Winner of the Victor Villasenor Best Latino Focused Nonfiction Book Award - English, from the 2022 International Latino Book Awards What defines the boundary between fact and fabrication, fiction and nonfiction, literature and journalism? Latin American Documentary Narratives unpacks the precarious testimonial relationship between author and subject, where the literary journalist, rather than the subject being interviewed, can become the hero of a narrative in its recording and retelling. Latin American Documentary Narratives covers a variety of nonfiction genres from the 1950s to the 2000s that address topics such as social protests, dictatorships, natural disasters, crime and migration in Latin America. This book analyzes - and includes an appendix of interviews with - authors who have not previously been critically read together, from the early and emblematic works of Gabriel Garcia Marquez and Elena Poniatowska to more recent authors, like Leila Guerriero and Juan Villoro, who are currently reshaping media and audiences in Latin America. In a world overwhelmed by data production and marked by violent acts against those considered 'others', Liliana Chavez Diaz argues that storytelling plays an essential role in communication among individuals, classes and cultures.

This all began quite unexpectedly one rainy autumn evening a couple of years in a fairground near to the centre of Nottingham...`In amongst the bright lights and bumper cars,Nick Davies noticed two boys,no more than twelve years old,oddly detached from the fun of the scene.Davies discovered they were part of a network of chidren sellingthemselves on the streets of the city,running a nightly gaunlet of dangers-pimps,punters,the Vice Squad,disease,drugs. This propelled Davies into a journey of discovery through the slums and ghettoes of our cities. He found himself in crack houses and brothels,he be- friended street gangs and drug dealers Nick Davies`s journey into the hidden realm is powerful,disturbing and impressive,and is bound torouse controversy and demands for change. Davies unravels threads of Britain`s social fabric as he travels deeper and deeper into the country of poverty ,towards the dark heart of British society.

The United States is the richest country on earth, yet has more poverty than any other advanced democracy. One in seven Americans live below the poverty line, a line which hasn't shifted over the last fifty years, despite the efforts of successive governments and extensive relief programs. Why is there so much scarcity in this land of dollars? In Poverty, by America, acclaimed sociologist Matthew Desmond examines the nature of American poverty today and the stories we tell ourselves about it. Spanning racism, social isolation, mass incarceration, the housing crisis, domestic violence, crack and opioid epidemics, welfare cuts and more, Desmond argues that poverty does not result from a lack of resources or good policy ideas. We already know how to eliminate it. The hard part is getting more of us to care. To do so, we need a new story. As things stand, liberals explain poverty through insurmountable structural issues, whereas conservatives highlight personal failings and poor life choices. Both analyses abdicate responsibility, and ignore the reality that the advantages of the rich only come at the expense of the poor. It is time better-paid citizens put themselves back in the narrative, recognizing that the depth and expanse of poverty in any nation reflects our failure to look out for one another. Poverty must ultimately be met by community: all this suffering and want is our doing, and we can undo it.

Everything Must Change! brings together prominent commentators from around the world to present a rich and nuanced weighing of progressive possibilities in the wake of the COVID-19 pandemic. In these pages you'll encounter influential voices across the left, ranging from Roger Waters to Noam Chomsky, Slavoj Zizek to Saskia Sassen. Gael Garcia Bernal, Brian Eno, and Larry Charles examine the pandemic's more cultural and artistic consequences, touching on topics of love, play, comedy, dreaming, and time. Their words sit alongside analyses of the paradoxes and possibilities of debt, internationalism, and solidarity by Astra Taylor, David Graeber, Vijay Prashad, and Stephanie Kelton. Burgeoning surveillance and control measures in the name of public health are a concern for many of the contributors here, including Shoshana Zuboff and Evgeny Morozov, as are the opportunities presented by the crisis for exploitation by financiers, technocrats, and the far right. Against a return to the normal and, indeed, the notion that there ever was such a thing, these conversations insist that urgent, systemic change is needed to tackle not only the pandemics arising from the human destruction of nature, but also the ceaseless debilitations of contemporary global capitalism. Contributors: Tariq Ali, David Adler, Gael Garcia Bernal, Larry Charles, Noam Chomsky, Brian Eno, Daniel Ellsberg, Kenneth Goldsmith, David Graeber, Johann Hari, Maja Kantar, Stephanie Kelton, Stefania Maurizi, Evgeny Morozov, Maja Pelevic, Vijay Prashad , Angela Richter, Saskia Sassen, Sasa Savanovic, Jeremy Scahill, Richard Sennett, John Shipton, Astra Taylor, Ece Temelkuran, Yanis Varoufakis, Roger Waters, Slavoj Zizek, and Shoshana Zuboff.

A panoramic revisionist portrait of the nineteenth-century invention that is transforming the twenty-first-century world. 'The real feat of this book is that it takes us on a ride-across the centuries and around the globe, through startling history and vivid first-person reporting.' - Patrick Radden Keefe, New York Times bestselling author of Empire of Pain The bicycle is a vestige of the Victorian era, seemingly out of pace with our age of smartphones and ridesharing apps and driverless cars. Yet across the world, more people travel by bicycle than by any other form of transportation. Almost anyone can learn to ride a bike - and nearly everyone does. In Two Wheels Good, writer and critic Jody Rosen reshapes our understanding of this ubiquitous machine, an ever-present force in humanity's life and dreamlife, and a flashpoint in culture wars for more for than two hundred years. Combining history, reportage, travelogue, and memoir, Rosen unfolds the bicycle's saga from its invention in 1817 to its present-day renaissance as a 'green machine' in a world afflicted by pandemic and climate change. Readers meet unforgettable characters: feminist rebels who steered bikes to the barricades in the 1890s, a Bhutanese king who races mountain bikes in the Himalayas, astronauts who ride a floating bicycle in zero gravity aboard the International Space Station. Two Wheels Good examines the bicycle's past and peers into its future, challenging myths and cliches, while uncovering cycling's connection to colonial conquest and the gentrification of cities. But the book is also a love letter: a reflection on the sensual and spiritual pleasures of bike riding and an ode to an engineering marvel - a wondrous vehicle whose passenger is also its engine. 'Love for two-wheeled transport runs through every sentence in the book' - Economist 'The best thing I've ever read on a single subject' - Lauren Collins, author of When in French 'This is social history as it ought to be written: funny, precise, surprising, anti-dogmatic and unafraid of following a story' - Adam Gopnik, author of Paris to the Moon

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.