Not a Novel is the best of Jenny Erpenbeck's non-fiction. Moving and insightful, the pieces range from personal essays and literary criticism to reflections on Germany's history, interrogating life and politics, language and freedom, hope and despair. By turns both luminous and explosive, this collection shows one of the most acclaimed European writers reckoning with her country's divided past, and responding to the world today with intelligence and humanity.

Familiar narratives and simplistic stereotypes frame the representation of women in U.S. politics. Pervasive containment rhetorics, such as the distinction between women as mothers and caregivers and men as rational thinkers, create unique hurdles for any woman seeking public office. While these 'governing codes' generally act to constrain female political power, they can also be harnessed as a resource depending on the particular circumstances (e.g., party affiliation, geographic location and personal style). One of these governing codes, the metaphor, is an especially powerful tool in politics today, particularly for women. By examining the political careers of four of the most prominent and influential women in contemporary U.S. politics_Democrats Ann Richards and Hillary Rodham Clinton and Republicans Christine Todd Whitman and Elizabeth Dole_Karrin Vasby Anderson and Kristina Horn Sheeler illustrate how metaphors in public discourse may be both familiar narratives to embrace and boundaries to overturn.

'The late Jim Harrison was one of the true greats when it came to writing about food. He combined an attention to detail with a glorious prose style and a massive appetite... A must read.' - Observer New York Times bestselling author Jim Harrison was one of America's most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. He also wrote some of the best essays on food around, earning praise as 'the poet laureate of appetite' (Dallas Morning News). A Really Big Lunch collects many of his food pieces for the first time - and taps into his larger-than-life appetite with wit and verve. Jim Harrison's legendary gourmandise is on full display in A Really Big Lunch. From the titular New Yorker piece about a French lunch that went to thirty-seven courses, to pieces from Brick, Playboy, the Kermit Lynch Newsletter and more on the relationship between hunter and prey, or the obscure language of wine reviews, A Really Big Lunch is shot through with Harrison's pointed apercus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison's life over the last fifteen years. A Really Big Lunch is a literary delight that will satisfy every appetite.

Photojournalism and Today's News provides a practical guide for aspiring photojournalists as well as an intelligent look into newsroom culture and its influences on photographic assignments, production, and editing. Written by an award-winning photo editor and director of photography, and based on interviews with more than seventy high-profile journalists, this book appeals to students and young professionals alike. Addresses a wide range of practical issues supported by in-depth examples from the field and critical thinking about photography, journalism, and newsroom culture Examines social and cultural issues and how they are communicated through photojournalism Prepares young journalists to respect their visual journalism colleagues by teaching them how to effectively work together Highlights the expectations of the newsroom and editors

Our annual anthology of finalists and winners of the National Magazine Awards 2014 includes Jonathan Franzen's eloquent rumination in "National Geographic" on the damage we continue to inflict on the environment and its long-lasting consequences; William T. Vollman's blackly comic reflections in " Harper's" magazine on being the target of an extensive FBI investigation into whether he could be the Unabomber, an anthrax mailer, or a jihadi terrorist; and Ariel Levy's account of extreme travel and great escape to a remote land -- while pregnant -- in the "New Yorker."

Other essays include Wright Thompson's bittersweet profile of Michael Jordan's fifty-something second act ( "ESPN"); Jean M. Twenge's revealing look at fertility myths and baby politics ( "The Atlantic"); David Kamp's poignant portrait of a small town recovering from one of the nation's worst mass shootings ( "Vanity Fair"); Janet Reitman's controversial study of the Boston bomber Dzhokhar Tsarnaev ( "Rolling Stone"); Ted Conover's eye-opening account of working undercover in a commercial slaughterhouse ( "Harper's"); and Wells Tower's wild tale of bonding with his father at a notorious art and music festival ( "GQ"). The collection also features a short story by the critically acclaimed author Zadie Smith ( "The New Yorker").

Other contributors: Steven Brill ( "Time")Emily DePrang ( "Texas Observer")Kyle Dickman ( "Outside")Steve Friedman ( "Runner's World")J. Hoberman ( "Tablet Magazine")Stephen Rodrick ( "New York Times Magazine")Witold Rybczynski ( "Architect")Matthew Shaer ( "The Atavist")

'Delightfully insightful and intensely readable [...] There is an energy and drama to Rory's writing which nonetheless leaves space for us, the reader, to make up our minds' - Stephen Fry We live at a time when billions have access to unbelievably powerful technology. The most extraordinary tool that has been invented in the last century, the smartphone, is forcing radical changes in the way we live and work - and unlike previous technologies it is in the hands of just about everyone. Coupled with the rise of social media, this has ushered in a new era of deeply personal technology, where individuals now have the ability to work, create and communicate on their own terms, rather than wait for permission from giant corporations or governments. At least that is the optimistic view. This book takes readers on an entertaining ride through this turbulent era, as related by an author with a ringside seat to the key moments of the technology revolution. We remember the excitement and wonder that came with the arrival of Apple's iPhone with all the promise it offered. We see tech empires rise and fall as these devices send shockwaves through every industry and leave the corporate titans of the analogue era floundering in their wake. We see that early utopianism about the potential of the mobile social revolution to transform society for the better fade, as criminals, bullies and predators poison the well of social media. And we hear from those at the forefront of the tech revolution, including Stephen Hawking, Elon Musk, Tim Berners-Lee, Martha Lane-Fox and Jimmy Wales, to gain their unique insights and predictions for what may be to come. Always On immerses the reader in the most important story of our times - the dramatic impact of hyperconnectivity, the smartphone and social media on everything from our democracy to our employment and our health. The final section of the book draws on the author's own personal experience with technology and medicine, considering how COVID-19 made us look again to computing in our battle to confront the greatest challenge of modern times.

Little magazines made modernism happen. These pioneering enterprises were typically founded by individuals or small groups intent on publishing the experimental works or radical opinions of untried, unpopular, or underrepresented writers. Recently, little magazines have re-emerged as an important critical tool for examining the local and material conditions that shaped modernism. This volume reflects the diversity of Anglo-American modernism, with essays on avant-garde, literary, political, regional, and African American little magazines. It also presents a diversity of approaches to these magazines: discussions of material practices and relations; analyses of the relationship between little magazines and popular or elite audiences; examinations of correspondences between texts and images; feminist modifications of the traditional canon or histories; and reflections on the emerging field of periodical studies. All emphasize the primacy and materiality of little magazines. With a preface by Mark Morrisson, an afterword by Robert Scholes, and an extensive bibliography of little magazine resources, the collection serves both as an introduction to little magazines and a reconsideration of their integral role in the development of modernism.

_______________ '[An] acutely observed collection of occasional pieces that pick at absurdist life and reveal him to be a quiz, a cultural critic gifted with precise comic timing' - The Times 'Yes, Jacobson is an entertainer ... And he does indeed entertain, but in a way that stimulates rather than simply amuses' - Sunday Telegraph 'Nobody does it better than Jacobson' - Observer _______________ It takes a particular kind of man to want an embroidered polo player astride his left nipple. Occasionally, when I am tired and emotional, or consumed with self-dislike, I try to imagine myself as someone else, a wearer of Yarmouth shirts and fleecy sweats, of windbreakers and rugged Tyler shorts, of baseball caps with polo players where the section of the brain that concerns itself with aesthetics is supposed to be. But the hour passes. Good men return from fighting Satan in the wilderness the stronger for their struggle, and so do I. The winner of the 2010 Man Booker Prize, Howard Jacobson, brims with life in this collection of his most acclaimed journalism. From the unusual disposal of his father-in-law's ashes and the cultural wasteland of Chitty Chitty Bang Bang to the melancholy sensuality of Leonard Cohen and desolation of Wagner's tragedies, Jacobson writes with all the thunder and joy of a man possessed. Absurdity piles upon absurdity, and glorious sentences weave together to create a hilarious, heartbreaking and uniquely human collection. This book is not just a series of parts, but an irresistible, unputdownable sum which triumphantly out-Thurbers Thurber. _______________ 'The no-nonsense tone, coupled with a coherent defence of truth, even in uncomfortable circumstances, shows the essayist as a natural comedian' - Prospect 'Jacobson is one of the great sentence-builders of our time. I feel I have to raise my game, even just to praise ... In short, he is one of the great guardians of language and culture - all of it. Long may he flourish' - Nicholas Lezard, Guardian

Ranging from war journalism to crime stories to profiles on influential leaders to pieces on sports, gambling and the impending impact of supercomputers on the practice of medicine, this collection is Bowden at his best. Pieces that will appear in the collection include, "The Three Battles of Wanat", which tells the story of a bloody engagement in Afghanistan and the extraordinary years-long fallout within the US military, "The Drone Warrior," in which Bowden examines the strategic, legal and moral issues surrounding armed drones, and "The Case of the Vanishing Blonde," which first appeared in Vanity Fair and recounts the chilling story of a woman who went missing from a Florida hotel only to turn up near the Everglades, brutally beaten, raped and still alive. Also included are profiles on a diverse range of notable and influential people such as Joe Biden, Kim Jong-un, Judy Clarke who is well known for defending America's worst serial killers and David Simon, the creator of the successful HBO series The Wire.

In this follow-up to their landmark first book, Deric Henderson and Ivan Little have gathered new stories from seventy journalists who have worked in Northern Ireland during the Troubles. These contributors write powerfully about the victims they have never forgotten, the events that have never left them, and the lasting impact of working through those terrible years. Reporting the Troubles 2, which includes contributions from a new generation of journalists, who came up in the years leading to the Good Friday Agreement, provides a compelling narrative of the last fifty years, and covers many of the key events in Northern Ireland's troubled history, from Bloody Sunday in 1972 to the inquest into the Ballymurphy Massacre in 2021. Grounded in the passionate belief that good journalism and good journalists make a difference, Reporting the Troubles 2 is a profoundly moving act of remembrance and testimony. 'I am sometimes asked to identify the most important story that I dealt with while I was editor of the Irish Times ... I answer that the most important story was not published in a single day but over years. And it was not put together by any one journalist but by a whole cohort of reporters, photographers, feature writers and editors ... For the most part they just got by-lines and the satisfaction of knowing that what they were doing was important, that the story had to be told, day by day, hour by hour. And that telling it could make a difference. It is difficult to imagine that there could ever have been a peace process without that.' CONOR BRADY, former editor, Irish Times Contributions from - Gordon Adair, Don Anderson, Ciaran Barnes, Colin Bateman, Jilly Beattie, Charlie Bird, David Blevins, Declan Bogue, Conor Brady, Stephen Breen, Eugene Campbell, Peter Cardwell, Mark Carruthers, Niall Carson, Paddy Clancy, Simon Cole, Liam Collins, Mark Davey, Donna Deeney, Michael Denieffe, Patricia Devlin, Michael Donnelly, Roisin Duffy, Gavin Esler, Michael Fisher, Jim Flanagan, Mike Gaston, Gareth Gordon, Jim Gracey, Paul Harris, Deric Henderson, Mark Hennessy, Gary Honeyford, Paul Johnson, Fergal Keane, Vincent Kearney, Gerry Kelly, Will Leitch, Ivan Little, Robin Livingstone, David Lynas, Darragh MacIntyre, Michael Macmillan, Kevin Magee, Stanley Matchett, Don McAleer, Roisin McAuley, Barry McCaffrey, Jonny McCambridge, Freya McClements, Sir Trevor McDonald, Lindy McDowell, Mark McFadden, Hugh McGrattan, Seamus McKee, Fearghal McKinney, Allison Morris, Rod Nawn, Malachi O'Doherty, Maggie O'Kane, Mike Parry, Lance Price, Colin Randall, Paul Reynolds, Maggie Taggart, Eric Villiers, John Ware, Nicholas Watt, Johnny Watterson, David Young.

New Zealand has a long and rich tradition of journalism that holds power to account, and that goes beyond allegation and denial to reveal hidden truths. That journalism also bears witness and investigates ideas, exposes systemic problems and insists on government action, and goes beyond allegation and denial to get to the truth of issues. This compelling anthology of pieces, dating from the war in the Waikato to recent investigations, features the work of some of this country's finest investigative journalists, from Robyn Hyde and Pat Booth to Sandra Coney and Phillida Bunkle, Mike White, Jon Stephenson, Nicky Hager and Phil Kitchin.

David Mitchell’s 2014 bestseller Thinking About It Only Makes It Worse must really have made people think – because everything’s got worse. We’ve gone from UKIP surge to Brexit shambles, from horsemeat in lasagne to Donald Trump in the White House, from Woolworths going under to all the other shops going under. It’s probably socially irresponsible even to try to cheer up.

But if you’re determined to give it a go, you might enjoy this eclectic collection (or eclection) of David Mitchell’s attempts to make light of all that darkness. Scampi, politics, the Olympics, terrorism, exercise, rude street names, inheritance tax, salad cream, proportional representation and farts are all touched upon by Mitchell’s unremitting laser of chit-chat, as he negotiates a path between the commercialisation of Christmas and the true spirit of Halloween. Read this book and slightly change your life!

This carefully curated collection of the writings and speeches of W. McNeil (Mac) Lowry will provide significant information about and insight into a remarkable period in the second half of the twentieth century, when the foundations of the arts as they now exist in the United States were creatively and firmly laid, primarily through Lowry's penetrating intellectual perspective and his strategic organizational acumen as Director of The Ford Foundation's unique Program in Humanities and the Arts. And many of the fundamental issues he raised and analyzed-why the arts should be valued and how they are best supported and governed-are no less pressing today. The significance of the material is framed and underscored by a foreword by Darren Walker, President of The Ford Foundation; an enlightening essay on "W. McNeil Lowry, the Arts and American Society" by the eminent scholar, Stanley Katz; poetic and powerful tributes to Lowry by Lincoln Kirstein and Peter Zeisler; and a context-setting introduction by the editor. Given the substantive variety and depth of the chapters, the volume will be of interest to a wide range of scholars and students, artists and administrators, both within and at the intersection of philanthropy, the arts, society, public policy and history.

Everything Must Change! brings together prominent commentators from around the world to present a rich and nuanced weighing of progressive possibilities in the wake of the COVID-19 pandemic. In these pages you'll encounter influential voices across the left, ranging from Roger Waters to Noam Chomsky, Slavoj Zizek to Saskia Sassen. Gael Garcia Bernal, Brian Eno, and Larry Charles examine the pandemic's more cultural and artistic consequences, touching on topics of love, play, comedy, dreaming, and time. Their words sit alongside analyses of the paradoxes and possibilities of debt, internationalism, and solidarity by Astra Taylor, David Graeber, Vijay Prashad, and Stephanie Kelton. Burgeoning surveillance and control measures in the name of public health are a concern for many of the contributors here, including Shoshana Zuboff and Evgeny Morozov, as are the opportunities presented by the crisis for exploitation by financiers, technocrats, and the far right. Against a return to the normal and, indeed, the notion that there ever was such a thing, these conversations insist that urgent, systemic change is needed to tackle not only the pandemics arising from the human destruction of nature, but also the ceaseless debilitations of contemporary global capitalism. Contributors: Tariq Ali, David Adler, Gael Garcia Bernal, Larry Charles, Noam Chomsky, Brian Eno, Daniel Ellsberg, Kenneth Goldsmith, David Graeber, Johann Hari, Maja Kantar, Stephanie Kelton, Stefania Maurizi, Evgeny Morozov, Maja Pelevic, Vijay Prashad , Angela Richter, Saskia Sassen, Sasa Savanovic, Jeremy Scahill, Richard Sennett, John Shipton, Astra Taylor, Ece Temelkuran, Yanis Varoufakis, Roger Waters, Slavoj Zizek, and Shoshana Zuboff.

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

'She has, to my knowledge, an almost unblemished record in never having failed to spot a great new play...' Philip Howard, from his Foreword Joyce McMillan has been writing about theatre in Scotland for more than three decades. As drama critic successively for The Guardian, Scotland on Sunday and The Scotsman, she has reviewed thousands of plays. During that time she has borne witness to an extraordinary cultural and political renaissance in Scotland, reflected in the newfound confidence of its playwrights, in the vibrancy of its theatre culture and in its recent outburst of new theatre companies. Compiled by McMillan and the theatre director, Philip Howard, Theatre in Scotland is a panoramic history of modern Scottish theatre, reported from the frontline. It traces the remarkable journey of Scottish theatre towards its new self-confidence: the road to 1990, when Glasgow was European Capital of Culture; followed by the explosive expansion of the 1990s; culminating in the emergence of the National Theatre of Scotland and its drive to bring theatre culture right into the heart of the nation. Gathered here are the leading Scottish playwrights, from John Byrne to Liz Lochhead, from David Greig to David Harrower, as well as the full breadth of English playwrights, from Shakespeare to Pinter. There are reflections on the great Scottish plays, classic - Ane Satyre of the Thrie Estaitis, Men Should Weep - and modern - Black Watch, The James Plays. There are reports not only from the urban theatre centres of Edinburgh and Glasgow but from all over Scotland; and from the feast that is the Edinburgh Festival, to the nourishing A Play, A Pie and A Pint. A leading thinker and writer about Scotland, McMillan has an incomparable ability to detect the wider cultural resonances in Scottish theatre, and to reveal what it can tell us about Scotland as a whole. Her book serves as a portrait of a nation and a shared cultural life, where visions of 'what we have been, what we are, and what we might become' are played out in sharp focus on its stages. 'When Scottish theatre works [its] magic over the coming years, I will be there, to try to catch the moment in print, and to tell it as it was. And believe me, on the good nights and the bad ones, the privilege will be mine: to be paid to go looking for joy, and occasionally to find it.' Joyce McMillan 'Joyce has an unrivalled passion and hunger for theatre - to be surprised by it, challenged by it, moved by it. Her prose when describing something which has done just this is inspiring and affecting.' Vicky Featherstone

A TLS and a Prospect Book of the Year A revelatory, explosive new analysis of the military today. Over the first two decades of the twenty-first century the British Army fought in Iraq and Afghanistan, at considerable financial and human cost. Yet neither war achieved its objectives. Award-winning journalist Simon Akam questions why, and provides challenging but necessary answers. Composed from assiduous documentary research, field reportage, and hundreds of interviews, this book is a strikingly rich, nuanced portrait of one of our pivotal national institutions in a time of great stress. This is as much a book about Britain, and about the politics of failure, as it is about the military.

Welcome to the favela, welcome to the rainforest, welcome to the real Brazil. This is the Brazil where a factory worker is loyal to his company for decades, only to find out that they knew the product he was making would eventually poison him. This is the Brazil where the mothers of the favela expect their sons to die as victims of the drug trade while still in their teens. This is the Brazil where the women initiated into the old Amazonian tradition of 'baby-pulling' deliver babies in their own time, far away from the drugs and scalpels of the modern hospital. In the company of award-winning journalist Eliane Brum, we meet the individuals struggling to stay afloat in a society riven by inequality and violence, and witness the resilience of spirit and commitment to life that makes Brazil one of the most complicated, most exhilarating places on earth.

Sir Philip Gibbs was one of the most widely read English journalists of the first half of the twentieth century. This coverage of his writing offers a broad insight into British social and political developments, government and press relations, propaganda, and war reporting during the First World War.

Sandi Toksvig - broadcaster, writer, actor, and seeker of all things whimsical, has turned her probing mind to many of the most intriguing questions of our times in the pages of the Sunday Telegraph for many years. Now, for the very first time, these musings have been collected in one hilarious collection. In The Chain of Curiosity, Sandi takes the reader on a side-splitting journey through life's peculiarities in a book packed with wit, wisdom and wonderment. From pondering the joys of World Pencil Day to examining the intricacies of applause etiquette, and from tip-toeing around the delicate art of school report vocabulary to researching the oddest way to meet a sticky end, the tickling tidbits and intriguing revelations contained within the book will delight Sandi's fans, both old and new.

When you fill up your car, install your furniture or choose a wedding ring, do you ever consider the human cost of your consumables? There is a war raging in the heartlands of Peru, waged on the land by the global industries plundering the Amazon and the Andes. In Saweto, charismatic activist Edwin Chota returns to his ashaninka roots, only to find that his people can't hunt for food because the animals have fled the rainforest to escape the chainsaw cacophony of illegal logging. Farmer Maxima Acuna is trying to grow potatoes and catch fish on the land she bought from her uncle - but she's sitting on top of a gold mine, and the miners will do anything to prove she's occupying her home illegally. The awajun community of the northern Amazon drink water contaminated with oil; child labourer Osman Cunachi's becomes internationally famous when a photo of him drenched in petrol as part of the clean-up efforts makes it way around the world. Joseph Zarate's stunning work of documentary takes three of Peru's most precious resources - gold, wood and oil - and exposes the tragedy, violence and corruption tangled up in their extraction. But he also draws us in to the rich, surprising world of Peru's indigenous communities, of local heroes and singular activists, of ancient customs and passionate young environmentalists. Wars of the Interior is a deep insight into the cultures alive in the vanishing Amazon, and a forceful, shocking expose of the industries destroying this land.