Lerato Tshabalala first came to our attention in 2011 with her ‘Urban Miss’ column in the Sunday Times, and since then she has by turns entertained, exasperated, amused and confounded her fans and critics alike.

Now, with her first book, she looks set to become the national institution she deserves to be. With her customary wit and keen insight into social, political and cultural affairs, Lerato shines a bright – and controversial – light on South African society and the quirky ways of the country. She is brutally honest about her experiences as a black South African in post-apartheid Mzansi, and no subject is too sacred for her to explore: annoying car guards, white-dominated corporate South Africa, cultural stereotypes, economic and racial inequality, and gender politics, among many other topics, come under her careful – and often laugh-out-loud – scrutiny.

The Way I See It is written for people who are hungry for a book that is thought-provoking, funny, irreverent and truly South African all at the same time. It is light but full of depth: like a supermodel with an MBA!

Winner of the Hay Festival Award for Prose Winner of the 2016 IWMF Courage in Journalism Award Shortlisted for the New York Public Library's Helen Bernstein Excellence in Journalism Award Shortlisted for the 2017 Moore Prize for Non-Fiction Literature In May of 2012, Janine di Giovanni travelled to Syria, marking the beginning of a long relationship with the country, as she began reporting from both sides of the conflict, witnessing its descent into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of ordinary people caught up in the fighting, Syria came to consume her every moment, her every emotion. Speaking to those directly involved in the war, di Giovanni relays the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling. Delivered with passion, fearlessness and sensitivity, The Morning They Came for Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war - and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

Allister Sparks joined his first newspaper at age 17 and was pitched headlong into the vortex of South Africa’s stormy politics. The Sword And The Pen is the story of how as a journalist he observed, chronicled and participated in his country’s unfolding drama for more than 66 years, covering events from the premiership of DF Malan to the presidency of Jacob Zuma, witnessing at close range the rise and fall of apartheid and the rise and crisis of the new South Africa.

In trenchant prose, Sparks has written a remarkable account of both a life lived to its full as well as the surrounding narrative of South Africa from the birth of apartheid, the rise of political opposition, the dawn of democracy, right through to the crisis we are experiencing today.

Reporting and Writing on Journalism's New Frontier teaches students the fundamentals of good reporting tactics and gives them a solid command of basic writing techniques. The book emphasizes practical skills a good journalist needs before even beginning to report, explains the kind of stories that work best for each medium, explores good news-gathering habits, and describes successful interviewing tactics. It provides clear guidelines for quality writing including the importance of organizing a story before writing, purging cliches, redundancies, and euphemisms, creating great headlines, and writing with clarity. Individual chapters are devoted to the specific needs of writing for radio, television, and the web. The book also contains sound advice on libel and slander laws that are essential information for avoiding litigation. Reporting and Writing on Journalism's New Frontier is a concise, current, engaging exploration of practical tools and techniques that writers can employ immediately and use every day. The book is designed for multimedia journalism courses.

Anabel Ternes und Christopher Runge zeigen am Beispiel des Online-Handels, dass es sich auszahlt, in eine hohe Reputation zu investieren. Raumliche Grenzen existieren in Zeiten von Social Media nicht mehr. Binnen Sekunden verbreiten sich schlechte Nachrichten und Bewertungen uber soziale Netzwerke und Internetforen - ob sie nun der Wahrheit entsprechen oder nicht. Eine negative Information entwickelt auf diese Weise schnell ein unkontrollierbares Eigenleben - mit unabsehbaren Folgen. Gerade im Online-Handel ist es wichtig, stets den UEberblick zu behalten, was "das Netz" uber das eigene Unternehmen sagt. Negative Kundenbewertungen und schlechte Presse koennen zu Umsatzeinbussen fuhren und den Ruf nachhaltig schadigen. Wichtig ist daher, proaktiv vorzubauen, um den guten Ruf im Netz zu schutzen - mit einem professionellen Partner an der Seite, der strategisch vorausplant.

At the height of his career, around the time he was working on Great Expectations and Our Mutual Friend, Charles Dickens wrote a series of sketches, mostly set in London, which he collected as The Uncommercial Traveller. In the persona of 'the Uncommercial', Dickens wanders the city streets and brings London, its inhabitants, commerce and entertainment vividly to life. Sometimes autobiographical, as childhood experiences are interwoven with adult memories, the sketches include visits to the Paris Morgue, the Liverpool docks, a workhouse, a school for poor children, and the theatre. They also describe the perils of travel, including seasickness, shipwreck, the coming of the railways, and the wretchedness of dining in English hotels and restaurants. The work is quintessential Dickens, with each piece showcasing his imaginative writing style, his keen observational powers, and his characteristic wit. In this edition Daniel Tyler explores Dickens's fascination with the city and the book's connections with concerns evident in his fiction: social injustice, human mortality, a fascination with death and the passing of time. Often funny, sometimes indignant, always exuberant, The Uncommercial Traveller is a revelatory encounter with Dickens, and the Victorian city he knew so well.

'Sitting not far below my feet, there was a thermonuclear warhead about twenty times more powerful than the bomb that destroyed Hiroshima, all set and ready to go. The only sound was the sound of the wind.' Seventy years after the bombing of Hiroshima, Eric Schlosser's powerful, chilling piece of journalism exposes today's deadly nuclear age. Originally published in the New Yorker and now expanded, this terrifying true account of the 2012 break-in at a high-security weapons complex in Tennessee is a masterly work of reportage. 'Schlosser's reportage is as good as it gets' GQ

Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity. The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed. This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.

In Our Stories, author and journalist Ian Wishart brings out the most fascinating forgotten tales of our past, told through the eyes of the people who were there. Read about the tsunamis that washed away the homes and lives of our early European immigrants, or the earthquakes that toppled Christchurch buildings more than a century ago and lifted Wellington out of the sea. Read the real story about the search for gold, or the visiting circuses whose lions and leopards escaped, or the dinosaur found on a Taranaki riverbank (it's still there because it was too big to move ) Discover the heroes and villains of our past through long forgotten news stories from New Zealand, the USA, UK and Australia, and find out how life really was in pioneer days. These, and many more, are our stories...

For all the glamour and new-found wealth that has come to cricket thanks to the IPL, the sport has rarely faced such an uncertain future. The gold standard of cricket - Test matches - is being sidelined in some countries by the shorter forms of the game. While the sport is being transformed, administrators are struggling to keep pace with it all. Yet, despite all of this, the sport's essential elements remain in place: great games are played, new stars rise up and old stars step back and retire. In this collection of writing, Gideon Haigh takes the pulse of the game today, and in particular looks at the decline of the sport in Australia, where the once all-conquering men in the 'baggy green' suddenly found themselves struggling to impose themselves on their opponents.

Master's Thesis from the year 2013 in the subject Communications - Journalism, Journalism Professions, grade: Distinction, Swansea University, course: Erasmus Mundus M.A. in Journalism, Media and Globalization (War and Conflict), language: English, abstract: Since the 1970s, commercial pressures on news media organizations have increased and as a result, television news networks have started to adapt marketing and product differentiation strategies from the Hollywood movie industry. So today, even the war and conflict coverage of 24-hour news networks is subject to heavy promotion and part of the networks' advertising and branding campaigns. These commercial aspects of news production, however, seem to oppose concepts of journalistic quality. Conflict coverage promotion and image spots of 24-hour news networks therefore pose a great opportunity to investigate a phenomenon at the cross-roads of both commercial entertainment television and quality journalism. This study analyses claims of journalistic quality and 'high concept' in these spots and how they are linked to better understand the ideological complexes of CNN International and Al Jazeera English. The findings show an equal number of quality and 'high concept' claims with differences in the nature of the claims between the two networks. The way the claims are distributed throughout the modes of visual, voice, sound and music, as well as the way they are linked within and across modes, however, show very similar patterns. These patterns exist for quality and 'high concept' claims as well as for both 24-hour television news networks. The largest number of claims appears in the visual mode. The research also shows that analysing this kind of media text needs to be multimodal and that a social semiotic approach is appropriate for analysing claims-making and linking in conflict coverage promotional spots.

For the past fifty years, The New York Review of Books has covered virtually every international revolution and movement of consequence by dispatching the world's most brilliant writers to write eyewitness accounts. The New York Review Abroad not only brings together twenty-eight of the most riveting of these pieces but includes epilogues that update and reassess the political situation (by either the original authors or by Ian Buruma). Among the pieces included are: * Susan Sontag's personal narrative of staging Waiting for Godot in war-torn Sarajevo * Alma Guillermoprieto's report from inside Colombia's guerrilla headquarters and her disturbing encounter with young female fighters * Ryszard Kapuscinski's terrifying description of being set on fire while running roadblocks in Nigeria * Nobel laureate Andrei Sakharov's somber autobiographical account of one man's attempt to live morally under a totalitarian regime * Caroline Blackwood's coverage of the 1979 gravediggers' strike in Liverpool-a noir mini-masterpiece * Timothy Garton Ash's minute-by-minute account from the Magic Lantern theater in Prague in 1989, where the subterranean stage, auditorium, foyers, and dressing rooms had become the headquarters of the revolution Among other writers whose New York Review pieces will be included are Tim Judah, Amos Elon, Joan Didion, William Shawcross, Christopher de Bellaigue, and Mark Danner. A tour de force of vivid and enlightening writing from the front lines, this volume is indeed the first rough draft of the history of the past fifty years.

Scholarly Research Paper from the year 2011 in the subject Communications - Journalism, Journalism Professions, grade: 16/20, - (Mohammed V University, Rabat.), course: Discourse Analysis End of Studies Seminar., language: English, abstract: The present study endeavours to investigate the effects of journalistic discourse on the perception of reality. More precisely, it attempts to demonstrate how different ways to 'report' the same events may lead to different constructions of social reality. The major aim of this research is to depict the strategies used by AlJazeera and NileTV during their coverage of the events of the Egyptian revolution of the 25th January 2011, the ideological purposes behind the use of these strategies and how they end up constructing different versions of reality. In this regard, Critical Discourse Analysis is used as a method of analysis, to uncover the ways social realities are constructed discursively via the news media. This research paper is organized as follows: the first chapter presents the major concepts related to the functionalist view of discourse, as well as all the key concepts related to journalistic discourse, namely, capitalism, power, ideology, hegemony, journalism, objectivity, discursive practices, propaganda, audience and headlines. The second chapter presents the research methodology, which involves the purpose, the rationale, the research questions and hypotheses, as well as the pilot study and the methods of data collection and analysis. Finally the third chapter presents the analysis of fourteen headlines from both the English and Arabic versions of the websites of AlJazeera and NileTV on their coverage of the Egyptian revolution (25th of January 2011)

The New News

Reports of the death of the news media are highly premature, though you wouldn't know it from the media's own headlines. Ken Doctor goes far beyond those headlines, taking an authoritative look at the fast-emerging future.

The Twelve Laws of Newsonomics reveal the kinds of news that readers will get and that journalists (and citizens) will produce as we enter the first truly digital news decade.

A new Digital Dozen, global powerhouses from "The New York Times, " News Corp, and CNN to NBC, the BBC, and NPR will dominate news across the globe, Locally, a colorful assortment of emerging news players, from Boston to San Diego, are rewriting the rules of city reporting,

"Newsonomics" provides a new sense of the news we'll get on paper, on screen, on the phone, by blog, by podcast, and via Facebook and Twitter. It also offers a new way to understand the why and how of the changes, and where the Googles, Yahoos and Microsofts fit in. "Newsonomics" pays special attention to media and journalism students in a chapter on the back-to-the-future skills they'll need, while marketing professionals get their own view of what the changes mean to them.

At a time when mainstream news media are hemorrhaging and doomsayers are predicting the death of journalism, take heart: the First Amendment is alive and well in small towns across America. In Emus Loose in Egnar, award-winning journalist Judy Muller takes the reader on a grassroots tour of rural American newspapers, from an Indian reservation in Montana to the Alaska tundra to Martha's Vineyard, and discovers that many weeklies are not just surviving, but thriving. In these small towns, stories can range from club news to Klan news, from broken treaties to broken hearts, from banned books to escaped emus; they document the births, deaths, crimes, sports, and local shenanigans that might seem to matter only to those who live there. And yet, as this book shows us, these "little" stories create a mosaic of American life that tells us a great deal about who we are-what moves us, angers us, amuses us. Filled with characters both quirky and courageous, the book is a heartening reminder that there is a different kind of "bottom line" in the hearts of journalists who keep churning out good stories, week after week, for the corniest of reasons: that our freedoms depend on it.