Part political disquisition, part travel journal, part self-exploration, Seek is a collection of essays and articles in which Denis Johnson essentially takes on the world. And not an obliging, easygoing world either; but rather one in which horror and beauty exist in such proximity that they might well be interchangeable. Where violence and poverty and moral transgression go unchecked, even unnoticed. A world of such wild, rocketing energy that, grasping it, anything at all is possible.

Whether traveling through war-ravaged Liberia, mingling with the crowds at a Christian Biker rally, exploring his own authority issues through the lens of this nation's militia groups, or attempting to unearth his inner resources while mining for gold in the wilds of Alaska, Johnson writes with a mixture of humility and humorous candor that is everywhere present.

With the breathtaking and often haunting lyricism for which his work is renowned, Johnson considers in these pieces our need for transcendence. And, as readers of his previous work know, Johnson's path to consecration frequently requires a limning of the darkest abyss. If the path to knowledge lies in experience, Seek is a fascinating record of Johnson's profoundly moving pilgrimage.

"For the past 10 years, since February 2009, I've been writing the Sunday profiles for the Cyprus Mail newspaper..." Theo Panayides tells the stories of 60 very different people, taken from the many hundreds he's interviewed over the years. All human life is here - from a humble street sweeper to a former President, from a pig farmer to a millionaire businessman, from a lifelong drifter to a pastry chef turned Iraqi refugee, from an LGBTI activist to a mystic who claims to have spoken to Jesus. World-champion freediver William Trubridge is here. Bestselling British novelist Victoria Hislop is here too. Some lives have been successful, others tragic. One man lost his family in the Rwandan genocide, another in the Turkish invasion of Cyprus. Some of the stories are emotional; many are feelgood. Most relate in some way to Cyprus, the Mediterranean island where Panayides is based. With a smart, highly readable style and a deep compassion, he reveals the personalities of his very diverse subjects - though also finds himself returning often to the same questions of Time passing and life turning out unexpectedly, finding many of the same hopes and fears in these very different lives. Are they - and we - really so different, after all?

Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city's best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on "Characters'' offers a bouquet of indelible profiles. The section on "Places" takes us on journeys to some of the city's quintessential locales. "Rituals, Rhythms, and Ruminations" seeks to capture the city's peculiar texture, and the section called "Excavating the Past" offers slices of the city's endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.

Politics looked straightforward when Patrick Kidd took over the reins of the daily political sketch in The Times in 2015. David Cameron had just won a general election and would clearly be Prime Minister for as long as he wanted; George Osborne was his obvious successor (rather than the editor of a free London evening newspaper); Theresa May was a slightly underwhelming Home Secretary and Jeremy Corbyn an anonymous Labour backbencher best known as a serial rebel against his own party. Then suddenly everything went a bit strange. In this anthology of his best columns from the past four years, Kidd plays the role of parliamentary theatre critic, chronicling the collapse of Cameron, the nebulous clarity of May, the rise and refusal to fall of Corbyn and Boris Johnson's repeated failure to keep his foot out of his mouth. Featuring a menagerie of supporting oddballs, such as Jacob and the Mogglodytes, Failing Grayling, Gavin `Private Pike' Williamson and the simpering lobby fodder that are Toady, Lickspittle and Creep, this is a much-needed antidote to the gloom of the Brexit years.

The instant New York Times bestseller! From one of America's most beloved sportswriters and the bestselling author of Pappyland, a collection of true stories about the dream of greatness and its cost in the world of sports. "Wright Thompson's stories are so full of rich characters, bad actors, heroes, drama, suffering, courage, conflict, and vivid detail that I sometimes thinks he's working my side of the street - the world of fiction." - John Grisham There is only one Wright Thompson. He is, as they say, famous if you know who he is: his work includes the most read articles in the history of ESPN (and it's not even close) and has been anthologized in the Best American Sports Writing series ten times, and he counts John Grisham and Richard Ford among his ardent admirers (see back of book). But to say his pieces are about sports, while true as far as it goes, is like saying Larry McMurtry's Lonesome Dove is a book about a cattle drive. Wright Thompson figures people out. He jimmies the lock to the furnaces inside the people he profiles and does an analysis of the fuel that fires their ambition. Whether it be Michael Jordan or Tiger Woods or Pat Riley or Urban Meyer, he strips the away the self-serving myths and fantasies to reveal his characters in full. There are fascinating common denominators: it may not be the case that every single great performer or coach had a complex relationship with his father, but it can sure seem that way. And there is much marvelous local knowledge: about specific sports, and times and places, and people. Ludicrously entertaining and often powerfully moving, The Cost of These Dreams is an ode to the reporter's art, and a celebration of true greatness and the high price that it exacts.

INSTANT NEW YORK TIMES BESTSELLER "It's a hell of a story." -The New York Times "A stunning and revelatory memoir." -Oprah Daily From MSNBC anchor and instant New York Times bestselling author Katy Tur, a shocking and deeply personal memoir about a life spent chasing the news. When a box from her mother showed up on Katy Tur's doorstep, months into the pandemic and just as she learned she was pregnant with her second child, she didn't know what to expect. The box contained thousands of hours of video-the work of her pioneering helicopter journalist parents. They grew rich and famous for their aerial coverage of Madonna and Sean Penn's secret wedding, the Reginald Denny beating in the 1992 Los Angeles riots, and O.J. Simpson's notorious run in the white Bronco. To Tur, these family videos were an inheritance of sorts, and a reminder of who she was before her own breakout success as a reporter. In Rough Draft, Tur writes about her eccentric and volatile California childhood, punctuated by forest fires, earthquakes, and police chases-all seen from a thousand feet in the air. She recounts her complicated relationship with a father who was magnetic, ambitious, and, at times, frightening. And she charts her own survival from local reporter to globe-trotting foreign correspondent, running from her past. Tur also opens up for the first time about her struggles with burnout and impostor syndrome, her stumbles in the anchor chair, and her relationship with CBS Mornings anchor Tony Dokoupil (who quite possibly had a crazier childhood than she did). Intimate and captivating, Rough Draft explores the gift and curse of family legacy, examines the roles and responsibilities of the news, and asks the question: To what extent do we each get to write our own story?

This book offers a revealing look at how newspapers covered the key events of the Plains Indian Wars between 1862-1891-reporting that offers some surprising viewpoints as well as biases and misrepresentations. The Frontier Newspapers and the Coverage of the Plains Indian Wars takes readers back to the late 19th century to show how newspaper reporting impacted attitudes toward the conflict between the United States and Native Americans. Emphasizing primary sources and eyewitness accounts, the book focuses on eight watershed events between 1862 and 1891-the Great Sioux Uprising in Minnesota, the Sand Creek Massacre, the Fort Laramie Treaty of 1868, the Battle of the Little Big Horn, the Flight of the Nez Perce, the Cheyenne Outbreak, the Trial of Standing Bear, and the Massacre at Wounded Knee in 1890 and its aftermath. Each chapter examines an individual event, analyzing the balance and accuracy of the newspaper coverage and how the reporting of the time reinforced stereotypes about Native Americans. Includes historical photos of prominent Native Americans and a scene of the aftermath of the Wounded Knee Massacre Presents an extensive bibliography of books, articles, and a list of frontier newspapers that served as primary source material

Drawing on the history of English feminism and the study of Victorian periodical and newspaper presses, this important and timely new book asks a key question that neither history nor literary studies has yet addressed: what did it mean to have a Victorian feminist write for an established newspaper or periodical? Using the example of Frances Power Cobbe (one of a handful of women to make a steady living for the mid-nineteenth century established press), Susan Hamilton opens up our understanding of Victorian feminism and its political workings, and urges us to reconsider what feminism looked like in the nineteenth-century.

This book centers on the role of media in shaping public perceptions of breastfeeding. Drawing from magazines, doctors' office materials, parenting books, television, websites, and other media outlets, Katherine A. Foss explores how historical and contemporary media often undermine breastfeeding efforts with formula marketing and narrow portrayals of nursing women and their experiences. Foss argues that the media's messages play an integral role in setting the standard of public knowledge and attitudes toward breastfeeding, as she traces shifting public perceptions of breastfeeding and their corresponding media constructions from the development of commercial formula through contemporary times. This analysis demonstrates how attributions of blame have negatively impacted public health approaches to breastfeeding, thus confronting the misperception that breastfeeding, and the failure to breastfeed, rests solely on the responsibility of an individual mother.

This is Kevin Higgins' first book of essays on poetry, the written word, and the wider world. Higgins is an enthusiastic advocate for the new generation of Irish poets emerging from a thriving live poetry scene. He is also a merciless opponent of hypocrisy and pretentiousness wherever he finds it.

Since the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In Stories Make the World, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author's decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.

Since the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In Stories Make the World, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author's decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.

James Boswell (1740-1795), best known as the biographer of Samuel Johnson, was also a lawyer, journalist, diarist, and an insightful chronicler of a pivotal epoch in Western history. This fascinating collection, edited by Paul Tankard, presents a generous and varied selection of Boswell's journalistic writings, most of which have not been published since the eighteenth century. It offers a new angle on the history of journalism, an idiosyncratic view of literature, politics, and public life in late eighteenth-century Britain, and an original perspective on a complex and engaging literary personality.

Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-visual texts that flourished during a time when U.S. citizens were becoming increasingly conscious of the life of a larger nation.
Jeff Allred draws on a range of seminal works to illustrate the convergence of modernism and documentary, two forms often regarded as unrelated. Whereas critics routinely look to James Agee and Walker Evans' Let Us Now Praise Famous Men as the sole instance of the modernist documentary book, Allred turns to such works as Richard Wright's scathing 12 Million Black Voices, and the oft-neglected You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White to open up the critical playing field. And rather than focusing on the ethos of Progressivism and/or the politics and aesthetics of the New Deal, Allred emphasizes the centrality of Life magazine to the consolidation of a novel cultural form.

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims …

Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege.

Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches.

After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.

The Pyramid of Lies by international financial journalist Duncan Mavin, is the true story of Lex Greensill, the Australian farmer who became a hi-flying billionaire banker before crashing back down to earth, exposing a tangled network of flawed financiers, politicians and industrialists. Lex Greensill had a simple, billion-dollar idea - democratising supply chain finance. Suppliers want to get their invoices paid as soon as possible. Companies want to hold off as long as they can. Greensill bridged the two, it's mundane, boring even, but he saw an opportunity to profit. However, margins are thin and Lex, ever the risk taker, made lucrative loans with other people's money: to a Russian cargo plane linked to Vladmir Putin, to former Special Forces who ran a private army, and crucially to companies that were fraudulent or had no revenue. When the company finally collapsed it exposed the revolving door between Westminster and big business and how David Cameron was allowed to lobby ministers for cash that would save Greensill's doomed business. Instead, Credit Suisse and Japan's SoftBank are nursing billions of dollars in losses, a German bank is under criminal investigation, and thousands of jobs are at risk. What Bad Blood did for Silicon Valley and The Smartest Guys in the Room did for Wall Street, The Pyramid of Lies will do for the world of shadow banking and supply chain finance. It is a world populated with some of the most outlandish characters in business and some of the most outrageous examples of excess. It is a story of greed and ambition that shines a light on the murky intersection between politics and business, where lavish fortunes can be made and lost.

If you want to know about writing, about how to make others share the horror and intensity of an experience, try the first piece in this collection, Justice at Night. Martha Gellhorn wrote it as a 28-year-old, having just returned home to the States after four years in Europe, in 1936. What follows is a selection of fifty years of peacetime journalism, history caught at the moment of its unfolding, as it looked and felt to those who experienced it. It's about revolutions in the making, guilty acts of state terrorism, poverty, injustice and recovery. It vividly captures the range and intensity of Gellhorn's courageous work and is also a passionate call to arms, not only to remember the wronged and to bear witness to evil, but to stand your ground in the face of it.

James Cameron admired Martha Gellhorn above all other war-reporters 'because she combined a cold eye with a warm heart'. The Chicago Times described her writing as 'wide ranging and provocative, a blend of cool lyricism and fiery emotion, alternately prickly and welcoming, funny and stern'. But make your own judgements, and in the process find yourself plunged straight back into Madrid during the Spanish Civil War, feel the frozen ground of the Finno Russian war, the continent-wide Japanese invasion of China, the massacres in Java, the murderously naive intervention in Vietnam and the USA's dirty little wars in Central America. You will also experience the process of the Second World War by the seat of your pants. It is a tough way to learn history, but also one created in bite-sized chunks, that inspire just as often as they shock.