Paddy McGuffin turns his bilious wit on a procession of fools, liars, hypocrites and war criminals from David Cameron to the Queen in this collection of his best columns for the Morning Star, the daily socialist newspaper

Lerato Tshabalala first came to our attention in 2011 with her ‘Urban Miss’ column in the Sunday Times, and since then she has by turns entertained, exasperated, amused and confounded her fans and critics alike.

Now, with her first book, she looks set to become the national institution she deserves to be. With her customary wit and keen insight into social, political and cultural affairs, Lerato shines a bright – and controversial – light on South African society and the quirky ways of the country. She is brutally honest about her experiences as a black South African in post-apartheid Mzansi, and no subject is too sacred for her to explore: annoying car guards, white-dominated corporate South Africa, cultural stereotypes, economic and racial inequality, and gender politics, among many other topics, come under her careful – and often laugh-out-loud – scrutiny.

The Way I See It is written for people who are hungry for a book that is thought-provoking, funny, irreverent and truly South African all at the same time. It is light but full of depth: like a supermodel with an MBA!

Exile and Gender I: Literature and the Press focuses on the work of exiled women writers and journalists and on gendered representations in the writing of both male and female exiled writers, examining the concepts of gender and sexuality in exile. The contributions are in English or German. Dieser Band Exile and Gender I: Literature and the Press enthalt Beitrage zu den Werken exilierter Schriftstellerinnen und Journalistinnen und zu geschlechtsspezifischen Darstellungen in den Texten von Exilschriftstellern und Exilschriftstellerinnen, sowie zu Gender- und Sexualitatskonzepten. Die Beitrage sind entweder in deutscher oder englischer Sprache.

Joint winner: Prize for Australian History, 2015 Prime Minister's Literary Awards This award-winning biography is a long overdue reassessment of the iconic Australian war correspondent 'The book I have enjoyed most in recent times has been Ross Coulthart's on the great war correspondent Charles Bean' - Peter FitzSimons, Sun Herald 'Fascinating biography ...strongly recommend it' Hon. Malcolm Turnbull via Twitter Charles Bean's wartime reports and photographs mythologised the Australian soldier and helped spawn the notion that the Anzacs achieved something nation-defining on the shores of Gallipoli and the battlefields of western Europe. In his quest to get the truth, Bean often faced death beside the Diggers in the trenches of Gallipoli and the Western Front - and saw more combat than many. But did Bean tell Australia the whole story of what he knew? In this timely new biography, Ross Coulthart investigates the untold story behind Bean's jouralistic dilemma - his struggle to tell Australia the truth but also the pressure he felt to support the war and boost morale at home by suppressing what he'd seen. '[Bean] had an obsession with recording the truth and Coulthart has lived up to his legacy in this superb biography' - Tim Hilferty, Adelaide Advertiser 'This is among the best biographies of an Australian historian available, fittingly released during the 100th anniversary of the outbreak of the events Bean meticulously recorded.' - Justin Cahill, Booktopiablog

Winner of the Hay Festival Award for Prose Winner of the 2016 IWMF Courage in Journalism Award Shortlisted for the New York Public Library's Helen Bernstein Excellence in Journalism Award Shortlisted for the 2017 Moore Prize for Non-Fiction Literature In May of 2012, Janine di Giovanni travelled to Syria, marking the beginning of a long relationship with the country, as she began reporting from both sides of the conflict, witnessing its descent into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of ordinary people caught up in the fighting, Syria came to consume her every moment, her every emotion. Speaking to those directly involved in the war, di Giovanni relays the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling. Delivered with passion, fearlessness and sensitivity, The Morning They Came for Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war - and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

Allister Sparks joined his first newspaper at age 17 and was pitched headlong into the vortex of South Africa’s stormy politics. The Sword And The Pen is the story of how as a journalist he observed, chronicled and participated in his country’s unfolding drama for more than 66 years, covering events from the premiership of DF Malan to the presidency of Jacob Zuma, witnessing at close range the rise and fall of apartheid and the rise and crisis of the new South Africa.

In trenchant prose, Sparks has written a remarkable account of both a life lived to its full as well as the surrounding narrative of South Africa from the birth of apartheid, the rise of political opposition, the dawn of democracy, right through to the crisis we are experiencing today.

Reporting and Writing on Journalism's New Frontier teaches students the fundamentals of good reporting tactics and gives them a solid command of basic writing techniques. The book emphasizes practical skills a good journalist needs before even beginning to report, explains the kind of stories that work best for each medium, explores good news-gathering habits, and describes successful interviewing tactics. It provides clear guidelines for quality writing including the importance of organizing a story before writing, purging cliches, redundancies, and euphemisms, creating great headlines, and writing with clarity. Individual chapters are devoted to the specific needs of writing for radio, television, and the web. The book also contains sound advice on libel and slander laws that are essential information for avoiding litigation. Reporting and Writing on Journalism's New Frontier is a concise, current, engaging exploration of practical tools and techniques that writers can employ immediately and use every day. The book is designed for multimedia journalism courses.

Anabel Ternes und Christopher Runge zeigen am Beispiel des Online-Handels, dass es sich auszahlt, in eine hohe Reputation zu investieren. Raumliche Grenzen existieren in Zeiten von Social Media nicht mehr. Binnen Sekunden verbreiten sich schlechte Nachrichten und Bewertungen uber soziale Netzwerke und Internetforen - ob sie nun der Wahrheit entsprechen oder nicht. Eine negative Information entwickelt auf diese Weise schnell ein unkontrollierbares Eigenleben - mit unabsehbaren Folgen. Gerade im Online-Handel ist es wichtig, stets den UEberblick zu behalten, was "das Netz" uber das eigene Unternehmen sagt. Negative Kundenbewertungen und schlechte Presse koennen zu Umsatzeinbussen fuhren und den Ruf nachhaltig schadigen. Wichtig ist daher, proaktiv vorzubauen, um den guten Ruf im Netz zu schutzen - mit einem professionellen Partner an der Seite, der strategisch vorausplant.

'Sitting not far below my feet, there was a thermonuclear warhead about twenty times more powerful than the bomb that destroyed Hiroshima, all set and ready to go. The only sound was the sound of the wind.' Seventy years after the bombing of Hiroshima, Eric Schlosser's powerful, chilling piece of journalism exposes today's deadly nuclear age. Originally published in the New Yorker and now expanded, this terrifying true account of the 2012 break-in at a high-security weapons complex in Tennessee is a masterly work of reportage. 'Schlosser's reportage is as good as it gets' GQ

Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity. The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed. This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.

In Our Stories, author and journalist Ian Wishart brings out the most fascinating forgotten tales of our past, told through the eyes of the people who were there. Read about the tsunamis that washed away the homes and lives of our early European immigrants, or the earthquakes that toppled Christchurch buildings more than a century ago and lifted Wellington out of the sea. Read the real story about the search for gold, or the visiting circuses whose lions and leopards escaped, or the dinosaur found on a Taranaki riverbank (it's still there because it was too big to move ) Discover the heroes and villains of our past through long forgotten news stories from New Zealand, the USA, UK and Australia, and find out how life really was in pioneer days. These, and many more, are our stories...

A brilliantly wide-ranging essay collection from the author of My Struggle, spanning literature, philosophy, art and how our daily and creative lives intertwine. In the Land of the Cyclops is Karl Ove Knausgaard's first collection of essays to be published in English, and these brilliant and wide-ranging pieces meditate on themes familiar from his groundbreaking fiction. Here, Knausgaard discusses Madame Bovary, the Northern Lights, Ingmar Bergman, and the work of an array of writers and visual artists, including Knut Hamsun, Michel Houellebecq, Anselm Kiefer and Cindy Sherman. These essays beautifully capture Knausgaard's ability to mediate between the deeply personal and the universal, demonstrating his trademark self-scrutiny and his deep longing to authentically see, understand, and experience the world. 'Knausgaard is among the finest writers alive' New York Times

For all the glamour and new-found wealth that has come to cricket thanks to the IPL, the sport has rarely faced such an uncertain future. The gold standard of cricket - Test matches - is being sidelined in some countries by the shorter forms of the game. While the sport is being transformed, administrators are struggling to keep pace with it all. Yet, despite all of this, the sport's essential elements remain in place: great games are played, new stars rise up and old stars step back and retire. In this collection of writing, Gideon Haigh takes the pulse of the game today, and in particular looks at the decline of the sport in Australia, where the once all-conquering men in the 'baggy green' suddenly found themselves struggling to impose themselves on their opponents.

For the past fifty years, The New York Review of Books has covered virtually every international revolution and movement of consequence by dispatching the world's most brilliant writers to write eyewitness accounts. The New York Review Abroad not only brings together twenty-eight of the most riveting of these pieces but includes epilogues that update and reassess the political situation (by either the original authors or by Ian Buruma). Among the pieces included are: * Susan Sontag's personal narrative of staging Waiting for Godot in war-torn Sarajevo * Alma Guillermoprieto's report from inside Colombia's guerrilla headquarters and her disturbing encounter with young female fighters * Ryszard Kapuscinski's terrifying description of being set on fire while running roadblocks in Nigeria * Nobel laureate Andrei Sakharov's somber autobiographical account of one man's attempt to live morally under a totalitarian regime * Caroline Blackwood's coverage of the 1979 gravediggers' strike in Liverpool-a noir mini-masterpiece * Timothy Garton Ash's minute-by-minute account from the Magic Lantern theater in Prague in 1989, where the subterranean stage, auditorium, foyers, and dressing rooms had become the headquarters of the revolution Among other writers whose New York Review pieces will be included are Tim Judah, Amos Elon, Joan Didion, William Shawcross, Christopher de Bellaigue, and Mark Danner. A tour de force of vivid and enlightening writing from the front lines, this volume is indeed the first rough draft of the history of the past fifty years.

Scholarly Research Paper from the year 2011 in the subject Communications - Journalism, Journalism Professions, grade: 16/20, - (Mohammed V University, Rabat.), course: Discourse Analysis End of Studies Seminar., language: English, abstract: The present study endeavours to investigate the effects of journalistic discourse on the perception of reality. More precisely, it attempts to demonstrate how different ways to 'report' the same events may lead to different constructions of social reality. The major aim of this research is to depict the strategies used by AlJazeera and NileTV during their coverage of the events of the Egyptian revolution of the 25th January 2011, the ideological purposes behind the use of these strategies and how they end up constructing different versions of reality. In this regard, Critical Discourse Analysis is used as a method of analysis, to uncover the ways social realities are constructed discursively via the news media. This research paper is organized as follows: the first chapter presents the major concepts related to the functionalist view of discourse, as well as all the key concepts related to journalistic discourse, namely, capitalism, power, ideology, hegemony, journalism, objectivity, discursive practices, propaganda, audience and headlines. The second chapter presents the research methodology, which involves the purpose, the rationale, the research questions and hypotheses, as well as the pilot study and the methods of data collection and analysis. Finally the third chapter presents the analysis of fourteen headlines from both the English and Arabic versions of the websites of AlJazeera and NileTV on their coverage of the Egyptian revolution (25th of January 2011)