Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity. The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed. This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.

In Our Stories, author and journalist Ian Wishart brings out the most fascinating forgotten tales of our past, told through the eyes of the people who were there. Read about the tsunamis that washed away the homes and lives of our early European immigrants, or the earthquakes that toppled Christchurch buildings more than a century ago and lifted Wellington out of the sea. Read the real story about the search for gold, or the visiting circuses whose lions and leopards escaped, or the dinosaur found on a Taranaki riverbank (it's still there because it was too big to move ) Discover the heroes and villains of our past through long forgotten news stories from New Zealand, the USA, UK and Australia, and find out how life really was in pioneer days. These, and many more, are our stories...

For nearly ten years John Griswold has been publishing his essays in "Inside Higher Ed," "McSweeney's Internet Tendency," "Brevity," "Ninth Letter," and "Adjunct Advocate," many under the pen name Oronte Churm. Churm's topics have ranged widely, exploring themes such as the writing life and the utility of creative-writing classes, race issues in a university town, and the beautiful, protective crocodiles that lie patiently waiting in the minds of fathers.

Though Griswold recently entered the tenure stream, much of his experience, at a Big Ten university, has been as an adjunct lecturer--that tenuous and uncertain position so many now occupy in higher education. In "Pirates You Don't Know," Griswold writes poignantly and hilariously about the contingent nature of this life, tying it to his birth in the last American enclave in Saigon during the Vietnam War, his upbringing in a coal town in southern Illinois, and his experience as an army deep-sea diver and frogman. He investigates class in America through four generations of his family and portrays the continuing joys and challenges of fatherhood while making a living, becoming literate, and staying open to the world. But Griswold's central concerns apply to everyone: What does it mean to be educated? What does it mean to think, feel, create, and be whole? What is the point of this particular journey?

"Pirates You Don't Know" is Griswold's vital attempt at making sense of his life as a writer and now professor. The answers for him are both comic and profound: "Picture Long John Silver at the end of the movie, his dory filled with stolen gold, rowing and sinking; rowing, sinking, and gloating."

Arnie Wilson started hunting down "big names" after being hired by a news agency to telephone titled people and charm them into divulging stories he would sell to Fleet Street gossip columns. But the 'celebrity' landscape was changing. Instead of targeting lords, baronets knights and their ladies, he was determined instead to find 'real' celebrities, persuading them with a combination of cheek, charm and chutzpah to divulge funny and intimate anecdotes for publication. Ten years as an ITV on-screen news reporter reinforced his skill at putting interviewees at their ease, and he started working on many of the columns he had once himself supplied with tales of the famous. Even during 15 years as the Financial Times ski correspondent he kept the gossip tap turned on, interviewing Hollywood stars on the slopes. He chatted to (and sometimes skied with) film stars, rock stars, astronauts, comedians, authors, government ministers, former prime ministers and the odd American president. Although celebrities today are two a penny, he's still at it, chatting to anyone famous he can find.

For decades, Colombia was the 'narcostate'. Now it's seen as one of the rising stars of the global economy. Where does the truth lie? How did a land likened to paradise by the first conquistadores become a byword for hell on earth? And how is it rebuilding itself after decades of violence? Writer and journalist Tom Feiling has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, talking to people from former guerrilla fighters to nomadic tribesmen and millionaires. Vital, shocking, wry and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia to create a stunning work of reportage, history and travel writing. Books of the Year 2012 Boyd Tonkin, The Independent 'Creates a portrait of Colombia that is perceptive, unsensational, and full of humanity ... Feiling is a brilliant reporter, lucid, unflinching, morally engaged, and with an occasional deadpan sense of humour .. one of the most consistently intelligent and compelling books to have appeared on any South American country in recent years' Michael Jacobs, Independent 'Tom Feiling takes us on an enlightening journey through a changing country that few understand' Rachel Aspden, Observer 'A deeply political account of one man's journey to the violent heart of modern, rural, Colombia ... a must read' Kevin Howlett, Colombia Politics 'Feiling... venture[s] into areas that have been off limits for decades ... the sense of a vibrant nation worth discovering peeks out' Siobhan Murphy, Metro 'The best British travel writers like Norman Lewis or Bruce Chatwin give the reader more than simple travellers' tales. Feiling is of their company ... a brilliant, penetrating and highly readable account' Robert Carver, Spectator Some of the best insights in the book come from the people Feiling meets, and memorably portrays ... a well-written, thoughtful book David Gallagher, Times Literary Supplement Dramatic and captivating Wanderlust 'Elegantly written and knowledgeable. Feiling writes with the eye of a seasoned journalist and the style of a travel writer' Carl Wilkinson, Financial Times Tom Feiling spent a year living and working in Colombia before making Resistencia: Hip-Hop in Colombia, which won numerous awards at film festivals around the world, and was broadcast in four countries. In 2003 he became Campaigns Director for the TUC's Justice for Colombia campaign, which organizes for human rights in Colombia. His first book was The Candy Machine: How Cocaine Took Over The World, which was based on over sixty interviews with people involved in all aspects of the cocaine business and the 'war on drugs,' and was published by Penguin in 2009.

This timely collection, compiled and edited by veteran journalist and political commentator Max du Preez, contains critical reflections on various aspects of contemporary South Africa. Each contributor is a significant voice in their area of commentary and is well positioned to explore the complexities of the topic under analysis. The resulting pieces offer insights that will engage all readers interested in understanding and addressing the challenges of an unevenly changing nation. Topics in the collection include: The state of the nation; Personal and social identities - race, ethnicity and class; Environment - climate change and sustainability; Governance - skills, capacity and service delivery; The judicial system; Crime and violence; Education; Race relations and Health care.

Scholarly Research Paper from the year 2011 in the subject Communications - Journalism, Journalism Professions, grade: 16/20, - (Mohammed V University, Rabat.), course: Discourse Analysis End of Studies Seminar., language: English, abstract: The present study endeavours to investigate the effects of journalistic discourse on the perception of reality. More precisely, it attempts to demonstrate how different ways to 'report' the same events may lead to different constructions of social reality. The major aim of this research is to depict the strategies used by AlJazeera and NileTV during their coverage of the events of the Egyptian revolution of the 25th January 2011, the ideological purposes behind the use of these strategies and how they end up constructing different versions of reality. In this regard, Critical Discourse Analysis is used as a method of analysis, to uncover the ways social realities are constructed discursively via the news media. This research paper is organized as follows: the first chapter presents the major concepts related to the functionalist view of discourse, as well as all the key concepts related to journalistic discourse, namely, capitalism, power, ideology, hegemony, journalism, objectivity, discursive practices, propaganda, audience and headlines. The second chapter presents the research methodology, which involves the purpose, the rationale, the research questions and hypotheses, as well as the pilot study and the methods of data collection and analysis. Finally the third chapter presents the analysis of fourteen headlines from both the English and Arabic versions of the websites of AlJazeera and NileTV on their coverage of the Egyptian revolution (25th of January 2011)

The New News

Reports of the death of the news media are highly premature, though you wouldn't know it from the media's own headlines. Ken Doctor goes far beyond those headlines, taking an authoritative look at the fast-emerging future.

The Twelve Laws of Newsonomics reveal the kinds of news that readers will get and that journalists (and citizens) will produce as we enter the first truly digital news decade.

A new Digital Dozen, global powerhouses from "The New York Times, " News Corp, and CNN to NBC, the BBC, and NPR will dominate news across the globe, Locally, a colorful assortment of emerging news players, from Boston to San Diego, are rewriting the rules of city reporting,

"Newsonomics" provides a new sense of the news we'll get on paper, on screen, on the phone, by blog, by podcast, and via Facebook and Twitter. It also offers a new way to understand the why and how of the changes, and where the Googles, Yahoos and Microsofts fit in. "Newsonomics" pays special attention to media and journalism students in a chapter on the back-to-the-future skills they'll need, while marketing professionals get their own view of what the changes mean to them.

At a time when mainstream news media are hemorrhaging and doomsayers are predicting the death of journalism, take heart: the First Amendment is alive and well in small towns across America. In Emus Loose in Egnar, award-winning journalist Judy Muller takes the reader on a grassroots tour of rural American newspapers, from an Indian reservation in Montana to the Alaska tundra to Martha's Vineyard, and discovers that many weeklies are not just surviving, but thriving. In these small towns, stories can range from club news to Klan news, from broken treaties to broken hearts, from banned books to escaped emus; they document the births, deaths, crimes, sports, and local shenanigans that might seem to matter only to those who live there. And yet, as this book shows us, these "little" stories create a mosaic of American life that tells us a great deal about who we are-what moves us, angers us, amuses us. Filled with characters both quirky and courageous, the book is a heartening reminder that there is a different kind of "bottom line" in the hearts of journalists who keep churning out good stories, week after week, for the corniest of reasons: that our freedoms depend on it.

Essay from the year 2011 in the subject Communications - Journalism, Journalism Professions, grade: 1,3, University of Lincoln (Media and Humanities), course: International Human Rights for Journalists, language: English, abstract: If you will ever visit Cambodia, you will soon notice that it is virtually impossible not to fall in love with that little, but extraordinarily fascinating country. The amiable and ever-smiling Khmer (the predominant ethnic group in Cambodia), the rich history and heritage of the country, and the beautiful jungles and beaches appeal to visitors since Portuguese adventurers first set foot in the country in the 16th century. But at the same time, the country also has a dark side, originating from its long history of war and violence. Even today, as Cambodia slowly learns to come to terms with its past, things are far from perfect. While human rights are violated on a daily basis, an increasingly autocratic state seems to be more concerned about the interests of the rich and powerful than about those of the whole of the population. In this essay I am going to investigate the current human rights situation in Cambodia by examining reports of national and international human rights organizations, press reports, and books. I will also try to find out which role the violent past of Cambodia and the distinctive peaceableness of its Buddhist population play in this context.

Based on the meticulous research of the news watchdog organization Media Matters for America, David Brock and Ari Rabin-Havt show how Fox News, under its president Roger Ailes, changed from a right-leaning news network into a partisan advocate for the Republican Party.
"The Fox Effect" follows the career of Ailes from his early work as a television producer and media consultant for Richard Nixon, Ronald Reagan, and George H. W. Bush. Consequently, when he was hired in 1996 as the president of Rupert Murdoch's flagship conservative cable news network, Ailes had little journalism experience, but brought to the job the mindset of a political operative. As Brock and Rabin-Havt demonstrate through numerous examples, Ailes used his extraordinary power and influence to spread a partisan political agenda that is at odds with long-established, widely held standards of fairness and objectivity in news reporting.
Featuring transcripts of leaked audio and memos from Fox News reporters and executives, "The Fox Effect "is a damning indictment of how the network's news coverage and commentators have biased reporting, drummed up marginal stories, and even consciously manipulated established facts in their efforts to attack the Obama administration.

Master's Thesis from the year 2010 in the subject Communications - Journalism, Journalism Professions, grade: 1,0, European University Viadrina Frankfurt (Oder), language: English, abstract: The protests after Iran's Presidential Elections in June 2009 have cost the lives of an unknown number of political opponents, protesting against the regime of former and future president Mahmud Ahmadinejad and the revolutionary and militia forces. Yet one particular death seemed to be particularly horrifying; the video of a young woman being shot was circulating on the internet and soon extensively reported on by the mass media. In the course of events after Neda Agha-Soltan's death, a struggle developed over her status as icon and symbol for the Green Movement, as opposition leader Mousavi's followers were called. On the one hand, the regime in Tehran fought hard to diminish the effect which arose from this video while on the other hand Western media, politicians and artists picked up the story and reproduced it - each with their own agenda in mind. The object of this work is the discursive event of Nedas death; subsequent to this, the question how Neda's identity is constructed and why her death became visible while bearing in mind the Western hegemonic discourse which is intersected with discourses on media, gender, politics and ethnicity.

John Schulian, a much-honored sportswriter for nearly forty years, takes us back to a time when our greatest athletes stood before us as human beings, not remote gods. In this compelling collection, Schulian paints prose portraits to remind fans of what today's cloistered stars won't share with them. Here, Willie Mays remembers how to smile in dreaded retirement; Muhammad Ali muses about a world that was once his. For every moment of triumph-Joe Montana in the Super Bowl, Marvelous Marvin Hagler over Thomas Hearns-there is another filled with the heartache that Pete Maravich felt when he hung up his basketball shoes. The result is a book guaranteed to stir memories for the generation that was-and to leave subsequent generations wishing they had it so good. Purchase the audio edition.

Essay from the year 2011 in the subject Communications - Journalism, Journalism Professions, grade: 1,0, University of Lincoln (Media and Humanities), course: International Human Rights for Journalists, language: English, abstract: "Intelligence sources in Pakistan have said that Miss al-Sadah, and the other relatives of bin Laden currently in hospital will be returned to their countries of origin when they have recovered" (Daily Telegraph, May 5 2011). "Intelligence sources revealed terrorists intend to target Belfast or Derry to send out their anti-British message on the day Prince William and Kate Middleton marry" (The Mirror, April 25 2011). "UK spooks were last night in a desperate race to track ten terrorists recruited for a Mumbai-style attack in Europe. A Sun probe reveals intelligence sources believe the cell is committed to a strike before Christmas" (The Sun, October 9 2010). These three quotes from major British newspapers depict the ongoing willingness of journalists to use information from anonymous sources. Whoever thinks that the information disaster during the build-up of the Iraq War, when the UK press regularly published wrong reports based on intelligence sources, has stopped them from continuing this practice, is wrong. But of course this is nothing new. This procedure has been going on for the last sixty years, and not even the most outlandish disinformation campaigns in the past have kept the press from going to bed with spies. In this essay, I want to explore the reasons that lie behind this behaviour. Why do journalists accept information from intelligence sources so willingly? What are the dangers, but also the benefits of this behaviour? What happens if journalists cross the line and work for the intelligence services? And what reasons do spooks have to disguise themselves as hacks? And last, but not least: What has James Bond got to do with it?

"The press has become a tool of oppression--politicized, self-aware, self-motivated, and power-hungry. . . . In short, these people can no longer be trusted." --From S. E. Cupp's "Losing Our Religion"
""
"It's time to wake up and smell the bias. "The go-to commentator for such programs as Fox News's "Hannity "and CNN's "Larry King Live "and "Reliable Sources," S. E. Cupp is just that--a reliable source for the latest news, trends, and forecasts in young, bright, conservative America. Savvy and outspoken when shattering left-leaning assumptions as she did in "Why You're Wrong About the Right," Cupp now takes on the most pressing threat to the values and beliefs held and practiced by the majority of Americans: the marginalizing of Christianity by the flagrantly biased liberal media.
From her galvanizing introduction, you know where S. E. Cupp stands: She's an atheist. A non-believer. Which makes her the perfect impartial reporter from the trenches of a culture war dividing America and eroding the Judeo-Christian values on which this country was founded. Starting at the top, she exposes the unwitting courtship of President Obama and the liberal press, which consistently misreports or downplays Obama's clear discomfort with, or blatant disregard for, religious America--from covering up religious imagery in the backdrop of his Georgetown University speech to his absence from events surrounding the National Day of Prayer, to identifying America in his inaugural address as, among other things, "a nation of non-believers." She likens the calculated attacks of the liberal media to a class war, a revolution with a singular purpose: to overthrow God and silence Christian America for good. And she sends out an urgent call for "all "Americans to push back the leftist propaganda blitz striking on the Internet, radio, television, in films, publishing, and print journalism--or invite the tyrannies of a "mainstream" media set on mocking our beliefs, controlling our decisions, and extinguishing our freedoms.
Now, discover the truth behind the war against Christmas--and how political correctness keeps the faithful under wraps . . . the one-sided analyses of Prop 8 and the gay marriage debate . . . the media pot-shots at Sarah Palin's personal faith . . . the politicization of entertainment mainstays such as "American Idol "and the Miss USA Pageant . . . and much more. Also included are her penetrating interviews with Dinesh D'Souza, Martha Zoller, James T. Harris, Newt Gingrich, Kevin Madden, and Kevin Williamson of "National Review," delivering must-read analyses of the latest stunning lowlights from the liberal media.

“Some people think it a very bad thing to have an opinion about anything. Blend in, don’t make too much noise, just be happy with what you know and do. I can’t do that.” — Gareth Cliff

Gareth Cliff likes to shoot from the hip. Whether on air or judging a trembling Idols contestant, he’s always quick with a point of view. In Gareth Cliff on Everything, Gareth throws caution to the wind and writes about all those subjects that make him glad, sad or simply mad.

Cliff takes on all comers with his brash, iconoclastic and pointed musings. It’ll engage, enrage and derange you all at once.

Essay from the year 2010 in the subject Communications - Journalism, Journalism Professions, grade: 2, University of Hamburg, language: English, abstract: 1. Introduction A lot of essays have been written, when it comes to the approach of codes of ethics in journalism. In globalizing times, where the Internet serves as an increasing news source, it is of importance to rethink the existing codes of ethics and to frame them in a broader, transnational context. If this, sooner or later, leads us to a Global or European code of ethics, has also been one of the main topics in the media communication research field, as Tiina Laitila for example defines common journalistic codes of ethics within the European countries.1 But whereas common ethical rules and guidelines regarding journalism in general seem more clear and discussed in several studies, ethical codes in terms of photojournalism are still not defined in a normative way. Especially in times of the digital age and its mistrust it brings concerning digital photography, there is an increasing need of clear ethical guidelines for photojournalism. To demonstrate the importance of codes of ethics in photojournalism, the impact visual images possess, will be discussed and reconsidered in the beginning. On the basis of these ideas, this essay will examine whether or not ethical codings exist in the field of photojournalism with a special emphasize on Germany. It will be analyzed, if a German code of ethics can be defined, or if a broader, transnational code of ethics can be assigned regarding photojournalism. As a concluding part, the conduct of photographic codes of ethics will be discussed with the help of single conflict images. If a photojournalist respects the rules of codes of ethics or not, doesn't make his or her work often easier. Especially when it comes to war or conflict reporting, journalists often have the dilemma about how to behave as a photographer in critical situations. Images, as for example the world

At a time when mainstream news media are hemorrhaging and doomsayers are predicting the death of journalism, take heart: the First Amendment is alive and well in small towns across America. In "Emus Loose in Egnar," award-winning journalist Judy Muller takes the reader on a grassroots tour of rural American newspapers, from an Indian reservation in Montana to the Alaska tundra to Martha's Vineyard, and discovers that many weeklies are not just surviving, but thriving.
In these small towns, stories can range from club news to Klan news, from broken treaties to broken hearts, from banned books to escaped emus; they document the births, deaths, crimes, sports, and local shenanigans that might seem to matter only to those who live there. And yet, as this book shows us, these "little" stories create a mosaic of American life that tells us a great deal about who we are--what moves us, angers us, amuses us. Filled with characters both quirky and courageous, the book is a heartening reminder that there is a different kind of "bottom line" in the hearts of journalists who keep churning out good stories, week after week, for the corniest of reasons: that our freedoms depend on it. Not that they would put it that way, necessarily. In the words of one editor in Colorado, "If we found a political official misusing taxpayer funds, we wouldn't hesitate to nail him to a stump."