Lars Guenther analysiert die Grunde fur die jeweilige Berichterstattung uber wissenschaftliche Evidenz von Wissenschaftsjournalisten vor dem Hintergrund des Spannungsverhaltnisses Wissenschaft - Journalismus - OEffentlichkeit. Die Ergebnisse der eigenen Studien, die Erkenntnisse aus Inhaltsanalysen und Befragungen zusammenfassen, verweisen auf die dominante Rolle des Publikums: So machen Journalisten ihre Entscheidung, wie wissenschaftliche Evidenz dargestellt wird, vorrangig davon abhangig, wie stark sie glauben, dass ihre Leser und Zuhoerer erwarten, dass Forschungsergebnisse eher gesichert oder ungesichert prasentiert werden sollen.

Wer berat die Regierung in kommunikativen Fragen und mit welcher Wirkung? Nicola Seitz geht Veranderungen in der staatlichen Kommunikation nach und untersucht im Zeitraum von 1998 bis 2009 den Einfluss von Werbe- und PR-Agenturen auf den politischen Regierungsapparat und den kommunikativen Vermittlungsprozess. Anhand einer dokumentenbasierten Netzwerkanalyse identifiziert sie zentrale Akteure der Branche, die in Interviews umfassende Einblicke in ihre kommunikative Arbeit fur Bundesministerien und ihre Beziehung zum Journalismus geben. Im Ergebnis zeigt sich, dass Kommunikationsdienstleister wenig Einfluss auf die Politik oder die (uberregionale) politische Berichterstattung haben und nur in Ausnahmefallen in die Tagespolitik involviert sind. Stattdessen ersinnen sie Visualisierungen, Bildmotive und verantworten die breite (regionale) Kommunikation von mittel- bis langfristigen politischen Themen.

One of the most important voices in contemporary American journalism - Independent Matt Taibbi is one of the few journalists in America who speaks truth to power - Bernie Sanders Matt Taibbi is the best polemic journalist in America - Felix Salmon NEW YORK TIMES BESTSELLER "The thing is, when you actually think about it, it's not funny. Given what's at stake, it's more like the opposite, like the first sign of the collapse of the United States as a global superpower. Twenty years from now, when we're all living like prehistory hominids and hunting rats with sticks, we'll probably look back at this moment as the beginning of the end." In this groundbreaking battery of dispatches from the heartland of America, Matt Taibbi tells the full story of the Trump phenomenon, from its tragi-comic beginnings to the apocalyptic election. Full of sharp, on-the-ground reporting and gallows humour, his incisive analysis goes beyond the bizarre and disturbing election to tell a wider story of the apparent collapse of American democracy. Taibbi saw the essential themes right from the start: the power of spectacle over truth; the end of a shared reality on the left and right; the nihilistic rebellion of the white working class; the death of the political establishment; and the emergence of a new, explicit form of white nationalism. From the thwarted Bernie Sanders insurgency to the aimless Hillary Clinton campaign, across the flailing media coverage and the trampled legacy of Obama, this is the story of ordinary voters forced to bear witness to the whole charade. At the centre of it all, "a bumbling train wreck of a candidate who belched and preened his way past a historically weak field" who, improbably, has taken control of the world's most powerful nation. This is essential and hilarious reading that explores how the new America understands itself, and about the future of the world just beyond the horizon.

'By miles the most brilliant journalist of our age' Lynn Barber 'A golden writer' Andrew Marr A. A. Gill was rightly hailed as one of the greatest journalists of our time. This selection of some of his recent pieces, which he made himself before his untimely death, spans the last five years from all corners of the world. It shows him at his most perceptive, brilliant and funny. His subjects range from the controversial - fur - to the heartfelt - a fantastic crystallisation of what it means to be European. He tackles life drawing, designs his own tweed, considers boyhood through the prism of the Museum of Childhood, and spends a day at Donald Trump's university. In his final two articles he wrote with characteristic wit and courage about his cancer diagnosis - 'the full English - and the limits of the NHS. But more than any other subject, a recurring theme emerges in the overwhelming story of our times: the refugee crisis. In the last few years A. A. Gill wrote with compassion and anger about the refugees' story, giving us both its human face and its appalling context. The resulting articles are journalism at its finest and fiercest.

Wenn man Redaktionen als Grenzstellen des Journalismus und PR-Abteilungen als Grenzstellen von Institutionen der Politik, Verwaltung und Wirtschaft versteht, liegt es nahe, nach 'Entgrenzungen' im Sinne einer Beeinflussung oder sogar Steuerung zu fra gen. Aus dieser Perspektive sind die meisten der Studien entstanden, die nach den sicht baren Spuren fragen, die Offentlichkeitsarbeit im Mediensystem hinterlasst. Die Antwort scheint eindeutig. In der bekanntesten deutschen Untersuchung, die von Barbara Baerns durchgefuhrt wurde, wird der Offentlichkeitsarbeit attestiert, sie habe die Themen und sogar das Timing der Berichterstattung unter Kontrolle. Auch in einer Schweizer Studie wurde ermittelt, das Informationsgeschehen werde in erster Linie durch die Pressestellen der Behorden, Verbande und Institutionen deutlich dominiert. Im Lichte neuerer, theoretisch und/oder methodisch anspruchsvollerer Studien lasst sich die These eines dominierenden Einflusses von PR auf die Medienberichterstattung in pauschaler Form jedoch nicht mehr uneingeschrankt aufrechterhalten. Vielmehr ist deut lich geworden, dass das System Journalismus auch hier Resistenz gegen eine Umwelt steuerung aufbringt. Offentlichkeitsarbeit muss schon zu den internen Relevanzhierar chien und Operationsprozeduren passen, wenn sie in der intendierten Weise wirksam werden will. Die Studie "Journalismus in Deutschland" der Forschungsgruppe Journalistik hat in vielfaltigen Zusammenhangen belegt, dass die Journalisten sich selbst am nachsten sind. Ihnen ist zwar durchaus bewusst, dass sie eine Schnittstelle fur vie\faltigste Gruppen und Institutionen bilden, die an der Kommunikation in der Gesellschaft beteiligt sind oder sein wollen. Doch sie sehen diese 'Umwelteinflusse' durchweg als nicht so gravierend an."

Islamkritik" ist eines der Schlagworte unserer Zeit. Doch dahinter verstecken sich oftmals nur pure Ressentiments. Zugleich lasst sich unter Muslimen eine dogmatische Verteidigungshaltung beobachten, bei der bisweilen jede Kritik von vornherein in den Wind geschlagen wird. Beide Extreme dominieren zu haufig die offentlichen Diskussionen. Der vorliegende Band Islamfeindlichkeit" einerseits und der dazugehorige Band Islamverherrlichung" andererseits nehmen sie daher kritisch in den Blick: Band 1 spurt jene geistigen Stromungen auf, die antiislamische Einstellungen in Deutschland fordern. Band 2 spricht theologische Herausforderungen und Missstande in der hiesigen muslimischen Gesellschaft an - allerdings ohne Pauschalisierung, Populismus und Polemik. Das Gesamtwerk ist somit ein Appell an die Vernunft, hat aber auch dokumentarischen Charakter. In diesem Buch beleuchten renommierte Autoren verschiedene Aspekte vom Islamhass vergangener Jahrhunderte bis zur heutigen Hetze im Internet. Ferner geht es um die Auseinandersetzung mit prominenten Vertretern der Islamkritik" wie Henryk M. Broder, Ralph Giordano, Necla Kelek, Hans-Peter Raddatz und anderen.
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Das Lehrbuch fuhrt systematisch in Arbeitsfelder und Techniken des Politikjournalismus ein und vermittelt gleichzeitig breites Hintergrundwissen uber die veranderten Spielregeln der Politikberichterstattung: Praktische Tipps und aktuelle Fallbeispiele werden mit zentralen Forschungsergebnissen aus der Kommunikationswissenschaft verknupft. Ebenso ladt das Buch zum Nachdenken ein: Welche Rolle sollen, welche Rolle wollen Politikjournalisten kunftig in der Gesellschaft spielen?
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The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power. 'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden Keefe On the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes. Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted. 'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality. In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US. Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history. They were just the tip of the iceberg. The Storm Is Here is the definitive eyewitness account of how--during a season of sickness, economic uncertainty, and violence--a large segment of Americans became convinced that they needed to rise up against dark forces plotting to take their country away from them, and then did just that. It builds month by month, through vivid depictions of events on the ground, from the onset of the pandemic to the attack on the US Capitol--during which Mogelson was in the Senate chamber with the insurrectionists--and its aftermath. Bravely reported and beautifully written, Mogelson's book follows the tradition of some of the essential chronicles of war and unrest of our time.

Travelling from Madrid to The Valley of the Fallen, through Castile and Leon and across the fiercely contested region of Catalonia, Christopher Finnigan meets a remarkable cast of characters behind some of the biggest political events Spain has witnessed in decades. Whether it is the Indignados left-wing activists rethinking society, the everyday citizens sitting in parliament, or the Catalan separatists fighting for a new nation, The New Spanish Revolutions meets those struggling at the heart of historic change. Spain today finds itself in the grip of immense social upheaval, still shaken by the financial crash of 2008 and still struggling with its fascist past. Against a fragmented and polarised backdrop, Christopher Finnigan discovers how individuals and ideas that were once outside the mainstream are now shaping the nation's future.

SHORTLISTED FOR THE IRISH BOOK AWARDS 2021 The riveting story of a nation at a crucial crossroads From the start of his stint as RTE's Washington Correspondent Brian O'Donovan's lively and authoritative reporting of a tumultuous period in American life has been must-watch TV. Four Years in the Cauldron is his account of four busy years working in the US. He draws a compelling picture, full of telling colour and detail, of covering its fractured politics, particularly the extraordinary presidency of Donald Trump and the knife-edge election of Joe Biden. And he gives his unique perspective on big stories such as the Covid emergency, the Capitol riot, the murder of George Floyd and trial and conviction of his police killer. He also provides a visceral sense of what it's like living in a country shaped by guns, God, far-fetched conspiracy theories and the running sore of racism. Yet, drawing on his network of contacts, neighbours, friends and family connections outside the white-hot heat of Washington politics, he writes about the lives of ordinary American people with nuance and understanding. Four Years in the Cauldron is a must-read for getting to grips with the US at a moment of profound reckoning. ______ 'An intriguing look at an extraordinary time . . . the book brings us to some fascinating places' Ryan Tubridy 'A great read' The Last Word With Matt Cooper

With syndication in more than 200 newspapers and a faithful readership nationwide, Bill Maxwell's status as one of the country's preeminent black journalists is unquestionable. This collection of his columns, primarily from the St. Petersburg Times, forms a body of commentary on humanity (and lack of same) that will capture the hearts and minds of Americans. Maxwell covers a sweeping range of subjects, including race-a central but not exclusive theme. He asks hard questions that courageously attempt to understand hatred and injustice in America; and he takes on controversial issues many columnists avoid and a wide spectrum of national figures-from Jeb, George W. and Clarence Thomas to the Pope and Jesse Jackson. Maxwell writes movingly about his childhood as the son of migrant farm workers in rural Florida, his love of books-beginning with those plucked from garbage cans-and his everyday encounters with the white world and the black one. With a voice that is provocative and insights that are deep and passionate, he tackles the plight of migrant workers, the devastation of the environment, religious intolerance, homophobia, affirmative action, illiteracy, public education, civic responsibility, politics-and racism. He criticizes blacks and whites alike in his search for truth and right, especially in his exploration of what he calls 'resurgent bigotry and Republicanism' and 'the black writer's most agonizing task-and duty-being dispassionate about the foibles and self-destructive behavior of African-Americans. Setting a standard for the newspaper column as social criticism, Maximum Insight illuminates the role of the black writer as an interpreter of the forces that define a diverse America.

This first major collection of former Los Angeles Times reporter and columnist Ruben Salazar's writings, is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the U.S. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Since his tragic death while covering the massive Chicano antiwar moratorium in Los Angeles on August 29, 1970, Ruben Salazar has become a legend in the Chicano community. As a reporter and later as a columnist for the Los Angeles Times, Salazar was the first journalist of Mexican American background to cross over into the mainstream English-language press. He wrote extensively on the Mexican American community and served as a foreign correspondent in Latin America and Vietnam. This first major collection of Salazar's writing is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the United States. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Border Correspondent presents selections from each period of Salazar's career. The stories and columns document a growing frustration with the Kennedy administration, a young Cesar Chavez beginning to organize farm workers, the Vietnam War, and conflict between police and community in East Los Angeles. One of the first to take investigative journalism into the streets and jails, Salazar's first-hand accounts of his experiences with drug users and police, ordinary people and criminals, make compelling reading. Mario Garcia's introduction provides a biographical sketch of Salazar and situates him in the context of American journalism and Chicano history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

The model for this volume is the enormously successful Vintage Original DISTANT VOICES (93,000 copies sold to date). It will gather together essays on a range of subjects including Burma,Fleet Street, East Timor,Vietnam today,the media and UK politics. 'Pilger is the closest we have to the great correspondents of the 1930s...The Truth in his hands is a weapon,to be picked up and brandished and used in the struggle against evil and injustice' GUARDIAN

Sprache ist das wichtigste Handwerkszeug des Journalisten, sie gekonnt zu handhaben die Grundlage fur seinen Beruf und die Bewaltigung seiner Aufgabe: das Herstellen von OEffentlichkeit. Dieses Lehrbuch ist die derzeit umfassendste Darstellung der journalistischen Stilkunde. Alle wichtigen Bereiche des journalistischen Sprachgebrauchs werden behandelt: Von der Wortwahl uber die Satz- und Textgestaltung bis zu Stilverfahren bestimmter Genres wie Nachricht oder Kommentar und zum Jargon von Politikern. Die Stilistik ist fur die journalistische Aus- und Weiterbildung sowie als Handbuch fur den Gebrauch im Arbeitsalltag gedacht. Ausserdem kann sie denjenigen nutzlich sein, die in anderen Berufszusammenhangen das Schreiben lernen oder lehren wollen. Jenseits von vereinfachten oder einseitigen Stilrezepten dient das Lehrbuch als Grundlage fur eine verantwortungsvolle Sprachverwendung in der OEffentlichkeit.

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

The first edited volume of work by the legendary undercover journalist
Born Elizabeth Jane Cochran, Nellie Bly was one of the first and best female journalists in America and quickly became a national phenomenon in the late 1800s, with a board game based on her adventures and merchandise inspired by the clothes she wore. Bly gained fame for being the first "girl stunt reporter," writing stories that no one at the time thought a woman could or should write, including an expose of patient treatment at an insane asylum and a travelogue from her record-breaking race around the world without a chaperone. This volume, the only printed and edited collection of Bly's writings, includes her best known works--"Ten Days in a Mad-House," "Six Months in Mexico," and "Around the World in Seventy-Two Days"--as well as many lesser known pieces that capture the breadth of her career from her fierce opinion pieces to her remarkable World War I reporting. As 2014 marks the 150th anniversary of Bly's work, this collection celebrates her work, spirit, and vital place in history.

A thorough work of contemporary history and a distillation of the complex web of the Iranian Kurdish political world, this biography of Kurdish leader Abdul Rahman Ghassemlou depicts the character and passionate action of one of the twentieth century's most exceptional and democratic leaders of a national movement. Carol Prunhuber, who knew Ghassemlou from the early 1980s, shows us the many facets of a humanist leader of magnitude and worldwide scope. From revolution that toppled the Shah to the dark and treacherous alleys of the Cold War, Dreaming Kurdistan revives the Kurdish leader's fated path to assassination in Vienna. We know how, why, and who murdered Ghassemlou-and we stand witness to Austria's raison d'etat, the business interests that put a lid on the investigation, and the response of silent indifference from the international community. Professor of economics in Prague, bon vivant in Paris, clandestine freedom fighter in the Kurdish mountains, stalked by the Shah's secret police, Ghassemlou is ultimately assassinated by the hit men of Ayatollah Khomeini's Islamic Republic. Prunhuber takes us, through a murky world of equivocal liaisons, complicities, treachery, and undisguised threats, from Tehran to Vienna. While the Islamic Republic of Iran continues to perturb and defy the West, Dreaming Kurdistan is essential for an understanding of Iran and the Kurds' longing for freedom and democracy.