'By miles the most brilliant journalist of our age' Lynn Barber 'A golden writer' Andrew Marr A. A. Gill was rightly hailed as one of the greatest journalists of our time. This selection of some of his recent pieces, which he made himself before his untimely death, spans the last five years from all corners of the world. It shows him at his most perceptive, brilliant and funny. His subjects range from the controversial - fur - to the heartfelt - a fantastic crystallisation of what it means to be European. He tackles life drawing, designs his own tweed, considers boyhood through the prism of the Museum of Childhood, and spends a day at Donald Trump's university. In his final two articles he wrote with characteristic wit and courage about his cancer diagnosis - 'the full English - and the limits of the NHS. But more than any other subject, a recurring theme emerges in the overwhelming story of our times: the refugee crisis. In the last few years A. A. Gill wrote with compassion and anger about the refugees' story, giving us both its human face and its appalling context. The resulting articles are journalism at its finest and fiercest.

Part diary and part reportage, "The Soccer War" is a remarkable chronicle of war in the late twentieth century. Between 1958 and 1980, working primarily for the Polish Press Agency, Kapuscinski covered twenty-seven revolutions and coups in Africa, Latin America, and the Middle East. Here, with characteristic cogency and emotional immediacy, he recounts the stories behind his official press dispatches--searing firsthand accounts of the frightening, grotesque, and comically absurd aspects of life during war. "The Soccer War" is a singular work of journalism.

In the promised land of the Sunbelt, people come by the thousands to escape the crush of Eastern cities and end up duplicating the very world they have fled. Can the land remain unchanged? In Blue Desert, Charles Bowden presents a view of the Southwest that seeks to measure how rapid growth has taken its toll on the land. Writing with a reporter's objectivity and a desert rat's passion, Bowden takes us into the streets as well as the desert to depict not a fragile environment but the unavoidable reality of abuse, exploitation, and human cruelty. Blue Desert shows us the Sunbelt's darker side as it has developed in recent times-where "the land always makes promises of aching beauty and the people always fail the land"-and defies us to ignore it. Blue Desert has no boundaries, no terrain, no topographical coordinates; it is a state of mind inescapable to one who sees change and knows that nothing can be done to stop it.

A Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.

The year's best writing on tech: a collection as imaginative and compelling as its dynamic subject. Together these essays capture the versatility and verve of technology writing today. Solicited through an open online nominating process, ""The Best of Technology 2007"" explores a wide range of intriguing topics - from ""crowdsourcing"" to the online habits of urban moms to the digital future of movie production. It will appeal to anyone who enjoys stellar writing.

THE SUNDAY TIMES BESTSELLER Relive the delusional fever-dream of the modern era. 'Thank f*ck for Marina Hyde: the most lethal, vital, screamingly funny truth-teller of our time.' PHOEBE WALLER-BRIDGE 'The most brilliantly funny columnist of our time.' GARY LINEKER 'It's a scientific FACT: Marina Hyde is Britain's funniest writer.' CAITLIN MORAN No other writer is more suited to chronicling the absurd times in which we live. In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson. Marvel at the sights, from Trumpian WTF-ery to celebrity twattery. And boggle at the cast of characters: Hollywood sex offenders, populists, sporting heroes (and villains), dastardly dukes, media barons, movie stars, reality TV monsters, billionaires, police officers, various princes and princesses, wicked advisers, philanthropists, fauxlanthropists, telly chefs, and (naturally) Gwyneth Paltrow. It's the full state banquet of crazy - and you're most cordially invited. Drawn from her spectacularly funny Guardian columns, What Just Happened?! is a welcome blast of humour and sanity in a world where reality has become stranger than fiction. 'A joyous rallying voice in British journalism.' GRAYSON PERRY 'An infinite number of gag-writers, working all day in a gag factory, couldn't come up with any of the perfectly-formed one-liners that populate Marina Hyde's hilarious writing . . . But behind the wit lurks real anger, argument, exasperation and intelligence. Her writing is more than a gentle poke in the ribs: it's a well-wrought and deftly aimed smash in the teeth.' ARMANDO IANNUCCI

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This first volume of Evelyn Waugh's Articles, Essays, and Reviews contains every traceable piece of journalism that research could uncover written by Waugh between January 1922, when he first went up to Oxford, and December 1934, when he had recently returned from British Guiana and was enjoying the runaway success of A Handful of Dust. Long interred in fashion magazines, popular newspapers, sober journals, undergraduate reviews, and BBC archives, 110 of the 170 pieces in the volume have never before been reprinted. Several typescripts of articles and reviews are published here for the first time, as are a larger number of unsigned pieces never before identified as Waugh's. Original texts, so easily distorted in the production process, have been established as far as possible using manuscript and other controls. The origins of the works are explored, and annotations to each piece seek to assist the modern reader. The volume embraces university journalism; essays from Waugh's years of drift after Oxford; forcefully emphatic articles and contrasting sophisticated reviews written for the metropolitan press from 1928 to 1930 (the most active and enterprising years of Waugh's career); reports for three newspapers of a coronation in Abyssinia and essays for The Times on the condition of Ethiopia and on British policy in Arabia. Finally, in early 1934 Waugh travelled for three months in remote British Guiana, resulting in nine travel articles and A Handful of Dust, acclaimed as one of the most distinguished novels of the century. Waugh was 19 when his first Oxford review appeared, 31 when the Spectator printed his last review of 1934. This is a young writer's book, and the always lucid articles and reviews it presents read as fresh and lively, as challenging and opinionated, as the day they first appeared.

May Kennedy McCord, lovingly nicknamed "First Lady of the Ozarks" and "Queen of the Hillbillies," spent half a century sharing the history, songs, and stories of her native Ozarks through newspaper columns, radio programs, and music festivals. Though her work made her one of the twentieth century's preeminent folklorists, McCord was first and foremost an entertainer-at one time nearly as renowned as the hills she loved. Despite the encouragement of her contemporaries, McCord never published a collection of her work. In 1956, Vance Randolph wrote to her, "If you didn't have such a mental block against writing books, I could show you how to make a book out of extracts from your columns. It would be very little work, and sell like hotcakes. . . . I could write a solemn little introduction, telling the citizens what a fine gal you are! The hell of it is, most of the readers know all about you." In Queen of the Hillbillies, editors Patti McCord and Kristene Sutliff at last bring together the best of McCord's published and previously unpublished writings to share her knowledge, humor, and inimitable spirit with a new generation of readers.

Winner of the Hay Festival Award for Prose Winner of the 2016 IWMF Courage in Journalism Award Shortlisted for the New York Public Library's Helen Bernstein Excellence in Journalism Award Shortlisted for the 2017 Moore Prize for Non-Fiction Literature In May of 2012, Janine di Giovanni travelled to Syria, marking the beginning of a long relationship with the country, as she began reporting from both sides of the conflict, witnessing its descent into one of the most brutal, internecine conflicts in recent history. Drawn to the stories of ordinary people caught up in the fighting, Syria came to consume her every moment, her every emotion. Speaking to those directly involved in the war, di Giovanni relays the personal stories of rebel fighters thrown in jail at the least provocation; of children and families forced to watch loved ones taken and killed by regime forces with dubious justifications; and the stories of the elite, holding pool parties in Damascus hotels, trying to deny the human consequences of the nearby shelling. Delivered with passion, fearlessness and sensitivity, The Morning They Came for Us is an unflinching account of a nation on the brink of disintegration, charting an apocalyptic but at times tender story of life in a jihadist war - and an unforgettable testament to human resilience in the face of devastating, unimaginable horrors.

A defining collection from Alistair Cooke's legendary BBC Radio broadcasts, guiding us through nearly sixty years of changing life in the United States 'No one else succeeded in explaining to the English-speaking world ... the idiosyncrasies of a country at once so familiar, and yet so utterly foreign' Independent When Alistair Cooke retired in February 2004 he was acclaimed as one of the greatest broadcasters of all time. His Letter from America radio series, which began in 1946 and continued every week for fifty-eight years until his retirement, kept the world in touch with what was happening in America. Cooke's wry, humane and liberal style both informed and entertained his audience. The selection here, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. It covers key moments from the assassination of Kennedy through to the Vietnam War and Watergate to 9/11, the Iraq War and anticipates the 2004 elections. It includes portraits of the great and the good from Charlie Chaplin to Martin Luther King, Jr, and topics as varied as civil rights, golf, jazz and the changing colours of a New England fall. Each Letter contributes to a captivating portrait of a nation - and of a man.

Ironic and humorous, witty and self-deprecatory, The Afghan Rumour Bazaar reveals the quotidian absurdities of lives framed against the backdrop of a savage war. Offering daringly new perspectives on a country readers may erroneously assume they know, Nushin Arbabzadah delves into the unacknowledged but real secret sub-cultures and hidden worlds of Afghans, from underground converts to Christianity to mysterious male cross-dressers to tales of bacha-posh girlboys. Among the individuals, fables and dilemmas she confronts are 'Why are Imams Telling Us About Nail Polish?', 'Afghanistan's Rich Jewish Heritage', 'Kabul Street Style', 'The Resurgence of Afghanistan's Spiritual Bazaar', and not forgetting Malalai of Maiwand, who turned her headscarf into a banner and led a successful rebellion against the British. Arbabzadah reveals for the first time Afghans' own vibrant internal deliberations - - on sex and soap operas; conspiracy theories; drugs and diplomacy; terrorism and the Taliban; and how a long-dead soothsayer from Bulgaria accidentally shut down a newspaper. Many different Afghan sensibilities are presented in her book, yet together they offer an unvarnished, at times heartwarming, at times tragic, insight into one of the most complex and fascinating countries on earth.

Get comfortable, sink under the covers and dip into the hilarious Under the Duvet: Deluxe Edition for a behind-the-scenes glimpse into bestselling author Marian Keyes' life . . . 'A must-read for all. Keyes' funny and poignant tales will have you chuckling' Heat ________ 'Let's get one thing straight: I'm not an outdoorsy type. If I was offered the choice between white-water rafting and being savaged by a rabid dog, I'd be likely to tick the box marked "dog"' Under the Duvet brings together Marian Keyes' unputdownable and utterly irresistible journalism and musings on life. Whether it's shopping, travel, feminism or fashion, Marian takes us on a riotous anecdote-packed journey into her weird and wonderful world. There are adventures with fake tan, love affairs with shoes and nail varnish, and, as a special treat, she includes seven of her hard-to-find (and, she tells us, harder to write) short stories. Essential for every Marian Keyes fan, Under the Duvet is the essential companion for bedtime reading and - let's face it - our lives as a whole. AS HEARD ON THE BBC RADIO 4 SERIES 'BETWEEN OURSELVES WITH MARIAN KEYES' ________ 'Warm, witty Keyes is unfailingly good company' Radio Times 'Bright, funny and clever' Daily Mail 'I laughed like a drain' Observer 'Light and extremely agreeable' Guardian 'Hilarious' Stylist 'Everything this woman touches turns into comic gold' Cosmopolitan 'A poet of the everyday . . . noticing everything about everything, rendering situations instantly recognisable and funny' Daily Mail This edition includes both Under the Duvet and Further Under the Duvet

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

Lars Guenther analysiert die Grunde fur die jeweilige Berichterstattung uber wissenschaftliche Evidenz von Wissenschaftsjournalisten vor dem Hintergrund des Spannungsverhaltnisses Wissenschaft - Journalismus - OEffentlichkeit. Die Ergebnisse der eigenen Studien, die Erkenntnisse aus Inhaltsanalysen und Befragungen zusammenfassen, verweisen auf die dominante Rolle des Publikums: So machen Journalisten ihre Entscheidung, wie wissenschaftliche Evidenz dargestellt wird, vorrangig davon abhangig, wie stark sie glauben, dass ihre Leser und Zuhoerer erwarten, dass Forschungsergebnisse eher gesichert oder ungesichert prasentiert werden sollen.

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

Wer berat die Regierung in kommunikativen Fragen und mit welcher Wirkung? Nicola Seitz geht Veranderungen in der staatlichen Kommunikation nach und untersucht im Zeitraum von 1998 bis 2009 den Einfluss von Werbe- und PR-Agenturen auf den politischen Regierungsapparat und den kommunikativen Vermittlungsprozess. Anhand einer dokumentenbasierten Netzwerkanalyse identifiziert sie zentrale Akteure der Branche, die in Interviews umfassende Einblicke in ihre kommunikative Arbeit fur Bundesministerien und ihre Beziehung zum Journalismus geben. Im Ergebnis zeigt sich, dass Kommunikationsdienstleister wenig Einfluss auf die Politik oder die (uberregionale) politische Berichterstattung haben und nur in Ausnahmefallen in die Tagespolitik involviert sind. Stattdessen ersinnen sie Visualisierungen, Bildmotive und verantworten die breite (regionale) Kommunikation von mittel- bis langfristigen politischen Themen.

Wenn man Redaktionen als Grenzstellen des Journalismus und PR-Abteilungen als Grenzstellen von Institutionen der Politik, Verwaltung und Wirtschaft versteht, liegt es nahe, nach 'Entgrenzungen' im Sinne einer Beeinflussung oder sogar Steuerung zu fra gen. Aus dieser Perspektive sind die meisten der Studien entstanden, die nach den sicht baren Spuren fragen, die Offentlichkeitsarbeit im Mediensystem hinterlasst. Die Antwort scheint eindeutig. In der bekanntesten deutschen Untersuchung, die von Barbara Baerns durchgefuhrt wurde, wird der Offentlichkeitsarbeit attestiert, sie habe die Themen und sogar das Timing der Berichterstattung unter Kontrolle. Auch in einer Schweizer Studie wurde ermittelt, das Informationsgeschehen werde in erster Linie durch die Pressestellen der Behorden, Verbande und Institutionen deutlich dominiert. Im Lichte neuerer, theoretisch und/oder methodisch anspruchsvollerer Studien lasst sich die These eines dominierenden Einflusses von PR auf die Medienberichterstattung in pauschaler Form jedoch nicht mehr uneingeschrankt aufrechterhalten. Vielmehr ist deut lich geworden, dass das System Journalismus auch hier Resistenz gegen eine Umwelt steuerung aufbringt. Offentlichkeitsarbeit muss schon zu den internen Relevanzhierar chien und Operationsprozeduren passen, wenn sie in der intendierten Weise wirksam werden will. Die Studie "Journalismus in Deutschland" der Forschungsgruppe Journalistik hat in vielfaltigen Zusammenhangen belegt, dass die Journalisten sich selbst am nachsten sind. Ihnen ist zwar durchaus bewusst, dass sie eine Schnittstelle fur vie\faltigste Gruppen und Institutionen bilden, die an der Kommunikation in der Gesellschaft beteiligt sind oder sein wollen. Doch sie sehen diese 'Umwelteinflusse' durchweg als nicht so gravierend an."