I sometimes fear we shall never wake till we are jerked out of it by the roar of bombs. In 1936, George Orwell volunteered as a soldier in the Spanish Civil War. In Homage to Catalonia, first published just before the outbreak of World War II, Orwell documents the chaos and bloodshed of that moment in history and the voices of those who fought against rising fascism. His experience of the civil war would spark a significant change in his own political views, which readers today will recognise in much of his later literary work; a rage against the threat of totalitarianism and control.

The latest book by the Tajik author, Gulsifat Shahidi brings together a selection of articles, reviews and interviews. From reminiscences about her youth during Soviet times to meditations on the nature of nostalgia and what constitutes a true homeland, Shahidi's thought-provoking articles are filled with a bright sadness, fused at once with both joy and an aching sense of melancholy. In her reviews, the author's boundless enthusiasm leaps from the pages, whilst her interviews with important figures from contemporary Tajik history are characterised by an open dialogue which speaks to her mastery of the art of journalism. The recipient of awards for her work in promoting peace and conflict resolution, Gulsifat Shahidi's novel, The City Where Dreams Come True won first prize at the Open Eurasia International Literary Festival in 2015. The prolific author of over forty titles in her native Tajik and Russian, this collection represents Shahidi's sixth book to be translated into English.

Winner of the Victor Villasenor Best Latino Focused Nonfiction Book Award - English, from the 2022 International Latino Book Awards What defines the boundary between fact and fabrication, fiction and nonfiction, literature and journalism? Latin American Documentary Narratives unpacks the precarious testimonial relationship between author and subject, where the literary journalist, rather than the subject being interviewed, can become the hero of a narrative in its recording and retelling. Latin American Documentary Narratives covers a variety of nonfiction genres from the 1950s to the 2000s that address topics such as social protests, dictatorships, natural disasters, crime and migration in Latin America. This book analyzes - and includes an appendix of interviews with - authors who have not previously been critically read together, from the early and emblematic works of Gabriel Garcia Marquez and Elena Poniatowska to more recent authors, like Leila Guerriero and Juan Villoro, who are currently reshaping media and audiences in Latin America. In a world overwhelmed by data production and marked by violent acts against those considered 'others', Liliana Chavez Diaz argues that storytelling plays an essential role in communication among individuals, classes and cultures.

An anthology Malcolm Gladwell has called "riveting and indispensable," "The Best Business Writing" is a far-ranging survey of business's dynamic relationship with politics, culture, and life. This year's selections include John Markoff ( "New York Times") on innovations in robot technology and the decline of the factory worker; Evgeny Morozov ( "New Republic") on the questionable value of the popular TED conference series and the idea industry behind it; Paul Kiel ( "ProPublica") on the ripple effects of the ongoing foreclosure crisis; and the infamous op-ed by Greg Smith, published in the "New York Times," announcing his break with Goldman Sachs over its trading practices and corrupt corporate ethos.

Jessica Pressler ( "New York") delves into the personal and professional rivalry between former spouses and fashion competitors Tory and Christopher Burch. Peter Whoriskey ( "Washington Post") exposes the human cost of promoting pharmaceuticals for off-label uses. Charles Duhigg and David Barboza ( "New York Times") investigate Apple's unethical labor practices in China. Max Abelson ( "Bloomberg") reports on Wall Street's amusing reaction to the diminishing annual bonus. Mina Kimes ( "Fortune") recounts the grisly story of a company's illegal testing -- and misuse -- of a medical device for profit, and Jeff Tietz ( "Rolling Stone") composes one of the most poignant and comprehensive portraits of the financial crisis's dissolution of the American middle class.

It was just one remote hilltop in an unnamed war in the late 1990s, but it would send out ripples that are still felt today, foreshadowing the chaos of 21stcentury conflicts in the Middle East. The hill, in Lebanon, was called the Pumpkin; 'flowers' was the military code word for casualties.Part memoir, part reportage and part haunting elegy for lost youth, award-winning writer Matti Friedman's powerful account follows the band of young soldiers - the author among them - conscripted out of high school into holding this remote outpost, and explores how the task would change them forever. Pumpkinflowers is a lyrical yet devastating insight into the day-to-day realities of war, and a powerful coming-of-age narrative. Raw and beautifully rendered, this essential chronicle casts an unfl inching look at the nature of modern warfare, in which there is never a clear victor and innocence is not all that is lost.

'I can't really think of another writer who so consistently and bravely keeps thinking and talking and learning and trying to make the world better' Caitlin Moran

Smart and provocative, witty and uncompromising, this collection of Laurie Penny's writing establishes her as one of the most urgent and vibrant feminist voices of our time. From the shock of Donald Trump's election and the victories of the far right, to online harassment and the transgender rights movement, these darkly humorous articles provoke challenging conversations about the definitive social issues of today.

Penny is lyrical and passionate in her desire to contest injustice; she writes at the raw edge of the zeitgeist at a time when it has never been more vital to confront social norms. These revelatory, revolutionary essays will give readers hope and tools for change from one of today's boldest commentators.

INSTANT NEW YORK TIMES BESTSELLER "It's a hell of a story." -The New York Times "A stunning and revelatory memoir." -Oprah Daily From MSNBC anchor and instant New York Times bestselling author Katy Tur, a shocking and deeply personal memoir about a life spent chasing the news. When a box from her mother showed up on Katy Tur's doorstep, months into the pandemic and just as she learned she was pregnant with her second child, she didn't know what to expect. The box contained thousands of hours of video-the work of her pioneering helicopter journalist parents. They grew rich and famous for their aerial coverage of Madonna and Sean Penn's secret wedding, the Reginald Denny beating in the 1992 Los Angeles riots, and O.J. Simpson's notorious run in the white Bronco. To Tur, these family videos were an inheritance of sorts, and a reminder of who she was before her own breakout success as a reporter. In Rough Draft, Tur writes about her eccentric and volatile California childhood, punctuated by forest fires, earthquakes, and police chases-all seen from a thousand feet in the air. She recounts her complicated relationship with a father who was magnetic, ambitious, and, at times, frightening. And she charts her own survival from local reporter to globe-trotting foreign correspondent, running from her past. Tur also opens up for the first time about her struggles with burnout and impostor syndrome, her stumbles in the anchor chair, and her relationship with CBS Mornings anchor Tony Dokoupil (who quite possibly had a crazier childhood than she did). Intimate and captivating, Rough Draft explores the gift and curse of family legacy, examines the roles and responsibilities of the news, and asks the question: To what extent do we each get to write our own story?

When the World Turned Upside Down is a collection of 65 essays and opinion columns written between 2019 and 2022, a period of momentous-some unimaginable-developments in the United States and across the world. This book stands at the intersection between opinion journalism and history, its individual components offering a dialogue between past and present (or present and past). They are, to use the often-quoted phrase, first drafts of history. Over the past five years, the world has witnessed several "unimaginables" about which the author felt compelled to write. Some of the book's essays identify, analyze and connect parallels between the U.S. Antebellum and Civil War and the contemporary increasingly polarized context that reached an explosive peak during the 2020 elections and the violent attack on the U.S. Capitol on January 6, 2021. Shrouded in a cloud of unprecedented global pestilence, the world has witnessed dramatic political and geopolitical change, mostly for the worse: China, Russia, Hungary, Belarus, Myanmar, Cuba, even Puerto Rico. Essays in this book discuss these transformations from a historical perspective as well as mass popular resistance, in places like Cuba, where they seemed unimaginable. The book's final section, entitled "Not Boring at all: Globalization and World Politics," explores the global ramifications of the COVID-19 pandemic, geopolitical rearrangements related to China's meteoric ascendance as world power, Russia's militaristic expansionism and related topics.

Palestine for the Third Time is a book of reportage originally published in Poland in 1933 by Ksawery Pruszynski, a young reporter working for a Polish newspaper, who went to Mandate Palestine to see for himself whether the Zionist dream of returning to Eretz Yisrael had a chance of turning into reality. Travelling widely and talking to people he happened to meet on his way-Jews, Arabs, committed dreamers and the disaffected-he was trying to explain to his readers what he was seeing. This book is a unique firsthand account of the early stages in formation of the state and nation of Israel. But it's not just a nostalgic vignette. It resonates powerfully today, linking Tony Judt, Edward Said, and Amos Oz, illuminating the hotly debated questions of modern Israel.

A powerful collection of journalism on race, racism and black life and death from one of the nation's leading political voices. For the last three decades Gary Younge has had a ringside seat during the biggest events and with the most significant personalities to impact the black diaspora: accompanying Nelson Mandela on his first election campaign, joining revellers on the southside of Chicago during Obama's victory, entering New Orleans days after hurricane Katrina or interviewing Archbishop Desmond Tutu, Maya Angelou and Stormzy. He has witnessed how much change is possible and the power of systems to thwart those aspirations. Dispatches from the Diaspora is an unrivalled body of work from a unique perspective that takes you to the frontlines and compels you to engage and to 'imagine a world in which you might thrive, for which there is no evidence. And then fight for it.'

The spectacular 1848 escape of William and Ellen Craft (1824-1900; 1826-1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his "master's" devoted slave valet; both travelled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts' activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts' only book, their memoir, Running a Thousand Miles for Freedom, published in 1860. Yet as this study of key moments in the Crafts' public lives argues, the early print archive-newspapers, periodicals, pamphlets, legal documents-fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences' changing reactions to them. By discussing such events as the 1878 court case that placed William's character and reputation on trial, this book also invites readers to reconsider the Crafts' triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early

The Fall of Boris Johnson is the explosive inside account of how a prime minister lost his hold on power. A New Statesman, The Times, Daily Mail and FT Book of the Year 'Delicious detail, break-neck pace' - Emily Maitlis 'Entertaining and illuminating' - Tim Shipman Boris Johnson was touted as the saviour of the country and the Conservative Party, obtaining a huge commons majority and finally getting Brexit done. But within three short years, he was deposed in disgrace, leaving the country in crisis. Sebastian Payne, Whitehall Editor for the Financial Times, tells the essential behind-the-scenes story, charting the series of scandals that felled Johnson: from the blocked suspension of Owen Paterson to partygate, and, then the final death blow: the Chris Pincher allegations. This is the full narrative of the betrayals, rivalries and resignations that resulted in the dramatic Conservative coup and set in motion events that saw the party sink to catastrophic new lows. With unparalleled access to those who were in the room when key decisions were made, Payne tells of the miscalculations and mistakes that led to Boris's downfall. This is a gripping and timely look at how power is gained, wielded and lost in Britain today. 'Genuinely page-turning' - Andrew Marr 'Brilliant' - Fraser Nelson

This new study discusses the visual and verbal city sketches which proliferated during the 'journalistic revolution' of the 1830s and 1840s. English, French and German/Austrian illustrated serials illuminate the pivotal position of sketches in the nineteenth-century culture of knowledge and entertainment. Martina Lauster demonstrates how, as a dynamic form of cognition, sketches transformed models of visual and printed media (panorama and encyclopaedia) and of life science (physiology) into a unique kind of sociology, presenting a self-critique of the middle class on the brink of industrial modernity.

Pull on your wellies, grab your flat cap and join Jeremy Clarkson in this hilarious and fascinating behind-the-scenes look at the infamous Diddly Squat Farm THE NO. 1 SUNDAY TIMES BESTSELLER 'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out _________ Welcome to Clarkson's farm. It's always had a nice ring to it. Jeremy just never thought that one day his actual job would be 'a farmer'. And, sadly, it doesn't mean he's any good at it. From buying the wrong tractor (Lamborghini, since you ask . . .) to formation combine harvesting, getting tied-up in knots of red tape to chasing viciously athletic cows, our hero soon learns that enthusiasm alone might not be enough. Jeremy may never succeed in becoming master of his land, but, as he's discovering, the fun lies in the trying . . . _________ 'Very funny . . . I cracked up laughing on the tube' Evening Standard Praise for Clarkson's Farm: 'The best thing Clarkson's done . . . it pains me to say this' GUARDIAN 'Shockingly hopeful' INDEPENDENT 'Even the most committed Clarkson haters will find him likeable here' TELEGRAPH 'Quite lovely' THE TIMES

The instant New York Times bestseller! From one of America's most beloved sportswriters and the bestselling author of Pappyland, a collection of true stories about the dream of greatness and its cost in the world of sports. "Wright Thompson's stories are so full of rich characters, bad actors, heroes, drama, suffering, courage, conflict, and vivid detail that I sometimes thinks he's working my side of the street - the world of fiction." - John Grisham There is only one Wright Thompson. He is, as they say, famous if you know who he is: his work includes the most read articles in the history of ESPN (and it's not even close) and has been anthologized in the Best American Sports Writing series ten times, and he counts John Grisham and Richard Ford among his ardent admirers (see back of book). But to say his pieces are about sports, while true as far as it goes, is like saying Larry McMurtry's Lonesome Dove is a book about a cattle drive. Wright Thompson figures people out. He jimmies the lock to the furnaces inside the people he profiles and does an analysis of the fuel that fires their ambition. Whether it be Michael Jordan or Tiger Woods or Pat Riley or Urban Meyer, he strips the away the self-serving myths and fantasies to reveal his characters in full. There are fascinating common denominators: it may not be the case that every single great performer or coach had a complex relationship with his father, but it can sure seem that way. And there is much marvelous local knowledge: about specific sports, and times and places, and people. Ludicrously entertaining and often powerfully moving, The Cost of These Dreams is an ode to the reporter's art, and a celebration of true greatness and the high price that it exacts.

This comprehensive collection of fiction, poetry, and reportage by revolutionary women of the 1930s lays to rest the charge that feminism disappeared after 1920. Among the thirty-six writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Other voices may be new to readers, including many working-class Black and white women. Topics covered range from sexuality and family relationships, to race, class, and patriarchy, to party politics. Toni Morrison writes that the anthology is "peopled with questioning, caring, socially committed women writers."

For over twenty years, people turned to A. A. Gill's columns every Sunday - for his fearlessness, his perception, and the laughter-and-tear-provoking one-liners - but mostly because he was the best. 'By miles the most brilliant journalist of our age', as Lynn Barber put it. This is the definitive collection of a voice that was silenced too early but that can still make us look at the world in new and surprising ways. In the words of Andrew Marr, A.. A. Gill was 'a golden writer'. There was nothing that he couldn't illuminate with his dazzling prose. Wherever he was - at home or abroad - he found the human story, brought it to vivid life, and rendered it with fierce honesty and bracing compassion. And he was just as truthful about himself. There have been various collections of A. A. Gill's journalism - individual compilations of his restaurant and TV criticism, of his travel writing and his extraordinary feature articles. This book showcasesthe very best of his work: the peerlessly funny criticism, the extraordinarily knowledgeable food writing, assignments throughout the world, and reflections on life, love, and death. Drawn from a range of publications, including the Sunday Times, Vanity Fair, Tatler and Australian Gourmet Traveller, The Ivy Cookbook and his books on England and America, it is by turns hilarious, uplifting, controversial, unflinching, sad, funny and furious.

Southern Horrors (1892) is a pamphlet by Ida B. Wells. Published several months after a white mob destroyed the office of her prominent Memphis newspaper, the Free Speech, Southern Horrors is an impassioned work of investigative journalism and political criticism from a leading activist of the nineteenth century. "Nobody in this section of the country believes the old thread-bare lie that Negro men rape white women. If Southern white men are not careful, they will overreach themselves and public sentiment will have a reaction; a conclusion will then be reached which will be very damaging to the moral reputation of their women." After publishing these words in a May 1892 edition of the Memphis Free Speech, Ida B. Wells left for a brief vacation in New York-no doubt inspired by the numerous threats made against her life at the time. In her absence, a mob of white men destroyed the newspaper's office, leaving no trace of her extensive research on the last half century of violence perpetrated against African Americans in the name of white supremacy. Undeterred, Wells published Southern Horrors just months later, combining personal reflections on the incident with daring investigative reporting on the widespread practice of lynching in the American South. With a beautifully designed cover and professionally typeset manuscript, this edition of Ida B. Wells' Southern Horrors is a classic of African American literature reimagined for modern readers.

Many of us are consumed by news cycles reporting on Trump's latest astonishing policy or declaration, and the overwhelming sense we have is one of confusion and incredulity - how could this be happening?

As the 2020 US Presidential race takes shape, Surviving Autocracy provides an indispensable overview of the calamitous trajectory of the past few years. Drawing on her Soviet childhood and two decades covering the resurgence of totalitarianism in Russia, acclaimed New Yorker journalist and prize-winning author Masha Gessen links together seemingly disparate elements of Trump's regime to offer a roadmap for understanding Trump's approach, policies and ultimate aims. Highlighting an inventory of ravages to liberal democracy, including the corrosion of the media, the justice system and cultural norms, she posits that America is in the throws of an autocratic attempt.

Gessen's penetrating analysis offers a new political discourse to replace that which has been so thoroughly degraded, and with it, a clearer path to action. Manifesto-like, Surviving Autocracy is threaded with solutions to the current situation, such as developing a political language that encompasses autocratic impulses, a more agile and honest media, and a visionary moral politics to counter Trump's extraordinary on-going assault.

Every time you try to say 'Africa is...' the words crumble and break. From every generalisation you must exclude at least five countries. And just as you think you've nailed down a certainty, you find the opposite is also true. Africa is full of surprises. For the past three decades, Richard Dowden has travelled this vast and varied continent, listening, learning, and constantly re-evaluating all he thinks he knows. Country by country, he has sought out the local and the personal, the incidents, actions, and characters to tell a story of modern sub-Saharan Africa - an area affected by poverty, disease and war, but also a place of breathtaking beauty, generosity and possibility. The result is a landmark book, compelling, illuminating, and always surprising. Updated for 2018, Africa remains one of the most comprehensive, intelligent and responsive works on the continent ever written.

Pakistan's largest city is a sprawling metropolis of 20 million people. A place of political turbulence, where lavish wealth and absolute poverty sit side by side, and where the lines between idealism and corruption can quickly blur. Through the stories of those who know the city best - including a journalist, an activist, and an ambulance driver - Samira Shackle paints a vivid, vibrant and often violent portrait of Karachi over the past decade: a period during which the Taliban arrived in Pakistan, adding to the daily perils of its residents and pushing their city into the international spotlight. Nuanced and fast-paced, Karachi Vice is an immersive, electrifying journey around one of the most compelling cities in the world.

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Drones and Journalism explores the increased use of unmanned aerial vehicles, or drones, by the global media for researching and newsgathering purposes. Phil Chamberlain examines the technological development and capabilities of contemporary drone hardware and the future of drone journalism. He also considers the complex place of the media's drone use in relation to international laws, as well as the ethical challenges and issues raised by the practice. Chapters cover topics including the use of drones in investigative reporting, in reporting of humanitarian crises, and the use of this new technology in more mainstream media, like film and TV. The book also presents exclusive interviews with drone experts and practitioners and draws on a wide range of disciplines to put the practice into a historical, political and social context. Professionals and students of Journalism and Media Studies will find this an important critical contribution to these fields, as Phil Chamberlain astutely charts the rise of the reliance on drones by the media worldwide.