Fully updated from the original edition. As the retreat from Kabul shows, America goes to war not to bring democracy, or glory, but in the pursuit of profit. In The Spoils of War, leading Washington reporter, Andrew Cockburn, reveals the extent of the rot that stretches from the Pentagon and the White House, to Wall St and Silicon Valley. The American war machine can only be understood in terms of the "private passions" and "interests" of those who control it - principally a passionate interest in money. Thus, as he witheringly reports, Washington expanded NATO to satisfy an arms manufacturer's urgent financial requirements; the U.S. Navy's Pacific fleet deployments were for years dictated by a corrupt contractor who bribed high-ranking officers with cash and prostitutes; senior marine commanders agreed to a troop surge in Afghanistan in 2017 "because it will do us good at budget time." Based on years of wide-ranging research, Cockburn lays bare the ugly reality of the largest military machine in history: squalid, and at the same time terrifyingly dangerous.

Europe is facing a wave of migration unmatched since the end of World War II - and no one has reported on this crisis in more depth or breadth than the Guardian's migration correspondent, Patrick Kingsley. Throughout 2015, Kingsley travelled to 17 countries along the migrant trail, meeting hundreds of refugees making epic odysseys across deserts, seas and mountains to reach the holy grail of Europe. This is Kingsley's unparalleled account of who these voyagers are. It's about why they keep coming, and how they do it. It's about the smugglers who help them on their way, and the coastguards who rescue them at the other end. The volunteers that feed them, the hoteliers that house them, and the border guards trying to keep them out. And the politicians looking the other way.

This volume of the Complete Works of Oscar Wilde is the second volume of Wilde's journalism. Throughout the 1880s Oscar Wilde devoted the greater part of his creative energies to working as a professional journalist and he was prepared to write on a remarkable range of topics - from cookery books to lyric poetry, from classical translations to three-volume novels, from dress reform to transatlantic visitors. He also reviewed theatrical productions and art exhibitions of many kinds. Between 1887 and 1889 he edited the pioneering Woman's World magazine to which he contributed lengthy columns discussing literary and other matters of interest to an educated female readership. This is the first comprehensive edition of Wilde's journalism since 1908. It includes all of his known contributions, both signed and anonymous, to periodicals and newspapers. Of the more than 150 items - reviews, articles, editorials - a significant number have been identified for the first time, while the authenticity of others previously thought to be by Wilde is questioned. An extensive commentary offers the sources for Wilde's extraordinary cultural knowledge and provides cross-references to his oeuvre as whole. In the case of the book reviews, the commentary indicates relevant pages and passages in the works under discussion. Uniquely witty, intellectually acute, and socially aware Wilde's journalism not only displays the extensive reading and stylistic experimentation that prepared the way for his major works of the 1890s, it provides an essential record of the vibrant and rapidly changing journalistic culture in which he played a major part. This second volume of journalism presents all of Wilde's journalistic writings published between November 1887 and April 1895. It also contains a section of 'Dubia', which contains items where a degree of uncertainty regarding Wilde's authorship remains.

This volume of the Complete Works of Oscar Wilde is the first volume of Wilde's journalism. Throughout the 1880s Oscar Wilde devoted the greater part of his creative energies to working as a professional journalist and he was prepared to write on a remarkable range of topics - from cookery books to lyric poetry, from classical translations to three-volume novels, from dress reform to transatlantic visitors. He also reviewed theatrical productions and art exhibitions of many kinds. Between 1887 and 1889 he edited the pioneering Woman's World magazine to which he contributed lengthy columns discussing literary and other matters of interest to an educated female readership. This is the first comprehensive edition of Wilde's journalism since 1908. It includes all of his known contributions, both signed and anonymous, to periodicals and newspapers. Of the more than 150 items - reviews, articles, editorials - a significant number have been identified for the first time, while the authenticity of others previously thought to be by Wilde is questioned. An extensive commentary offers the sources for Wilde's extraordinary cultural knowledge and provides cross-references to his oeuvre as whole. In the case of the book reviews, the commentary indicates relevant pages and passages in the works under discussion. Uniquely witty, intellectually acute, and socially aware Wilde's journalism not only displays the extensive reading and stylistic experimentation that prepared the way for his major works of the 1890s, it provides an essential record of the vibrant and rapidly changing journalistic culture in which he played a major part.

"International journalism at its best."--Stephen Kinzer

"Every conflict spawns a handful of journalists who are willing to not only brave the war zone but to seek out the stories ignored by the press pack. The Iraq War has brought us Dahr Jamail. . . . I suspect Jamail's account will prove an enduring document of what really happened during the chaotic years of occupation, and how it transformed ordinary Iraqis. . . . It tells everything."--"Mother Jones"

"From the earliest days of the war, Dahr Jamail has been a human conduit for the voices of Iraqis living under U.S. occupation. In the face of tremendous personal risk, his commitment to the crucial, principled task of bearing witness has never wavered, and this extraordinary book is the result."--Naomi Klein

Named by AlterNet as one of the top three progressive books of 2007 alongside Naomi Klein's "The Shock Doctrine "and Jeremy Scahill's "Blackwater," Dahr Jamail's "Beyond the Green Zone" goes past the polished desks of the corporate media and Washington politicians to tell first hand of the reality of life in Iraq.

Dahr Jamail is an independent journalist who has covered the Middle East for more than four years. Jamail writes for the Inter Press Service and many other outlets and is a regular guest on "Democracy Now ." He lives in California.

Amy Goodman is a best-selling author and the host of "Democracy Now ."

The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

'Maeve's Times is funny and clever and kind, which are excellent qualities in both books and people' Irish Times 'As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives.' Maeve Binchy is well known for her bestselling novels, but for many years Maeve was a journalist. From 'The Student Train' to 'Plane Bores' and 'Bathroom Joggers' to 'When Beckett met Binchy', these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve's first and last ever piece of writing for the Irish Times, the columns also give a fascinating insight into the author herself. With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

A powerful and authoritative selection of critical essays and reviews by poet Padraic Fallon. Skilfully compiled and edited by his son Brian Fallon, this book is published to mark the centenary of his father's birth, and testifies to the enduring value of literature in the flux of the twenty-first century. Padraic Fallon (1905 - 1974), one of the foremost Irish poets of his generation and a prolific writer of radio plays, was also an active essay-reviewer in the leading periodicals of his day. His literary criticism was incisive and witty, his erudition lightly worn. Disinterred from old files of The Bell, The Dublin Magazine and The Irish Times, his work remains fresh and readable decades on. Fallon writes authoritatively about the key figures of the Literary Revival: Gregory, Yeats, Stephans, Synge, Shaw and O'Casey - he knew many of them - and also of his contemporaries F.R. Higgins and Austin Clarke, with whom he shared a dedicated engagement with the Irish tradition. He comines frank judgements of Eliot, Pound, Graves, Auden, Gunn, Lowell, Larkin, Kinsella and others with fascinating detours into an East Galway childhood and the folk memories of Antony Raftery. The book is built around a core of previously uncollected work, beginning with the controversial, highly influential 'Poet's Journal' (The Bell, 1951-2) and closing with the wide-ranging 'Verse Chronicles' (Dublin Magazine, 1956-8).

From an award-winning author comes a tale of a notorious double-murder, for readers of Truman Capote's In Cold Blood, or Emmanuel Carrère's The Adversary. In 1982 Malcolm Macarthur, the wealthy heir to a small estate, found himself suddenly without money. The solution, he decided, was to rob a bank. To do this, he would need a gun and a car. In the process of procuring them, he killed two people, and the circumstances of his eventual arrest in the apartment of Ireland's Attorney General nearly brought down the government. The case remains one of the most shocking in Ireland's history. Mark O'Connell has long been haunted by the story of this brutal double murder. But in recent years this haunting has become mutual. When O'Connell sets out to unravel the mysteries still surrounding these horrific and inexplicable crimes, he tracks down Macarthur himself, now an elderly man living out his days in Dublin and reluctant to talk. As the two men circle one another, O'Connell is pushed into a confrontation with his own narrative: what does it mean to write about a murderer?

A new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Organised A-Z, which foregrounds the lives and personalities of her correspondents, along with the various self-fictionalising games that the letter-writer played Showcases letters and sections of letters that have never previously been published Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence From Conrad Aiken to Hugh Jones, this first volume covers correspondents from every period of Mansfield's life. A detailed introduction, together with biographical portraits for each correspondent, enhance the cultural and socio-historical context, while the letters themselves offer a detailed expose of Mansfield's life: from exile and emigration, intimacy and betrayal, and the traumas of war and disease, to nature and the environment and fashions and food. The volume also reveals the intimacies of some of Mansfield's most prized friendships.

A NEW, REVISED EDITION OF THE ULTIMATE NORA EPHRON COLLECTION, PACKED WITH WIT, WISDOM AND COMFORT, WITH AN INTRODUCTION FROM CANDICE CARTY-WILLIAMS 'The perfect introduction to the iconic writer' STYLIST INCLUDING: * Nora's much-loved essays on everything from friendship to feminism to journalism * Extracts from her bestselling novel Heartburn * Scenes from her hilarious screenplay for When Harry Met Sally * Unparalleled advice about friends, lovers, divorces, desserts and black turtleneck sweaters 'It's got a little bit of everything, from witty essays on feminism, beauty, and ageing to profiles of empowering female figures' ELLE *PRAISE FOR NORA EPHRON* 'So bold and so vulnerable at the same time. I don't know how she did it' PHOEBE WALLER-BRIDGE 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' DOLLY ALDERTON 'Nora Ephron is the funniest, cleverest, wisest friend you could have' NIGELLA LAWSON 'I am only the one of millions of women who will miss Nora's voice' LENA DUNHAM

"Just pick up a copy and set off. You'll be amazed at what you've missed." - Sir Michael Palin MARCH, 2020: A columnist watches as London locks down, facing a conundrum as his weekly deadline for his newspaper diary approaches. With the city shutting up shop and column inches to fill, journalist Dan Carrier takes to the deserted streets of Central London to uncover the forgotten stories the heart of the UK capital holds. Untold London is a consideration and celebration of a city whose famous landmarks and thoroughfares are often taken for granted. Setting out to find lingering evidence of days gone by, Dan reveals unexpected delights, triumphs and tragedies alongside plenty of skulduggery and scandal in the greatest city in the world.

A controversial and important book by BBC reporter and terrorism expert Peter Taylor. Newly updated to mark the tenth anniversary of 9/11 and to include the death of Osama Bin Laden. During his 40-year career, award-winning journalist Peter Taylor has come face-to-face with some of the world's most notorious terrorists. In 1972 he was sent to Northern Ireland to report on 'Bloody Sunday' and in the aftermath of 9/11, he focused on Al Qaeda, breaking stories in the period up to the July bombings and the plot to blow up passenger planes mid-Atlantic. In Talking to Terrorists Taylor wrestles with a range of complex questions: What are terrorists like? What motivates them? Should governments talk to them? When does interrogation become torture? In this journey from Northern Ireland's Bogside to the notorious Guantanamo Bay, he uncovers this deadly phenomenon, unavoidably at the centre of our lives. Newly updated to mark the tenth anniversary of 9/11, and in the aftermath of the death of Osama Bin Laden, Talking to Terrorists is controversial, revelatory and an unquestionably important book for our times.

Police officers are obliged to give an account of every incident they are involved in. But what happened today will never be logged. Because that's what police solidarity means: what happens in the van stays in the van. Well, not always. Not this time. What really happens behind the walls of a police station? To answer this question, investigative journalist Valentin Gendrot put his life on hold for two years and became the first journalist in history to infiltrate the police undetected. Within three months of training to become an officer, he was given a permit to carry a weapon in public. And although he lived in daily fear of being discovered, in his book Gendrot hides nothing. Assigned to work in a tough area of Paris where tensions between the law and locals ran high, Gendrot witnessed police brutality, racism, blunders, and cover-ups. But he also saw the oppressive working conditions that officers endured, and mourned the tragic suicide of a colleague. Asking important questions about who holds institutional power and how we can hold them to account, Cop is a gripping expose of a world never before seen by outsiders.

The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In "The Plague Year," Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on "The Black American Amputation Epidemic" (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband's death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers "The Trayvon Generation" (New Yorker). Aymann Ismail delves into how "The Store That Called the Cops on George Floyd" dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner's World). The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland's efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020's overlapping crises reveal about the future of cities. Excerpts from Marie Claire's guide to online privacy examine topics from algorithmic bias to cyberstalking to employees' rights. Aisha Sabatini Sloan's perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in "The Weirdly Enduring Appeal of Weird Al Yankovic" (New York Times Magazine). The collection concludes with Susan Choi's striking short story "The Whale Mother" (Harper's Magazine).

Palestine for the Third Time is a book of reportage originally published in Poland in 1933 by Ksawery Pruszynski, a young reporter working for a Polish newspaper, who went to Mandate Palestine to see for himself whether the Zionist dream of returning to Eretz Yisrael had a chance of turning into reality. Travelling widely and talking to people he happened to meet on his way-Jews, Arabs, committed dreamers and the disaffected-he was trying to explain to his readers what he was seeing. This book is a unique firsthand account of the early stages in formation of the state and nation of Israel. But it's not just a nostalgic vignette. It resonates powerfully today, linking Tony Judt, Edward Said, and Amos Oz, illuminating the hotly debated questions of modern Israel.

Shortlisted for the 2017 Boardman Tasker Award for Mountain Literature. 'How much risk is worth taking for so beautiful a prize?' The Magician's Glass by award-winning writer Ed Douglas is a collection of eight recent essays on some of the biggest stories and best-known personalities in the world of climbing. In the title essay, he writes about failure on Annapurna III in 1981, one of the boldest attempts in Himalayan mountaineering on one of the most beautiful lines - a line that remains unclimbed to this day. Douglas writes about bitter controversies, like that surrounding Ueli Steck's disputed solo ascent of the south face of Annapurna, the fate of Toni Egger on Cerro Torre in 1959 - when Cesare Maestri claimed the pair had made the first ascent, and the rise and fall of Slovenian ace Tomaz Humar. There are profiles of two stars of the 1980s: the much-loved German Kurt Albert, the father of the 'redpoint', and the enigmatic rock star Patrick Edlinger, a national hero in his native France who lost his way. In Crazy Wisdom, Douglas offers fresh perspectives on the impact mountaineering has on local communities and the role climbers play in the developing world. The final essay explores the relationship between art and alpinism as a way of understanding why it is that people climb mountains.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

No British periodical or weekly magazine has a richer and more distinguished archive than the New Statesman, which has long been at the centre of British political and cultural life. If not quite at the centre, then at the most energetic, subversive end of the progressive centre-left. Kingsley Martin, editor of the New Statesman from 1930 to 1960, wrote that "life on the NS was always a battle. After all, I had been brought up as a dissenter and I tended to see all problems as moral issues." The magazine has notably recognized and published new writers and critics, as well as encouraged major careers. Many of the most notable political and cultural writers of the recent past have written for the New Statesman. Many have been on its staff or were associates of it: HG Wells, George Bernard Shaw, JM Keynes, VS Pritchett, Paul Johnson, Claire Tomalin, Christopher Hitchens and John Gray. The most significant intellectual and cultural currents of the age ripple through its pages. There is, too, a rich history of poetry and fiction and illustration and cartoons to draw on, from Low's sketches of the great and the good to the gonzo art of Ralph Steadman and the bold cover illustrations and caricatures of Andre Carrilho. The book is more than an anthology. It tells the story of the New Statesman, from the eve of the First World War to the long aftermath of 9/11 and the populist upheavals of today. It looks forward as well as back, offering a unique and unpredictable perspective on politics, literature and the world.

'Journalists are said to write the first rough drafts of history. But I was only the messenger.' When Argentine troops surged onto the shores of the Falkland Islands, it was Harold Briley who broke the news to Britain and the rest of the world. As the BBC World Service's Latin America Correspondent, he was perfectly placed both metaphorically and physically: not only was he reporting from his base in Buenos Aires, but he had first-hand knowledge of the countries, their politics and their cultures. In Fight for Falklands Freedom: Reporting Live from Argentina and the Islands, Briley returns to the Islands to tell the full story in a breathless play-by-play account. Drawing on hundreds of his own reports, as well as interviews with political and military leaders from both sides, this is a fascinating insight into what happened, when it happened - and why.

Since its relaunch in 1979, "Granta" magazine has championed the art and craft of reportage - journalism marked by vivid description, a novelist's eye to form and eyewitness reporting that reveals hidden truths about people and events that have shaped the world we know. This updated edition of "The Granta Book of Reportage" collects a dozen of the finest and most lasting pieces Granta has published. Featuring distinguished writers and reporters: John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski, John le Carre, as well as new talents Elana Lappin, Suketu Mehta and Wendell Steavenson, the book covers some of the signal events of our time: the fall of Saigon, the end of apartheid in South Africa, the massacre in Tiananmen Square, and the aftermath of the American invasion of Iraq.