What are the right questions to ask when seeking out the true spirit of a nation? In November 2017 the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from over thirty years of Robert Mugabe's rule. In an essay that combines bold reportage, memoir and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the 'coup that was not a coup', the telling of history and manipulation of time and the ancestral spirts of two women - her own grandmother and Mbuya Nehanda, the grandmother of the nation.

Sachin Tendulkar has made poets of prose writers even if his strokeplay has demontrated the futility of conveying in words the brilliance of his batsmanship. As R C Robertson-Glasgow said in another context, he was "easy to watch, difficult to bowl to and impossible to write about." In this collection of essays by some of the finest writers on cricket, the attempt is not so much to pin Sachin down as to let him roam free: beyond statistics, above nationality, and above the need to explain. From the sublime to the ridiculous it is all here. As Peter Roebuck once said "Whenever I feel low I only need to remind myself how privileged I am to be writing on the game in the Tendulkar era"

Voetstoots is ’n bontgejasde keur uit sestien jaar van Annelie se koerantrubrieke. Die temas is so wyd soos die Heer se genade. Rakende aan die torings van Babel wat ons bou. ’n Kind wat doodgeskok word terwyl hulle jagentjies speel. ’n Begrafnisbrief uit Holland. ’n Boer wat sy plaashek vir oulaas sluit. Toentertyd se poskoets en handsentrale. Die boks langspeelplate in die gryse se waenhuis. Die smart om ’n kind te begrawe. ’n Glips met bensien in die tamatieslaai. ’n Sywurmhart wat sy in haar Bybel bêre. Mense sonder ’n woord van eer.

’n Eensame oom wie se hondjie op ’n sypaadjie doodgebyt is. ’n Lys van moets en moenies vir dames uit 1944. ’n Boks papsakwyn wat suur geword het.

Dis lag, huil, kwaadword, nostalgie, deernis, onbegrip en lewenswette saamgeryg in ’n kleurvolle lappieskombers. En Annelie is bedrewe met die rygnaald.

Explores the link between revolutionary change in the Victorian world of print and women's entry into the field of mass-market publishing This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of revolutionary change, 1832-1860. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Bronte and George Eliot, as well as lesser-known figures such as Eliza Cook and Frances Brown. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. Easley analyses the ways Victorian women's participation in popular print culture anticipates our own engagement with new media in the twenty-first century.

A joyful collection of the most popular, provocative, and unforgettable essays from the New York Times 'Modern Love' column, featuring stories from the upcoming anthology series starring Tina Fey, Andy Garcia, Anne Hathaway, Catherine Keener, Dev Patel, and John Slattery. A young woman goes through the five stages of ghosting grief. A man's promising fourth date ends in the emergency room. A female lawyer with bipolar disorder experiences the highs and lows of dating. A widower hesitates about introducing his children to his new girlfriend. A divorcee in her seventies looks back at the beauty and rubble of past relationships. These are just a few of the people who tell their stories in Modern Love featuring dozens of the most memorable essays to run in the New York Times "Modern Love" column since its debut in 2004. Some of the stories are unconventional, while others hit close to home. Some reveal the way technology has changed dating forever; others explore the timeless struggles experienced by anyone who has ever searched for love. But all of the stories are, above everything else, honest. Together, they tell the larger story of how relationships begin, often fail, and-when we're lucky-endure. This is the perfect book for anyone who's loved, lost, stalked an ex on social media, or pined for true romance: in other words, anyone interested in the endlessly complicated workings of the human heart.

'Maeve's Times is funny and clever and kind, which are excellent qualities in both books and people' Irish Times 'As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives.' Maeve Binchy is well known for her bestselling novels, but for many years Maeve was a journalist. From 'The Student Train' to 'Plane Bores' and 'Bathroom Joggers' to 'When Beckett met Binchy', these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve's first and last ever piece of writing for the Irish Times, the columns also give a fascinating insight into the author herself. With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

The devoted journalists at the Chicago Tribune have been reporting the city's news for 170 years. As a result, the paper has amassed an inimitable, as-it-happened history of its hometown, a city first incorporated in 1837 that rapidly grew to become the third-largest city in the United States. Since 2011, the Chicago Tribune has been mining its vast archive of photos and stories for its weekly feature Chicago Flashback, which deals with the significant people and events that have shaped the city's history and culture from the paper's founding in 1847 to the present day. Now the editors of the Tribune have carefully collected the best, most interesting Chicago Flashback features into a single coffee-table volume. Each story is accompanied by at least one black-and-white image from the paper's fabled photo vault located deep below Michigan Avenue's famed Tribune Tower. Chicago Flashback offers readers a unique perspective on the city's long and colorful history.

Jordan's diverse socioeconomic make-up encapsulates, like no other Middle Eastern state, both the array of pressing short-term problems facing the region, and the underlying challenges that Arab states will need to face once the current spate of civil conflicts is over: meaningful youth employment, female participation in politics, and integration of refugees into society. This book tells the story of Jordan through the lives of ordinary people, including a political cartoonist, a Syrian refugee, a Jihadist and a female parliamentarian. The raw voices and everyday struggles of these people shine a fresh light on the politics, religion, and society of a culture coming to terms with the harsh reality of modernisation and urbanisation at a time of regional upheaval. With her deep knowledge of Jordan's landscape, language and culture, Rana Sweis sketches an intimate portrait of the intricacies and complexities of life in the Middle East. Rather than focusing on how individuals are affected by events in the region, she reveals a cast of characters shaping their own lives and times. Voices of Jordan shares those stories in all of their rich detail, offering a living, breathing social and political history.

Europe is facing a wave of migration unmatched since the end of World War II - and no one has reported on this crisis in more depth or breadth than the Guardian's migration correspondent, Patrick Kingsley. Throughout 2015, Kingsley travelled to 17 countries along the migrant trail, meeting hundreds of refugees making epic odysseys across deserts, seas and mountains to reach the holy grail of Europe. This is Kingsley's unparalleled account of who these voyagers are. It's about why they keep coming, and how they do it. It's about the smugglers who help them on their way, and the coastguards who rescue them at the other end. The volunteers that feed them, the hoteliers that house them, and the border guards trying to keep them out. And the politicians looking the other way.

Haunting stories from the Soviet-Afghan War from the winner of the Nobel Prize in Literature - A new translation of Zinky Boys based on the revised text - From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war. Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict: the killing and the beauty of small everyday moments, the shame of returned veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy for its unflinching, harrowing insight into the realities of war.

For decades, Colombia was the 'narcostate'. Now it's seen as one of the rising stars of the global economy. Where does the truth lie? How did a land likened to paradise by the first conquistadores become a byword for hell on earth? And how is it rebuilding itself after decades of violence? Writer and journalist Tom Feiling has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, talking to people from former guerrilla fighters to nomadic tribesmen and millionaires. Vital, shocking, wry and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia to create a stunning work of reportage, history and travel writing. Books of the Year 2012 Boyd Tonkin, The Independent 'Creates a portrait of Colombia that is perceptive, unsensational, and full of humanity ... Feiling is a brilliant reporter, lucid, unflinching, morally engaged, and with an occasional deadpan sense of humour .. one of the most consistently intelligent and compelling books to have appeared on any South American country in recent years' Michael Jacobs, Independent 'Tom Feiling takes us on an enlightening journey through a changing country that few understand' Rachel Aspden, Observer 'A deeply political account of one man's journey to the violent heart of modern, rural, Colombia ... a must read' Kevin Howlett, Colombia Politics 'Feiling... venture[s] into areas that have been off limits for decades ... the sense of a vibrant nation worth discovering peeks out' Siobhan Murphy, Metro 'The best British travel writers like Norman Lewis or Bruce Chatwin give the reader more than simple travellers' tales. Feiling is of their company ... a brilliant, penetrating and highly readable account' Robert Carver, Spectator Some of the best insights in the book come from the people Feiling meets, and memorably portrays ... a well-written, thoughtful book David Gallagher, Times Literary Supplement Dramatic and captivating Wanderlust 'Elegantly written and knowledgeable. Feiling writes with the eye of a seasoned journalist and the style of a travel writer' Carl Wilkinson, Financial Times Tom Feiling spent a year living and working in Colombia before making Resistencia: Hip-Hop in Colombia, which won numerous awards at film festivals around the world, and was broadcast in four countries. In 2003 he became Campaigns Director for the TUC's Justice for Colombia campaign, which organizes for human rights in Colombia. His first book was The Candy Machine: How Cocaine Took Over The World, which was based on over sixty interviews with people involved in all aspects of the cocaine business and the 'war on drugs,' and was published by Penguin in 2009.

Can you be a pilgrim without leaving your life behind? How does it feel to approach everyday places with the same reverence as grand cathedrals? And how are we changed by even the smallest of journeys? James Attlee asks these questions and more in his thoughtful, streetwise, and personal account of a pilgrimage to a place he thought he already knew: the Cowley Road in Oxford, right outside his door. Attlee's Cowley has little to do with the dreaming spires of his city. Leaving tourism and student life aside, Attlee instead presents a vital and delightfully motley collection of places, people, languages, and cultures. From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, from halal shops to Brazilian art dealers to reggae clubs to quiet churchyards, Attlee celebrates the appealing and homegrown eclecticism that so often comes under attack from predatory developers. Drawing inspiration from sources ranging from Robert Burton's The Anatomy of Melancholy to contemporary art, Isolarion is at once a charming road movie, a battle cry raised against creeping homogenisation, and a love song to the gloriously messy real life of the city he calls home.

Twenty-one years after the murder of Hip-hop genius The Notorious B.I.G., The Man On High fuses the creative and the critical, asking what legacy means in the 21st century. Contemplating Biggie through the lens of skateboarding, music and poetry, Alessandrelli proves that The Notorious B.I.G. will always be rapping in the present tense.

'An extraordinary book: deeply moving, darkly funny and hugely powerful' Robert Macfarlane Heavy Light is the story of a breakdown: a journey through mania, psychosis and treatment in a psychiatric hospital, and onwards to release, recovery and healing. After a lifetime of ups and downs, Horatio Clare was committed to hospital under Section 2 of the Mental Health Act. From hypomania in the Alps, to a complete breakdown and a locked ward in Wakefield, this is a gripping account of how the mind loses touch with reality, how we fall apart and how we can be healed - or not - by treatment. A story of the wonder and intensity of the manic experience, as well as its peril and strangeness, it is shot through with the love, kindness, humour and care of those who deal with someone who becomes dangerously ill. Partly a tribute to those who looked after Horatio, from family and friends to strangers and professionals, and partly an investigation into how we understand and treat acute crises of mental health, Heavy Light's beauty, power and compassion illuminate a fundamental part of human experience. It asks urgent questions about mental health that affect each and every one of us. 'One of the most brilliant travel writers of our day takes us us now to that most challenging country, severe mental illness; and does so with such wit, warmth, and humanity, that, better acquainted with its terrors, we may better face our own' Reverend Richard Coles 'A record of the bravest, most perilous, most intrepid journey that any human being can ever make. It is stricken, moving, urgent, crucial . . . A luminous, beautiful achievement' Niall Griffiths

From ISIS propaganda videos to popular regime-backed TV series and digital activism, the Syrian conflict has been dramatically affected by the production of media, at the same time generating in its turn an impressive visual culture. Yet what are the aesthetic, political and material implications of the collusion between the production of this sheer amount of visual media being continuously shared and re-manipulated on the Internet, and the performance of the conflict on the ground? This ethnography uses the Syrian case to reflect more broadly on how the networked age reshapes contemporary warfare and impacts on the enactment of violence through images and on images. In stark contrast to the techno-utopias celebrating digital democracy and participatory cultures, Donatella Della Ratta's analysis exposes the dark side of online practices, where visual regimes of representation and media production dramatically intertwine with modes of destruction and the performance of violence. Exploring the most socially-mediated conflict of contemporary times, the book offers a fascinating insight into the transformation of warfare and life in the age of the internet.

In some ways, I didn't - don't - want to remember any of it. Which is not to say that one ever forgets. I don't know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn't haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles - the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed - arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book - a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O'Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglan de Breadun, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O'Callaghan, Conor O'Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

Travelling from Madrid to The Valley of the Fallen, through Castile and Leon and across the fiercely contested region of Catalonia, Christopher Finnigan meets a remarkable cast of characters behind some of the biggest political events Spain has witnessed in decades. Whether it is the Indignados left-wing activists rethinking society, the everyday citizens sitting in parliament, or the Catalan separatists fighting for a new nation, The New Spanish Revolutions meets those struggling at the heart of historic change. Spain today finds itself in the grip of immense social upheaval, still shaken by the financial crash of 2008 and still struggling with its fascist past. Against a fragmented and polarised backdrop, Christopher Finnigan discovers how individuals and ideas that were once outside the mainstream are now shaping the nation's future.

My father, the monster of the Springs house of horrors

“I kneel on the foot piece next to the bed and lower my head. A piercing, burning pain engulfs my entire face. Dad has kicked me. Blood is gushing from my nose. Then I feel cold water being poured all over my body. Electrical wires shock me, I can’t see through the blood. God, help me.” (Translated)

Landi is the eldest of five children who were rescued from the so-called Springs house of horror. She is now 21 years old and tells her astonishing story for the very first time. In May 2014, police raided the house where a sadistic father had imprisoned, abused and tortured his wife and five children in a rat-infested den of sleaze.

In chilling detail, Landi recalls how their father assaulted them by tasering them, shooting them with a gas pistol and burning them with a blowtorch, how he researched torture methods and nearly drowned them in a bathtub.

She relates her memories to Susan Cilliers, an experienced journalist, who documents it with compassion, skilfully combining it with facts that emanated from the police investigation and court case.

House of Horrors is the shocking tale of a father who took everything from his family in the cruellest possible way, but it is also a story of hope about a brave young girl who eventually finds happiness and healing.

The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined the success or failure of a film, the book spans seven decades of film criticism. Editor and critic Brian Pendreigh also complies a selection of the most infamously scathing reviews ever to grace the pages of The Times, as well as a collection of legendary interviews with iconic actors, actresses, directors and producers, who lay bare the secrets to their successes. Featuring a range of rare film stills from The Times' collection, The Times on Cinema is the first book of its kind to make use of such an extensive archive, and is the perfect gift for all cinephiles.

Stuff I've Been Reading by Nick Hornby - the bestselling novelist's rich, witty and inspiring reading diary 'Read what you enjoy, not what bores you,' Nick Hornby tells us. And in this new collection of his columns from the Believer magazine he shows us how it's done. From historical tomes to comic books, literary novels to children's stories, political thrillers to travel writing, Stuff I've Been Reading details Nick's thoughts and experiences on books by George Orwell, J.M. Barrie, Muriel Spark, Claire Tomalin, Charles Dickens, Mark Twain, Jennifer Egan, Ian McEwan, Cormac McCarthy and many, many more. This wonderfully entertaining journey in reading differs from all other reviews or critical appreciations - it takes into account the role that books actually play in our lives. This book, which is classic Hornby, confirms the novelist's status as one of the world's most exciting curators of culture. It will be loved by fans of About a Boy and High Fidelity, as well as readers of Will Self, Zadie Smith, Stewart Lee and Charlie Brooker.

NEW YORK TIMES BESTSELLER 'Hilarious, nimble, and thoroughly illuminating' Colson Whitehead, author of The Underground Railroad 'Recalls the work of John Jeremiah Sullivan and the late David Foster Wallace, with a dash of Janet Malcolm' Vogue From its opening journey into remote Alaska for the Iditarod Sled Dog Race, IMPOSSIBLE OWLS leads us on a kaleidoscopic exploration of contemporary reality. Brian Phillips takes us to a sumo tournament in Japan, the jungle in India, the studio of a great Russian animator, a royal tour of the Yukon Territory with the Duke and Duchess of Cambridge and into the weird heart of America. This exhilarating debut visits borders both real and imagined, and asks what it means, in our age, to travel to the end of the map.

With contributions from seven of Mexico's finest journalists, this is reportage at its bravest and most necessary - it has the power to change the world's view of their country, and by the force of its truth, to start to heal the country's many sorrows. Supported the Arts Council Grant's for the Arts Programme and by PEN Promotes Veering between carnival and apocalypse, Mexico has in the last ten years become the epicentre of the international drug trade. The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up. Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernandez and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio Gonzalez Rodriguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

China's 'Great Firewall' has evolved into the most sophisticated system of online censorship in the world. As the Chinese internet grows and online businesses thrive, speech is controlled, dissent quashed, and attempts to organise outside the official Communist Party are quickly stamped out. Updated throughout and available in paperback for the first time, The Great Firewall of China draws on James Griffiths' unprecedented access to the Great Firewall and the politicians, tech leaders, dissidents and hackers whose lives revolve around it. New chapters cover the suppression of information about the first outbreak of COVID-19 in Wuhan, disinformation campaigns in response to the exposure of the persecution of Uyghur communities in Xinjiang and the crackdown against the Umbrella movement in Hong Kong.