In the spring of 2014, the Sunflower Movement's three-week occupation of the Legislative Yuan brought Taiwan back to international media attention. It was the culmination of a series of social movements that had been growing in strength since 2008 and have become even more salient since the spring of 2014. Social movements in Taiwan have emerged as a powerful new actor that needs to be understood alongside those players that have dominated the literature such as political parties, local factions, Taishang, China and the United States. This book offers readers an introduction to the development of these social movements in Taiwan by examining a number of important movement case studies that focus on the post 2008 period. The return of the Kuomintang (KMT) to power radically changed the political environment for Taiwan's civil society and so the book considers how social activists responded to this new political opportunity structure. The case chapters are based on extensive fieldwork and are written by authors from a variety of disciplinary backgrounds and methodological approaches; in some cases authors combine being both academics and activists themselves. Together, the chapters focus on a number of core issues, providing the book with four key aims. Firstly, it investigates the roots of the movements and considers how to best explain their emergence. Secondly, it examines the development trajectories of these movements. Thirdly, it looks at the best way to explain their impact and development patterns, and finally it assesses their overall impact, questioning whether they can be regarded as successes or failures. Covering a unique range of social movement cases, the book will be of interest to students and researchers interested in Taiwanese society and politics, as well as social movements and civil society.

New York Times reporter John Branch's riveting, humane pieces about ordinary people doing extraordinary things at the edges of the sporting world have won nearly every major journalism prize. Sidecountry gathers the best of Branch's work for the first time, featuring 20 of his favorites from the more than 2,000 pieces he has published in the paper. Branch is renowned for covering the offbeat in the sporting world, from alligator hunting to wingsuit flying. Sidecountry features such classic Branch pieces, including "Snow Fall," about downhill skiers caught in an avalanche in Washington state, and "Dawn Wall," about rock climbers trying to scale Yosemite's famed El Capitan. In other articles, Branch introduces people whose dedication and decency transcend their sporting lives, including a revered football coach rebuilding his tornado-devastated town in Iowa and a girls' basketball team in Tennessee that plays on despite never winning a game. The book culminates with his moving personal pieces, including "Children of the Cube," about the surprising drama of Rubik's Cube competitions as seen through the eyes of Branch's own sports-hating son, and "The Girl in the No. 8 Jersey," about a mother killed in the 2017 Las Vegas shooting whose daughter happens to play on Branch's daughter's soccer team. John Branch has been hailed for writing "American portraiture at its best" (Susan Orlean) and for covering sports "the way Lyle Lovett writes country music-a fresh turn on a time-honored pleasure" (Nicholas Dawidoff). Sidecountry is the work of a master reporter at the top of his game.

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press.

By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.

*THE #1 NEW YORK TIMES BESTSELLER* Four Hundred Souls is an epoch-defining history of African America, the first to appear in a generation, told by ninety leading Black voices -- co-curated by Ibram X. Kendi, author of the million-copy bestseller How To Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire. In chronological chapters, each by a different author and spanning five years, the book charts the four-hundred-year journey of African Americans to the present - a journey defined by inhuman oppression, visionary struggles and stunning achievements. Contributors include some of today's leading writers, historians, journalists, lawyers, poets and activists. Together - through essays and short stories, personal vignettes and fiery polemics - they redefine America and the way its history can be told. 'A vital addition to the curriculum on race in America... Compelling' Washington Post 'A resounding history...that challenges the myths of America's past... Fresh and engaging' Colin Grant, Guardian

I sometimes fear we shall never wake till we are jerked out of it by the roar of bombs. In 1936, George Orwell volunteered as a soldier in the Spanish Civil War. In Homage to Catalonia, first published just before the outbreak of World War II, Orwell documents the chaos and bloodshed of that moment in history and the voices of those who fought against rising fascism. His experience of the civil war would spark a significant change in his own political views, which readers today will recognise in much of his later literary work; a rage against the threat of totalitarianism and control.

Media reform plays an increasingly important role in the struggle for social justice. As battles are fought over the future of investigative journalism, media ownership, spectrum management, speech rights, broadband access, network neutrality, the surveillance apparatus, and digital literacy, what effective strategies can be used in the pursuit of effective media reform? Prepared by thirty-three scholars and activists from more than twenty-five countries, Strategies for Media Reform focuses on theorizing media democratization and evaluating specific projects for media reform. This edited collection of articles offers readers the opportunity to reflect on the prospects for and challenges facing campaigns for media reform and gathers significant examples of theory, advocacy, and activism from multinational perspectives.

Rana Jawad, a British-Lebanese journalist who has reported from Tripoli for the BBC for seven years, found herself the last British journalist reporting from inside Tripoli early in 2010. Defiant and terrified in turns, she went into hiding and bravely issued the series of anonymous Tripoli Witness blogs that have become famous among anyone following the course of the insurgency. The raw blog accounts published here are accompanied by a short introductory pieces as well as a series of opening essays of what it was like to live in Gaddafi's Libya. Paul Kenyon, the acclaimed Panorama Presenter who was recently awarded for his BBC documentary on Libya, introduces Rana's work and gives an insight into this remarkable young journalists's brave reporting through harrowing times.

Fur ihn scheint heute kein Superlativ gewaltig genug: Einer der grossten Deutschen aller Zeiten wird er genannt, wichtigster Inspirator und Irritierer. Vielleicht war Max Weber vor 150 Jahren in Erfurt geboren einer der letzten Universalgelehrten. Sein Werk blieb ratselhaft. Doch er hinterliess eine Vielzahl einpragsamer Begriffe und Formeln: Idealtypus, Verantwortungsethik, Charisma, die harten Bretter, die der Politiker bohren muss und vor allem die Entzauberung der Welt . Zu den Themen seiner Analyse der modernen Gesellschaft gehorten auch die Massenmedien. Das grosse empirische Projekt, welches er 1910 der deutschen Soziologie zur Vermessung der Medienwelt in die Wiege gelegt hatte, scheiterte. Seine Anregungen aber haben sich seither in vielfaltiger Weise in den Diskursen uber Medien und Journalismus niedergeschlagen. Die Ergebnisse einer detaillierten Spurenlese werden in dieser Studie prasentiert, die erstmals mit bibliometrischen Methoden durchgefuhrt wurde. Sie mundet in eine aktuelle Zustandsbeschreibung der Kommunikationsverhaltnisse und ihrer Erforschung 100 Jahre nach Weber.

Stimmen zur Max Weber und die Entzauberung der Medienwelt

Man liest die 400 Seiten dieses grossformatigen Buches ... fasziniert. Mit einem oft geradezu erzahlerischen Duktus, sprechenden Zitaten, Assoziationen kultureller Bildung, munteren Polemiken, lockeren Formulierungen und einer jargonlosen Sprache bereitet Weischenbergs Buch eindeutig mehr Vergnugen als die real existierende Fachprosa. So nimmt man Teil an einer Synthese grosser Stoffmassen, erfreut sich an detailversessenen, faktenintensiven Anmerkungen, dem Assoziationsreichtum geistiger Bezuge, der Kennerschaft in der Kontextualisierung, den wissenssoziologischen Tiefenbohrungen, aber auch dem bezeichnenden Klatsch, der sich in diversen Briefwechseln findet. ... Die Lekture vermittelt ... einen ganzen Kosmos von Ideen und Entwicklungen zu Max Weber und seiner Rezeption. ... Damit vermittelt das Buch auch die weitere sozialwissenschaftliche Fachgeschichte, die Jahrzehnte des Denkens und Streitens in einer souveranen Synthese nachzuvollziehen erlaubt.

Wolfgang R. Langenbucher (in: H-Soz-u-Kult)"

From top CNN anchor and special correspondent Soledad O'Brien comes a highly personal look at her biggest reporting moments from Hurricane Katrina, the tsunami in Southeast Asia, the devastating Haiti earthquake, and to the historic 2008 U.S. elections and high profile interviews with everyday Americans. Drawing on her own unique background as well as her experiences at the front lines of the most provocative issues in today's society, and from her work on the acclaimed documentaries "Black in America" and "Latino in America," O'Brien offers her candid, clear-eyed take on where we are as a country and where we're going.

What emerges is both an inspiring message of hope and a glimpse into the heart and soul of one of America's most straight-talking reporters.

The written genre of the religious pamphlet stands out as a deeply characteristic form of public communication in the early modern period, not least on account of its inseparable combination of language and images. This study undertakes an analysis of semiotically complex religious pamphlets from the late 16th century, thereby making a contribution to research in linguistic history that is culturally oriented. In the process, it illustrates the opportunities for using frame semantics to analyze both verbal and visual texts.

Candid, moving, exhilarating, uplifting and frequently humorous, the words Oprah shares in What I Know For Sure shimmer with the sort of truth that readers will turn to again and again. As a creative force, student of the human heart and soul and champion of living the life you want, Oprah Winfrey stands alone. Over the years, she has made history with a legendary talk show (the highest-rated program of its kind), launched her own television network, become the USA's only African-American billionaire, and been awarded both an honorary degree by Harvard University and the Presidential Medal of Freedom. From all her experiences, she has gleaned life lessons - which, for fourteen years, she's shared in O, The Oprah Magazine's widely popular 'What I Know For Sure' column, a monthly source of inspiration and revelation. Now these thoughtful gems have been revised, updated and collected in What I Know For Sure, a beautiful book packed with insight and revelation from Oprah Winfrey. Organized by theme - joy, resilience, connection, gratitude, possibility, awe, clarity and power - these essays offer a rare, powerful and intimate glimpse into the heart and mind of one of the world's most extraordinary women, while providing readers a guide to becoming their best selves.

Dieser Leitfaden gibt Ihnen einen vollstandigen Verstandnisrahmen fur Prasentation und zeigt anhand vieler praktischer Beispiele, wie Prasentation funktioniert und wirkt. Das lasst Sie mit Stress und Auftrittsangst professionell umgehen. Sie erfahren, in welchem Rahmen Sie agieren und werden dadurch in Ihrem Verhalten vor Publikum frei und souveran. Dieses Buch wird Sie verandern, denn Sie optimieren Ihre Personlichkeitswirkung, Ihr sicheres Auftreten, Ihre Prasenz. Und das wird Ihr Publikum Ihnen bereitwillig spiegeln. Es erwartet Sie in diesem Buch ein in sich schlussiges Handlungssystem fur die Arbeit von PrasentatorInnen und ModeratorInnen, mit allem, was man braucht: Fakten, Meinungen, Beispiele, entwickelt aus den langjahrigen und vielfaltigen Erfahrungen der taglichen Praxis des Autors als Sprecher, Moderator, Trainer und Coach."

Die beiden Kommunikationsprofis zeichnen in ihrem Roman ein Sittenbild der aktuellen Medienlandschaft und liefern zugleich ein Beispiel dafur, wie die Newsroom-Strategie in der Unternehmenskommunikation umgesetzt werden kann. Im Mittelpunkt steht dabei die Nachricht als altester und schwierigster Teil der menschlichen Massenkommunikation: knapp, schnell und bedeutend. Die moderne Kommunikationsabteilung wird zum Newsroom, der multimedial und grenzenlos agiert und alle Zielgruppen auf allen Plattformen bedient von der Lokalzeitung bis Twitter."

The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined the success or failure of a film, the book spans seven decades of film criticism. Editor and critic Brian Pendreigh also complies a selection of the most infamously scathing reviews ever to grace the pages of The Times, as well as a collection of legendary interviews with iconic actors, actresses, directors and producers, who lay bare the secrets to their successes. Featuring a range of rare film stills from The Times' collection, The Times on Cinema is the first book of its kind to make use of such an extensive archive, and is the perfect gift for all cinephiles.

In recent years marketing has played an ever more important role for daily newspapers and popular magazines. The reader's continuing buying restraint, falling sales, reductions in advertising income and the loss of classified advertising to the Internet, are all symptoms of a crisis. This forces publishing houses to optimize operational processes. Not least the growing competition, both with electronic media and between publishers leads to an ever-increasing importance of the marketing department for the success of the business. Peter Brummund, who has spent years in leading positions in the branch himself, takes a look at this business aspect of the press. In keeping with the practical needs of the specialist reader, the author summarizes the sales and marketing structures of the press: the "classical" and the new marketing channels, engendered by new technology such as the Internet, digital printing and satellite transmissions. The different marketing channels using subscriptions, individual sales, readers clubs and direct marketing are explained in detail, as are elementary mechanisms such as disposition, remittance, fixed prices and discounts. The way press wholesalers function is presented with the general technical and legal conditions and enlarged upon using concrete case studies.

When Yates McDaniel died in Florida in 1983, few outside his family paid much attention. The only hint of his fame came in a brief obituary buried on the inside pages of the New York Times. The obit suggested bravery and a past far more exciting than almost anyone knew. Even those who worked alongside him in the 1960s at the Associated Press were startled to learn what McDaniel had been, what he had done when he was a young man and the world was at war. Yet, this remarkable reporter covered more of the Asian war than anyone else -- from the savage Japanese assault on Nanking in 1937 to the fall of Singapore in 1942 to landing with US Marines on New Britain in 1943. He took risks no other reporter ever accepted, and colleagues joked that Japanese-bombers followed him wherever he went.

The diary of radio correspondent James Cassidy presents a unique view of World War II as this reporter followed the Allied armies into Nazi Germany. James Joseph Cassidy was one of 362 American journalists accredited to cover the European Theater of Operations between June 7, 1944, and the war's end. Radio was relatively new, and World War II was its first war. Among the difficulties facing historians examining radio reporters during that period is that many potential primary documents-their live broadcasts-were not recorded. In NBC Goes to War, Cassidy's censored scripts alongside his personal diary capture a front-line view during some of the nastiest fighting in World War II as told by a seasoned NBC reporter. James Cassidy was ambitious and young, and his coverage of World War II for the NBC radio network notched some notable firsts, including being the first to broadcast live from German soil and arranging the broadcast of a live Jewish religious service from inside Nazi Germany while incoming mortar and artillery shells fell 200 yards away. His diary describes how he gathered news, how it was censored, and how it was sent from the battle zone to the United States. As radio had no pictures, reporters quickly developed a descriptive visual style to augment dry facts. All of Cassidy's stories, from the panic he felt while being targeted by German planes to his shock at the deaths of colleagues, he told with grace and a reporter's lean and engaging prose. Providing valuable eyewitness material not previously available to historians, NBC Goes to War tells a "bottom-up" narrative that provides insight into war as fought and chronicled by ordinary men and women. Cassidy skillfully placed listeners alongside him in the ruins of Aachen, on icy back roads crawling with spies, and in a Belgian bar where a little girl wailed "Les Americains partent!" when Allied troops retreated to safety, leaving the town open to German re-occupation. With a journalistic eye for detail, NBC Goes to War unforgettably portrays life in the press corps. This newly uncovered perspective also helps balance the CBS-heavy radio scholarship about the war, which has always focused heavily on Edward R. Murrow and his "Murrow's Boys."

George Orwell, perhaps one of the most perceptive writers of the twentieth century, wrote extensively about English life and politics. This selection of his essays and journalism brings together his most provocative and insightful writing on England and Englishness.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Professor Michael Gardiner.

Orwell’s interests were broad. He often wrote about everyday concerns such as transport, food and the weather. Turning to social issues, he exposed the plight of the poor and the unemployed. He dissected the idea of nationalism and he examined the failings of the Left. What emerges from his acute observation of English rituals, habits and attitudes is his belief that these are the very things with which the English people can defend themselves against oppression. His writing remains insightful and prescient to this day.

The Illustrated Police News cost just a penny, providing an affordable illustrated roundup of `all the startling events of the week' from its first issue published on 20th February 1864. Promising to educate the people with fantastic features such as `BURGLARIES OF THE WEEK' and its bountiful, often outlandish, illustrations, the paper was also a-perhaps unexpected- champion of social change. With crime historian Linda Stratmann as guide, the articles and special reports of the newspaper provide a fascinating view into the reading tastes and daily lives of its readership throughout the decades. Led by the newspaper's bombastic imagery sourced from the Library's extensive archive, this new book revels in the infamy and social significance behind the exuberant headlines of this extraordinary periodical.

'See my hand up-tipped, learn the secret of my human heart...' Soaring, freewheeling snapshots of life on the road across America, from the Beat writer who inspired a generation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

Voetstoots is ’n bontgejasde keur uit sestien jaar van Annelie se koerantrubrieke. Die temas is so wyd soos die Heer se genade. Rakende aan die torings van Babel wat ons bou. ’n Kind wat doodgeskok word terwyl hulle jagentjies speel. ’n Begrafnisbrief uit Holland. ’n Boer wat sy plaashek vir oulaas sluit. Toentertyd se poskoets en handsentrale. Die boks langspeelplate in die gryse se waenhuis. Die smart om ’n kind te begrawe. ’n Glips met bensien in die tamatieslaai. ’n Sywurmhart wat sy in haar Bybel bêre. Mense sonder ’n woord van eer.

’n Eensame oom wie se hondjie op ’n sypaadjie doodgebyt is. ’n Lys van moets en moenies vir dames uit 1944. ’n Boks papsakwyn wat suur geword het.

Dis lag, huil, kwaadword, nostalgie, deernis, onbegrip en lewenswette saamgeryg in ’n kleurvolle lappieskombers. En Annelie is bedrewe met die rygnaald.

Journalismus soll mundige Burger informieren und doch sein Publikum unterhalten, soll schonungslos recherchieren und gleichzeitig Profite erwirtschaften. Journalismus soll die Auflage und die Einschaltquote steigern - und trotz vielfaltiger Abhangigkeiten und Zwange stets unabhangig sein, den Idealen der Aufklarung und dem Ethos der Wahrheit verpflichtet. Journalismus lebt von der Distanz - und von der Nahe, von der Zuspitzung und von der Einordnung, von der Schnelligkeit und der Genauigkeit, von der Kreativitat und der Routine. Es sind die Paradoxien, die unvermeidlichen Konflikte und die heimlichen Schizophrenien der Profession, die von fuhrenden Fachleuten aus dem In- und Ausland beschrieben werden. Entstanden ist eine theoretisch herausfordernde, empirisch fundierte und die Praxis reflektierende Analyse jener Widerspruche, die bestimmen, was Journalismus und Journalistik leisten sollen - und was sie tatsachlich leisten koennen.