Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, ""the gift that keeps on giving."" For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous. Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original ""Boys on the Bus"" (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton. Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners: Ross Barnett; Byron De La Beckwith and Sam Bowers; Billy Carter; Edwin Edwards and David Duke; Trent Lott; and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.

Sir Philip Gibbs was one of the most widely read English journalists of the first half of the twentieth century. This coverage of his writing offers a broad insight into British social and political developments, government and press relations, propaganda, and war reporting during the First World War.

Joint winner: Prize for Australian History, 2015 Prime Minister's Literary Awards This award-winning biography is a long overdue reassessment of the iconic Australian war correspondent 'The book I have enjoyed most in recent times has been Ross Coulthart's on the great war correspondent Charles Bean' - Peter FitzSimons, Sun Herald 'Fascinating biography ...strongly recommend it' Hon. Malcolm Turnbull via Twitter Charles Bean's wartime reports and photographs mythologised the Australian soldier and helped spawn the notion that the Anzacs achieved something nation-defining on the shores of Gallipoli and the battlefields of western Europe. In his quest to get the truth, Bean often faced death beside the Diggers in the trenches of Gallipoli and the Western Front - and saw more combat than many. But did Bean tell Australia the whole story of what he knew? In this timely new biography, Ross Coulthart investigates the untold story behind Bean's jouralistic dilemma - his struggle to tell Australia the truth but also the pressure he felt to support the war and boost morale at home by suppressing what he'd seen. '[Bean] had an obsession with recording the truth and Coulthart has lived up to his legacy in this superb biography' - Tim Hilferty, Adelaide Advertiser 'This is among the best biographies of an Australian historian available, fittingly released during the 100th anniversary of the outbreak of the events Bean meticulously recorded.' - Justin Cahill, Booktopiablog

David Mitchell’s 2014 bestseller Thinking About It Only Makes It Worse must really have made people think – because everything’s got worse. We’ve gone from UKIP surge to Brexit shambles, from horsemeat in lasagne to Donald Trump in the White House, from Woolworths going under to all the other shops going under. It’s probably socially irresponsible even to try to cheer up.

But if you’re determined to give it a go, you might enjoy this eclectic collection (or eclection) of David Mitchell’s attempts to make light of all that darkness. Scampi, politics, the Olympics, terrorism, exercise, rude street names, inheritance tax, salad cream, proportional representation and farts are all touched upon by Mitchell’s unremitting laser of chit-chat, as he negotiates a path between the commercialisation of Christmas and the true spirit of Halloween. Read this book and slightly change your life!

Reporting and Writing on Journalism's New Frontier teaches students the fundamentals of good reporting tactics and gives them a solid command of basic writing techniques. The book emphasizes practical skills a good journalist needs before even beginning to report, explains the kind of stories that work best for each medium, explores good news-gathering habits, and describes successful interviewing tactics. It provides clear guidelines for quality writing including the importance of organizing a story before writing, purging cliches, redundancies, and euphemisms, creating great headlines, and writing with clarity. Individual chapters are devoted to the specific needs of writing for radio, television, and the web. The book also contains sound advice on libel and slander laws that are essential information for avoiding litigation. Reporting and Writing on Journalism's New Frontier is a concise, current, engaging exploration of practical tools and techniques that writers can employ immediately and use every day. The book is designed for multimedia journalism courses.

Stuff I've Been Reading by Nick Hornby - the bestselling novelist's rich, witty and inspiring reading diary 'Read what you enjoy, not what bores you,' Nick Hornby tells us. And in this new collection of his columns from the Believer magazine he shows us how it's done. From historical tomes to comic books, literary novels to children's stories, political thrillers to travel writing, Stuff I've Been Reading details Nick's thoughts and experiences on books by George Orwell, J.M. Barrie, Muriel Spark, Claire Tomalin, Charles Dickens, Mark Twain, Jennifer Egan, Ian McEwan, Cormac McCarthy and many, many more. This wonderfully entertaining journey in reading differs from all other reviews or critical appreciations - it takes into account the role that books actually play in our lives. This book, which is classic Hornby, confirms the novelist's status as one of the world's most exciting curators of culture. It will be loved by fans of About a Boy and High Fidelity, as well as readers of Will Self, Zadie Smith, Stewart Lee and Charlie Brooker.

The spectacular 1848 escape of William and Ellen Craft (1824-1900; 1826-1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his "master's" devoted slave valet; both travelled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts' activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts' only book, their memoir, Running a Thousand Miles for Freedom, published in 1860. Yet as this study of key moments in the Crafts' public lives argues, the early print archive-newspapers, periodicals, pamphlets, legal documents-fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences' changing reactions to them. By discussing such events as the 1878 court case that placed William's character and reputation on trial, this book also invites readers to reconsider the Crafts' triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early

Master's Thesis from the year 2013 in the subject Communications - Journalism, Journalism Professions, grade: Distinction, Swansea University, course: Erasmus Mundus M.A. in Journalism, Media and Globalization (War and Conflict), language: English, abstract: Since the 1970s, commercial pressures on news media organizations have increased and as a result, television news networks have started to adapt marketing and product differentiation strategies from the Hollywood movie industry. So today, even the war and conflict coverage of 24-hour news networks is subject to heavy promotion and part of the networks' advertising and branding campaigns. These commercial aspects of news production, however, seem to oppose concepts of journalistic quality. Conflict coverage promotion and image spots of 24-hour news networks therefore pose a great opportunity to investigate a phenomenon at the cross-roads of both commercial entertainment television and quality journalism. This study analyses claims of journalistic quality and 'high concept' in these spots and how they are linked to better understand the ideological complexes of CNN International and Al Jazeera English. The findings show an equal number of quality and 'high concept' claims with differences in the nature of the claims between the two networks. The way the claims are distributed throughout the modes of visual, voice, sound and music, as well as the way they are linked within and across modes, however, show very similar patterns. These patterns exist for quality and 'high concept' claims as well as for both 24-hour television news networks. The largest number of claims appears in the visual mode. The research also shows that analysing this kind of media text needs to be multimodal and that a social semiotic approach is appropriate for analysing claims-making and linking in conflict coverage promotional spots.

Paddy McGuffin turns his bilious wit on a procession of fools, liars, hypocrites and war criminals from David Cameron to the Queen in this collection of his best columns for the Morning Star, the daily socialist newspaper

'Naomi Klein's work has always moved and guided me. She is the great chronicler of our age of climate emergency, an inspirer of generations' - Greta Thunberg For more than twenty years Naomi Klein's books have defined our era, chronicling the exploitation of people and the planet and demanding justice. On Fire gathers for the first time more than a decade of her impassioned writing from the frontline of climate breakdown, and pairs it with new material on the staggeringly high stakes of what we choose to do next. Here is Klein at her most prophetic and philosophical, investigating the climate crisis not only as a profound political challenge but also as a spiritual and imaginative one. Delving into topics ranging from the clash between ecological time and our culture of 'perpetual now,' to rising white supremacy and fortressed borders as a form of 'climate barbarism,' this is a rousing call to action for a planet on the brink. With dispatches from the ghostly Great Barrier Reef, the smoke-choked skies of the Pacific Northwest, post-hurricane Puerto Rico and a Vatican attempting an unprecedented 'ecological conversion,' Klein makes the case that we will rise to the existential challenge of climate change only if we are willing to transform the systems that produced this crisis. This is the fight for our lives. On Fire captures the burning urgency of the climate crisis, as well as the energy of a rising political movement demanding change now.

This comprehensive collection of fiction, poetry, and reportage by revolutionary women of the 1930s lays to rest the charge that feminism disappeared after 1920. Among the thirty-six writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Other voices may be new to readers, including many working-class Black and white women. Topics covered range from sexuality and family relationships, to race, class, and patriarchy, to party politics. Toni Morrison writes that the anthology is "peopled with questioning, caring, socially committed women writers."

'THE POLITICAL BOOK OF THE YEAR' Tim Shipman A blistering narrative expose of infighting, skulduggery and chaos in Corbyn's Labour party, now revised and updated. * A Times, Guardian, Daily Telegraph, Sunday Times and i Newspaper Book of the Year * Left Out tells, for the first time, the astonishing full story of Labour's recent transformation and historic defeat. Drawing on unrivalled access, this blistering expose moves from the peak of Jeremy Corbyn's popularity and the shock hung parliament of 2017 to Labour's humbling in 2019 and the election of Keir Starmer. It reveals a party at war with itself, and puts the reader in the room as tensions boil over, sworn enemies forge unlikely alliances and lifelong friendships are tested to breaking point. This is the ultimate account of the greatest experiment seen in British politics for a generation. 'Gripping... Every bit as good as people say' Guardian 'Reads like a thriller...told with panache and pace' Financial Times 'The definitive post-mortem of the Corbyn project' Sunday Times

Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works never before reprinted, twelve period writings about Stoker, and the rare 1913 estate sale catalogue of his personal library.