When you fill up your car, install your furniture or choose a wedding ring, do you ever consider the human cost of your consumables? There is a war raging in the heartlands of Peru, waged on the land by the global industries plundering the Amazon and the Andes. In Saweto, charismatic activist Edwin Chota returns to his ashaninka roots, only to find that his people can't hunt for food because the animals have fled the rainforest to escape the chainsaw cacophony of illegal logging. Farmer Maxima Acuna is trying to grow potatoes and catch fish on the land she bought from her uncle - but she's sitting on top of a gold mine, and the miners will do anything to prove she's occupying her home illegally. The awajun community of the northern Amazon drink water contaminated with oil; child labourer Osman Cunachi's becomes internationally famous when a photo of him drenched in petrol as part of the clean-up efforts makes it way around the world. Joseph Zarate's stunning work of documentary takes three of Peru's most precious resources - gold, wood and oil - and exposes the tragedy, violence and corruption tangled up in their extraction. But he also draws us in to the rich, surprising world of Peru's indigenous communities, of local heroes and singular activists, of ancient customs and passionate young environmentalists. Wars of the Interior is a deep insight into the cultures alive in the vanishing Amazon, and a forceful, shocking expose of the industries destroying this land.

Open your eyes to a new world view with 100 women and nonbinary photojournalists' stories from behind the lens. 85% of photojournalists are men. That means almost everything that is reported in the world is seen through men's eyes. Similarly, spaces and communities men don't have access to are left undocumented and forgotten. With the camera limited to the hands of one gender, photographic 'truth' is more subjective than it seems. To answer this serious ethical problem, Women Photograph flips that bias on its head to show what and how women and nonbinary photojournalists see. From documenting major events such as 9/11 to capturing unseen and misrepresented communities, this book presents a revisionist contemporary history: pore over 50 years of women's dispatches in 100 photographs. Each image is accompanied by 200 words from the photographer about the experience and the subject, offering fresh insights and a much-needed perspective. Until we have balanced, representative reporting, the camera cannot offer a mirror to our global society. To get the full picture, we need a diverse range of people behind the lens. This book offers a first step. Relearn how to see with this evergreen catalogue that elevates the voices of women and nonbinary visual storytellers.

North Korea is Orwell's 1984 made reality: it is the only country in the world not connected to the internet; Gone with the Wind is a dangerous, banned book; during political rallies, spies study your expression to check your sincerity.

After the death of the country's great leader Kim Il Sung in 1994, famine descended: people stumbled over dead bodies in the street and ate tree bark to survive. Nothing to Envy weaves together the stories of adversity and resilience of six residents of Chongin, North Korea's third largest city.

From extensive interviews and with tenacious investigative work, Barbara Demick has recreated the concerns, culture and lifestyles of North Korean citizens in a gripping narrative, and vividly reconstructed the inner workings of this extraordinary and secretive country.

'There will be an avalanche of books about the pandemic. None will be as eye-opening or humane or moving as Lamb's' DAILY TELEGRAPH A story of poverty, generosity and worlds colliding in modern Britain When Covid-19 hit the UK and lockdown was declared, Mike Matthews wondered how his four-star hotel would survive. Then the council called. The British government had launched a programme called ' Everyone In ' and 33 rough sleepers - many of whom had spent decades on the street - needed beds.The Prince Rupert Hotel would go on to welcome well over 100 people from this community, offering them shelter, good food and a comfy bed during the pandemic. This is the story of how that luxury hotel spent months locked down with their new guests, many of them traumatised, addicts or suffering from mental illness. As a world-leading foreign correspondent turning her attention to her own country for the first time, Christina Lamb chronicles how extreme situations were handled and how shocking losses were suffered, how romances emerged between guests and how people grappled with their pasts together. Unexpected and profound, heart-warming and heartbreaking, this is a tale that gives a panoramic insight into modern Britain in all its failures, and people in all their capacities for kindness - even in the most difficult of times.

Elizabeth Gaskell is best known as a novelist and biographer, but she was also a lively and sensitive letter writer, with a vivacious interest in all that was going on around her. This selection from her letters, with a linking commentary, provides a biography of Gaskell largely in her own words. It is in chronological order, with special chapters devoted to her family life, her travels, her charities and her life as an author who was also a wife and mother, in a period when Victorian society and culture were undergoing major changes - especially apparent in the Manchester where she lived. She emerges as a woman of intelligence, integrity and grace, with an enchanting sense of humour, an insatiable curiosity about life, a deep regard for truth and a boundless sympathy for others. This selection by John Chapple, and assisted by John Geoffrey Sharps, was originally published in 1980. With the support of the Gaskell Society it has been reprinted without alteration, except for some new illustrations.

Over the past few decades, the bestselling author of "Hitch-22" has crisscrossed the globe debating religious scholars, Catholic clergy, rabbis, and devout Christians on the existence of God--appearances that have attracted thousands of people on both sides of the issue. He has been invited to talk shows and events to discuss everything from the death of Jerry Falwell to the sainthood of Mother Teresa, from U.S. policy in the Middle East to the dangers of religious fundamentalism and beyond. And he is always armed with pithy discourse that is as intelligent as it is quotable.

"The Quotable Hitchens" gathers for the first time the eminent journalist, public intellectual, and all-around provocateur Christopher Hitchen's most scathing, inflammatory, hilarious, and clear-cut commentary from the course of his storied career. Drawn from his many TV appearances, debates, lectures, interviews, articles, and books, the quotations are arranged alphabetically by subject--from atheism and alcoholism to George Orwell and Bertrand Russell, from Islamofascism and Iraq to smoking and sex.

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front rubbish-strewn alleys. The narrow streets are crowded with young children and unemployed men. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Rafah is today and has always been a notorious flashpoint in this most bitter of conflicts.

Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - coldblooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco arrives in Gaza and, immersing himself in daily life, uncovers Rafah, past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy.

As in Palestine and Safe Area Goražde, Joe Sacco's unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into intimate and immediate experience.

Pairing epic sports photography with articles from The Times archive, this volume brings together 100 of the most iconic moments from World Cup history. With striking, full-colour photography, rarely seen archival images and sensational reporting on the action, The Times Rugby World Cup Moments tells the story of one of the world's largest single sporting events as it unfolded on - and off - the pitch. Featuring the most memorable tries, historic drop goals, legendary players and unforgettable controversies, these split-second moments have changed the course of Rugby World Cup history and generated a global sensation along the way.

Finalist for the Man Booker International Prize 2015 Alain Mabanckou left Congo in 1989, at the age of twenty-two, not to return until a quarter of a century later. When at last he comes home to Pointe-Noire, a bustling port town on Congo's south-eastern coast, he finds a country that in some ways has changed beyond recognition: the cinema where, as a child, Mabanckou gorged on glamorous American culture has become a Pentecostal temple, and his secondary school has been re-named in honour of a previously despised colonial ruler. But many things remain unchanged, not least the swirling mythology of Congolese culture which still informs everyday life in Pointe-Noire. Mabanckou though, now a decorated French-Congolese writer and esteemed professor at UCLA, finds he can only look on as an outsider at the place where he grew up. As he delves into his childhood, into the life of his departed mother and into the strange mix of belonging and absence that informs his return to Congo, Mabanckou slowly builds a stirring exploration of the way home never leaves us, however long ago we left home.

Elizabeth Hardwick's iconic essay collection Seduction and Betrayal is a radical portrait of women and literature, reissued with a new introduction by Deborah Levy.

'Hardwick's sentences are burned in my brain.' - Susan Sontag

Sidelined. Betrayed. Killed off. Elizabeth Hardwick dissects the history of women and literature.

In her most virtuoso work of criticism, she explores the lives of the Brontës, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the destinies of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With fierce empathy and biting wit, Hardwick mines their childhoods, families, and personalities to probe the costs of sex, love, and marriage. Shattering the barrier between writing and life, she asks who is the seducer and who the seduced; who the victim and who the victor.

First published in 1974, yet both urgently timely and timeless, Seduction and Betrayal explodes the conventions of the essay: and the result is nothing less than a reckoning.

The Joseph Roth revival has finally gone mainstream with the thunderous reception for "What I Saw," a book that has become a classic with five hardcover printings. Glowingly reviewed, "What I Saw" introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, "New York Times Book Review"). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty a memorable portrait of a city and a time of commingled hope and chaos. "What I Saw," like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic."

Jon Mee explores the popular democratic movement that emerged in the London of the 1790s in response to the French Revolution. Central to the movement's achievement was the creation of an idea of 'the people' brought into being through print and publicity. Radical clubs rose and fell in the face of the hostile attentions of government. They were sustained by a faith in the press as a form of 'print magic', but confidence in the liberating potential of the printing press was interwoven with hard-headed deliberations over how best to animate and represent the people. Ideas of disinterested rational debate were thrown into the mix with coruscating satire, rousing songs, and republican toasts. Print personality became a vital interface between readers and print exploited by the cast of radicals returned to history in vivid detail by Print, Publicity, and Popular Radicalism in the 1790s. This title is also available as Open Access.

In this revisionary study, Will Tattersdill argues against the reductive 'two cultures' model of intellectual discourse by exploring the cultural interactions between literature and science embodied in late nineteenth-century periodical literature, tracing the emergence of the new genre that would become known as 'science fiction'. He examines a range of fictional and non-fictional fin-de-siecle writing around distinct scientific themes: Martian communication, future prediction, X-rays, and polar exploration. Every chapter explores a major work of H. G. Wells, but also presents a wealth of exciting new material drawn from a variety of late Victorian periodicals. Arguing that the publications in which they appeared, as well as the stories themselves, played a crucial part in the development of science fiction, Tattersdill uses the form of the general interest magazine as a way of understanding the relationship between the arts and the sciences, and the creation of a new literary genre.

In The Future is History Masha Gessen follows the lives of four Russians, born as the Soviet Union crumbled, at what promised to be the dawn of democracy. Each came of age with unprecedented expectations, some as the children or grandchildren of the very architects of the new Russia, each with newfound aspirations of their own - as entrepreneurs, activists, thinkers and writers, sexual and social beings. Gessen charts their paths not only against the machinations of the regime that would seek to crush them all (censorship, intimidation, violence) but also against the war it waged on understanding itself, ensuring the unobstructed emergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. The Future is History is a powerful and urgent cautionary tale by contemporary Russia's most fearless inquisitor.

George Julian Harney was one of the half-dozen most important leaders of Chartism. This selection from the Newcastle Weekly Chronicle is the first book to reprint any of his journalism. Harney is a key figure in the history of English radicalism. His long life witnessed the Chartist movement from 1830s through to the beginnings of socialism from the 1880s. He wrote about literature, foreign affairs and politics, subjects that should interest anyone with an interest in Victorian Studies. In his youth Harney was an admirer of the most radical figures of the French Revolution. The youngest member of the first Chartist Convention, he was an advocate of physical-force Chartism in 1838-9. His interest to historians has tended to be as the friend of Marx and Engels, the publisher of the first English translation of the Communist Manifesto and leader, with Ernest Jones, of the Chartist left in the early 1850s. Yet his finest period had been 1843-50, when he worked on the Northern Star: for five years he was an outstanding editor of a great newspaper. Almost everyone will be astonished to discover that not only did he live until as late as 1897, but also that in the 1890s he was producing a weekly column for the Newcastle Weekly Chronicle edited by W.E. Adams, another old Chartist and his younger admirer. The column was superbly written, politically challenging, and vigorously polymathic. This is the first selection of Harney's writings to be published.

In some ways, I didn't - don't - want to remember any of it. Which is not to say that one ever forgets. I don't know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn't haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles - the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed - arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book - a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O'Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglan de Breadun, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O'Callaghan, Conor O'Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

TOO FAMOUS collects pieces Michael Wolff has written as a columnist for New York, Vanity Fair, The Guardian, GQ and The Hollywood Reporter, and adds several new ones. Written over a 20-year period, the book spans that moment in popular culture when personal attention became one of the world's most valuable commodities, and ending with Donald Trump, fame's most hyperbolic exponent. Some of these pieces exist in the amber of a particular news moment, some as character portraits - as colourful now as when they were written - and some as lasting observations about human nature and folly. The common ground all of these thrilling stories share is that everyone in this book is a creature of, or creation of, the media. They don't exist as who we see them as, and who they want to be, without the media.

Economic growth is a constant mantra of politicians, economists and the media. Few understand what it is, but they love and follow it blindly. The reality is that since the global financial crisis, growth has vanished in the more industrialised economies and in the so-called developing countries. Politicians may be panicking, but is this really a bad thing? Using real-life examples and innovative research, acclaimed political economist Lorenzo Fioramonti lays bare society's perverse obsession with economic growth by showing its many flaws, paradoxes and inconsistencies. He argues that the pursuit of growth often results in more losses than gains and in damage, inequalities and conflicts. By breaking free from the growth mantra, we can build a better society that puts the wellbeing of all at its centre. A wellbeing economy would have tremendous impact on everything we do, boosting small businesses and empowering citizens as the collective leaders of tomorrow. Wellbeing Economy is a manifesto for radical change in South Africa and beyond.

Enemy Of The People is the first definitive account of Zuma’s catastrophic misrule, offering eyewitness descriptions and cogent analysis of how South Africa was brought to its knees – and how a nation fought back.

When Jacob Zuma took over the leadership of the ANC one muggy Polokwane evening in December 2007, he inherited a country where GDP was growing by more than 6% per annum, a party enjoying the support of two-thirds of the electorate, and a unified tripartite alliance. Today, South Africa is caught in the grip of a patronage network, the economy is floundering and the ANC is staring down the barrel of a defeat at the 2019 general elections. How did we get here?

Zuma first brought to heel his party, Africa’s oldest and most revered liberation movement, subduing and isolating dissidents associated with his predecessor Thabo Mbeki. Then saw the emergence of the tenderpreneur and those attempting to capture the state, as well as a network of family, friends and business associates that has become so deeply embedded that it has, in effect, replaced many parts of government. Zuma opened up the state to industrial-scale levels of corruption, causing irreparable damage to state enterprises, institutions of democracy, and the ANC itself.

But it hasn’t all gone Zuma’s way. Former allies have peeled away. A new era of activism has arisen and outspoken civil servants have stepped forward to join a cross-section of civil society and a robust media. As a divided ANC square off for the elective conference in December, where there is everything to gain or to lose, award-winning journalists Adriaan Basson and Pieter du Toit offer a brilliant and up-to-date account of the Zuma era.

James Cameron admired Martha Gellhorn above all other war-reporters 'because she combined a cold eye with a warm heart'. The Chicago Times described her writing as 'wide ranging and provocative, a blend of cool lyricism and fiery emotion, alternately prickly and welcoming, funny and stern'. But make your own judgements, and in the process find yourself plunged straight back into Madrid during the Spanish Civil War, feel the frozen ground of the Finno Russian war, the continent-wide Japanese invasion of China, the massacres in Java, the murderously naive intervention in Vietnam and the USA's dirty little wars in Central America. You will also experience the process of the Second World War by the seat of your pants. It is a tough way to learn history, but also one created in bite-sized chunks, that inspire just as often as they shock.

The Changing South of Gene Patterson celebrates the work of one of America's most influential journalists who wrote in a time and place of dramatic social and political upheaval. The editor of the Atlanta Constitution from 1960 through 1968, Patterson wrote directly to his fellow white southerners every day, working to persuade them to change their ways. His words were so inspirational that he was asked by Walter Cronkite to read his most famous column, about the Birmingham church bombing, live on the CBS Evening News. This volume includes over 120 of Patterson's best pieces, selected from some 3,200 columns. These columns offer probing commentary on the crucial issues of race, civil rights, social justice, and desegregation; some reveal examples of political and moral leadership, drawn from every corner of southern culture. Introductory essays, framing Patterson's work as journalism and literature, place it in the context of southern history and the evolution of white southern liberalism. Patterson himself contributes a new essay, reflecting on his life, work, and times. At a time when protest, violence, and confrontation defined race relations and even the South itself, Patterson's wise, sane, humorous, passionate column appeared daily on the Constitution's editorial page, urging white southerners to become "better than we are." Speaking as one who "grew up hard" in small-town Georgia, Patterson could urge change with a conviction and credibility matched by few others. With enlightened leadership and adherence to the rule of law, the sky would not fall, Patterson assured his readers. While black leaders led America toward civil rights and social justice, writers such as Patterson had the courage to appeal to the white southern conscience. Unmistakably engaged with his time and place, Patterson's columns provide a compelling day-to-day look at the civil rights era as it unfolded.

David Mitchell’s 2014 bestseller Thinking About It Only Makes It Worse must really have made people think – because everything’s got worse. We’ve gone from UKIP surge to Brexit shambles, from horsemeat in lasagne to Donald Trump in the White House, from Woolworths going under to all the other shops going under. It’s probably socially irresponsible even to try to cheer up.

But if you’re determined to give it a go, you might enjoy this eclectic collection (or eclection) of David Mitchell’s attempts to make light of all that darkness. Scampi, politics, the Olympics, terrorism, exercise, rude street names, inheritance tax, salad cream, proportional representation and farts are all touched upon by Mitchell’s unremitting laser of chit-chat, as he negotiates a path between the commercialisation of Christmas and the true spirit of Halloween. Read this book and slightly change your life!

What are the right questions to ask when seeking out the true spirit of a nation? In November 2017 the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from over thirty years of Robert Mugabe's rule. In an essay that combines bold reportage, memoir and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the 'coup that was not a coup', the telling of history and manipulation of time and the ancestral spirts of two women - her own grandmother and Mbuya Nehanda, the grandmother of the nation.

With syndication in more than 200 newspapers and a faithful readership nationwide, Bill Maxwell's status as one of the country's preeminent black journalists is unquestionable. This collection of his columns, primarily from the St. Petersburg Times, forms a body of commentary on humanity (and lack of same) that will capture the hearts and minds of Americans. Maxwell covers a sweeping range of subjects, including race-a central but not exclusive theme. He asks hard questions that courageously attempt to understand hatred and injustice in America; and he takes on controversial issues many columnists avoid and a wide spectrum of national figures-from Jeb, George W. and Clarence Thomas to the Pope and Jesse Jackson. Maxwell writes movingly about his childhood as the son of migrant farm workers in rural Florida, his love of books-beginning with those plucked from garbage cans-and his everyday encounters with the white world and the black one. With a voice that is provocative and insights that are deep and passionate, he tackles the plight of migrant workers, the devastation of the environment, religious intolerance, homophobia, affirmative action, illiteracy, public education, civic responsibility, politics-and racism. He criticizes blacks and whites alike in his search for truth and right, especially in his exploration of what he calls 'resurgent bigotry and Republicanism' and 'the black writer's most agonizing task-and duty-being dispassionate about the foibles and self-destructive behavior of African-Americans. Setting a standard for the newspaper column as social criticism, Maximum Insight illuminates the role of the black writer as an interpreter of the forces that define a diverse America.