rodrigo wondered, "Is this how the end begins?" To make sense of events as they unfolded, he began to write the story of Garcia Marquez's final days. The result is this intimate and honest account that not only contemplates his father's mortality but reveals his remarkable humanity. Both an illuminating memoir and a heartbreaking work of reportage, A Farewell to Gabo and Mercedes transforms this towering genius from literary creator to protagonist, and paints a rich and revelatory portrait of a family coping with loss. At its centre is a man at his most vulnerable, whose wry humour shines even as his lucidity wanes. Gabo savours affection and attention from those in his orbit, but wrestles with what he will lose-and what is already lost. Throughout his final journey is the charismatic Mercedes, his constant companion and the creative muse who was one of the foremost influences on Gabo's life and his art. Bittersweet and insightful, surprising and powerful, A Farewell to Gabo and Mercedes celebrates the formidable legacy of Rodrigo's parents, offering an unprecedented look at the private family life of a literary giant. It is at once a gift to Gabriel Garcia Marquez's readers worldwide, and a grand tribute from a writer who knew him well.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

'She has, to my knowledge, an almost unblemished record in never having failed to spot a great new play...' Philip Howard, from his Foreword Joyce McMillan has been writing about theatre in Scotland for more than three decades. As drama critic successively for The Guardian, Scotland on Sunday and The Scotsman, she has reviewed thousands of plays. During that time she has borne witness to an extraordinary cultural and political renaissance in Scotland, reflected in the newfound confidence of its playwrights, in the vibrancy of its theatre culture and in its recent outburst of new theatre companies. Compiled by McMillan and the theatre director, Philip Howard, Theatre in Scotland is a panoramic history of modern Scottish theatre, reported from the frontline. It traces the remarkable journey of Scottish theatre towards its new self-confidence: the road to 1990, when Glasgow was European Capital of Culture; followed by the explosive expansion of the 1990s; culminating in the emergence of the National Theatre of Scotland and its drive to bring theatre culture right into the heart of the nation. Gathered here are the leading Scottish playwrights, from John Byrne to Liz Lochhead, from David Greig to David Harrower, as well as the full breadth of English playwrights, from Shakespeare to Pinter. There are reflections on the great Scottish plays, classic - Ane Satyre of the Thrie Estaitis, Men Should Weep - and modern - Black Watch, The James Plays. There are reports not only from the urban theatre centres of Edinburgh and Glasgow but from all over Scotland; and from the feast that is the Edinburgh Festival, to the nourishing A Play, A Pie and A Pint. A leading thinker and writer about Scotland, McMillan has an incomparable ability to detect the wider cultural resonances in Scottish theatre, and to reveal what it can tell us about Scotland as a whole. Her book serves as a portrait of a nation and a shared cultural life, where visions of 'what we have been, what we are, and what we might become' are played out in sharp focus on its stages. 'When Scottish theatre works [its] magic over the coming years, I will be there, to try to catch the moment in print, and to tell it as it was. And believe me, on the good nights and the bad ones, the privilege will be mine: to be paid to go looking for joy, and occasionally to find it.' Joyce McMillan 'Joyce has an unrivalled passion and hunger for theatre - to be surprised by it, challenged by it, moved by it. Her prose when describing something which has done just this is inspiring and affecting.' Vicky Featherstone

'I knew this from the beginning, when I was inside the lorry, thinking about truth. If you are a good storyteller you will be trusted, get a life, and escape from hell. But what do you need to do to be trusted, if telling the truth is not enough?' - Aso, a refugee working with Freedom from Torture Aso is one of many powerful voices in Dina Nayeri's wide-ranging, groundbreaking new book, which combines deep reportage with her own life experience to examine what constitutes believability. Intent on exploring ideas of persuasion and performance, Nayeri takes us behind the scenes in emergency rooms, corporate boardrooms, asylum interviews and into her own family, to ask - where lies the difference between being believed and being dismissed? What does this mean for our culture? As personal as it is profound in its reflections on language, history, morality and compassion, Who Gets Believed? investigates the unspoken social codes that determine how we relate to one another. 'I was hugely moved by this book. Who Gets Believed? is essential reading, an extraordinary labour of love and hope that is destined to become indispensable in the continuing struggle for justice' - John Burnside

This compelling book explores how Egyptian bloggers used citizen journalism and cyberactivism to chip away at the state's monopoly on information and recalibrate the power dynamics between an authoritarian regime and its citizens. When the Arab uprisings broke out in early 2011 and ousted entrenched leaders across the region, social media and the Internet were widely credited with playing a role, particularly when the Egyptian government shut down the Internet and mobile phone networks in an attempt to stave off the unrest there. But what these reports missed were the years of grassroots organizing, digital activism, and political awareness-raising that laid the groundwork for this revolutionary change. Radsch argues that Egyptian bloggers created new social movements using blogging and social media, often at significant personal risk, so that less than a decade after the information revolution came to Egypt they successfully mobilized the overthrow of the state and its president.

The Believer, a ten-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine based at the Beverly Rogers, Carol C. Harter Black Mountain Institute, a department of the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, and on occasion, delightful and unexpected bonus items. Our poetry section is curated by Jericho Brown, Kristen Radtke selects our comics, and Joshua Wolf Shenk is our editor-in-chief. Issues feature a column by Nick Hornby, in which he discusses the things he's been reading, as well as a comedy advice column.

Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

The last major interview with John Lennon and Yoko Ono, conducted by New York Times bestselling author David Sheff, featuring a new introduction that reflects on the fortieth anniversary of Lennon's death.

Originally published in Playboy in 1981 just after John Lennon's assassination, All We Are Saying is a rich, vivid, complete interview with Lennon and Yoko Ono, covering art, creativity, the music business, childhood beginnings, privacy, how the Beatles broke up, how Lennon and McCartney collaborated (or didn't) on songs, parenthood, money, feminism, religion, and insecurity. Of course, at the heart of the conversation is the deep romantic and spiritual bond between Lennon and Ono.

Sheff's insightful questions set the tone for Lennon's responses and his presence sets the scene, as he goes through the kitchen door of Lennon and Yoko's apartment in the Dakota and observes moments at Lennon's famous white piano and the rock star's work at the stove, making them grilled cheese sandwiches. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview: unguarded, wide-ranging, alternately frisky and intense.

Finalist for the Man Booker International Prize 2015 Alain Mabanckou left Congo in 1989, at the age of twenty-two, not to return until a quarter of a century later. When at last he comes home to Pointe-Noire, a bustling port town on Congo's south-eastern coast, he finds a country that in some ways has changed beyond recognition: the cinema where, as a child, Mabanckou gorged on glamorous American culture has become a Pentecostal temple, and his secondary school has been re-named in honour of a previously despised colonial ruler. But many things remain unchanged, not least the swirling mythology of Congolese culture which still informs everyday life in Pointe-Noire. Mabanckou though, now a decorated French-Congolese writer and esteemed professor at UCLA, finds he can only look on as an outsider at the place where he grew up. As he delves into his childhood, into the life of his departed mother and into the strange mix of belonging and absence that informs his return to Congo, Mabanckou slowly builds a stirring exploration of the way home never leaves us, however long ago we left home.

Lynching in American Literature and Journalism consists of twelve essays investigating the history and development of writing about lynching as an American tragedy and the ugliest element of national character. According to the Tuskegee Institute, 4,743 people were lynched between 1882 and 1968 in the United States, including 3,446 African Americans and 1,297 European Americans. More than 73 percent of the lynchings in the Civil War period occurred in the Southern states. The Lynchings increased dramatically in the aftermath of the Reconstruction, after slavery had been abolished and free men gained the right to vote. The peak of lynching occurred in 1882, after Southern white Democrats had regained control of the state legislators. This book is a collection of historical and critical discussions of lynching in America that reflects the shameful, unmoral policies, and explores the topic of lynching within American history, literature, and journalism.

Pairing epic sports photography with articles from The Times archive, this volume brings together 100 of the most iconic moments from World Cup history. With striking, full-colour photography, rarely seen archival images and sensational reporting on the action, The Times Rugby World Cup Moments tells the story of one of the world's largest single sporting events as it unfolded on - and off - the pitch. Featuring the most memorable tries, historic drop goals, legendary players and unforgettable controversies, these split-second moments have changed the course of Rugby World Cup history and generated a global sensation along the way.

In 1964 Ryszard Kapuscinski was appointed by the Polish Press Agency as its only foreign correspondent, and for the next ten years he was 'responsible' for fifty countries. He befriended Che Guevara in Bolivia, Salvador Allende in Chile and Patrice Lumumba in the Congo. He reported on the fighting that broke out between Honduras and El Salvador in 1969 around their matches to determine which one of them would qualify for the 1970 World Cup. By the time he returned to Poland he had witnessed twenty-seven revolutions and coups. The Soccer War is Kapuscinski's eyewitness account of some of the most defining moments in twentieth-century history.

G K Chesterton (1874-1936) was an important figure in the Edwardian literary world. He engaged closely with the vibrant new influences in literature and reviewed a stream of new editions, biographies, and memoirs for the Daily News. This critical edition includes all of his contributions to the Daily News from 1901 to 1913.

A spidery network of mobile online media has supposedly changed people, places, time, and their meanings. A prime case is the news. Digital webs seem to have trapped "legacy media," killing off newspapers and journalists' jobs. Did news businesses and careers fall prey to the digital "Spider"? To solve the mystery, Kevin Barnhurst spent thirty years studying news going back to the realism of the 1800s. The usual suspects--technology, business competition, and the pursuit of scoops--are only partly to blame for the fate of news. The main culprit is modernism from the "Mister Pulitzer" era, which transformed news into an ideology called "journalism." News is no longer what audiences or experts imagine. Stories have grown much longer over the past century and now include fewer events, locations, and human beings. Background and context rule instead. News producers adopted modernism to explain the world without recognizing how modernist ideas influence the knowledge they produce. When webs of networked connectivity sparked a resurgence in realist stories, legacy news stuck to big-picture analysis that can alienate audience members accustomed to digital briefs.

G K Chesterton (1874-1936) was an important figure in the Edwardian literary world. He engaged closely with the vibrant new influences in literature and reviewed a stream of new editions, biographies, and memoirs for the Daily News. This critical edition includes all of his contributions to the Daily News from 1901 to 1913.

'A true genius of comedy' Grayson Perry As a Metropolitan Elitist Snowflake, Stewart Lee was disappointed by the EU referendum result of 2016. But he knew how to weaponise his inconvenience - and the result is March of the Lemmings. Drawing on three years of newspaper columns, a complete transcript of the Content Provider stand-up show, and Lee's caustic footnote commentary, this is the scathing record the Brexit era deserves. With a riotous cast of characters (including a Lemming-obsessed Michael Gove), a dramatic chorus of online commenters and Kremlin bots, and Lee himself as our unreliable narrator-hero, this is the ultimate companion to the Brexit horror show.

This is the third volume of the First of the Year annual series. Contributors such as Armond White, Philip Levine, Charles O'Brien, Uri Avnery, Donna Gaines, Tom Smucker, Scott Spencer, and Amiri Baraka are back (and fractious as ever). And First's family of writers keeps growing. This volume includes vital new voices such as A. B. Spellman, Bernard Avishai, Rudolph Wurlitzer, and Diane di Prima.

First never shies away from hot button issues--Fredric Smoler, for example, offers a definitive consideration of America's recent history with torture. But First's approach to current political firestorms is often marked by a cool sense of the past. History is always in the mix when First writers examine the roots of Glenn Beck and Sarah Palin and contemporary right-wing pundits who falsely claim the mantle of Whittaker Chambers. First's refusal to toe "correct" lines is apparent in Benj DeMott's reconsideration of Chambers' work.

The new volume is also marked by its cultivation of radical imaginations. The ideas of the Situationists and Cornelius Castoriadis are revived. A young historian, David Waldstreicher, recovers the radical, useable past in the 60s work of Staughton Lynd. Amiri Baraka evokes the felt quality of Jesse Jackson's 1988 campaign and another poet remembers (in verse) long-forgotten, extreme political acts of American Renaissance poets.

A recent review of First of the Year: 2009 used a phrase of Kenneth Burke's--"perspective by incongruity"--to make sense of the method that shaped it. First is committed to thought-provoking incongruities. Faith that wonder is our best teacher informs this volume. First's music writing provides a high-low soundtrack of surprise. Beyond the section on Michael Jackson, there are serious responses to John Coltrane and Bach, World Saxophone Quartet and Mariah Carey, Sonny Rollins and Willie Mitchell. First's message is in the music.