A wonderfully frank and funny memoir by Britain's greatest and most ferocious interviewer, Lynn Barber. 'Packed full of incredible stories' Glamour 'Funny, bold, incisive, clever and interesting' Independent 'Candid, unsentimental and extremely funny. I read it in one glorious go, laughing and crying throughout' Zoe Heller Lynn Barber, by her own admission, has always suffered from a compelling sense of nosiness. An exceptionally inquisitive child she constantly questioned everyone she knew about imitate details of their lives. This talent for nosiness, coupled with her unusual lack of the very English fear of social embarrassment, turned out to be the perfect qualification for a celebrity interviewer. In A Curious Career, Lynn Barber takes us from her early years as a journalist at Penthouse - where she started out interviewing foot fetishists, voyeurs, dominatrices and men who liked wearing nappies - to her later more eminent role interrogating a huge cross-section of celebrities ranging from politicians to film stars, comedians, writers, artists and musicians. A Curious Career is full of glorious anecdotes - the interview with Salvador Dali that, at Dali's invitation, ended up lasting four days, or the drinking session with Shane MacGowan during which they planned to rob a bank. It also contains eye-opening transcripts, such as her infamous interview with the hilarious and spectacularly rude Marianne Faithfull. A wonderfully frank and funny memoir by Britain's greatest and most ferocious interviewer, A Curious Career is also a fascinating window into the lives of celebrities and the changing world of journalism.

One of the funniest writers of his generation, Michael Frayn has been writing humorous newspaper columns since 1959, principally for the "Guardian" and "Observer", and originally came to prominence as the thrice weekly purveyor of these short, surreal, razor-sharp explorations of human foibles, sex, politics, manners, and the events of the day. This volume brings together 110 of his finest and funniest pieces from over the years, selected and introduced by Michael Frayn himself, and is an unmissable treat for the many fans of his unique comic voice, as well as a revelation for fans of the award-winning literary novels and plays of his later career.

*THE #1 NEW YORK TIMES BESTSELLER* Four Hundred Souls is an epoch-defining history of African America, the first to appear in a generation, told by ninety leading Black voices -- co-curated by Ibram X. Kendi, author of the million-copy bestseller How To Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire. In chronological chapters, each by a different author and spanning five years, the book charts the four-hundred-year journey of African Americans to the present - a journey defined by inhuman oppression, visionary struggles and stunning achievements. Contributors include some of today's leading writers, historians, journalists, lawyers, poets and activists. Together - through essays and short stories, personal vignettes and fiery polemics - they redefine America and the way its history can be told. 'A vital addition to the curriculum on race in America... Compelling' Washington Post 'A resounding history...that challenges the myths of America's past... Fresh and engaging' Colin Grant, Guardian

In 2015, a year after it started, Bushra al-Maqtari decided to document the suffering of civilians in the Yemeni Civil War, which has killed over 350,000 people according to the UN. Inspired by the work of Svetlana Alexievich, she spent two years visiting different parts of the country, putting her life at risk by speaking with her compatriots, and gathered over 400 testimonies, a selection of which appear in What Have You Left Behind? Purposefully alternating between accounts from the victims of the Houthi militia and those of the Saudi-led coalition, al-Maqtari highlights the disillusionment and anguish felt by those trapped in a war outside of their own making. As difficult to read as it is to put down, this unvarnished chronicle of the conflict serves as a vital reminder of the scale of the human tragedy behind the headlines, and offers a searing condemnation of the international community's complicity in the war's continuation.

'Addicted to Succession? Well, here's the real thing.' Hollywood Reporter The shocking inside story of how dysfunction, misconduct and scandal almost brought down one of Hollywood's greatest companies. Unscripted is the inside story of the struggle to control one of the world's great entertainment empires. It is the story of the last great Hollywood mogul, Sumner Redstone: the ninety-something founder of Paramount Global who, well into his dotage and facing a scandalous lawsuit, proves increasingly unable to run the sprawling company he has built. It is the story of his daughter, Shari Redstone: Sumner's heir apparent who, despite being groomed for power for six decades, struggles to assert her authority over the company and her family's legacy. And it is the story of her challenger, Leslie Moonves: the well-liked CEO of CBS who plots a coup to take control of the business - until news leaks that he is facing multiple allegations of sexual misconduct (allegations he has spent years trying to hush up). The result is damning portrait of how money and power works in Hollywood now. It illuminates an industry struggling to adapt to the revolution brought by streaming, #MeToo and Black Lives Matter. And it reveals the lengths people will go to in pursuit of power - and the carnage that ensues when they do.

This first-ever anthology of the war reporting and commentary of Pulitzer Prize winning journalist Sydney Schanberg is drawn from more than four decades of reporting at home and abroad for the "New York Times, Newsday," the "Village Voice," and various magazines. The centerpiece of the collection is his signature work, The Death and Life of Dith Pran, which appeared in the "New York Times Magazine." This became the foundation of Roland Joffe s acclaimed film "The Killing Fields" (1984), which explored the Khmer Rouge genocide in Cambodia during the late 1970s.Although Schanberg may be best known for his work on Cambodia, he also reported on the India-Pakistan war that ended Pakistan s brutal attempt to crush the Bangladesh freedom movement in the 1970s. His striking coverage of the Vietnam conflict recounts Hanoi s fierce offensive in 1972 that almost succeeded. Years later, citing official documents and other hard evidence that a large number of American POWs were never returned by Hanoi, Schanberg criticized the national press for ignoring these facts and called for Washington to release documents that had been covered up since 1973.As the media critic for the "Village Voice," Schanberg offered a unique and searing viewpoint on Iraq, which he called America s strangest war. His criticism of the Bush administration s secrecy brings his war reportage into the present and presents a vigorous critique of what he considers a devious and destructive presidency. "Beyond the Killing Fields" is an important work by one of America s foremost journalists.

News organizations have always sought to deliver information faster and to larger audiences. But when clicks drive journalism, the result is often simplistic, sensational, and error-ridden reporting. In this book, Seong Jae Min argues in favor of "slow journalism," a growing movement that aims to produce more considered, deliberate reporting that better serves the interests of democracy. Min explores the role of technology in journalism from the printing press to artificial intelligence, documenting the hype and hope associated with each new breakthrough as well as the sometimes disappointing-and even damaging-unintended consequences. His analysis cuts through the discussion of clickbait headlines and social-media clout chasing to identify technological bells and whistles as the core problem with journalism today. At its heart, Min maintains, traditional shoe-leather reporting-knocking on doors, talking to people, careful observation and analysis-is still the best way for journalism to serve its civic purpose. Thoughtful and engaging, Rethinking the New Technology of Journalism is a compelling call for news gathering to return to its roots. Reporters, those studying and teaching journalism, and avid consumers of the media will be interested in this book.

Written in Karan's inimitable style, the articles in this book are a real treat - racy, fun and enlightening at the same time. It is a must read for anyone who is interested in creative writing and journalism.

Our annual anthology of finalists and winners of the National Magazine Awards 2014 includes Jonathan Franzen's eloquent rumination in "National Geographic" on the damage we continue to inflict on the environment and its long-lasting consequences; William T. Vollman's blackly comic reflections in " Harper's" magazine on being the target of an extensive FBI investigation into whether he could be the Unabomber, an anthrax mailer, or a jihadi terrorist; and Ariel Levy's account of extreme travel and great escape to a remote land -- while pregnant -- in the "New Yorker."

Other essays include Wright Thompson's bittersweet profile of Michael Jordan's fifty-something second act ( "ESPN"); Jean M. Twenge's revealing look at fertility myths and baby politics ( "The Atlantic"); David Kamp's poignant portrait of a small town recovering from one of the nation's worst mass shootings ( "Vanity Fair"); Janet Reitman's controversial study of the Boston bomber Dzhokhar Tsarnaev ( "Rolling Stone"); Ted Conover's eye-opening account of working undercover in a commercial slaughterhouse ( "Harper's"); and Wells Tower's wild tale of bonding with his father at a notorious art and music festival ( "GQ"). The collection also features a short story by the critically acclaimed author Zadie Smith ( "The New Yorker").

Other contributors: Steven Brill ( "Time")Emily DePrang ( "Texas Observer")Kyle Dickman ( "Outside")Steve Friedman ( "Runner's World")J. Hoberman ( "Tablet Magazine")Stephen Rodrick ( "New York Times Magazine")Witold Rybczynski ( "Architect")Matthew Shaer ( "The Atavist")

An anthology Malcolm Gladwell has called "riveting and indispensable," "The Best Business Writing" is a far-ranging survey of business's dynamic relationship with politics, culture, and life. This year's selections include John Markoff ( "New York Times") on innovations in robot technology and the decline of the factory worker; Evgeny Morozov ( "New Republic") on the questionable value of the popular TED conference series and the idea industry behind it; Paul Kiel ( "ProPublica") on the ripple effects of the ongoing foreclosure crisis; and the infamous op-ed by Greg Smith, published in the "New York Times," announcing his break with Goldman Sachs over its trading practices and corrupt corporate ethos.

Jessica Pressler ( "New York") delves into the personal and professional rivalry between former spouses and fashion competitors Tory and Christopher Burch. Peter Whoriskey ( "Washington Post") exposes the human cost of promoting pharmaceuticals for off-label uses. Charles Duhigg and David Barboza ( "New York Times") investigate Apple's unethical labor practices in China. Max Abelson ( "Bloomberg") reports on Wall Street's amusing reaction to the diminishing annual bonus. Mina Kimes ( "Fortune") recounts the grisly story of a company's illegal testing -- and misuse -- of a medical device for profit, and Jeff Tietz ( "Rolling Stone") composes one of the most poignant and comprehensive portraits of the financial crisis's dissolution of the American middle class.

"Photojournalism and Today's News" provides a practical guide for aspiring photojournalists as well as an intelligent look into newsroom culture and its influences on photographic assignments, production, and editing. Written by an award-winning photo editor and director of photography, and based on interviews with more than seventy high-profile journalists, this book appeals to students and young professionals alike. Addresses a wide range of practical issues supported by in-depth examples from the field and critical thinking about photography, journalism, and newsroom cultureExamines social and cultural issues and how they are communicated through photojournalismPrepares young journalists to respect their visual journalism colleagues by teaching them how to effectively work togetherHighlights the expectations of the newsroom and editors

On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism.

This year's Best American Magazine Writing features outstanding writing on contentious issues including incarceration, policing, sexual assault, labor, technology, and environmental catastrophe. Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg Businessweek), an innovative explanation of how programming works, and "The Really Big One," by Kathryn Schulz (The New Yorker), which exposes just how unprepared the Pacific Northwest is for a major earthquake. Joining them are Meaghan Winter's expose of crisis pregnancy centers (Cosmopolitan) and a chilling story of police prejudice that allowed a serial rapist to run free (the Marshall Project in partnership with ProPublica). Also included is Shane Smith's interview with Barack Obama about mass incarceration (Vice). Other selections demonstrate a range of long-form styles and topics across print and digital publications. The imprisoned hacker and activist Barrett Brown pens hilarious dispatches from behind bars, including a scathing review of Jonathan Franzen's fiction (The Intercept). "The New American Slavery" (Buzzfeed) documents the pervasive exploitation of guest workers, and Luke Mogelson explores the purgatorial fate of an undocumented man sent back to Honduras (New York Times Magazine). Joshua Hammer harrowingly portrays Sierra Leone's worst Ebola ward as even the staff succumb to the disease (Matter). And in "The Friend," Matthew Teague's wife is afflicted with cancer, his friend moves in, and the result is a devastating narrative of relationships and death (Esquire). The collection concludes with Jenny Zhang's "How It Feels," an unconventional meditation on the intersection of teenage cruelty and art (Poetry).

The Talk of Liverpool is a unique record of life in one of the world's most talked about cities across four headline-making decades. Paddy Shennan covered the biggest subjects and talked to people who dominated Merseyside life between the 1980s and the present day. A master of the big interview, he is a leading authority on high-profile news stories including Hillsborough, the murder of James Bulger and the abduction of Madeleine McCann. But this compelling book also reveals its author to be a true all-rounder, capable of writing about any subject - including comedy (interviews with Ken Dodd, Alexei Sayle and many others), politics (the "Liverpool 47" and many others) and football (read how he upset Joe Royle and Jim Beglin but delighted Wayne Rooney's family and Barry Horne). Paddy had the pleasure of interviewing many of his heroes - including Tony Benn, Alan Bleasdale, Jean Alexander, Mark E. Smith of The Fall and Nigel Blackwell of Half Man Half Biscuit. He also relished variety; whether it be telling the stories of those who knew The Beatles best, going behind the scenes at Ann Summers or hearing the confessions of a funeral director. As Alastair Machray, his former editor, says: "Paddy is a simply brilliant writer who can bring any subject to life with a turn of phrase that is gifted and not learned. He has a rare ability to communicate with his audience despite that audience being an eclectic mix of ages, cultures and demographics. He writes with flair yet with insight, with humour yet with sensitivity; with courage yet with wisdom."

"Somewhere in the tangle of the subject's burden and the subject's desire is your story."-Alex Tizon Every human being has an epic story. The late Pulitzer Prize-winning writer Alex Tizon told the epic stories of marginalized people-from lonely immigrants struggling to forge a new American identity to a high school custodian who penned a New Yorker short story. Edited by Tizon's friend and former colleague Sam Howe Verhovek, Invisible People collects the best of Tizon's rich, empathetic accounts-including "My Family's Slave," the Atlantic magazine cover story about the woman who raised him and his siblings under conditions that amounted to indentured servitude. Mining his Filipino American background, Tizon tells the stories of immigrants from Cambodia and Laos. He gives a fascinating account of the Beltway sniper and insightful profiles of Surfers for Jesus and a man who tracks UFOs. His articles-many originally published in the Seattle Times and the Los Angeles Times-are brimming with enlightening details about people who existed outside the mainstream's field of vision. In their introductions to Tizon's pieces, New York Times executive editor Dean Baquet, Atlantic magazine editor in chief Jeffrey Goldberg, Pulitzer Prize winners Kim Murphy and Jacqui Banaszynski, and others salute Tizon's respect for his subjects and the beauty and brilliance of his writing. Invisible People is a loving tribute to a journalist whose search for his own identity prompted him to chronicle the lives of others.

An award-winning writer and a candidate for the Nobel Prize for Literature, Ryszard Kapuscinski (1932-2007) was a celebrated Polish journalist and author. Praised for the lengths to which he would go to get a story, Kapuscinski gained an extraordinary knowledge of the major global events of the second half of the twentieth century and shared it with his diverse audience. The first posthumous monograph on the writer's life and work, Ryszard Kapuscinski confronts the mixed reception of Kapuscinski's tendency to merge the conventions of reportage with the artistry of literature. Beata Nowacka and Zygmunt Ziatek discuss the writer's accounts of the decolonization of Africa and his work in Asia and South America between 1956 and 1981, a period during which Kapuscinski reported on twenty-seven revolutions and coups. They argue that the journalistic tradition is not in conflict with Kapuscinski's meditations on the deep meanings of these events, and that his first-person involvement in his text was not an indulgence detracting from his journalistic adventures but a well-thought-out conception of eyewitness testimony, developing the moral and philosophical message of the stories. Exploring the whole of Kapuscinski's achievements, Nowacka and Ziatek identify a constant tension between a strictly journalistic position and what in Poland is called literary reportage, located on the border between journalism and artistic prose. Kapuscinski's desire and dedication to make more of journalistic writing is the driving force behind the excellence and readability that have made his legendary books so controversial - and so widely celebrated.

On September 26, 2014, 43 male students from the Ayotzinapa Rural Teachers' College went missing in Iguala, Guerrero, Mexico. On route to a protest, local police intercepted the students and a confrontation ensued. By the morning, they had disappeared without a trace. Hernandez reconstructs almost minute-by-minute the events of those nights in late September 2014, giving us what is surely the most complete picture available: her sources are unparalleled, since she has secured access to internal government documents that have not been made public, and to video surveillance footage the government has tried to hide and destroy. Hernandez demolishes the Mexican state's official version, which the Pena Nieto government cynically dubbed the "historic truth". As her research shows, state officials at all levels, from police and prosecutors to the upper echelons of the PRI administration, conspired to put together a fake case, concealing or manipulating evidence, and arresting and torturing dozens of "suspects" who then obliged with full "confessions" that matched the official lie. By following the role of the various Mexican state agencies through the events in such remarkable detail, Massacre in Mexico shows with exacting precision who is responsible for which component of this monumental crime.

Social identities within post-apartheid South Africa remain highly contested with issues of race and racism often dominating the national discourse. In order to find their place within the national narrative, white South Africans need to re-think their stories, re-define their positions in society and re-imagine their own narratives of identity and belonging. By exploring whiteness and white identity through the lens of literary journalism, this book reflects on ways in which writers use the uncertainties and contradictions inherent in this genre to reveal the complexities of white identity formation and negotiation within contemporary society. Authors such as Rian Malan (My Traitor's Heart), Antjie Krog (Country of My Skull and Begging to Be Black), Jonny Steinberg (Midlands) and Kevin Bloom (Ways of Staying) are writing at times of political and social flux. By working at the fault line of literature and journalism, these literary journalists not only mirror the volatility of their social setting but also endeavour to find new narrative forms, revealing the inherent anxiety and possibility of whiteness in contemporary South Africa.

The Best American Magazine Writing 2019 presents articles honored by this year's National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic). Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts's "Getting Out" (New York Times Magazine); "This Place Is Crazy," by John J. Lennon (Esquire); and Robert Wright's "Getting Out of Prison Meant Leaving Dear Friends Behind" (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer's "American Hustler" explores Paul Manafort's career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Felix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder "The Art of Dying Well" (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub's piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney's editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney's winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press.

By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.